Movies | TV Sale 133 Items

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

Collector’s edition strictly limited to 300 copies, with one insert.

180 gram Red Vinyl.

La notte e il momento (The Night and the Moment) is a 1995 British-French-Italian erotic drama film co-written and directed by Anna Maria Tatò and starring Willem Dafoe, Lena Olin and Miranda Richardson. It was screened out of competition at the 51st Venice International Film Festival. A writer (Dafoe) is invited to the house of a noblewoman (Olin) who adores freethinkers. He attempts to seduce her but she insists that he tell her of his past love exploits. While doing so, he takes her through his time in prison where he was unknowingly incarcerated in the cell beside hers. The movie was nominated for a Nastro d Argento, an Italian Movie Award. Ennio Morricone (10 November 1928) composed and arranged the score of the movie. He has made scores and soundtracks for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 1950s. This release is available in the Ennio Morricone Classic Soundtrack series.

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

Purple Vinyl Edition

Cover is close to NM. With booklet.

Limited edition for Record Store Day 2015!

Island of the Hungry Ghosts is a hybrid documentary that moves between the natural, human and spiritual worlds. Located off the coast of Indonesia, the Australian territory of Christmas Island is inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a trauma therapist who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island's core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island's beautiful yet threatening landscape, the local islanders carry out their "hungry ghost" rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. This album presents the original score Aaron Cupples created for the film. Rich in texture and harmonics, the music is characterized by the bespoke instruments and recording techniques employed in its creation. The soundtrack also features sound recordist Leo Dolgan's vivid field recordings. All captured on Christmas Island, the four pieces recall insect choruses, strange and ominous bird calls, erupting blowholes, fire, ocean, and Buddhist prayers for the dead. The album is mastered by Rashad Becker, featuring design by N MRE 08. *LP comes with an obi strip, a booklet containing stills from the documentary & liner notes, as well as a postcard granting access to the full film*

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two killer disco-funk instrumentals might have remained in oblivion were it not that Four Flies rescued and included them in the comps Esterno Notte and Esterno Giorno, both of which sold out quickly and have become almost impossible to find. It seemed more than proper now to release them for the first time ever on 7”.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

* Debut7' 45rpm * Mastered byMell Dettmer in Seattle, WA * Art, Design, and layout by Andy Reichel

“Nightshade” creeps in on sly keyboards, haunting cuica moans reminiscent of Airto Moreira’s work with Miles Davis, and skewed cha-cha beats before an incongruously jaunty synth melody plinks skyward, and releases all the tension that the intro built up. It proceeds to stack up three distinct keyboard motifs, each one more enchanting than the last. – Dave Segal

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.
These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

4 Track EP In partnership with Sony Interactive Entertainment Europe, Black Screen Records is excited to release the soundtrack to Blood & Truth - London Studio's brand new PlayStationrVR title - on limited edition double vinyl. The genre-bending "orchestral-meets-grime" score was composed by Joe Thwaites and Jim Fowler, produced by Zdot and features vocal tracks from UK's grime rappers JME, Eyez, Kamakaze and Ocean Wisdom. This unique soundtrack is a combination of Bond-esque orchestral compositions (featuring a 90-piece orchestra recorded at AIR and Abbey Road Studios) and grime elements. All 25 songs got remastered for vinyl by Christian Bethge (Anno 1800, Divinity: Original Sin II, So Let Us Melt) and will be available on heavy-weight 180g translucent pink/clear double vinyl with original artwork by Chris Clancy

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Japanese pressing with obi.

500 Copy Limited Edition ~ Includes 4 Individual Full Size Artwork Inserts. Hyperdub Are Excited To Present Our First Soundtrack Release, Lawrence Lek's Score For His Debut Feature Film `Aidol', Which Premiered At Sadie Coles Hq In 2019 And Has Been Shown At Numerous Virtual And Physical Festivals And Exhibitions Worldwide.Lawrence Lek Is A Simulation Artist Who Uses Computer-Generated Animation And Video Game Engines To Create Films And Virtual Worlds That Play With The Language Of Science Fiction, Music Videos And Corporate World Building. He Has Released Soundtracks To Five Of His Previous Projects, Most Recently `Temple' Ost (Vinyl Factory, 2020). `Aidol' Continues His On-Going 'Sinofuturist' Cinematic Universe, Which Posits The Creative Theory That China's Technological Rise Is An Emergent Form Of Artificial Intelligence.`Aidol' Is A Cgi Fantasy That Tells The Story Of A Fading Superstar, Diva, Who Enlists An Aspiring Ai Songwriter To Mount A Comeback Performance At The 2065 Esports Olympic Finale. Set In A Realm Of Spectacular Architecture, Sentient Drones And Snow-Deluged Jungles, `Aidol' Revolves Around The Long And Evolving Struggle Between Humanity And Artificial Intelligence; A Shifting And Seductive Virtual Reality, Punctuated By Diva's Songs And The Voice Of Kode9 As The Unforgiving Label Boss.The Soundtrack Is A Delicate Lattice - Complex, Opaque And Entirely Synthetic. Diva's Yearning Vocals - Created With A Vocaloid Voice Synthesiser, Sung In English And Mandarin - Cast Classical Melodies Over Billowing, Intricate Arrangements. The Instrumental Tracks, Produced With Composer Seth Scott, Are Elegiac And Beautiful, Hybridising The Film Score Archetype, Folding In Patterns From Game Soundtracks, Vaporwave, And Ambient Fourth World Music.