Not Not Fun Downbeat | Electronica | Leftfield 16 Items

Tape | 2021 | US | Original (Not Not Fun)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Based in the South Moravian city of Brno, Finnish multi-instrumentalist Simo Hakalisto aka Shakali crafts surreal terrariums of strings, synthetics, wood, and wind, teeming with bio-electronic synchronicities. Rihmastossa further finesses the project’s eclectic lexicon of electro-acoustic world-building, utilizing a gallery of instruments both ancient and advanced: solar-powered sine wave generators, singing bowls, metallophones, microtonal synths wired into tree slabs, lap harps, amplified found objects, percussion filters, flutes.

This is world music in the most naturalistic sense – subtle spatial ecosystems of climate, vibration, landscape, and species, as alluded to in the track titles about fungal colonies, extinct birds, rare worms, and pine forests. Hakalisto’s work in various exploratory duos (Gnäw, Lunar Horns, Thistle) has honed his instincts for atmospheric improvisation, but when alone he embeds even deeper into the terrain, acting as conduit as much as creator. Across seven free-flowing fugue states of texture and resonance, his touch simmers beneath the surface, guided by shifting light and hidden hands.

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Andra Ljos

Fountain Of Inspiration

Tape | 2024 | US | Original (Not Not Fun)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Both albums by Russian Armenian artist Aleksandra Evseeva aka Andra Ljos are themed around mythical wellsprings: last year’s debut of bewitched synthetic exotica, The Oasis Of Little Birds, and her latest, Fountain Of Inspiration. Conceived as a suite of imaginary ancient Grecian compositions for organ and sampler, the songs thread the saga of a sacred Greek island water sanctuary where the nymph Castalia drowned while escaping Apollo, and where visitors to the Oracle of Delphi bathed before receiving prophecy. Fountain feels appropriately holy and harrowing, eight cryptic processionals of keys, strings, sitar, backward whispers, and percussion, like hidden hymns for forbidden temples. Her background as a member of St. Petersburg wilderness ambient trio 2muchachos (alongside Vladimir Karpov / X.Y.R.) manifests in the music’s devotional mood and arcane reveries, conjured in mystic solitude at her Vilnius home studio. Andra is her mother’s pet name for her and Ljos is Icelandic for ‘light,’ due to having white hair; but combined they create an enlightened presence, channeling the siren frequencies of enchanted thresholds to realms both unreal and, till now, unheard.

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Yayoba

A Maze Of Glass

11,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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4th-world fusion trio Yayoba triangulate warped constellations of electronics, woodwinds, hand percussion, and field recordings via their respective bases in Brighton (uk), Turku (fin), and Wiesbaden (de), coaxing a sound they describe as “like a beam of light passing through translucent glass walls in a labyrinth.” Comprised of legacy experimentalists Paul Wilson (F. Ampism), Jani Hirvonen (Uton), and Johannes Schebler (Baldruin) – the latter two of whom also moonlight in “crypto-botanical” electro-acoustic unit Grykë Pyje – the group operate spontaneously and post-geographically, file-sharing sketches, textures, and FX until an alien synergy takes hold.

A Maze Of Glass collects 16 of the project’s headiest and most hyper-sensory improvisations into a 47-minute microcosmic odyssey of fractal, radiophonic exotica. Circuit-bent devotionals dovetail into pixelated mists; diaphanous lifeforms lurch through psychoactive caverns; cybernetic miasmas dance and dissipate. It’s music both placeless and perplexing, undulating and uncanny, hieroglyphic transmissions echoing from the depths.

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Hugh B

Live From The Gonsch

Release: 2023 / US – Original

Genre: Electronic & Dance

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Live From The Gonsch showcases Sydney head (and O.T.I.S. label boss) Hugh Burridge aka Hugh B’s lesser known domestic dub mode, low-slung and low volume, tracked on headphones during hidden hours, often with his daughter strapped to his chest. The album’s eight cuts are built from rhythmic modular loops layered with snaky bass, swampy guitar, and occasional hazed vocals, dub-mixed to 2-track cassette through hand-built FX (Burridge runs a boutique delay pedal business). The mood throughout is loose, soupy, and slippery, shaded in echo and spring reverb, glimpsed through tall grass.

The title alludes to Burridge’s recently retired Skylab radio show, “Mornings From The Gonsch,” which repped a spectrum of home recorded modes, from bedroom dub to hybrid new age to lost synth songcraft. Here he blends these muses into a woozy fusion all his own, dub-adjacent daydreams of time, money, stasis, and absence, hummed and half-heard beneath a bleached blue sky.

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Drapizdat

Myth

Lorena Alvarez & Alejandro Palacios

Release: 2023 / US – Original

Genre: Electronic & Dance

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Drapizdat is the umbrella banner for Russian producer Vladislav Godzevich’s rogue gallery of musical identities. Its name derives from a fusion of samizdat (illegally reproduced publications of censored materials within repressive regimes) and drap (slang for marijuana; an early beat music alias was Papa Drap), which aptly evokes his ethos of covert altered state transmissions. МИФ presents a constellation of tracks spanning five projects, four years, and 73-minutes; taken together it fully delivers on the hidden acronym of its title: M = music, И = elected, Ф = fragments [combined = ‘Myth’].

Each entity spelunks its own vibrant catacomb: Сам Себе Па (“tropical industrial 5th world dada”), Ито Кумаре (“metaphysical ambient music”), Jeans Escape (rhythmic liberations from reality), Reather Weport (“free form music of the spheres, vibrations beyond the universal caves”), Drapula (“black moon feasts on the blood of soul and funk”), Клаксон Гансон (“psychedelic ethno-mutant punk”).

Godzevich describes his process as a metamorphosis, created at night, “with minimal light.” Percolating loops of percussion, texture, and melody, summoned into warped trances of alien grace. Elements align and obscure like celestial phenomena half-glimpsed, half-dreamed: “I plunge deeper and deeper to gather golden sand from the bottom of time and show it to the world, building islands in this dilapidated world.”

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Paisajes Para Torcer Al Reloj

Tape | 2024 | US | Original (Not Not Fun)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Paisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist / DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve & Smog arts residency in Santiago, Chile in the spring of 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.

Both Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.

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2muchachos

Natura: 2009-2012

11,99 €*

Megalithic Statues Of Vishapakar

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-06-21

When Russian musicians Vladimir Karpov (X.Y.R.) and Dmitriy Borodin began making hushed, liminal, ASMRbient dream pop together in the late 2000’s, the underground landscape was thick with artists using mystical monikers, so they chose to troll in the opposite direction: 2muchachos. Although the original intent was to filter out listeners “who judge by name or cover,” they were soon joined by Aleksandra Evseeva (aka Andra Ljos), rendering their banner even more incongruous and comical.

Titles aside, the collaboration was fruitful, spanning nearly half a decade of steadily refined activity. Natura 2009-2012 collects 76 minutes of the trio’s most cloaked and bewitched recordings, evolving from the “northern environmental folktronica” of their early years through to the whispered fairytale ambient voyaging of 2012’s haunted swansong, Forest Is Not What It Seems.

The tracks are sourced from an array of digital singles, compilations, and self-released CD-Rs, mapping a non-chronological odyssey of the group’s skeletal, subliminal songcraft. Karpov’s signature Soviet Formanta synth weaves within windswept guitar, fragile percussion, and field recordings of forest birds and endless steppes, occasionally accented with Andra’s glimmering, ghostly voice. It’s music of isolation and introspection, poetic and remote, murmuring through mists and long winters, flickering with the color of springs yet to bloom.

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Andra Ljos

9,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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The fourth album by Vilnius-based composer Aleksandra Evseeva aka Andra Ljos is as runic and ritualistic as the Bronze Age monoliths for which it’s named: Megalithic Statues of Vishapakar. Found mainly in the Armenian Highlands, vishaps are cigar-shaped slabs of stone carved with fish heads or snakes, depicting a sacred serpent of Armenian folklore thought to protect sources of water from drought and ruin. The music evokes a similarly arcane and devotional air, between raga, séance, and 4th world hallucination.

The track titles allude to significant vishap discovery sites, spanning lakes, bays, mountains, and temples. Wood block percussion wobbles beneath lattices of looped keys, golden organ, synthetic strings and flutes, distant birds, muffled voices, and the soft wash of restless waters. Evseeva’s muse may be mined from her Armenian heritage but the songs conjure a mood more elusive and expansive – pensive pastorals for a land of long shadows and ancient fears, strewn with cryptic relics swiftly dissipating into myth.

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Wave Temples

Portals

14,99 €*

LP | 2023 | US | Original (Not Not Fun)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Expansion pack of Wave Temples transmissions accompanying the Panama Shift vinyl suite. Its creator contextualizes Portals as the first volume in a tarot-style card game of the same name, to be used for divining prophetic strategies. Each of the 13 pieces here unfolds like a glimpse to an inner realm – or a past life. Hazed vignettes of primitivist anthropological fantasia, warbly and windswept, suffused with déjà vu. Insects and macaws sing from the periphery, while beach fires glow along an abandoned coast, the tide like a language lost in the tunnels of time.

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Wave Temples

Panama Shift

18,74 €* 24,99 € -25%

Release: 2023 / US – Original

Genre: Electronic & Dance

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Over a decade since its inception, Wave Temples continues to refine and refract the project’s visionary mythopoetic exotica. Panama Shift presents a 20-track kaleidoscopic star map inspired by “the euphoric cults, both then and now, that come and go in the vast ritual of night.” Bleached keys, devotional synth, and driftwood percussion align in minimalist vignettes shaded by tape hiss and field recordings of streams, waves, wind, and birds.

Dedicated to the late Japanese-born American anthropologist Yosihiko H. Sinoto (whose portrait graces the cover), famed for his excavations throughout the Pacific and French Polynesia, the album embodies a similarly voyaging spirit: “chasing ancient mysteries… and rekindling with the esoteric journey of the human spirit.” This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis.

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Golden Hallway Music

Rules & Chance Volume 3

Relativiteit Van De Omegeving

Release: 2023 / US – Original

Genre: Electronic & Dance

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Manhattan’s resident innerspace organist Zack Tornaben centers the third installment of his ongoing Rules & Chance series on breath, tone, and the ancient Qigong practice, “Eight Pieces of the Silk Brocade.” Working once again with the classic Golden Hallway Music palette of a pair of reel-to-reel tape machines, a 49-key Acetone combo organ, and an 80’s synth clone, he records everything live without overdubs in sprawling séance sessions, then digitally transfers them for distillation into choice excerpts.

Swirling, shivering reveries of skylines and stained glass, Tornaben’s process prizes intuition, intimacy, and “feeling around in the dark,” inspired by a pantheon of greats from the grand tradition of harmonic divination – Young to McClellan, Brouk to Battiato. Rules & Chance Vol. 3 gently expands his evolving lexicon of daydream minimalism, levitational and limitless, born of passing thoughts and everyday joys, rippling in the mind like light on water.

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David Edren

LP | 2023 | US | Original (Not Not Fun)

16,19 €* 26,99 € -40%

A Spirit Appears To A Pair Of Lovers

Release: 2023 / US – Original

Genre: Electronic & Dance

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Antwerp synthesist David Edren describes his latest solo collection in conceptual terms: a harmony of space and time, elements and environments, perception and impermanence. Conceived in the morass of 2020, he began envisioning a widescreen suite of electronic compositions connected to the hidden rhythms of what surrounds and affects us. The 12 tracks of Relativiteit Van de Omgeving trace a chain of miniature terrariums, from misty meadows and moonlit gardens to cosmic vistas of asteroid showers. It’s music both subtle and symphonic, attuned to the sweeping planetary clockwork of water and wind, birds and insects, seeds scattered in soil forever being reborn: “skating the thin ice of ideas, like a heroic water strider.”

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Gryphon Rue

Tape | 2022 | US | Original (Not Not Fun)

13,99 €*

Tape | 2022 | US | Original (Not Not Fun)

Release: 2022 / US – Original

Genre: Electronic & Dance

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New York artist and composer Gryphon Rue likens his latest album to a viewfinder: “layers come into view, are obscured, and reemerge.” Begun in late 2020 as a series of intuitive patterns for multi-tracked Farfisa organ, harmonium, and modular synth, he later wove in field recordings from Puebla, Mexico and rolling thunder (“and a truly magical coyote visitation”) captured in Abiquiu, New Mexico. The result is a beguiling suite of elusive instrumentals combining electronic instrumentation with the natural world. Rue cites a fascination with the mimetic potential of electronic sounds – their ability to suggest biological actions or molecular events, from insects building mounds to nervous system synapses firing. Above all, the music was made “with people’s pleasure in mind.”

A Spirit Appears To A Pair Of Lovers unspools a saga of transformations via modal voyaging, devotional drone, mantric percussion, percolating circuitry, and amniotic ambience, shaded in a nuanced haze of threshold consciousness. Rue’s vision of “keeping the human hand in electronic music” remains constant throughout, a biofeedback between chaos and control, dream states and design. It’s a music both versatile and visual (all 10 tracks are accompanied by original videos by different artists), cerebral but celestial, born of and in thrall to our garden of earthly delights.

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Severed + Said

Tragic Seeker

13,99 €*

Shadow Wrangler Yellow Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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John Touchton aka Severed+Said’s third thaumaturgic synth document for NNF, “Tragic Seeker,” deftly conjures the mood and mythos of the Floridian void lurking behind its “eternal shores and menacing skylines.” Conceived and captured across three extended sessions at Jacksonville studio bunker Long Jump Records, the songs were repeated until they refracted, turning liquid and hypnotic. Drum machinery and spiral synthetics flicker in webs of midnight heat, dry ice, and isolation, simmering at the perimeter of forbidden portals. The album obliquely mirrors the alluring tropical oblivion artwork by native Florida painter Jason Gvvl – both blend mirage with malevolence, attuned to dreamscapes in decay. This is music of glimpses and vanishings, pitfalls and parallels, desire and undoing. To seek is to sink into depths unknown, under horizons still gleaming with the glow of other suns.

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Acid Twilight

I Want To Leave This Earth Behind

Release: 2023 / US – Original

Genre: Electronic & Dance

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Argentine modal master Acid Twilight’s third raga saga maps a dusty plain of tumbleweeds, circling vultures, and bleached bones, across which rides a nameless stranger: Shadow Wrangler. Inspired by visions of high noon dread and the textures of psychedelic twang, they turned westward, layering shakers, synths, spurs, and six-string navigations into 12 crooked canyon instrumentals.

Shades of spaghetti western, Spacemen 3, and outlaw country whisper in the wind, but ultimately AT’s mode is more silhouette than song, at the axis of campfire jam and commune improv. Loping and loose, windswept and waterless, blowing over the sand of trails long since vanished. Another smoke signal rises in the distance; another scorpion sunset begins to dim. The Wrangler rides on.

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Stefana Fratila