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L/F/D/M - Gold Like Glass
L/F/D/M
Gold Like Glass
Tape | 2022 | EU | Original (Osàre! Editions)
15,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
L/f/d/m, aka Richard Smith, makes his debut on Osàre, exploring the more delicate side of his intoxicatingly abrasive sound. Gold Like Glass is razor-sharp and elemental, with each track cast from long passages of synth dissected into heavy edits. According to Smith, this composition process is akin to printmaking, where the ink on a series of images deviates from the original stencil, becoming looser, softer and increasingly ghostly. ‘After Whitney’ is haunted by peak time rave energy; the drums are disembowelled, leaving a rolling climatic melody, utterly euphoric and disorientating. The track is followed by ‘Blood Byze Leech,’ a thunderously jagged affair, and ‘Delicate Push’ that fizzles like an electrified spinning-top, its frozen melodies accompanied by a lolloping beat. Turning over to the B-side, ‘Plute’ winds its way into dark psychedelia while ‘m-two nine’ descends into the realm of mutant de-accelerated bleep techno. Combing the ciphers of hardcore, its cruxes and suspense, with the serrated edge of minimal synth EBM, Gold Like Glass presents an
alchemical fusion of deeply danceable and cerebral noise.
L/F/D/M - Dream Bleeds Colored Vinyl Edition
L/F/D/M
Dream Bleeds Colored Vinyl Edition
LP | 2019 | US | Original (Cititrax)
25,99 €*
Release: 2019 / US – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Cititrax presents ‘Dream Bleeds’, a new vinyl release by Brighton, UK based producer L/F/D/M. L/F/D/M is Richard Smith who first emerged in 2013, inaugurating the Optimo Trax series with the Purple Maps EP. In 2014, he teamed up with former Factory Floor’s Dominic Butler to release two EP’s of hardware-driven atonal techno on Powell’s Diagonal Records. In 2015, Cititrax featured Moth Holes on Tracks Volume 2.

‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”
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