Moaning Indierock | Alternative 2 Items

This Sub Pop Loser Edition is light blue Colored Vinyl! Moaning is a band defined by its duality. The abrasive post-punk trio comprised of LA DIY veterans, Sean Solomon, Pascal Stevenson, and Andrew MacKelvie, began nearly a decade after the three started playing music together. Their impassioned debut album comes born out of the member's experiences with love and distress, creating a sound uniquely dark and sincere. Although the band is just breaking out of their infancy, Moaning's sleek and cavernous tone emphasizes the turmoil of the era they were born into. One where the endless possibility for art and creation is met with the fear and doubt of an uncertain future. Solomon, Stevenson, and MacKelvie initially met as teenagers while growing up in the San Fernando Valley, and immediately developed a kinship through Los Angeles's local music scene. The three began regularly frequenting DIY institutions like The Smell and Pehrspace, eventually selling out dozens of their own shows at both venues with their first few bands. Moaning's conception came when Solomon sent Stevenson and MacKelvie the first demo for "Don't Go," setting the tone for the impulsive songwriting that would follow. The three fleshed out Solomon's primitive recordings, adding in MacKelvie's heavy syncopated drumming, and Stevenson's melodic driving bass and synth parts, capturing each member's personality in their sparse and fuzzed out tracks. Like many of their previous collaborative projects, Moaning forces pain up against pleasure, using the complexity of personal heart break to inform the band's conflicted sound. The band chose the moniker Moaning, admiring the ambiguity the name held, and hoping to reference both an intimate wail and an anguished scream. The band's homemade video for an early, home-recorded version of "The Same" caught the attention of Alex Newport, a seasoned engineer and producer who had previously worked with At The Drive-In, Bloc Party, and the Melvins. With Newport, Moaning began working on the tracks that would make up their self-titled release, employing a lush, open ended production quality that had never been at the band's disposal. Tracks like "Artificial" stand out among the recordings, where Moaning used the studio's recourses to take their frantic live arrangement and give it the intensity merited by Solomon's lyrics. As a whole, Moaning drifts from sentimental to catastrophic, hiding meek and introspective lyrics within powerful droning dance songs, giving sonic nods to some of the band's musical heroes like, New Order, Broadcast, and Slowdive. The band's youthful attitude is met with the weight of topics like loss, routine, and mental health, reflecting the anxiety towards the status quo that much of their generation faces today. Where many young bands take years to find their footing as writers and performers, Moaning has built up a confidence in sound and vision from the ten years of playing basements, bars, and ballrooms together in their previous projects. Yet, even with their polished exterior, Moaning continues to make the sacrifice of deeply personal anecdotes and emotions to their audience for the benefit of their craft.

What happens when an abrasive rock trio trades guitars for synths, cranks up the beats and leans into the everyday anxieties of simply being a functioning human in the 21st century? The answer is Uneasy Laughter, the sensational second Sub Pop release from Los Angeles-based Moaning. Vocalist/guitarist Sean Solomon, bassist/keyboardist Pascal Stevenson and drummer Andrew MacKelvie have been friends and co-conspirators amid the fertile L.A. DIY scene for more than a decade. They are also immersed in other creative pursuits - Solomon is a noted illustrator, art director and animator, while Stevenson and MacKelvie have played or worked behind the boards with acts such as Cherry Glazerr, Sasami and Surf Curse. On Uneasy Laughter, they've tackled challenges both personal and universal the only way they know how: by talking about how they're feeling and channeling those emotions directly into their music. "We've known each other forever and we're really comfortable trying to express where we're at. A lot of bands aren't so close," says MacKelvie. Adds Solomon, who celebrated a year of sobriety during the Uneasy Laughter sessions, "Men are conditioned not to be vulnerable or admit they're wrong. But I wanted to talk openly about my feelings and mistakes I've made." Moaning's 2018's self-titled Sub Pop debut featured songs mostly written in practice or brought in already complete by individual band members. It garnered acclaim from Pitchfork, Stereogum and Los Angeles Times, who observed, "Moaning craft anxious music for an increasingly nervous local scene." But Uneasy Laughter is a collaborative breakthrough which significantly brightens Moaning's once claustrophobic sound, again abetted by producer/engineer Alex Newport (At The Drive-In, Bloc Party, Melvins). The trio points to first single "Ego," which features a costume-heavy video directed by Ambar Navarro, as an embodiment of this evolution. Solomon admits Uneasy Laughter could have gone in quite another direction had he not gotten sober and educated himself on such core subjects as gender and mental health. "I did a lot of reading in the tour van - authors like bell hooks, Mark Fisher, and Alain de Botton, all really inspired me. I don't want to be the person who influences young people to go get high and become cliche tragic artists," he says. "What I'd rather convey to people is that they're not alone in what they think and how they feel. 'Ego' specifically and the album overall is about those themes - letting go of your bullshit so you can help other people and be present." "We want to be part of a community," he adds. "I wrote online about being sober for a year, and I had kids from all over writing and asking for advice. One of them said, 'For the first time I can remember, I didn't drink last night.' I thought, for once, maybe we did something besides sell a record. That's a win. That's incredibly exciting."