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My Disco Vinyl, CD & Tape 2 Items

Electronic & Dance 2 Techno | Minimal | Tech-House 1 Downbeat | Electronica | Leftfield 2
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Reset all Filters No Used Vinyl My Disco
My Disco - Alter Schwede
My Disco
Alter Schwede
LP | 2022 | EU | Original (Downwards)
23,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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My Disco’s industrial goth gristle and bones congeal in petrified form on a return to Downwards, benefiting from visceral mixing by legendary Einstürzende Neubauten engineer, Boris Wilsdorf. With a sound that intersects elements of Pan Sonic, Fugazi, Raime, Regis, The Human League’s ‘Dignity Of Labour’ and Big Black, ‘Alter Schwede’ comes v v highly recommended to anyone with interests anywhere along that spectrum.

Back in the Downwards clammy clutch, Melbourne’s tightest trio compile material recorded during midwinter sessions at Einstürzende Neubauten’s infamous AndereBaustelle studio in Berlin. The eight new components of ‘Alter Schwede’ offer a compelling instrumental psychodrama of klangorous percussion and seething industrial urges harnessed to the trio’s critically stylised minimalism. Set in acres of resounding negative space rendered by Boris Willsdorf at the AndereBaustelle studio that’s been hailed a vital x-variant in heavy recordings by everyone from Neubauten to Pan Sonic and Keiji Haino, the record continues the band’s strong tradition of working with seminal engineers, such as Steve Albini (they’re also named after a Big Black song) at Electrical Paradise on ‘Paradise’ (2007) and ‘Little Joy’ (2010), to best bring out the gnawed-bone texture, spectral sinew and gothic romantic sturm und drang of their music. Liam Andrews (bass, electronics, vox), Ben Andrews (guitar), and Rohan Rebeiro (drums, percussion) mark nearly 20 years of releases with some of their most uncompromising, and,
by turns, captivating, work on ‘Alter Schwede’.

Between the elemental howl of ‘The Shore’ and grand, cinematic epilogue of ‘Third Place’ they stake out a distinctive space in the contemporary industrial field. The back-combed tape loops of ‘Irreversible’ hint at the feel of Gaspar Noe’s film of the same name, while the mix of spoken word german and collapsing workshop structures of ’StVO’ uncannily recall Jani Christou’s ‘Mysterion Prolog Und Sprechertext’ to these ears, while their cogs finally knit into some semblance of industrial grind on ‘Meshes’. They make most crucial use of the studio-as-instrument in the cavernous klang of ‘Toil’, with the clenched pulse and awning harpy moans of ‘Folterkammer’, with the deathly stasis and distant chain rattles of ‘BaustellenLüftung’ offering space to reflect on the bleak state of things.
My Disco - Environment Remixes
My Disco
Environment Remixes
12" | 2020 | EU | Original (Downwards)
12,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Downwards’ rum gang of industrial misfits mutate My Disco’s ‘Environment’ album in slow, brutal and hypnotic styles ranging from Karl O’Connor’s smudged gamelan rework as Cub, to a 16 minute stunner by Rainforest Spiritual Enslavement (Prurient & Low Jack). ‘Environment Remixes’ serves to tie up a 10 year loop since Karl O’Connor (Regis) first became rapt with My Disco’s 2010 single ‘Young/You’, which lead to him remixing the Aussie band’s song ‘My Decade’ in 2016, and eventually issue the reverberating clang of their ‘Environment’ LP on his Downwards label in 2019. For the remix suite, they’ve picked a gang of manacled producers to reanimate the album’s cranky mania and classic industrial spirit with suitably bruising results. The swingeing, stygian flow of Karl O’Connor’s Cub remix of ‘Equatorial Rainforest’ returns a big highlight, possibly the project’s very slowest and loaded square between the eyes of early ‘90s Coil and 23 Skidoo, while Rainforest Spiritual Enslavement’s 16 minute take on LP centrepiece ‘Act’ follows that humid line to a frighteningly strong scene of cicadas and crackling neon sleaze sloshed with martial kettle-drum rolls recalling Con Schnitzler’s ‘Conditions of The Gas Giant’, before slipping into the lushest ambient techno mode. Following the rush of his recent records, Sam Kerridge renders the doomy beckon of ‘Rival Colour’ more tentatively, stalked with spare drums and lugubrious bass, and Bristol’s Giant Swan follow a hunch for lurching halfstep on their reduction of ‘An Intimate Conflict’, for Oliver Ho to amp the phosphorus guitar burn of ‘1987’ as Slow White Fall with the sort of noisy conviction that also makes his new album such a zinger.
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