€

10% extra discount

on all HHV Records sale items.
Valid only until Sunday June 2nd, 23:59 p.m.
Code: recdeal on all HHV Records sale items.
Valid only until Sunday June 2nd, 23:59 p.m.
Code: recdeal on all HHV Records sale items. Code: recdeal
Valid only until June 2nd, 23:59 p.m.

All Vinyl, CD & Tape Used Vinyl Merchandise Equipment

Nate Morgan Vinyl, CD & Tape 3 Items

Name: Nate Morgan - Retribution, Reparation
Brand: Pure Pleasure
SKU: 852921v1
Price: 37.99 EUR
Availability: InStock

Show Filter & Categories

Filter Results

Artist

2Pac

A Certain Ratio

A Place To Bury Strangers

A Tribe Called Quest

ABBA

AC/DC

Adamo

Adrian Younge & Ali Shaheed Muhammad

Aerosmith

Aesop Rock

Akira Ifukube

Al Di Meola

Al Green

Al Jarreau

Alex Puddu

Alice Cooper

Alton Miller

America

Amon Amarth

Amorphis

Andre Hazes

Angel Olsen

Animal Collective

Aphex Twin

Arab Strap

Arcade Fire

Arch Enemy

Aretha Franklin

Armin van Buuren

Art Blakey & The Jazz Messengers

Arthur Russell

ASC

Atmosphere

Augustus Pablo

B.B. King

Bad Brains

Bad Religion

BAP

Bathory

Bay City Rollers

Beastie Boys

Beck

Bee Gees

Behemoth

Belle & Sebastian

Benny The Butcher

Bert Jansch

Berurier Noir

Beyonce

Bill Evans

Bill Evans Trio

Bill Withers

Billie Holiday

Billy Cobb

Billy Joel

Billy Preston

Billy Talent

Björk

Black Sabbath

Blondie

Blur

Bob Dylan

Bob Marley

Bob Marley & The Wailers

Bobby Womack

Bonobo

Boo Williams

Boris

Boris Brejcha

Brant Bjork

Brian Eno

Bright Eyes

Broadcast

Bruce Springsteen

Buddy Guy

Calibre

Can

Cannonball Adderley

Capcom Sound Team

Carole King

Cat Stevens

Charles Mingus

Charlie Parker

Chemical Brothers

Chet Baker

Chicago

Chris Farlowe

Chuck Berry

Clifford Brown

Clutch

Cock Sparrer

Coil

Colosseum

Commodores

Common

Count Basie

Count Basie Orchestra

Cream

Creedence Clearwater Revival

Crimeapple

Cult Of Luna

Cypress Hill

Daft Punk

Danko Jones

Danzig

Darkthrone

Daryl Hall & John Oates

Dave Brubeck

David Bowie

De La Soul

Dead Kennedys

Death

Deep Purple

Def Leppard

Degiheugi

Deichkind

Depeche Mode

Destruction

Dexter Gordon

Diana Ross

Die Drei ???

Die Fantastischen Vier

Dinah Washington

Dinosaur Jr

Dio

Dionne Warwick

Dire Straits

Dismember

DJ BK

DJ T-Kut

DMX

Donald Byrd

Donna Summer

Doro

Dream Theater

Drive-By Truckers

Duke Ellington

Duke Ellington And His Orchestra

Duran Duran

Duster

Eagles

Earl Klugh

Earth, Wind & Fire

Eels

El Michels Affair

Elbow

Electric Light Orchestra

Ella Fitzgerald

Elton John

Elvis Costello

Elvis Presley

Eminem

Ennio Morricone

Eric Clapton

Etta James

Falcom Sound Team JDK

Father John Misty

Fela Kuti

Fleetwood Mac

Foo Fighters

Foreigner

Four Tops

Francis Lai

Frank Sinatra

Frank Zappa

Freddie Hubbard

Fucked Up

Funkadelic

Genesis

George Benson

George Duke

George Harrison

Gerald Wilson Orchestra

Ghost

Gladys Knight And The Pips

Gloria Gaynor

Godfather Don

Golden Earring

Gorillaz

Graham Parker

Grand Funk Railroad

Grant Green

Grateful Dead

Green Day

Gregory Isaacs

Gregory Porter

Guided By Voices

Guns N' Roses

Hank Mobley

Helloween

Herb Alpert

Herbie Hancock

Herbie Mann

Howlin' Wolf

Iain Matthews

Iggy Pop

Ike & Tina Turner

Imagine Dragons

Iron Maiden

Isaac Hayes

J Dilla

Jack White

James Brown

Jamiroquai

Jan Delay

Janis Ian

Janis Joplin

Jay-Z

Jean-Louis Murat

Jermaine Jackson

Jerry Butler

Jethro Tull

Jimi Hendrix

Jimmy Smith

Joe Hisaishi

Joe Sample

John Carpenter

John Coltrane

John Lee Hooker

John Lennon

John Mayall

John Mayall & The Bluesbreakers

John Prine

John Williams

Johnny Cash

Johnny Clarke

Johnny Hallyday

Jon Hopkins

Joni Mitchell

Joy Division

Judas Priest

Julie London

Kaizers Orchestra

Karma To Burn

Katatonia

Kate Bush

Keith Jarrett

Kelley Stoltz

Kendrick Lamar

Kerri Chandler

Khruangbin

Killing Joke

King Crimson

King Gizzard & The Lizard Wizard

Kiss

Kraftwerk

Kreator

Kylie Minogue

Lambchop

Led Zeppelin

Lee Morgan

Lee Perry

Lemon Demon

Leonard Cohen

Lerosa

Lester Young

Levon Vincent

Lewis Parker

Liars

Linda Ronstadt

Linkin Park

Long Distance Calling

Losoul

Lou Reed

Louis Armstrong

Luciano

Ludovico Einaudi

Lynyrd Skynyrd

M. Ward

Mac Dre

Mac Miller

Mad Professor

Madlib

Madness

Madonna

Main Source

Manfred Mann's Earth Band

Manic Street Preachers

Manilla Road

Mariah Carey

Marianne Faithfull

Marillion

Marvin Gaye

Mastodon

Max Richter

Mayhem

Maynard Ferguson

Melba Moore

Melvins

Men I Trust

Metallica

Michael Jackson

Mike Oldfield

Miles Davis

Ministry

Mobb Deep

Moby

Mogwai

Mono

Moomin

Morgana King

Motörhead

Mott The Hoople

Mr. G

Mr. K

Muddy Waters

Mudhoney

Muse

Muslimgauze

Nancy Wilson

Nas

Nat King Cole

Nate Morgan

Nazareth

Nebula

Neil Young

Neil Young & Crazy Horse

New Order

Nick Cave & The Bad Seeds

Nick Lowe

Nico

Nils Frahm

Nina Simone

Nirvana

NOFX

Norah Jones

Norm Talley

Oasis

Oddisee

Olivia Newton-John

Omar Rodriguez-Lopez

Omar S

Opeth

Orlando Voorn

Ornette Coleman

Oscar Peterson

Otis Redding

Ozric Tentacles

Ozzy Osbourne

Paradise Lost

Patti LaBelle

Paul McCartney

Paul Simon

Paul Weller

Pearl Jam

Pere Ubu

Pestilence

Pet Shop Boys

Pharoah Sanders

Piero Piccioni

Piero Umiliani

Pink Floyd

Pixies

PJ Harvey

Placebo

Porcupine Tree

Post Malone

Prefab Sprout

Primal Scream

Prince

Public Enemy

Purple Disco Machine

Queen

Queens Of The Stone Age

Quincy Jones

R.E.M.

Radiohead

Rage Against The Machine

Ramsey Lewis

Ray Charles

Ray Parker Jr.

Recognize Ali

Red Hot Chili Peppers

Rico Friebe

Rico Puestel

Robert Johnson

Robot Koch

Rockets

Rod Stewart

Ron Trent

Run DMC

Sade

Sam Cooke

Santana

Sarah Davachi

Sarah Vaughan

Sault

Savatage

Saxon

Scorpions

Scott Walker

Seba

Sepultura

Serge Gainsbourg

Session Victim

Sex Pistols

Shabazz Palaces

Shakatak

Shame

Sharon Van Etten

Sheena Easton

Sido

Sigur Ros

Simon & Garfunkel

Skid Row

Skinshape

Slade

Sleaford Mods

Sly & The Family Stone

Smokey Robinson

Sonic Youth

Sonny Rollins

Soul Jazz Records presents

Sparks

Spinners

Spiritualized

Spyro Gyra

Stanley Turrentine

Status Quo

Steely Dan

Stefan Goldmann

Stereo Total

Stereolab

Steve Miller Band

Stevie Wonder

STL

Submerse

Sufjan Stevens

Sun Ra

Tangerine Dream

Tank

Tarja

Taylor Swift

The Beach Boys

The Beatles

The Black Keys

The Brian Jonestown Massacre

The Byrds

The Clash

The Crusaders

The Cult

The Cure

The Damned

The Dave Brubeck Quartet

The Doobie Brothers

The Doors

The Fall

The Isley Brothers

The Kinks

The Meteors

The Miracles

The Modern Jazz Quartet

The National

The Notorious B.I.G.

The O'Jays

The Police

The Rolling Stones

The Roots

The Stylistics

The Supremes

The Temptations

The Unknown Artist

The Ventures

The Wedding Present

The Weeknd

The Who

Thelonious Monk

Theo Parrish

Thin Lizzy

Thunder

Tom Petty & The Heartbreakers

Tom Waits

Toto

Townes Van Zandt

Ty Segall

Tyler The Creator

Udo Lindenberg

Ufo

UK Subs

Unknown Artist

Unwound

Uriah Heep

V.A.

Van Morrison

War

Weather Report

Weezer

Weldon Irvine

Wendell Harrison

Wes Montgomery

Whitney Houston

Willie Nelson

Wilson Pickett

Within Temptation

Wu-Tang Clan

XTC

Yan Cook

Yes

Your Old Droog

Yungblud

Nate Morgan

Retribution, Reparation

LP | 1984 | UK | Reissue (Pure Pleasure)

37,99 €*

Incl. VAT plus Shipping Costs

Release: 1984 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pianist Nate Morgan (1964-2013) was a central figure on the Los Angeles jazz undergound. A core member of the circle around the legendary bandleader, pianist and community organiser Horace Tapscott, Morgan had been part of Tapscott’s U.G.M.A.A. (Union Of God’s Musicians and Artists Ascension) since he was just a teenager, and was a key member of the Pan Afrikan People’s Arkestra, known as ‘The Ark’. Through the 1980s and 1990s he kept the Papa flame alive, organising the Ark’s sprawling songbook, running legendary jam sessions, and keeping LA’s deep jazz roots well watered. By the early 2000s he was bringing hard won knowledge to a new generation as part of the Build The Ark collective. He was a musician’s musician, at the beating heart of the radical, community-minded Los Angeles jazz network that Tapscott and his associates had first put together in the early 1960s. "Retribution, Reparation" was the second of the two LPs Morgan recorded for Tom Albach’s storied Nimbus West imprint. His first, "Journey Into Nigritia" had been a declaration of arrival laced with energies drawn from Cecil Taylor and Coltrane. One year later, with nods to Herbie Hancock ("One Finger Snap") and Ellington ("Come Sunday"), "Retribution, Reparation" was a confident statement of purpose. Politically charged with pan-Africanist and Black nationalist sentiments inspired by Marcus Garvey, and titled with uncompromising directness, the album focusses the sound world of the Ark into a surging, restless masterpiece of spiritualised modal jazz. With Danny Cortez on trumpet and Ark stalwart Jesse Sharps on saxophones the frontline is explosive (this set is also one of the few places the extraordinary Sharps can be heard in a small group setting), while Fritz Wise and Ark regular Joel Ector hold down the rhythm section. Morgan’s forceful, Tyner-like chords and virtuosic solos and bind the music together. From the poised drama of the opening dedication to Tapscott’s U.G.M.A.A. ("U.G.M.A.A.GER") to the propulsive militancy of the title track, "Retribution, Reparation" spreads the word: »Advance to Victory, Let Nigritia Be Free!«

Go to Item

Nate Morgan

Retribution, Reparation

LP | 1984 | UK | Reissue (Outernational)

22,99 €*

Incl. VAT plus Shipping Costs

Release: 1984 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Available on vinyl for the first time since its original release in 1984, Outernational Sounds proudly presents Build An Ark pianist Nate Morgan’s second outing for the celebrated Nimbus West label – the conscious and spiritualised sounds of Retribution, Reparation.

Pianist Nate Morgan (1964-2013) was a central figure on the Los Angeles jazz undergound. A core member of the circle around the legendary bandleader, pianist and community organiser Horace Tapscott, Morgan had been part of Tapscott’s U.G.M.A.A. (Union Of God’s Musicians and Artists Ascension) since he was just a teenager, and was a key member of the Pan Afrikan People’s Arkestra, known as ‘The Ark’. Through the 1980s and 1990s he kept the PAPA flame alive, organising the Ark’s sprawling songbook, running legendary jam sessions, and keeping LA’s deep jazz roots well watered. By the early 2000s he was bringing hard won knowledge to a new generation as part of the Build The Ark collective. He was a musician’s musician, at the beating heart of the radical, community-minded Los Angeles jazz network that Tapscott and his associates had first put together in the early 1960s.

Retribution, Reparation was the second of the two LPs Morgan recorded for Tom Albach’s storied Nimbus West imprint. His first, Journey Into Nigritia (Outernational Sounds OTR- 008), had been a declaration of arrival laced with energies drawn from Cecil Taylor and Coltrane. One year later, with nods to Herbie Hancock (‘One Finger Snap’) and Ellington (‘Come Sunday’), Retribution, Reparation was a confident statement of purpose. Politically charged with pan-Africanist and Black nationalist sentiments inspired by Marcus Garvey, and titled with uncompromising directness, the album focusses the soundworld of the Ark into a surging, restless masterpiece of spiritualised modal jazz. With Danny Cortez on trumpet and Ark stalwart Jesse Sharps on saxophones the frontline is explosive (this set is also one of the few places the extraordinary Sharps can be heard in a small group setting), while Fritz Wise and Ark regular Joel Ector hold down the rhythm section. Morgan’s forceful, Tyner-like chords and virtuosic solos and bind the music together. From the poised drama of the opening dedication to Tapscott’s U.G.M.A.A. (‘U.G.M.A.A.GER’) to the propulsive militancy of the title track, Retribution, Reparation spreads the word: ‘Advance to Victory, Let Nigritia Be Free!’

Go to Item

Nate Morgan

Journey Into Nigrita

LP | 1983 | UK | Reissue (Pure Pleasure)

34,99 €*

Incl. VAT plus Shipping Costs

Release: 1983 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At the dawn of the Reagan years, LA jazz pianist Nate Morgan recorded his first album for Nimbus West. "Journey Into Nigritia" portrays an artist marked by the icons of his day, and striving for reinvention. Although he came from a solid jazz background, coming up through the Pan Afrikan People's Arkestra, Morgan found more exciting work with pop bands in the seventies, including glory years with Rufus w/Chaka Khan. On "Journey Into Nigritia", Morgan re-embraces jazz. Included in the band are Jeff Littleton on bass, Fritz Wise on drums, and Dadisi Komolafe on alto sax. The collection opens with the Trane-ish "Mrafu". Komolafe blasts off in short order, and while the modal chording recalls Tyner, Morgan shows flashes of the nimble loquacious gift that define him. While Alice Coltrane incense perfumes "Morning Prayer", Morgan's devotional sincerity and personnel expression triumph. Suitably complex with yearning minors, "Mother" features the trio performing a memorable composition. Littleton's deep-note sustain contrasts Wise's shimmering cymbals, while Morgan tells heart-wrenching truth. With a somewhat solemn theme, "He Left Us A Song" regularly bursts through into straight-ahead fast break sprints up and down the court. The unexpected "Study In C.T." offers an homage to Cecil Taylor and Morgan's musical roots with free improvisations on a dense and spiky theme. The exhilarating result has Morgan exploring his own way, with a winking slinging of jagged bass chords halfway through. While a quarter century's experience has nurtured Morgan's prodigious gifts beyond this ambitious debut, "Journey Into Nigritia" offers enjoyable insights into his artistic evolution, while adding another precious title to the discography of one of the most woefully under-recorded greats of our time. Review by Rex Butters

Go to Item