Kranky Electronic & Dance 30 Items

2LP | 2011 | US | Reissue (Kranky)

Ravedeath, 1972

41,99 €*

2LP | 1996 | US | Reissue (Kranky)

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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TIM HECKER’s classic Ravedeath 1972 approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece “Hatred of Music” might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician BEN Frost assisted with the engineering and performs on this recording.

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Bowery Electric

Beat

45,99 €*

Release: 1996 / US – Reissue

Genre: Electronic & Dance

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Kranky re-release Bowery Electric's second long-player, their 1996 album, Beat. Its horizontal, morphine-drip trip hop and drone-gazing really don't sound like something that could have come from the mid-nineties. But for the very Bristolian title track the tone of the album is actually far more in-keeping with either Spacemen 3-style eighties indie or modern day dream-pop. In addition to soaring effects-laden epics like 'Empty Words' and 'Fear Of Flying' there's some sensitive minimalism afoot on the self-explanatory ambience of 'Looped' and the sixteen-minute 'Postscript', all of which helps make Beat a worthy and seasonable reissue. A secret Downbeat gem from the middle of the 90s.

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2LP | 2006 | US | Reissue (Kranky)

Harmony In Ultraviolet

41,99 €*

Release: 2006 / US – Reissue

Genre: Electronic & Dance

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At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. "The whole album moves with a sort of barely-contained violence that threatens to disintegrate or burst tracks into flame outs at nearly any point. it's powerful and intense ambient music that really doesn't sound like anything else being created right now."—Almost Cool

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2LP | 2023 | US | Original (Kranky)

No Highs

38,69 €* 42,99 € -10%

LP | 2004 | US | Reissue (Kranky)

Release: 2023 / US – Original

Genre: Electronic & Dance

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The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue. Whether taken as warning or promise, No Highs delivers—this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts—the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

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Dead Texan

30,99 €*

LP | 2022 | US | Original (Kranky)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Another sweeping album from Stars OF THE LID and AIX EM Klemm member Adam Wiltzie, this time under his new Dead Texan moniker. Eleven mini-symphonies of nocturnal psychedelia and reverie-inducing soundcraft, propelled with piano, strings, and Wiltzie's surreal smear of guitars. Includes a DVD with music videos by Wiltzie and video artist Christina Vantzous.

“Stars Of The Lid’s Adam Wiltzie presents a collection of drone compositions that he considered too aggressive for his parent band—which means they range somewhere between a whisper and a shout. The sense of cathedral-like reverence is balanced with extreme intimacy.” —Pitchfork

“This is quite possibly the best music available for slowly drifting into dreamland. Equal parts intrigue and sedative, The Dead Texan is an elegantly hypnotic album that manages to freeze time in addition to passing it.” —Tinymixtapes

“The Dead Texan remains a remarkably subtle and tranquil work. Disarmingly lovely...” —Textura

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Pan American

The Patience Fader

28,99 €*

2LP | 2020 | US | Original (Kranky)

Release: 2022 / US – Original

Genre: Electronic & Dance

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The glacial distillation of Pan•American aka Mark Nelson’s “romantic minimalism” achieves unique fruition on his latest Kranky collection, The Patience Fader. A suite of solo guitar instrumentals accented with lap steel, harmonica, and twilit atmospherics, the strings smear and sparkle in elegant, windswept swells, a guitar mode once described by Brian Eno as “Duane Eddy playing Erik Satie.” These are elegies as much as songs, lulling and lilting in private currents of beauty and bereavement. Nelson speaks of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” Composed during the highly isolated summer of 2020, the pieces took shape as meditations on “roots and mourning, trying to connect with those deep hidden rivers that lead to a greater communality.” There’s something ageless, scarred, and American about this music, both displaced and devotional, the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.

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Loscil

Coast / Range / Arc//

30,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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Named after the geographic formations of the seismically volatile Cascadian coastal mountains, loscil’s coast/range/arc// reissue features new artwork and an additional track. Remastered by James Plotkin and available on vinyl for the first time.

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Pan American

A Son

21,99 €*

Eleven Fugues For Sodium Pentothal

Release: 2020 / US – Original

Genre: Electronic & Dance

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Legacy Chicago craftsman Mark Nelson’s latest offering as Pan•American is less a distillation or divergence than it is a return to his musical and spiritual beginnings. Spare, subdued, and largely acoustic, A Son unfurls like late summer dusk on the edge of town, expansive but intimate. Motivated by notions of “moving backward” and tracing roots—as well as a couple years of hammered dulcimer lessons—the album’s nine songs were written and recorded in his home in Evanston, Illinois, and honed during a recent solo tour in Europe. The emphasis on uncluttered arrangements and the centrality of the guitar and vocals reveal these songs as the most direct and emotional statement of his career.

Nelson cites everything from June Tabor, The Carter Family, Suicide and Jimmy Reed as oblique inspirations, though his truest muse was creative self-inquiry: “What does music do, Where does music start? How simple can it be? How honest can it be?” After decades of mining post-rock pathways and latticework electronics in Labradford and early Pan•American, A Son strips away ornament and distraction in favor of a direct gaze into the heart of what is.

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Adam Wiltzie

LP | 2024 | UK | Original (Kranky)

33,99 €*

Loscil // Lawrence English

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest suite by composer (and Stars Of The Lid co-founder) Adam Wiltzie took shape following a move north from Brussels into the Flemish countryside, although it was initially inspired by a recurring dream wherein “if someone listened to the music I created, then they would die.”

The album uniquely evokes and evades the allure of oblivion, keening between beauty and ruin, forever unresolved. Wiltzie cites the barbiturate of the title as both muse and sacred escape: “When you are sitting face forward on the daily emotional meat grinder of life, I always wished I could have some, so I could just fall asleep automatically and the feeling would not be there anymore.”

Recorded at Wilzie’s home studio, with strings added in Budapest at the old Hungarian National radio facility (Magyar Radio), the tracks feel simultaneously intimate and infinite, unfolding vistas glimpsed in an inner space.

Robert Hampson of English drone rock icons Loop mixed the album, further lending the music a sense of cinematic expanse and oblique hypnosis.

These are fugue states as much as fugues in a literal classical music sense—smeared epiphanies of uncertain memory and spatial dislocation, coaxed from the unconscious and set aloft.

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Colours Of Air

2LP | 2024 | UK | Original (Kranky)

45,99 €*

LP | 2001 | US | Reissue (Kranky)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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First vinyl issue for this 2023 release with bonus track not available on CD.

Nine majestic electro-acoustic threshold devotionals. The union of composers Lawrence English and loscil aka Scott Morgan is seamless, sublime, and long overdue.

Born of a conversation centered on the notion of “rich sources” as a forge for electronic music, Colours Of Air is a collection of recordings of a century old pipe organ housed at the historic Old Museum in Brisbane, Australia, which were then processed, transformed, and elevated into eight majestic electro-acoustic threshold devotionals. The timbre of the instrument and spatial fluctuations of room tone infuse the music with a subdued, sacred feel, like vaulted light in a nave of stained glass. They describe the album as “an iterative project, a reduction and eventual expansion,” sifting the swells and drones of the organ for every shivering shade of radiance.

The tracks are named for the hue each piece suggests – from the gauzy levitational miasma of “Yellow” to the pulsing melancholic mirage of “Violet” to the seething twilit sandstorm of “Magenta.” Morgan and English are both adept at conjuring moods of muted grandeur, like landscapes veiled in dusk, still looming and luminous.

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Windy & Carl

Consciousness

29,99 €*

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-06-07

The fourth album from Michigan’s premier space duo, again delivers their shimmering trademark wall of sound, beautiful vocalization, and delicate songcraft. Six sweet and easy new tracks recorded in their home studio in Dearborn, that drift and dream with layered guitars, keyboards, bass and a love-arsenal of delicious effects and distortion.

“These two won’t be happy until they find a combination of sounds that encompasses all feeling, at which point they will then stretch that chord to the vanishing point.” —Pitchfork

“Perhaps it’s a prayer, perhaps a blessing, perhaps a poem full of questions—it hardly matters. Humble, moving, and brilliant.” —All Music

“The Windy & Carl listening experience is akin to the period of peace when one is about to succumb to slumbering; the body is hypnotized yet the mind becomes more and more lucid.” —Tape Op

“There is an airy shaft of light that extends straight through these six extended pieces, offsetting the density of sound with a breezy loveliness that’s almost impossible to articulate, towering on a floating sea of mesmerising, sub-level sounds.” —Boomkat

“Genre descriptions such as ‘ambient guitar soundscape’, ‘wall of sound’ and ‘drone’ fail miserably to capture the astonishing, magical emotional beauty of their pieces.” —Cyclic Defrost

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CD | 2023 | UK | Original (Kranky)

No Highs

17,99 €*

LP | 2022 | US | Original (Kranky)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue.

Whether taken as warning or promise, No Highs delivers – this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined.

Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

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Christina Vantzou

No5

28,99 €*

LP | 2022 | US | Original (Kranky)

Release: 2022 / US – Original

Genre: Electronic & Dance

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While on the island of Syros in the Aegean Sea for a film festival performance, Christina Vantzou experienced what she characterized as “a moment of focus”—a specific vision for the sprawl of raw recordings she’d been amassing for her fifth album. Upon relocating to the Cycladic island of Ano Koufonisi, she situated herself outside at a patio table with a laptop and headphones, taking brief breaks to swim, and began the “reductive process” of shaving and shaping the source material into uneasy but lyrical movements, alternately austere and adorned with strange inflections: glottal groaning, cavernous water, glittering eddies of modular synth, languorous silences. Mixing the pieces herself without outsourcing to an engineer compounded the intimacy and autobiographical dimension of the music; she refers to Nº5 as “almost like a first album.” Drawing on sessions staged in February 2020, Vantzou’s editing instincts emphasize process and isolation, spotlighting resonance and restraint, liquidity and long tails. Fleeting configurations of piano, wind, strings, synthetics, and field recordings, these are spaces as much as compositions, surreal grottos of shifting light, suffused with a sense of invisible divinity. Although seventeen musicians appear on the record, the proceedings feel minimalist and malleable, sculpted from interstitial moments and oblique synchronicities. The definition of a composer as “one who joins things” is here both plumbed and proven; Vantzou describes Nº5 as “a letting go,” a place of “soft borders,” unfixed and undefinable.

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Earthen Sea

Ghost Poems

25,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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Jacob Long’s third Earthen Sea outing for Kranky, Ghost Poems, further refines his fragile, fractured palette into fluttering arrythmias of dust, percussion, and yearning. Composed during the first wave of lockdowns in New York, the pieces took shape patiently from samples of piano, texture, and domestic sounds (sink splashing, room tone, clinking objects), filtered through live FX to imbue them with an intuitive, immaterial feel. Wisps of melody splinter, shimmer, and refract, like light on water; pulses accrue and dissipate, as if mapping shifting sands. Throughout, there’s a sense of matter made animate, of absences felt. Long cites notions of “the studio as a dub instrument” and the melancholy of “7th chords on a fake Rhodes patch” as central elements in his process, transforming raw materials into rare thresholds of symbiosis and hypnosis. This is music for night skies in hollowed-out cities, for views across rivers towards unknown shores: restless, placeless, and profound.

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Ana Roxanne

Because Of A Flower

20,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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The sublime songs comprising Los Angeles-based musician Ana Roxanne’s second record, Because Of A Flower, germinated gradually across five years, inspired by interwoven notions of gender identity, beauty, and cruelty. She describes her process as beginning with “a drone element and a mood,” then intuiting melody, syllables, and lyrics incrementally, like sacred shapes materializing from mist. The experience of identifying as intersex informs the album on levels both sonic and thematic, from spoken word texts borrowed from tonal harmony textbooks to cinematic dialogue samples and castrati aria allusions. It’s an appropriately interstitial vision of ambient songcraft, a chemistry of wisps and whispers, sanctuary and sorrow, conjured through a fragile balance of voice, bass, space, and texture. Despite a background studying at the prestigious Mills College in Oakland, Roxanne’s music rarely feels conceptual, instead radiating an immediate and emotive aura, rooted in the present tense of her personal journey. She speaks of the flower in the title as a body, singular and sunlit, as many petals as thorns, an enigma beholden only to itself. But whether taken as surface or subtext, Because Of A Flower is a transfixing document of a rare artist in the spring of their ascension.

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MJ Guider

Sour Cherry Bell

Allegiance And Conviction

Release: 2020 / US – Original

Genre: Electronic & Dance

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Melissa GUION’s second offering for Kranky retains the glassy gauze of her debut, 2016’s Precious Systems, but shaded starker and darker, framed by mechanical rhythms and humid industrial moods. She speaks of Sour Cherry Bell as something of a reckoning with her tools of creation: “I was curious to see how far I could go with them, even if that meant reaching the ends of their capacity to do what I wanted. But I never exhausted them and they never exhausted me.” Utilizing her trusted combination of instrumentation, Guion tracked the record between her New Orleans home and rehearsal space, capturing chemistries both intimate and expansive. The songs sway between twilit shoegaze, downer ballads, and gothic pop, mapping a delicate palette of electric melancholies, though in retrospect she cites as her primary muse the notion of power: “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” Sour Cherry Bell reverberates beyond the here and now into scenes unseen, worlds unheard.

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Windy & Carl

LP | 2018 | US | Original (Kranky)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Legendary Dearborn duo Windy & Carl have been crafting inner space electric guitar and bass vistas for nearly three decades now, but their latest feels as vital and vaporous as any peak opus in their vast catalog. Written and recorded across six years, the songs swirl between shoegaze minimalism and stargaze drift, over which Windy Weber whispers veiled poetic narratives of transformation, isolation, and escape.

Allegiance And Conviction is their first album since 2012’s We Will Always Be. The six compositions are something of outlier in their catalog, shorter in nature than most on their previous releases. All of the tracks are saturated with Carl Hultgren’s signature guitar work, intimate constructions of murmurs, drones and his trademark layered filigree, gently amassed into alternately lighter and heavier than air atmospheres.

Despite being their first full-length in more than half a decade, the album fully belongs to the bewitching galaxy of sound Windy & Carl innovated and within which they remain the sole occupants: music of thresholds and peripheries and eternities. Allegiance And Conviction is the multifaceted, contemporary take on their sound.

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Saloli

The Deep End

27,99 €*

LP | 2018 | EU | Original (Kranky)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Portland, Oregon resident Mary Sutton’s solo debut materialized in the wake of a performance she gave at a clothing-optional soaking-pool sauna: “I had never composed for synth before but wanted to make something people sitting motionless and naked in hot bubbly water would want to hear.” It was while in this headspace that she reconnected with Satie’s entrancing cyclical motifs, particularly the way “he subtly spins melodic fragments, and pivots harmonies and phrases so the repetitions feel new and surprising yet soothingly familiar, as if casting a spell.”

The nine intuitive instrumentals comprising The Deep End accomplish exactly that, threading complementary shades of soft-hued hypnosis, dazed modal introspection, icy amusement park reverie, and lunar lullaby into a prismatic suite of contemplative melody and synthetic communion. Sutton’s songs are active rather than ambient yet their structure is more suggestive than scripted, full of lulls, asymmetries, and daydreams. Each track was written specifically to be played live on an analog synthesizer, with no overdubs or post-production wizardry. The sound of Saloli is one of warm-blooded wiring, turned on and tapped into, emotive and electric, storied machines speaking through all too human hands.

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Christina Vantzou

No. 4

20,99 €*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Demen

Nektyr

22,49 €* 24,99 € -10%

Release: 2017 / US – Original

Genre: Electronic & Dance

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A few years ago Kranky received an anonymous email with a link to three tracks and a simple message: “Hi, maybe you would be interested in this music.” The songs were instantly striking: extraordinarily slow, somber, and spacious, each vaulted cathedral chord reverberating poetically into the distance, the melodies rolling out like fog across a cemetery. Captivated, Kranky requested more, receiving a single word in response: “Yes.” Then, nothing. Eventually, three months later, another email with slightly more information was received: a name (Irma Orm), a location (Stockholm), and a bit of context (she worked alone, and progress on music was slow but steady ).

Fast-forward to mid-2016: the album is complete: Nektyr, by Demen, and it is breathtaking. Hermetic gothicswan songs conjured from funereal piano, twilit ambience, minimalist percussion, and spellbinding vocals. The mood is lulling and lush but lost in sorrow, stark grey structures looming in the night. Majestic open spaces between notes heighten the melancholic grandeur of Orm’s arrangements, blurring the line between lament and lullaby. The songs don’t end so much as ebb away, succumbing to their own downcast beauty.

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Justin Walter

Unseen Forces

2LP | 2017 | US | Original (Kranky)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Michigan trumpeter Justin Walter’s solo work centers on evocative, intuitive explorations of the EVI (Electronic Valve Instrument), a rare wind-controlled analog synthesizer from the 1970s. Its unique, smeared tonality allows for an expressive range of glassy, jazz-like textures, which Walter loops and layers with hushed electronics and twilit trumpet, painting opaque landscapes of resonant beauty.

Walter’s 2013 debut, Lullabies & Nightmares, included a handful of collaborations with percussionist Quin Kirchner, but Unseen Forces finds him fully solo, refining the project to its essence: shape-shifting watercolors of pastel haze, lit by the soft synthetic glow of electric breath. It’s a sound both modern and timeless, fusing emotion and technology, gauze and melody, force and fragility.

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Anjou

Epithymia

32,99 €*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Ambient power duo Anjou’s sophomore statement continues in the vein of their 2014 debut, unfurling a full hour of mesmeric synthetic drift and veiled melodic undertow. Comprised of Mark Nelson (of pioneering post-rock experimentalists Labradford and Pan·American) and Robert Donne (of Labradford, Aix Em Klemm, Cristal), the group works largely in long-form suites of sound, alternately spacious and dense.

Epithymia’s six pieces embrace flux and ambiguity: drones swell and shudder, hushed currents of noise glitch and dissolve, atmospheres congeal and liquify. As with the participants’ prior projects, Anjou evokes a shadowed, mysterious mood, variously melancholy and transcendent. The album is an accumulation of craftsmanship and experience, blurred forms traced in light and fog.

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High Plains

Cinderland

Release: 2017 / US – Original

Genre: Electronic & Dance

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High Plains is the duo of Scott Morgan and Mark Bridges. Morgan, based in the Canadian Pacific Northwest, is predominantly known for his drifting, textured soundscapes released under the pseudonym Loscil. Bridges is an accomplished, classically-trained cellist residing in Madison, Wisconsin. The two met in Banff, Alberta, while they were there on residencies at the Banff Centre for the Arts in 2014.

In early 2016, the duo embarked on a collaborative set of compositions in the oxygen thin air of Wyoming, spending two weeks holed up in a refurbished school house in the town of Saratoga, where this album was recorded. Inspired by Schubert’s Die Winterreise and the rolling landscapes of their surroundings, the recordings evoke a shadowy, introspective and dizzying winter journey. Cinderland takes cues from classical, electronic and cinematic musical traditions but is mostly a product of the rugged, mythic landscape: vast and sprawling with a wild, uncertain edge.

The recording was made with a portable studio and all sounds were sourced on site, most notably from Bridges’ cello, the resident Steinway D piano, and field recordings collected from the local soundscape.

The results are a site-specific, wide-scope view of the high valley terrain — a mix of analog and digital, neoclassical and modern electronic sounds, a complementary series of tracks to become absorbed in, a truly deep listening experience.

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Earthen Sea

An Act Of Love

23,99 €*

A Winged Victory For The Sullen

Release: 2017 / US – Original

Genre: Electronic & Dance

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Received an 8.1. rating from Pitchfork.

Jacob Long's newest recordings under the Earthen Sea moniker deepen his compelling synthesis of shadowy rhythms and opaque atmospherics, drawing on the most potent qualities of melancholic ambient and dub techno. An Act Of Love follows 2015’s Ink, released via Ital’s Lovers Rock imprint, and was inspired by internal tribulations and the experience of exploring an empty nocturnal metropolis. Careful waves of tones drift and decay; beats materialize and pulse across twilit landscapes; a noir mood reigns. Given Long’s background as bassist for revelatory tribal-punk trio Mi Ami, An Act Of Love showcases a musician in the midst of transcendent redefinition, crafting an immersive language of texture and motion.

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Atomos

2LP | 2014 | US | Original (Kranky)

29,99 €*

LP | 2004 | US | Reissue (Kranky)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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Keith Fullerton Whitman

Antithesis

20,99 €*

LP | 2012 | US | Original (Kranky)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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REISSUED ON VINYL!!! Antithesis is an LP-only release of material from KEITH FULLERTON WHITMAN's archives that doesn't fit aesthetically with his Multiples studio album. The theme for the album is "ensemble works," that is, a combination of instruments played by Whitman himself with no computer interaction. Each piece was recorded in one of the different apartments Whitman has rented since he lived in Boston. Four tracks performed with Fender Rhodes piano, viola, guitar, and percussion.

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Mirrorring

Foreign Body

12" | 2023 | US | Original (Kranky)

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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Niecy Blues

Exit Simulation

29,99 €*

12" | 2023 | UK | Original (Kranky)

Release: 2023 / US – Original

Genre: Electronic & Dance

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South Carolina singer and producer Niecy Blues describes her songwriting process like an undertow: “I feel a strange pull, and let it carry me, following swirling leaves... whole days roll by, forgetting about the body.” Their full-length debut, Exit Simulation, captures this sense of deep-rooted divination, cycling between simmering ballads, ghosted R&B, downtempo gospel, and looped vocal improvisations – often within the same track. The title is taken from a science fiction novel she read during the purgatory of the pandemic, alluding to a dimensional ideation of departure – “the permission to imagine leaving.”

Recorded in her current home of Charleston, she characterizes the album’s mood in terms both reflective and raw: an exploration of things suppressed, foundations beginning to crack, “talking myself off a ledge.”

The music of Niecy Blues transposes reverie and reckoning into emotive devotionals of keys, guitar, bass, synth, and bewitched voice, steeped in sacred atmospheres gleaned from a youth spent in a religious Oklahoma household: “My first experience with ambient music was church – slow songs of worship, with delay on the guitar... even if you don’t believe, you feel something.”

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Justin Walter

Destroyer

26,99 €* 29,99 € -10%

12" | 2023 | US | Original (Kranky)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The music of Justin Walter veers between nebulous and numinous, coaxed from the translucent tonalities of his signature instrument, the EVI (Electronic Valve Instrument).

Destroyer, his latest, and third for Kranky, marks his most multifaceted work yet. Inspired by minimalistic urges (evading grandiosity, condensing scope, embracing spatial restraint) tempered with the drama of triptychs (becoming, destruction, aftermath), the album's 11 tracks thread a keening suite of aching, opaque beauty, traced in absence and breath.

First begun in the no man's land summer of 2020, Walter gradually amassed nearly two hours of demos, drafts, and ideas, then steadily whittled them to their essence. Destroyer enlists the sounds of a recently restored pump organ, adding pulses and quaking texture, but otherwise the album is a shimmering showcase of the EVI: miasmic, melodic, intuitive, infinite. It's music of fraught devotion and uneasy peace, questing yet languorous, forever rapt and untethered.

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Saloli

Canyon

27,99 €*