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Mouse On Mars

Mouse On Mars Downbeat | Electronica | Leftfield 7 Items

Name: Mouse On Mars - Bilk
Brand: Sonig
SKU: 1041498v1
Price: 21.59 EUR
Availability: InStock

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Mouse On Mars

Bilk

LP | 2023 | EU | Original (Sonig)

21,59 €* 23,99 € -10%

Incl. VAT plus Shipping Costs

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In spring 1994 Mouse on Mars contributed an exclusive piece to Sähkö Recordings’ ambient radio project, a one-week public radio program that was aired citywide in Helsinki, Finland. Andi Toma and Jan St. Werner recorded sounds in and around their studio in Düsseldorf Bilk to construct one continuous composition that spanned the course of one neighborhood walk. Midi-controlled synths, samplers, analogue effects, tape delays, effect pedals, guitars and a jew’s harp were juxtaposed with recordings captured during the walk. An additional microphone that pointed out of the studio window was occasionally dubbed into the mix. The resulting collage was broadcast just a few months before the group’s debut album Vulvaland came out and never aired again. 30 years into the band’s existence Andi Toma and Jan St. Werner revise the duo’s history by producing three LPs that would place the band’s discography under a slightly different light. Bilk marks the beginning of that investigation: a free-flowing assemblage of everything that vibrates and can be caught on tape. A 30 year old recording with subtle new edits and additions.

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Mouse On Mars

AAI Black Vinyl Edition

2LP | 2021 | US | Original (Thrill Jockey)

27,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

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Mouse On Mars

Idiology White Vinyl Edition

LP | 2001 | US | Reissue (Thrill Jockey)

34,99 €*

Incl. VAT plus Shipping Costs

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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Idiology was originally released in 2001 and is now finally back on vinyl. This re-issue is pressed on white color vinyl and presented in a die cut jacket with artworked inner sleeve and free download card. From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music's paradigm in often surprising and always intriguing ways. Idiology is the duo's seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band's own heavily modified fleet of machines in the St. Martin's Tonstudio. Fans should once again brace themselves for the inevitable shock of the new as Germany's most irreverent audio renegades have created the perfect soundtrack for a highly sinister dance party. Kicking off with "Actionist Respoke", the album's first single, Mouse on Mars officially declare their independence from glitchtronica's shoegazing legions. Longtime collaborator Dodo Nkishi lends a uniquely warped vocal sensibility to the track which already features Mouse on Mars's darkest grooves to date. The rest of the album continues to thicken the group's sonic stew. Tracks such as "Presence" and "Catching Butterflies With Hands" have their populist intentions undermined by Werner and Toma's meddling hands, while the duo reprise their flirtation with the orchestral as heard on the opening tracks from 2000's Niun Niggung. At the other end of the spectrum, "Introduce" is a truly evil slice of twisted lympho-zoid hip-hop. Idiology takes no prisoners in its dual-pronged assault on the conventions of modern music. Only with the loungy closing number, "Fantastic Analysis" (a term Werner and Toma invented to describe their working process), do Mouse on Mars let the arrangements breathe a long sigh of relief, the calm after the storm. To enable these stylistic achievements Mouse on Mars enlist the help of partners in crime such as: Nkishi, the multi-talented Harald "Sack" Ziegler, house icon Matthew Herbert on piano, violinist Matty Arouse, in addition to fellow programming wizards Adam "Vert" Butler and F.X. Randomiz. The latter two toured with Mouse on Mars in 2000 as they successfully triumphed over audiences around the globe.

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Mouse On Mars

Radical Connector Pink Vinyl Edition

LP | 2004 | US | Reissue (Thrill Jockey)

34,99 €*

Incl. VAT plus Shipping Costs

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Available on limited edition pink vinyl packaged with download code. Radical Connector is classic Mouse on Mars! A super bouncy and bubbly pop delight! Our 30th-anniversary limited repress on a lovely deep pink. From the delicious squeeze beats of "Wipe That Sound" - to the irresistible classic "Send Me Shivers" and the highly addictive and imaginative "Evoke the Object". Radical Connector is an album that was years ahead of its time - Absolutely Essential.

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Mouse On Mars

AAI Black Vinyl Edition

2LP | 2021 | US | Original (Thrill Jockey)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Electronic & Dance

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Mouse on Mars, the Berlin-based duo of Jan St. Werner and Andi Toma, approach electronic music with an inexhaustible curiosity and unparalleled ingenuity. Operating in their unique orbit within dance music's nebulous echosystem, the duo's hyper-detailed productions are inventive, groundbreaking but always possessing a signature joyful experimentation. A genre-less embrace of cutting-edge technologies have ensured that each Mouse on Mars release sounds strikingly modern, a fact made more remarkable when one reflects on the duo's 25 years of making music. New album AAI (Anarchic Artificial Intelligence) takes Toma and Werner's fascination with technology and undogmatic exploration a quantum leap further. Collaborating with writer and scholar Louis Chude-Sokei, a collective of computer programmers and longtime Mouse On Mars collaborator/percussionist Dodo NKishi, the duo explores artificial intelligence as both a narrative framework and compositional tool, summoning their most explicitly science-fiction work to date.AAI compiles some of the most immediate and gripping music in Mouse on Mars' extensive catalogue. Emerging from a primordial ooze of rolling bass and skittering electronics, hypnotic polyrhythms and pulsing synthesizers propel the listener across the record's expanse. Hidden in the duo's hyper-detailed productions is a kind of meta-narrative. Working with AI tech collective Birds on Mars and former Soundcloud programmers Ranny Keddo and Derrek Kindle, the duo collaborated on the creation of bespoke software capable of modelling speech. What appears to be Louis Chude-Sokei narrating through the story is in fact the AI speaking. Text and voice from Chude-Sokei and DJ/producer Yagmur Uçkunkaya were fed into the software as a model, allowing Toma and Werner to control parameters like speed or mood, thereby creating a kind of speech instrument they could control and play as they would a synthesizer. The album's narrative is quite literally mirrored in the music - the sou...

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Mouse On Mars

WOW

LP+LP+All Media | 2012 | DE | Original (Monkeytown Records)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

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Mouse On Mars

Radical Connector

LP | 2004 | US | Reissue (Thrill Jockey)

28,99 €*

Incl. VAT plus Shipping Costs

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Radical Connector was originally released in 2004 and is now fnally back on vinyl. This re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card.

“Though reference points like Daft Punk and Prince have rightly been thrown around, Radical Connector is in fact a strange album that doesn’t sound like much else.” - Pitchfork

Mouse on Mars is recognised as one of Germany’s most defning and versatile electronic music projects. With their
anarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures,
Jan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by the
unpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraints
of the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their own
idiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. - Jan Rohlf

“Sexy robot vocals slip and slide all over juicy squeals, raindrop plops, and jungle-thick beats.”
- Entertainment Weekly
“Stirring songs drift out of its frantic aural mishmashes, fnding a controlled center amid all the dizzy spin.”
- AV Club
“Mouse on Mars have a gift for making electronic bleeps and buzzes sound like tangible objects that bounce,
bend and collide in physical space.” - Rolling Stone

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