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Mixed Signals

Mixed Signals Electronic & Dance 9 Items

Name: Wet Silk - Wet Silk
Brand: Mixed Signals
SKU: 1144042v1
Price: 17.99 EUR
Availability: InStock

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Mixed Signals

Wet Silk

12" | 2021 | EU | Original (Mixed Signals)

17,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

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Corps Of Discovery

12" | 2021 | EU | Original (Mixed Signals)

17,99 €*

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

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Corps Of Discovery

12" | 2021 | EU | Original (Mixed Signals)

19,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Mixed Signals is proud to shed some light on Doctor Wize’s mercurial dance moves from the 90s with the release of this 4-song compilation EP by Corps of Discovery.

One balmy night in Florida, sometime in the mid 90s, psychologist and electronic iconoclast Doctor Wize (Dennis Weise) and his then wife Czara (Sarah Younger) had a revelation while watching a documentary about the Lewis and Clark expedition of the Pacific Northwest. The name of the exploration party was Corps Of Discovery. The couple were looking for a name for their nascent electronic dance unit, and the idea of setting off on a sonic adventure into uncharted territory fit perfectly.

Ra (Raul Areallno) and Angel (Peggy Powers) joined Wize and Czara on their trip, rounding out the voyage. The group travelled between psychedelic house, day-glo techno, mutant trance, bent jungle, and out-there electronic mantras. No stranger to outlying musical forms, Wize had already self-released two, now legendary sui generis solo records Valhalla and Consciousness Program. Before that he cut his teeth playing with The Wailers in Jamaica, Gong in Europe, and even played on Herbie Hancock’s Rock-it. The music world is starting to wise up, beginning with the 2018 Finders Keepers retrospective compilation, Wize Music. This new release adds another pin on the map, tracing another region of Wize’s unparalleled aural journey.

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Beat Per Bar / 4 A.M.

Beat Per Bar / 4 A.M. 2021 Repress Edition

12" | 2021 | EU | Original (Mixed Signals)

19,99 €*

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! Under the pseudonyms 4 A.M. and Beat Per Bar, Lupos Sobre-Vega released two eccentric 12”s, of what, in retrospect, can be called vernacular house music. Both records are individualistic collisions of New Wave, Bass, Freestyle, Hi-NRG, Acid, and Sample House recorded in Sobre-Vega’s home studio in Orange County, Los Angeles. Using a Yamaha Qx-5, Roland S-50, his mom's Roland Juno 60, EMU drum machines, and Yamaha Dx-7, he put his nascent jazz chops to use and laid down the idiosyncratic dance tracks that he would self-release on his own label, House Hold Records, in 1988 and 1989 respectively. Although both 12”s were credited to groups, Sobre-Vega confirms that “the so-called band members were club friends. A couple were models and actors, or just plain good ol’ dancers. They were strategically picked by me, of course. So yeah, 4 A.M. and Beat PER BAR are 300% me. There is no other.” Despite working within the confines of dance music’s ready-made rhythms, Sobre-Vega’s sensitivity transcends the inarticulate 4/4 beat - vulnerable, idealistic and yearning. The timeless themes on the records reveal his youthful worries about money, intimacy, love and sex. Looking back at dance music history, it is luminaries such as Arthur Russell, Sylvester, Grace Jones, Theo Parrish, and Larry Heard, that stand out as enduring visionaries that transcended stylistic trends. Mixed Signals is proud to illuminate Sobre-Vega’s work in the constellation of dance music’s radical dreamers with this EP comprised of two songs from each his scarce and singular 12”s

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Wet Silk

12" | 2021 | EU | Original (Mixed Signals)

19,99 €*

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wet Silk was a rare digression into house music by the legendary star-crossed duo of Lamar Thomas and Judy Taylor. For this sonic liaison, Thomas brought along his high school friend, disco impresario Patrick Adams to co-produce, and the resulting “Let Me Do You Baby” is a slow and seductive sunset soirée with champagne and caviare. The track is skillfully arranged with slippery 808 programming, serpentine guitar, and silky pads, all sliding around Thomas and Lamar’s playfully suggestive vocals. For the first 12” release of this hypnotic track, Mixed Signals have paired it with two other delicious Thom/Tay productions, the rare and dubby house mix of Shelly Pearse’s “If You Want My Love”, and the instrumental end-of-the-nighter “I’ll Be Waiting”.

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Harold Lucious

Reconnected

12" | 1990 | CA | Reissue (Mixed Signals)

21,99 €*

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Release: 1990 / CA – Reissue

Genre: Electronic & Dance

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Reconnected is compiled from Harold Lucious’ addictive 1990 release Connections, a visionary mix of soulful house, New Jack Swing and RnB, an American predecessor of street soul.
Deeply connected to music from an early age, Harold started his music career in the early 70s at the age of 16. He sang in his first group, The Final Seconds, who pressed a 7” single in New York City in 1973. The group would go on to record a full album called Neo Cosmic Blues, but never had the chance to press it. They would continue to perform and write together throughout the 70’s and searched in vain for a label to work with.
During that time, Harold landed a guest spot on the legendary Brother Ahh record Move Ever Onward, set up by his manager who was Brother Ahh’s sibling. Harold is listed as having played koto, but really he provided background vocals. Throughout the 80’s, Harold worked at WBI radio programming talk shows. On air, he would act out modified scripts to Richard Wright novels like “The Outsider”.
Connections was his effort to finally release a record after years of recording and playing music. Experimenting with dance music he came up with an album that was inspired by his love of house music and RnB. He sold the record out of his backpack, ending up with boxes of copies that were eventually destroyed when he had to move from his long-time apartment in Brooklyn. Few of the original LP remain, and it has become almost impossible to find.
Reconnected is a remastered redux with four songs taken from the original LP, and pressed onto a loud 45rpm 12” for maximum dance-floor potential. Mixed Signals is honoured to introduce Harold’s music to a contemporary audience around the world.

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Webb

Elevate 2021 Repress Edition

12" | 2021 | EU | Original (Mixed Signals)

22,99 €*

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Webb

Elevate

12" | 1994 | EU | Reissue (Mixed Signals)

23,99 €*

Incl. VAT plus Shipping Costs

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Beat Per Bar / 4 A.M.

12" | 1988 | EU | Reissue (Mixed Signals)

23,99 €*

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Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

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