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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves / Latin | Brazil

Life Goes On Latin | Brazil 4 Items

Organic Grooves 17 Funk | Soul 1 Jazz | Fusion 12 Disco | Boogie 3 Latin | Brazil 4 Rock & Indie 21
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Som Imaginario - Som Imaginario
Som Imaginario
Som Imaginario
LP | 1970 | EU (Life Goes On)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / EU
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Som Imaginário (Imaginary Music) is a Brazilian band from the 70s. They joined together to support Milton Nascimento in his first record and shows. Their style is heavily influenced by jazz, classical music and rock. Their self-titled debut from 1970 is a must have, a psychedelic south-american cult all in all.
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Ethel Azama - Exotic Dreams
Ethel Azama
Exotic Dreams
LP | 1959 | EU | Reissue (Life Goes On)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1959 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Exotica masterpiece finally re-issued ! Which record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac? It's Exotic Dreams, released in 1958 that puts – so tells the cover artwork – "the enticing voice of Ethel Azama" (1934–1984), a Hawaiian Jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, which granted Azama the opportunity to release one LP on which Denny also provides the liner notes (on a side note, Jimmie Rodgers succeeded with his negotiations as well, granting Azama a contract for a second LP in 1959). Exotic Dreams is one of those superb records that live up to the hype due to both the beautiful voice of the singer and the exotic arrangement alike, causing the listener to execrate the missed opportunities of releasing further material, as Azama faded into obscurity shortly thereafter despite her obvious talent, various gigs in Hawaiian and Australian night clubs and her recurring role in the 70's TV series Hawaii Five-0.
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Herbie Mann - Flute, Brass, Vibes And Percussion
Herbie Mann
Flute, Brass, Vibes And Percussion
LP | 1961 | EU | Reissue (Life Goes On)
22,09 €* 25,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1961 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959
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Tak Shindo - Mganga! The Primitive Sounds Of Tak Shindo
Tak Shindo
Mganga! The Primitive Sounds Of Tak Shindo
LP | 1958 | EU | Reissue (Life Goes On)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1958 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Japan goes to Africa ! It's more than a bit ironic that Tak Shindo's most "exotic" album, the superb Mganga!, boasts no connection to his own Japanese heritage, instead focusing on the primal rhythms and tribal chants of Africa. Rooted largely in the arranger's experience on the Latin jazz circuit, its Afro-Cuban rhythms, sampled animal sounds, and chants capture an African musical culture based far more in fantasy than reality, much as rival exotica maestros like Martin Denny and Les Baxter conjured interpretations of the Far East driven by suppositions and daydreams. Shindo documents an Africa informed by libraries and dancehalls, not first-hand experience. That said, Mganga! is vibrant and intoxicating, with a rhythmic intensity quite uncommon for its era. For an artificial experience, it packs a genuine wallop.
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