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Koki Nakano - Pre-Choreographed
Koki Nakano
Pre-Choreographed
LP | 2020 | EU | Original (No Format)
21,99 €*
Release: 2020 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Koki Nakano has spent time in the worlds of both classical music and electro-rock (with his band Gas Law). After training at the prestigious Toho Gakuen music school and the Tokyo University of the Arts, he embarked on his career with the strength and serenity of a man who had already ditched all those qualms about identity and heritage that often hobble young musicians.It was back in 2016 that Koki Nakano first came to the attention of those who hunger for the wondrous and unprecedented. The nine pieces on his first album Lift, recorded for No Format! with help from cellist and admirer Vincent Segal, revealed a composer of singular talents. His work displayed a subtle versatility, a high-wire delight in floating above established musical genres. The title of the album evokes a move well-known to ballet dancers: the porté, and conveys the deep relationship, both physical and spiritual, that Koki's music maintains with dance, a bond he's been cultivating ever since he moved to Paris in 2015.Pre-Choreographed is the sequel to that beautiful opening chapter, a new episode in No Format's adventures with the emancipated genii of the piano, which began fifteen years ago with the release of Chilly Gonzales's classic Solo Piano. This project evokes the strong "saudade" for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even "missing" the choreography. That is to say, the character of the music is yet very "raw", no direction is given. Koki Nakano's basic intention resides in the urge to re-transcribe the intimate topography of a man's life, whilst remaining deliberately detached from fashions, slogans, from a binary vision of the history of music in which modernity and past, avant-garde and classicism, new and old stand in opposition to each other as a matter of principle. For that reason, his creations never emit the dusty odour of schools and lecture halls, or the perfum...
Ala.Ni - You & I
Ala.Ni
You & I
LP | 2016 | FR | Original (No Format)
22,99 €*
Release: 2016 / FR – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
White vinyl. Original inner sleeve. Tiny wear.
Asynchrone - Plastic Bamboo
Asynchrone
Plastic Bamboo
LP | 2023 | EU | Original (No Format)
26,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
French Jazz sextet Asynchrone reimagine legendary composer Ryuichi Sakamoto"s repertoireAs fans of the maestro"s work, French free jazz/electro collective Asynchrone began to interrogate his oeuvre in 2020, aiming to get inside his music, taking it to unexplored new dimensions. On their debut album "Plastic Bamboo", they achieve that and more. With a wildly eclectic approach in mind, there will be songs that most will be familiar with: "Merry Christmas Mr Lawrence" and Yellow Magic Orchestra"s "Behind The Mask", in particular. And then there are the deeper cuts from Sakamoto"s solo albums from the early eighties that are less famous but that nevertheless helped to expand and augment the genre. With a wildly eclectic approach in mins, they take a varied selection of his music in a direction where free jazz meets electronics, with the sense of liberty and freedom. Asynchrone"s personnel is a link-up between founders cellist Clément Petit, producer and musician Frédéric Soulard (behind Jeanne Added"s Victoires De La Musique-winning album), alongside clarinet/saxophone player Hugues Mayot, flautist Delphine Joussein, pianist Manuel Peskine, and Vincent Taeger (Oumou Sangaré, Tony Allen) on drums. Plastic Bamboo teems with vivacity and possibility, and it"s a record that is future-facing rather than any kind of sombre eulogy. It seeks to continue the musical conversation now that the architect is no longer with us. Asynchrone plays Sakamoto.
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