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Nomeansno HHV Records 3 Items

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Nomeansno
Nomeansno - Wrong Black Vinyl Edition
Nomeansno
Wrong Black Vinyl Edition
LP | 1989 | US | Reissue (Alternative Tentacles)
29,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-05-03
At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.
Nomeansno - Wrong Red Vinyl Edition
Nomeansno
Wrong Red Vinyl Edition
LP | 1989 | US | Reissue (Alternative Tentacles)
31,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-05-03
At last, one of the all-time bat legends, Nomeansno has returned to Alternative Tentacles Records. The entire catalog no less, starting with their most beloved album, Wrong. Using the original all-analog master, from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.

Nomeansno formed in a vacuum, in Victoria, British Columbia in 1979 and honing their sounds for years before relocating to Vancouver and releasing eleven albums over an almost forty year career, including a collaborative album with Jello Biafra, and numerous EPs and singles. Originally formed as a two-piece by brothers John and Rob Wright, and later joined by monster guitarist, Andy Kerr. Mixing hardcore punk, dark lyrics, and sophisticated arrangements boarding on prog, Nomeansno was massively influential and widely regarded as the first band to be referred to as “math rock”.

Originally released on Alternative Tentacles in 1989, Wrong stands on its own and is still considered to be a much-loved classic. Allmusic called the album a masterpiece and a definitive jazz core album. In 2021, the album was voted by the public’s to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.

In 2015, drummer John Wright described the album as their “most popular album by a country mile” and to the St. Louis Music Press of Wrong’s success to the rise of alternative music and the success of Nirvana:

“That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we’d get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up.”

Getting Nomeansno vinyl into stores is long overdue, so it all starts here with Wrong. Expect all vintage Nomeansno vinyl to systematically return in the days ahead.
Nomeansno - In The Fishtank
Nomeansno
In The Fishtank
LP | 1996 | EU | Reissue (In The Fishtank)
16,99 €*
Release: 1996 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Taking punk a step further

Nomeansno, consisting of brothers Rob and John Wright, have made an indelible impression with their innovative approach to punk, blending genres and crossing musical boundaries. The Nomeansno story begins in Victoria, British Columbia, where the Wright brothers grew up in a diverse musical environment. Influenced by punk rock, jazz and avant-garde music, they formed Nomeansno in 1979. The name of the band itself reflects their rejection of musical norms and their determination to go their own way. Nomeansno’s discography is extensive and diverse, reflecting their ability to experiment with different styles while maintaining a distinctive sound. Their debut album Mama was released in 1982 and was characterised by its raw energy and DIY ethos. However, it wasn’t until their 1989 album Wrong that Nomeansno gained widespread recognition. Wrong is often described as a groundbreaking punk album that featured complex song structures, unconventional time signatures and thought-provoking lyrics.

Masterpieces of complexity

The band continued to evolve, and subsequent albums such as 0 + 2 = 1 (1991) and Why Do They Call Me Mr Happy? (1993) showed their willingness to defy punk conventions. Nomeansno’s music is characterised by intricate bass lines, unconventional song structures and the inclusion of jazz and experimental elements. One of their outstanding works is the album The Worldhood of the World (As Such), released in 1996. This album demonstrates their ability to seamlessly blend aggression and melody, with tracks such as The River standing out as masterpieces of alternative music. The innovation of Nomeansno lies not only in their musical complexity, but also in their willingness to tackle social and political issues in their lyrics. Themes such as alienation, existentialism and criticism of social norms are recurring motifs in their work. This socially conscious approach set Nomeansno apart from many of their punk peers and earned them a loyal fan base.

Sound attack of the punk pioneers

Their influence on the punk and alternative music scene cannot be overestimated. Nomeansno influenced a whole generation of musicians who appreciated their willingness to experiment and their refusal to conform. Bands from Fugazi to The Melvins have cited Nomeansno as an inspiration, recognising the band’s role in the expansion of punk rock. Nomeansno’s live performances are notorious for their intensity and musicality. The brothers, especially Rob Wright, are known for their virtuosity and engaging stage presence. Whether they are playing small clubs or larger venues, Nomeansno deliver a sonic attack coupled with an intellectual experience that leaves a lasting impression on the audience. Although Nomeansno never achieved mainstream success, their legacy is firmly anchored in the alternative and punk scene. Their influence can be heard in the music of subsequent bands, and their willingness to experiment with different genres paved the way for the diversification of punk rock in the 1990s and beyond. In 2016, Nomeansno officially announced their retirement after nearly four decades of pushing musical boundaries. Though the band no longer actively records or tours, their influence reverberates through the work of countless artists who admire Nomeansno’s fearless pursuit of artistic integrity. To summarise, Nomeansno are more than just a punk band; they are sonic pioneers who challenged the conventions of punk rock and left a lasting impression on alternative music.