Music Print & Design 559 Items

FRANKIE FOREVER

Without Frankie Knuckles there would be no Faith or the culture we are built on. He has been our guiding star since we launched back in the late '90s.

So ten years on from his passing, welcome to the very special Frankie Knuckles / Spring issue.

Frankie was so much more than The Godfather of House as our many loving tributes, stories and memories from friends and fans show.

His legacy continues through the music and memories he has left behind. And thanks to the Frankie Knuckles Foundation who have helped with this issue, his mission as the global ambassador of house music continues through the causes he supported.

With much love and deep admiration, we give you our Frankie Knuckles special.

Keep the Faith.

GROOVE #177 is the second strictly limited special edition of the magazine since the discontinuation of the print issue in 2018. 156 pages bundle a selection of articles published on groove.de from the last year with exclusive content. This is also the case in the large dossier on trance, trash pop and TikTok. Where will the techno and house scene go if it flirts with the mainstream? The festival special with a look behind the scenes of the industry and of course all the important dates of the summer season offers the best prospects. Rave on!

The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.

Now as paperback edition.

"This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —questlove

Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century.

He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play.

In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way.

Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.

The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

The King Of Covers' is the concluding part of the month long Lemi Ghariokwu exhibition that ran at the Rush Hour store 1-28 november 2023. The thirty sleeves that were at display are now nicely bundled into this full colour 70 page booklet. Each sleeve comes with a story by Saffa Khalil, who analysed the covers, listened to the music and talked to Lemi. Saffa mentions: "As you flip through each page, listen to the album(s) and fully immerse yourselves in the history(ies) and stories narrated visually and sonically. I hope you uncover more about Afrobeat's influence and the richness that African musical history offers us. "

The booklet is preceded by an essay from 2013, first published in Granta entitled 'A Dynasty Of Album Cover Art' which talks about Lemi's friendship with Fela Kuti, the social and political situation of Nigeria at the time the cover art was created and off course.. giving a closer look to some of the landmark covers from the Fela catalogue that come from Lemi's hand.

Book design is by Atelier Estiva. Graphic design by Mauricio Kuhlmann.

70 pages, 20x20 CM - edition of 250

Isbn: 9789090380254

Tresor: True Stories is the first printed excavation of Tresor’s legendary history. Digging deeply into its rich archives, the venerable institution has unearthed countless treasures from its over three-decade old history. Over 400 never before seen photographs, flyers, faxes and other artefacts illustrate a story that intersects with the most important social and musical trend in the modern history of Berlin.

The story is told with the voices of those that were there - over 40 protagonists share their first-hand reminiscences of the ‘big bang’ that launched techno into the world. Through the story of Tresor, the book charts the heady days of 80s West Berlin through to the explosion of new energy that midwifed in the new social reality of reunified Germany. This is a unique and essential printed monument to the institution that changed electronic music forever, and the city that allowed it to exist.

Busta Rhymes, Ed Banger Records, Flying Lotus, Saigon, ...

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story. Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus, sidebars from Christina Carter, Kris Price, and Phil Milstein. Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg. Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden. All that and tons more.

R.I.P. MF DOOM

Unpacks the complex layers of Madvillainy, the 2004 classic collaborative LP between producer Madlib and rapper MF Doom, whose success both relied on and rejected the tendencies of the social media age

This book celebrates Madvillainy as a representation of two genius musical minds melding to form one revered supervillain. A product of circumstance, the album came together soon after MF Doom's resurgence and Madlib's reluctant return from avantgarde jazz to hip-hop. Written from the alternating perspectives of three fake music journalist superheroes— featuring interviews with Wildchild, M.E.D., Walasia, Daedalus, Stones Throw execs, and many other real individuals involved with the album's creation—this book blends fiction and non-fiction to celebrate Madvillainy not just as an album, but as a folkloric artifact. It is one specific retelling of a story which, like Madvillain’s music, continues to spawn infinite legends.

Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

Presented for the public’s perusal, a coffee table collection of film photos from 2009-2013 by Oh Sees frontman, Castle Face co-conspirator, and all around restless artistic presence John Dwyer. Dwyer seemed to always be pulling out a camera around then and these flicks function as a technicolor joyride through his universe in San Francisco and beyond, with his jackal’s smirk from behind the lens all but palpable in these pages. Tour snaps, blackmail fodder, candid camaraderie, and the ringing echo of maniacal laughter await one within. Originally printed in a limited quantity by San Francisco clothing shop and live music incubator Vacation, Castle Face has dusted it off for a wider release for those that never got the chance.

Written by Spiral Tribe’s co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system’s nomadic journey and the rapid escalation of their popularity – and notoriety.

From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.

• Showcasing new photography of more than 100 one-of-a-kind guitars whether now owned or once owned by Johnny Marr, each paired with detailed captions and fascinating personal reflections by Marr. • Featuring influential guitars that have shaped the sound of Marr and other iconic musicians, including Pete Townshend, Nile Rodgers, Chrissie Hynde and Noel Gallagher. • Tells the story of rock and pop of the last 40 years through the unique prism of Marr’s personal experiences and guitar playing. • Johnny Marr has pledged commitment to publicizing the book.

A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. ’Guitars have been the obsession of my life ... they’ve been a mission and sometimes a lifeline’ – Johnny Marr The guitarist’s guitarist, Johnny Marr redefined music for a generation. His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr’s career from his teenage years to his recent work on the Bond soundtrack, Marr’s Guitars showcases the most significant of Marr’s superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr’s lifelong passion. Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson Es-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers’ Stratocaster, Bryan Ferry’s Roxy Music Hagstrom and Bert Jansch’s Yamaha. Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on ‘Wonderwall’ and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead’s Ed O’Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr’s Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr’s experiences and achievements.

Johnny Marr was co-creator and lead guitarist of The Smiths. He went on to join The The and The Pretenders and collaborated with Talking Heads and the Pet Shop Boys before forming Electronic with Bernard Sumner. In the 2000s he joined Modest Mouse and The Cribs before launching a successful solo career. He has added his distinctive sound to film soundtracks, collaborating with Hans Zimmer on Inception, The Amazing Spider-Man 2 and the latest James Bond film, No Time to Die, which won the Oscar for Best Song. In 2014 Marr developed and launched a guitar with Fender: the Johnny Marr Signature Fender Jaguar has gone on to be one of Fender’s most popular models.

On the cover: Tomeka Reid. Inside: KMRU, Gordan, Bodies in Motion: Malik Nashad Sharpe + NWAKKE + Bianca Scout, Tongue In The Mind, Nick Dunston, Nika Son, Henry Birdsey, Sisso & Maiko, Invisible Jukebox: Karl Bartos, Global Ear: Belgrade, Unlimited Editions: Notice Recordings, Unofficial Channels: A Moon Age Daydream, The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax, Epiphanies: Jim Staley + 40 pages of reviews including Sun Ra, Chris Corsano, Skin Graft label, Nilotpal Das, Winter, Elton Dean, Cecil Taylor, Eno, Kim Gordon, Jeff Mills, Charles Curtis and specialist columnists including Steve Barker and Byron Coley + charts, letters, listings, and more.

The Necks. Sirom, Marc Hollander, James Brandon Lewis, …

Between 1978 and 1983, Great Britain spawned a DIY uprising of over 500 heavy metal bands. Many soon became the household names of the 1980s metal invasion…many others did not. For the first time, author Michael Hann captures the whole nose-to-tail story of the New Wave of British Heavy Metal in all its power and glory, exploring the bands, clubs, radio, magazines, festivals, and the majesty and misfires of the Nwobhm in over 100 interviews with members of Venom, Def Leppard, Iron Maiden, Diamond Head, Angel Witch, Samson, UFO, Tygers of Pan Tang, Vardis, Judas Priest, Saxon, Whitesnake, Girlschool, Witchfynde, Demon, Thin Lizzy, Rainbow, Gillan, Led Zeppelin, and more. 432 lavishly illustrated pages plus 16pp glossy color section.

Moon Pix was conceived during a hallucinatory waking nightmare in the South Carolina home of Chan Marshall one fateful day in 1997. Spirits violently swam up around her house, looming at the windows, beckoning her to join them. Her and her acoustic guitar warded them off song after song, nearly the entire album rushed forth onto a tape recorder that night. Facts, fictions and visions ripple throughout the accounts of Moon Pix from every angle- memories of screaming at an audience, spirals of drunkenness, swimming with sharks in Australia, intense, resonant lyrics and thunderstorms ringing through speakers. Like all legends, the aura surrounding them is an impression, a sensory feeling of unreliable memories: layers of stories become histories.

Through interviews with key players, audience member accounts, fictional narrative imaginings, a collection of record reviews and other explorations of truth, this book, like Moon Pix itself, is an ode to the myth within the music and the music within the myth.

As featured in Wallpaper*, The Wall Street Journal, Monocle, and New York Magazine’s, The Strategist

The design, history, and cultural impact of turntables and vinyl technology: the twin powerhouses of the 'vinyl revival' phenomenon

Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs.

Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.

About the author:
The founder of ultra-high-end audio equipment company Audioarts in New York City, Gideon Schwartz has been credited with conceiving and creating synergistic music systems for some of the most exacting creative individuals in the world. Though coming from wildly disparate fields of cultural influence, all of them have one thing in common – their love and appreciation for music and high-quality audio reproduction.

Schwartz is a former attorney who retired from law to pursue his passion for music and audio equipment. He has authored Hi-Fi: The History of High-End Audio Design and Revolution: The History of Turntable Design and has passionately promoted audio as a distinct expression of compelling industrial design and cultural impact and significance. His books highlight generations of audio equipment, while imbuing in the reader a sense that audio serves as an important conduit for the musical arts.

His work has led him to create home music systems for the likes of record company boss and Johnny Cash, Metallica, U2 and Red Hot Chili Peppers producer Rick Rubin; along with fashion house Supreme CEO James Jebbia; art collector and founder of the Maharam textile company Michael Maharam, in addition to many other high-profile individuals in the commercial and creative arts worlds.

His knowledge of the international hi-fi world is without equal. If you want to learn more about the quest for perfect sound, you need to read Gideon Schwartz.

Specifications:
Format: Hardback
Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 264 pp
Illustrations: 300 illustrations
ISBN: 9781838665616

Tresor: True Stories is the first printed excavation of Tresor’s legendary history. Digging deeply into its rich archives, the venerable institution has unearthed countless treasures from its over three-decade old history. Over 400 never before seen photographs, flyers, faxes and other artefacts illustrate a story that intersects with the most important social and musical trend in the modern history of Berlin.

The story is told with the voices of those that were there - over 40 protagonists share their first-hand reminiscences of the ‘big bang’ that launched techno into the world. Through the story of Tresor, the book charts the heady days of 80s West Berlin through to the explosion of new energy that midwifed in the new social reality of reunified Germany. This is a unique and essential printed monument to the institution that changed electronic music forever, and the city that allowed it to exist.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.

This book touches on some the most important labels responsible for the scene’s foundations - along with some rare, hard to find & more recent labels that are keeping the Junglist movement rolling on.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Lewis Joyce (Sicknote)

Record Culture Magazine is a biannual publication that shines a light on the people intrinsic to niche music communities around the world and their intersection with art, fashion, and culture.

250 plus magazin featuring in-depth interviews and home/studio visits with:

– DJ Harvey
– Sofie
– Jun Takahashi
– Ziggy Devriendt
– DJ Sundae
– Pedro Winter
– Ariel Kalma
– Octo Octa
– Max Essa
– Moxie
– Pierre Rousseau
– CC:DISCO!

And the visual feature, “White Columns Retrospective: 1977–1986.”

Yo! The Early Days of Hip-Hop 1982-84 is a new book published by Soul Jazz Books/Records that features 300+ pages of stunning photographs documenting the rise of hip hop in the early 1980s, taken by French photographer Sophie Bramly.

Featuring: Fab Five Freddy Futura Afrika Bambaataa Grand Mixer D.ST Beastie Boys Kool Herc Run DMC Cold Crush Brothers Rocksteady Crew Grandmaster Flash and many more!

Introduction BY: Bill Adler

With Additional Text BY: Fab Fab Freddy Grand Mixer D. St Rahiem of The Furious Five Arthur Baker Zephyr Muhamad of The Magnificent Force Lady Pink Mister Freeze of The Rock Steady Crew Patti Astor & Slick Rick

“All these photos speak for a time that is so special, is never coming back and changed the world. It’s pretty much this experience that changed everything for ever. What makes it amazing, is that you hear stories about superheroes that changed the world, and that was us.” Grand Mixer D. St

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Sophie Bramly lived in New York in the early 1980s and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency.

These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and many more.

Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.

Aside from the musical stars of hip-hop you will also see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew

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Sophie Bramly is a French photographer born in 1959. In 1982, she moved from France to New York at age 22 and for two years documented the burgeoning hip-hop scene, taking pictures of everyone from graffiti artists and breakdancers to rappers such as the Beastie Boys and Run-DMC. She returned to France in 1984, bringing a number of US hip-hop artists to Europe and then in 1987 moved to London to host and produce MTV’s first ever hip-hop show, Yo! MTV Raps.

She currently lives in Paris and her work is featured extensively at Hip-Hop 360 a six month long exhibition showing at the prestigious Philarmonie de Paris, France (Dec 21–Aug 22)

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“One of the curious facts about hip-hop’s history is how little photographic documentation exists of the culture’s early years. Come the dawn of the Eighties, a handful of talented photographers finally began to pay attention, most notably Henry Chalfant, Martha Cooper, and Joe Conzo. In retrospect, it’s clear that each of them focused on a particular element or two of the multiform explosion of creativity that came to be called hip-hop. Henry zeroed in on graffiti. Martha devoted herself to graffiti and breakdancing. And the heart of Joe’s work documents the career of the Cold Crush Brothers. Uniquely Sophie Bramly, unlike the others, managed between 1982 and 1984 to put her arms around all four of the hip-hop elements: the emcees, deejays, graffiti artists, and breakdancers.” Bill Adler from the introduction.

Isbn: 978-1-9163598-2-6

Flexibound, 304 pages, Dimensions 224 X 284 mm, Weight 1.75Kg

Bestselling author and Sundance award-winning director Questlove offers a thrilling, music-driven ride through the last fifty years of American history​.

In Music Is History, bestselling author and Sundance award-winning director Questlove harnesses his encyclopedic knowledge of popular music and his deep curiosity about history to examine America over the past fifty years. Choosing one essential track from each year, Questlove unpacks each song’s significance, revealing the pivotal role that American music plays around issues of race, gender, politics, and identity.

Music Is History focuses on the years 1971 to the present, not only the country’s most complex and rewarding half-century when it comes to the ways that pop culture and culturally diverse history intersect and interact, but also the years that overlap with Questlove’s own life. Music Is History moves fluidly from the personal to the political, examining events closely and critically, to unpeel and uncover previously unseen dimensions, and encouraging readers to do the same. Whether he is exploring how Black identity reshaped itself during the blaxploitation era, analyzing the assembly-line nature of disco and its hostility to Black genius, or remembering his own youth as a pop fan and what it taught him about America, Questlove finds the hidden connections in the American tapestry.

Complete with playlists organized around personal, playful themes that touch on everything from the relationship of hip-hop to music’s past to the secret ingredient in all funk songs, Music Is History is filled with and informed by Questlove’s preferences, perspectives, and particularities. It feels like both a popular history of contemporary America and a conversation with one of music's most influential and unique voices.

"As government legislation, standardised music and bad drugs forced the euphoria of the rave phenomenon into the darkness, a new underground movement emerged – the jungle and drum & bass nexus.

It was the sound of the beating heart of Britain’s multi-cultural urban rave, produced by the children of the Windrush and their closest friends, and distilled via the journey from a Tivoli Gardens soundclash, to the UK’s inner city blues parties and onto jazz-funk all-dayers and soul weekenders.

It was a space that was forged in the hidden edges of urban warehouses and the darkened recesses of clubland’s backrooms; schooled in the swagger of dancehall, the thunder of hardcore, the fury of bebop and the depth charge of dub.

Jungle and drum & bass was like nothing else the world had experienced before – simultaneously black and white, urban and suburban, old skool attitude and new school innovation. A socio-cultural melting pot of early-90s broken Britain seizing the wheel and taking control of the machine.

Originally published in 1997, State of Bass explores the scene’s roots through its social, cultural and musical antecedents and on to its emergence via the debate that surrounded the apparent split between jungle and drum & bass. Drawing on interviews with some of the key figures in the early years State of Bass explores the sonic shifts and splinters of new variants, styles and subgenres as it charts the journey from the early days as the deliberately hidden underground, ignored by the media in favour of the post-rave progressive house scene, to its position as a global phenomenon.

State of Bass: The Origins of Jungle and Drum & Bass extends the original text to include the award of the Mercury Prize to Roni Size & Reprazent for the groundbreaking New Forms album and brings new perspectives to the story of the UK’s most important subterranean urban energy.



Quotes

“Cogent, well researched and hardly oblivious to the nutty charisma of jungle’s lexicon and nomenclature. The first serious attempt to document the drum & bass realm is a total success.”
Select

“Exceedingly well researched, endlessly authoritative and undeniably ace…”
Melody Maker

“(State of Bass) deserves a special mention. A thorough account of the story of jungle.”
Ben Osborne, author of The A-Z of Club Culture

“The best book so far on the evolution of drum & bass”
Sheryl Garratt, author of Adventures in Wonderland: a decade of club culture

“Martin James comes up trumps with an in-depth examination of Jungle’s roots, history and even a recommended listening guide.”
Muzik

“Essential reading for anyone who is interested not only in the jungle scene… but in dance in general, in the music industry as a whole or even British society and its infrastructures.”
DJ

“An acutely perceptive and thought-provoking account of the circumstances and celebrities surrounding the development of a modern music that we can finally call our own.”
The Scotsman

“Well worth rattling through if you can track it down.”
FACT

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A daily planner with facts on what happened on this day in hip hop history! The Hip Hop Journal: A Daily Planner provides you with a notebook as well as a daily update on the most important historical events that took place in hip hop culture on each date. Simply turn to today’s page to and find out what classic records were released on this day in the past, and next to it note your schedule, ideas, grocery list, or even your rhymes. Get inspired by what has happened in hip hop’s past and make the most of your day! The journal offers ers a variety of facts, from record releases and movies to important cultural events relating to the development of hip hop culture over the last 45+ years. The Hip Hop Journal is a loving celebration of the rich body of work that builds one of the most influential cultures of our times, and an invaluable help in planning your day-to-day activities. In the Hip Hop Journal you plan your year accompanied by the many events in hip hop history, visualized by hip hop illustrator Mark 563’s illustrations, depicting the most iconic rappers and hip hop personalities from the ‘70s until today. You may not know them all, but if you spend a little time every day, listening and catching up on the classic record releases listed in this book, you will be close to a PhD in hip hop by the end of the year. The Hip Hop Journal is the latest title in Dokument Press’ publications related to hip hop, graffiti and street art, and it is the third release with illustrator Mark 563, following the tremendously popular Hip Hop Coloring Book and Hip Hop Coloring Book: East Coast Edition.

Geechi Suede and Sonny Cheeba are Camp Lo. These two emcees from the Bronx, NY entered the American hip hop scene with an insider slang that bewildered listeners as they radiated the look of a bygone era of black culture. In 1996, they collaborated with producer Ski and a host of other contributors to create Uptown Saturday Night, featuring the seminal single “Luchini (a.k.a. This is It).” While other 1990s rappers referred to 1970s Blaxploitation culture, Camp Lo were self-described “time travelers” who weaved the slang and style of a soulful past into state-of-the-art lyrical flows.

Uptown Saturday Night is a tapestry of 1970s black popular culture and 1990s New York City hip hop. This volume will detail how the album's fantastic world of “Coolie High” reflected classic films like Cooley High and the Sidney Poitier film from which the album's title is derived, and promoted vintage slang and fashion. The book features new interviews with Camp Lo, producer Ski, Trugoy the Dove from De La Soul, Ish from Digable Planets, and others, and offers musical and cultural analyses that detail the development of the album and its essential contributions to a post-soul aesthetic.

Skin as manifold exterior. Skin as signifier. Skin as identifier. Skin as protector and delicate receptor for Vitamin D. The surface is deep, evidenced by the 32 million bacteria occupying each square inch of your arm. Altogether that’s, well, don’t worry about the total number on your body. It’s gross. Or rad. Like this very issue, which will hit your reality next week. Elaborate stories on Kit King, Alice Hawkins, Sage Elsesser, Till Rabus, Grizzly Bear, Andreas Demeter, Mike Blabac. And. So. Much. More. For. You. To. Discover.

One of the finest hip-hop albums ever made, A Tribe Called Quest's debut record (featuring stone-cold classics like "Can I Kick It?" and "Bonita Applebum") took the idea of the boasting hip-hop male and turned it on its head. For many listeners, when this non-traditional, surprisingly feminine album was released, it was like hearing an entirely new form of music.

In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time - a 17-year-old high-school geek who was equally into hip-hop, punk, new wave, skateboarding, and Dungeons & Dragons: all of a sudden, with this one album, the world made more sense. He has spent many years investigating this album, from the packaging to the song placement to each and every sample - Shawn Taylor knows this record like he knows his tattoos, and he's finally been able to write a fascinating and highly entertaining book about it.

128 pages.
• See more at: http://www.bloomsbury.com/us/a-tribe-called-quests-peoples-instinctive-travels-and-the-paths-of-rhythm-9780826419231/#sthash.cFZ9YfTa.dpuf

An incomplete anthology of Memphis Hip-Hop albums from the nineties curated by 404 Eros & Asel Tambay.

A retrospective of Third Earth Visual Arts and the career of AbuQadim Haqq who as many of you know created art for Transmat, Drexciya and Underground Resistance.
The book covers his early life in Detroit to his last project for Third Earth Visual Arts in 2023.

Over 100 pages of art.
Over 100 pages of photos.
258 pages

A landmark publication celebrating the life and work of American musician and composer Arthur Russell, the man the Guardian called 'One of the 20th century's true musical visionaries'

The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.

Now, in a landmark publication assembled by critically-acclaimed writer Richard King, Travels Over Feeling collects the extensive ephemera found in Russell’s New York Public Library archive, along with pieces from the personal collections of those who were closest to him. Combining unseen visual material—handwritten scores, lyrics, photos, letters, and drawings—with new texts by King and extensive original interviews with Arthur’s collaborators, contemporaries, family, and friends, Travels Over Feeling paints a portrait of Arthur Russell unlike any which has come before, revealing a true picture of one of the most distinctive artists of the last fifty years.

Charles Arthur Russell Jr., better known as Arthur Russell (May 21, 1951—April 4, 1992) was an American cellist, composer, producer, singer, and musician from Iowa whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved with both Lower Manhattan's avant-garde community and the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his distinctive voice. He died from AIDS-related illnesses in 1992.

Richard King was born in South Wales and for the last twenty years has lived in the rural county of Powys, in mid-Wales. He is author of Original Rockers (2015), which was shortlisted for the Gordon Burn Prize, and How Soon Is Now? (2012), which was Sunday Times Music Book of the Year. The Lark Ascending was published in 2019, and was a Rough Trade, Mojo, and Evening Standard Book of the Year. His latest book, Brittle with Relics, was published in February 2022.

Record Time is a new print-only music magazine that focuses on obscure, unusual, forgotten and neglected records, not collectibles or rarities, but great records that can be had without shelling out max cash. The debut arrives right when interest in records is at a 30-year high and is growing across generations. Record Time is about the wonderful world of records, specifically unusual, obscure, forgotten and neglected slabs of plastic that all of us can afford. Rather than focus on holy grails of the most expensive kind or $$$ reissues, Record Time scours bargain bins, garage sales, and those corners of record stores that only the most diehard music freaks dig through—and what we find are wonderful records that are too often passed by even though they are usual cheap (or at least much less than your average $30 reissue). In that spirit, Record Time #1 does a deep dive into the crazy history of Plastic Bertrand’s “Ca Plane Pour Moi.” Also in issue one: A cruise through the music and career of Hansadutta Swami, the Hari Krishna “machine gun guru” and failed rock star; a dip into controversial politico/musician Harvey Matusow and his Jew’s Harp Band; the Surfsiders, a fake surf band that included a young LOU Reed, Alquin and the Dutch prog rock scene of the 1970s; the obscure and delightful DIY psych pop of the THE People’s Victory Orchestra AND Chorus; and records on alleged Kennedy assassin Lee Harvey Oswald. There’s more: Columns on 1960s garage instrumental 45s and forgotten 7”s from the 1990s punk scene, a feature on THE Wuzz Band, a run-through of the records and crimes of novelty rapper/drug kingpin Hurt EM BAD, a ton of record reviews (of albums lurking in used bins), an interview with Dick Vivian of San Francisco’s Rooky Ricardo’s Records (and Dick’s picks of great budget R&B and girl group singles), and more. Record Time is published and edited by Scott Soriano, a long-time music writer, record label runner, zine publisher, and political journalist. We’ve got a rich group of contributors such as Brian Turner, Owen Maercks, Laurent Bigot, Fred DE Vries, Johnny Sunshine, D. Worden, and others, from the US, France, South Africa, and abroad. 11” x 8.5”, perfect-bound with color cover.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Warlock

On the cover: The Haxan Cloak. Inside: DJ Znobia, Linda Smith, Ariel Kalma, Billy Bultheel, Lumpeks, Yasuhiro Morinaga, John Pope, Invisible Jukebox: Kahil El’Zabar, Epiphanies: Edward Ka-Spel on Faust, The Inner Sleeve: Teresa Winter on Saint Etienne, Global Ear: Santiago, Unlimited Editions: Thanatosis Produktion, Unofficial Channels: The Blindboy Podcast, and in the reviews sections: Allison Burik, John Surman, Univers Zero, Techno Animal, Le Guess Who?, rap in Britain and much more.

Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era – creating a blueprint for music today.