L.G. Records Rock & Indie 8 Items

12" | 1989 | US | Reissue (L.G. Records)

Release: 2024 / US – Original

Genre: Rock & Indie

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Before Circus Lupus landed on DC’s venerable Dischord Records, the group’s original Midwest lineup recorded a full LP's worth of songs less than a year after forming. With the demise of DC’s Ignition in the late 80’s, bass player Chris Thomson headed to Madison, WI for college. Before leaving DC, he dove headfirst into being a vocalist fronting the short- lived throwback punk/hardcore project Fury. Chris served up pointed and profound Tony Cadena-inspired screeds about betrayal, disappointment and poseurs all set to a soundtrack of furiously primitive and chaotic music supplied by members of the DC punk band Swiz. Brief yet influential, this band marked Chris’s switch to vocals, putting him on course to front Circus Lupus and claim a notable spot in the DC punk timeline of the late 20th century. Soon after arriving in Madison, Thomson was invited to join a new project started by friends Chris Hamley, Arika Casebolt, and Reg Shrader. Circus Lupus marked a change in direction from the familiar sounds of DC punk that Thomson had been associated with for years. The newly formed group looked to noisier Touch & Go and Homestead bands for inspiration, aligning themselves with bands from Chicago, Louisville and Milwaukee. One early supporter of the band described the new group as “profoundly familiar yet uncategorizable. Like if the Germs had gone to college and never got pulled into hard drugs and suicidal behaviors.” The original Circus Lupus lineup played a dozen shows and recorded these songs with Eli Janney at Inner Ear studios in August of 1990 while on a brief tour. Within a year, the band would decide to permanently relocate to Washington DC, where they felt they had more opportunities. Reg opted to move to Chicago and would ultimately join the Touch and Go band Seam. Old friend Seth Lorinczi (Vile Cherubs) would become their new bass player, forming the version of the band that most listeners are familiar with. While a few of these ended up on their first single, the rest were shelved, some later to be rerecorded with Seth and released on Dischord. LG Records is proud to have helped this notable recording see the light of day. The original tapes were recovered by Ian MacKaye and transferred by Darren Edwards. Tim Green remixed and remastered the original recordings at Louder Studios in California. 180-gram black vinyl with 28pt Tip-On sleeve and heavy printed inner jacket.

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Fury

Resurrection

28,99 €*

LP | 2023 | US | Original (L.G. Records)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Recorded in 1989 on the remaining 10 minutes left the end of Swiz’s “Hell Yes I Cheated” reel-to-reel and originally released at the time as a 33 RPM 7”, this 2023 release presents a 12” 45rpm version remastered by Tim Green with an extra song recovered from the tape archives of Jason Farrell. The brief story of Fury: At some point in 1989, members of Washington DC punk bands Swiz and Ignition formed Fury as a loose experiment with no intentions beyond being a diversion. The band existed for a few months, wrote six songs, and played two shows. Shawn Brown and Chris Thomson switched their musical roles from their regular bands as vocal- ist and bass player. The eyes-closed leap into those unfamiliar positions imbued the recording its feeling of deranged chaos, while the well-seasoned duo of Jason Farrell and Alex Daniels nailed down each song with the signature agility and power displayed in their more familiar work together. The recording is a vexing listen that sounds like a neopolitan swirl of Swiz, Void, and the Germs. Was it precision theatre? Or was it a natural step back into a more primitive and comfort- able place for four young veterans that just wanted to fill the daily void of existential restlessness? The track “Resurrection” famously made it onto the final Swiz LP. The final track “Last One” got cut off halfway through recording and the band looped and spliced it into a dizzying psychedelic nightmare/ masterpiece. The recording has faded into somewhat of an obsurity, a footnote to the larger careers of all of its members. In its time, it was revered by a small cult of obsessives from numerous early 90’s underground punk circles. It notably had a pronounced influence on the emerging Gravity Records scene, where its echoes can be heard on quite a few of the earlier releases. “Resurrection” is finally getting the deluxe treatment that it deserves after 34 years!

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Las Mordidas

Ex-Voto

27,99 €*

12" | 2023 | US | Original (L.G. Records)

Release: 2023 / US – Original

Genre: Rock & Indie

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Las Mordidas were a short-lived Washington DC band that existed from Summer 1993 through Spring 1994. The band was comprised of four well-known veterans from the DC punk community: Chris Thomson (Circus Lupus / Monorchid / Ignition), Dug E. Bird (Beefeater / All-Scars / Fidelity Jones), Jon K. (Rain / Chrisbald 96 ), and Jerry Busher (Fugazi / All- Scars / Fidelity Jones). The Chris Thomson-fronted bands Circus Lupus and Monorchid that bookended Las Mordidas have received much more exposure, but Las Mordidas were no less audacious and uncategorizable. The familiar DC rhythm section of Bird and Busher here are augmented by the unhinged guitar talent of the relatively obscure Jon K. (Kirschten, younger brother of musician Chris “Bald” Kirschten). Jon was a revered, integral character in the DC scene and played in many well-known bands, yet he appeared on scant few recordings. To fans of the late ’80s and early ’90s DC scene, this record is an artifact that it arrives out of the blue and demands an ear. A Frankenstein collaboration that both defies and embodies the DC sound of the era. Recorded by Geoff Turner at Wgns in 1994 and Brendan Canty at Pirate House in 1993. Tapes recovered and transfered by Ian Mackaye and Don Godwyn. Mastered by Tim Green at Louder. Studios, CA.

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Milk Music

First Demo + 1

29,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Milk Music was conceived in the late aughts as brothers Alex Coxen (guitar, vocals) and Joe Rutter (drums) drove around the Northwest jamming on tunes in a shitty old Volvo. Inspired by music that their friends were making, the young brothers rented a space, enlisted first bass player Eric Yates, and wrote the songs on this record. Side A begins with the blistering “Nervous Wreck”—in and out of tune at the same time, fast but somehow feels slow—totally fucked. “Beluga” conjures a deranged image of a mystery whale, as the listener imagines the brothers as Ishmael and Queequeg leaving their hometown of Port Townsend, WA behind on their epic coming-of-age hunt for revenge and white blubber. “No Life” finds this newly hatched band laying down the mood and sonic foundation that would define them up to this present day. “Ripped” ends side A with racing, lysergic skate-rat rambling over a thumping mudslide of scuzz. Side B begins with “Pipeline,” an absolutely massive, almost unbearable eight minute bong-toke of a song. Bonus crucial early track “Violence Now” wraps it up with a brutal sonic speed-bag to the groin, leaving the listener reeling and dazed, coughing in a fog of their own crotch smoke. Recorded by Sam Stabler (Sex Vid) in the practice space in 2009 and mastered in 2022 by Randy Randall. On two hundred gram vinyl with a sturdy tip-on sleeve for one’s consideration. Includes a poster.

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Shudder To Think

1987

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-06-07

A band with many chapters and an everchanging sound, Shudder To Think’s story began in 1986 in Glover Park, Washington DC. Bass player Stuart Hill and drummer Mike Russell had just recruited Chris Matthews to play guitar in their fledgling hardcore band Stüge (1984-86) when they suddenly found themselves in need of a new singer as well. Matthews suggested his friend Craig Wedren for the role. At the audition, Wedren’s style clashed with the style of the band’s previous singer, but the group all sensed that they might have stumbled into a “chocolate-in-my-peanut-butter” situation with intriguing potential. The group changed their name and headed into new territory.

Side A of this LP is comprised of five songs from one of their first recording sessions together. The tracks chosen are songs that were only released on demo tapes, never to be re-recorded for future proper releases (this version of “Too Little, Too Late” did appear on the local punk compilation Fr-5 in 1987).

Side B consists of four tracks that were originally released as their first 7-inch release, the It Was Arson EP, a split release by Sammich/Dischord Records. Included at the end of side B is a version of “Take The Child” from this session (later re-recorded for their first album in 1988).

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Vile Cherubs

Lysergic Lamentations

Release: 2024 / US – Original

Genre: Rock & Indie

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Worst Case Scenario

Studies In Pessimism

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-06-21

Worst Case Scenario started out in 1994 with Justin Trosper and Brandt Sandeno from Unwound as another of the many bands they formed together. That summer was a little slow for Unwound’s hoped-for tour schedule so they decided to start another hardcore-influenced band while working day jobs. As they began practicing in the basement of the Olympia punk house “Lucky 7”, long time friend and roommate Chris Jordan jumped in as the vocalist. Sandeno soon recruited his college friend, Scott Larsen, that had recently moved from Minneapolis. They quickly wrote about an album’s worth of songs and recorded them with Tim Green at the Red House for a “demo tape” that Tobi Vail released on her tape label, Bumpidee. 1995 saw another Tim Green recording with 7-inch records on Lookout Records and Troubleman. This LP contains all of the forementioned material.

In 1996 they recorded a full length record with “Seasick” Steve Wold in Olympia for Vermiform which resulted in the self-titled vinyl LP and The Complete Works of Worst Case Scenario CD collection a year later.

WCS played a few random shows, mostly in Olympia, with friends’ touring bands from 1994-96 and set up a national tour for the summer of ’97. Shortly before the tour Jordan was injured in a random accident and then Larsen broke his wrist in a work accident, rendering the band unable to embark on the tour. To cap it off, the one sheet of paper that had all the venues’ contacts for the tour was destroyed in a laundry related incident and the band was unable to properly cancel the tour. Apropos to their name.

They disbanded amicably later that year with members moving away from town and taking on more demanding tour and work schedules.

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Young Ginns