NBN ARCHIVES Hip Hop 4 Items

New Flava Volume 1 is an audacious project birthed in Austin Aggrey-Odoom's brain in the Spring of 1995. Austin, being a devoted Christian as well as a massive music fan, was a regular at different churches across the London Area during the mid-90's. He then connected with many young aspiring Gospel/Soul/R&B singers and had the idea to produce a Gospel album that could appeal to a younger crowd, mixing US R&B influences, to create a new kind of Christian R&B that could have radio potential, while showcasing U.K.'s underground Soul talents from the Gospel community. His love of God and passion for music would finally merge into this hybrid compilation project called New Flava Volume 1. With the help of producer Paul Cumberbatch, they recorded a selection of the finest voices that Austin could find amongst the Gospel circuit. Inspired by popular US R&B/Hip-Hop artists of that time, they aimed to recreate a heavy and well-polished sound that would resonate with the fans of Mary J. Blige, Joe and SWV amongst others. The result is quite mind-blowing, Cumberbatch's top-notch productions make a strong foundation to let the artists shine throughout the compilation, such as Tyrone Henry on the instant-classic « Time For You And Me » or the label-favorite « Heaven Is In My Home » by Jasmine Kirby. The U.K. has always been a great hunting ground for Soul talents, and this compilation is yet another example of it. Now for the first time on 2LP, New Flava Volume One is a must-have for any 90's R&B collectors !

NBN Archives is proud to debut a forthcoming series of Hip-Hop and R’n’B reissues with a little known Californian project from "108" a short lived Bay Area group which consisted of rappers Encore (Shaya Bekele) and Grand The Visitor (Everett Aknowledge) along with composer-producer Sedric Edwards. Originally released in 1996 in a very limited quantity of one hundred CD's, the album "Mission Infinite" never really got the attention it deserved until now.

By the mid 90s Encore and Grand had already been gravitating around the San Jose Hip-Hop scene, releasing music in connection with Bay Area Hip- Hop Icon Peanut Butter Wolf - both featuring on one of Wolf’s first 12’s “Step On Our Ego's?” (1996, South Paw Records). In the same year, Grand released his first solo single “The Visitor” on Blind Side Recordings produced by PB Wolf and Encore's first single was one of the very first releases on Stones Throw in 1997. Sedric Edwards was a sound engineer working locally when he met Chris Cut (aka PB Wolf). They set up a studio together where he met the two MC’s. According to Encore: "One day, Sedric was playing some of his Jazz-infused instrumentals in between sessions, and we were like: ‘We should try something with this!’”

Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.