Leon Vynehall HHV Records 6 Items

Finally back in! Leon Vynehall makes his debut on the Clone Royal Oak Series with the already much anticipated track ''Butterflies''.

Ever since his 2016 mini-album-length EP Rojus (Designed To Dance), Leon Vynehall has been a house producer in flux, an artist interested in pushing four-on-the-floor revelry off the beaten track, his debut LP Nothing Is Still further throttled expectations with string and horn-laden mood pieces, the kick-hi hat-snare melee another emotive musical choice among many. Rare, Forever picks up where Vynehall left off in 2018, and signals his return to the club — on his own terms.

The spirit of euphoric deferral runs deep throughout the LP, as rhythms start and stop — or transform into different shapes entirely — to keep would-be ravers on their toes. To that end, ‘Mothra’ is the album in microcosm; the perfect bait and switch. Bubbly synth arpeggios slowly take shape around a low-key deep house beat until synthesised ambient swells cut through the mix. A surprise sample appearance cuts the tension like a starting pistol, which sends the beat running again. Elsewhere, Vynehall discards convention entirely, crafting sensual grooves from washes of dreamy sax licks.

With Rare, Forever, Vynehall further demonstrates the flexibility of club music, and shows that he can rearrange it any way he likes — dance-designed or otherwise.

Leon Vynehall’s beautiful ambient, cinematic race car track now reconstructed for the dancefloor. Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip. Tip!

Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

After the success of last year’s Fabric Presents compilation and sold-out take-over of the club in London, launch of his own label Studio Ooze with the Endless (i&ii) (songs Resident Advisor hailed as “…among the best dance music he's ever made.”), and a widely lauded BBC Radio One Residency, Vynehall starts 2023 with the release of Rosebud, out March 24th as part of a double a-side offering slated for full release in the coming months.

Speaking of the Rosebud, Vynehall says…

“"After my Fabric Presents compilation I released Endless (i&ii), and stated that I wasn't going to write 'out n-out' club music for a while. Well, it turned out I wasn't quite finished. I had a real hankering to make something that would make people banded in the same feeling – a joyful one. Different from what I have written before in its most basic emotiveness. More direct. Out came 'Rosebud'. It's a product of many positive moments and memories from seeing friends and peers play in the summer of 2022”