Movies | TV 101 Items

Original inner sleeve

Limited edition.

Record has a few light hairlines.
Scratches and a sticker tear on front cover.

Sleeve has water damage.

Gatefold sleeve with cutout and a bit of edge wear, close to vg+.

Promo copy with white labels

Tear in bottom spine.

small Writing on cover.

torn spine

White vinyl and cover are close to NM. With insert.

Original inner sleeve. Limited edition.

Vinyl is Close to VG+. Writing on cover.

Small seam split. Vinyl is Close to VG+.

Close to VG+

tiny Price tag.

Close to VG+

close to NM

The Eighties spawned many iconic films such as Footloose,
Dirty Dancing, Ghostbusters, Rocky and The Breakfast Club.
Despite all the different genres, they all had something in
common: great film music. 80’s Movies Hits Collected is a
collection of music that is inextricably linked to Eighties movie
classics, including Queen, Billy Ocean, Lionel Richie, The
Bangles, Duran Duran, Pat Benatar, Tina Turner and Survivor
amongst many others.
80’s Movie Hits Collected is available as a limited edition of
1500 copies on translucent blue (LP1) and gold (LP2) coloured
vinyl. This 2LP-set includes an insert with liner notes, photos,
and credits

• 180 GRAM AUDIOPHILE VINYL
• INCLUDING INSERT
• ORIGINAL MUSIC FROM ICONIC 80’S MOVIES
• FEATURING CLASSIC MOVIE THEMES BY QUEEN, TINA TURNER, SIMPLE MINDS,
DURAN DURAN, RAY PARKER JR., HAROLD FALTERMEYER, HUEY LEWIS & THE NEWS, YELLO,
AND THE BANGLES A.O.
• LIMITED EDITION OF 1500 COPIES ON TRANSLUCENT BLUE (LP1) AND GOLD (LP2) COLOURED VINYL

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT AND STICKER SHEET
SOUNDTRACK FROM THE 2024 NETFLIX SCIENCE FICTION SERIES CREATED BY DAVID BENIOFF,
D. B. WEISS, AND ALEXANDER WOO

SCORE BY EMMY AWARD-WINNING COMPOSER RAMIN DJAWADI (GAME OF THRONES, WESTWORLD)
LIMITED EDITION ON SILVER COLOURED VINYL

180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT AND STICKER SHEET
SOUNDTRACK FROM THE 2024 NETFLIX SCIENCE FICTION SERIES CREATED BY DAVID BENIOFF,
D.B. WEISS, AND ALEXANDER WOO

SCORE BY EMMY AWARD-WINNING COMPOSER RAMIN DJAWADI (GAME OF THRONES, WESTWORLD)
LIMITED EDITION ON TRANSLUCENT BLUE COLOURED VINYL

Celebrating 25 years of the animated sitcom South Park at the famed Red Rocks Amphitheatre in Morrison, Colorado, this 3LP package, pressed on “Towelie-Blue” vinyl, features South Park creators Trey Parker and Matt Stone along with Primus and Ween performing a variety of songs made famous by the show. Also included is a special guest appearance by Rush’s Geddy Lee and Alex Lifeson, performing “Closer To The Heart” alongside Primus and Matt Stone.

180 GRAM AUDIOPHILE VINYL
DELUXE SLEEVE WITH LEATHER LAMINATE FINISH
INCLUDES 4-PAGE BOOKLET
GOLDEN GLOBE AWARDS WINNING NETFLIX DRAMA SERIES STARRING
IMELDA STAUNTON, JONATHAN PRYCE, LESLEY MANVILLE, JONNY LEE MILLER,

DOMINIC WEST, AND ELIZABETH DEBICKI A.O.

MUSIC BY MARTIN PHIPPS
LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON “ROYAL BLUE”
COLOURED VINYL

Der Soundtrack zur Amazon Hits Serie!
Enthält exklusive Tracks: Pull My Beads Of Love (Extended Version) und Dragons
Musik von Neal Acree (Games: Overwatch, World of Warcraft, Diablo und Starcraft, die TV-Serien Stargate SG-1 und Stargate Atlantis sowie die Filme: Assassination Games, Six Bullets und The Mechanic)

Waxwork Records, in partnership with Back Lot Music, is proud to present Knock AT THE Cabin Original Motion Picture Soundtrack by Herdís Stefánsdóttir. From visionary filmmaker M. Night Shyamalan, Knock at the Cabin stars Dave Bautista (Dune, Guardians of the Galaxy franchise), Tony award and Emmy nominee Jonathan Groff (Hamilton, Mindhunter), Ben Aldridge (Pennyworth, Fleabag), Bafta nominee Nikki Amuka-Bird (Persuasion, Old), newcomer Kristen Cui, Abby Quinn (Little Women, Landline) and Rupert Grint (Servant, Harry Potter franchise). While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost. Herdís Stefánsdóttir is a composer of music for multimedia, a songwriter, and an electronic musician. Her compositional endeavors—installations in museums, dance, theater, and a successful electronic music duet she is a part of–are establishing her as an expansive artist. Herdís Stefánsdóttir graduated with an M.A. degree in film scoring from New York University in 2017. Since graduation she has scored three feature films, the most recent one is M. Night Shyamalan’s Knock at The Cabin. She won the 2022 Icelandic Music Award for her score to the FX series Y: the Last Man and was also nominated for her score in Ry Russo-Young’s MGM/Warner Bros. feature film The Sun Is Also a Star and the HBO series We’re Here. Other scoring work includes Apple TV+’s Essex Serpent, co-scored with Dustin O’Halloran, starring Claire Daines and Tom Hiddleston. Herdís interned for the Oscar nominated composer Jóhann Jóhannssonin Berlin while he was working on the film Arrival (2016) and she has scored numerous short films that have premiered at top-tier festivals around the world like Berlinale, Tiff, Sundance and Palm Springs International Film Festival. Herdís releases and produces her solo work under artist name Kongulo, she is currently working on her first record. Previous art projects include electro-pop duo East of My Youth. East of My Youth’s music has been described as sensual and addictive as getting your tongue frozen to a glacier of pure honey (jajajamusic). The duo has showcased at Sxsw, Eurosonic Noorderslag, Kexp, Sonar Reykjavík and Iceland Airwaves. The debut vinyl release of Knock AT THE Cabin features the complete soundtrack by composer Herdís Stefánsdóttir pressed to 180 gram 'Make Your Choice' Apocalypse Black & Blood Red split colored vinyl, heavyweight gatefold jackets with matte satin coating, and a 12'x12' insert.

180 gram audiophile vinyl
Heavyweight sleeve with leather laminate finish
Includes 4-page booklet with moviestills
2022 Netflix original movie directed by Edward Berger, starring Felix Kammerer, Albrecht Schuch, Daniel Brühl, and Sebastian Hülk a.o.
Critically acclaimed & multiple award-winning movie
BAFTA Award & Academy Award-winning score by Volker Bertelmann (Hauschka)
Black vinyl

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

“Buio Omega”, two short and simple words that, in the mind of Goblin’s fans as well as in the horror/splatter movies fanatics’ one, recall sounds and images of a legendary film. Directed in 1979 by Joe D’Amato, it still impresses with the rawness and morbidity of its scenes, the trademark of a director who, much more than others, befits the term ‘extreme’.

The soundtrack of the film, whose main ingredients are keyboards and synthesizers, swings among echoes of Alan Parsons Project, funk / fusion and melancholic atmospheres. It was never officially published when the film came out, and was finally released on CD by Cinevox Record in 1997 (CD MDF 304) and again in 2008 (CD MDF 631) with two completely different tracklist.

Goblin here appear in an atypical shape, with Massimo Morante (guitar) and Claudio Simonetti (keyboards) replaced by Carlo Pennisi and Maurizio Guarini respectively, completing the line-up along with Fabio Pignatelli (bass) and Augustin Marangolo (drums).

The soundtrack of "Pantai to Tamago Hime" at the Mitaka no Mori Ghibli Museum, Ghibli no Mori no Eiga. Joe Hisaishi reconstructed Vivaldi's "La Folia" with a modern approach. The music from the play is recorded so that it can be listened to as a suite.

Score to the much-buzzed-about film starring Nicolas Cage. Composer Émoi's eerie, capitvating, first full-length feature film score.
Limited to 2000 copies.
A quiet loner (Cage) finds himself stranded in a remote town when his car breaks down. Unable to pay for the repairs he needs, he agrees to spend the night cleaning Willy’s Wonderland, an abandoned family fun center. But this wonderland has a dark secret that the “The Janitor” is about to discover. He soon finds himself trapped inside Willy’s and locked in an epic battle with the possessed animatronic mascots that roam the halls. To survive, he must fight his way through each of them.

Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

Fifth western in a row for Sergio Leone after the Dollar Trilogy and “Once Upon a Time in The West”, “Giù la testa” (Duck, you sucker, 1971) is also the fifth collaboration between the director and Ennio Morricone, which would be followed by the final “Once Upon a Time in America” nearly 15 years later, before Leone’s premature death in 1989. World famous and holder of unlimited resources, with “Giù la testa” Leone directed an epic film that tells of the friendship between a Mexican bandit and an Irish explosives expert, during the historical context of the 1913 Mexican Revolution; lasting over two hours, the film has almost tones of an Hollywood colossal, but its epicness is only occasionally accompanied by Morricone’s music, which focuses more on the romance and melancholy aroused by the two protagonists’ memories. This score’s main theme alone would have been enough to make it a classic, thanks to the recurring “Sean-Sean” tune, and especially the melody sung by Edda Dell'Orso, a theme that even the less music passionate will immediately recognize!

Performance by full orchestra of New Japan Philharmonic in addition a chorus by Ritsuyukai. Including the main theme by Masako Hayashi, Fujiokafujimaki and Nozomi Ohashi.

Symphonic suite album which Joe Hisaishi newly recorded “Princess Mononoke”
as suite with Czech Philharmonic the year after the movie release.

Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual / erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in Bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film.

Brothers Gianfranco and Gian Piero Reverberi composed OSTs for TV shows such as "Robinson Crusoè" (1964), "The Secret Agents" (1965), "Devil in the Flesh" (1968), and "Torino Nero" (1972). This OST follows the typical standards of spaghetti western film music, but with pop arrangements. The main theme to this film is “You’d Better Smile,” sung by Nicola Di Bari who was a popular singer in the 60s and 70s. It has a tinge of rock accompanied by trumpet, chorus and orchestra. The motif is reprised in various versions: a slow version, a faster rhythmic version, a slower version with trumpets and a chorus which are developed in epic form, a quieter version with electric guitar and flute, and for the opening credits a slower, instrumental version. The song is also reprised in the ending credits of the Italian version. For this LP we were able to access the stereo and mono master tapes of the original recording session.