Not Not Fun Electronic & Dance 18 Items

Megalithic Statues Of Vishapakar

Release: 2023 / US – Original

Genre: Electronic & Dance

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Argentine modal master Acid Twilight’s third raga saga maps a dusty plain of tumbleweeds, circling vultures, and bleached bones, across which rides a nameless stranger: Shadow Wrangler. Inspired by visions of high noon dread and the textures of psychedelic twang, they turned westward, layering shakers, synths, spurs, and six-string navigations into 12 crooked canyon instrumentals.

Shades of spaghetti western, Spacemen 3, and outlaw country whisper in the wind, but ultimately AT’s mode is more silhouette than song, at the axis of campfire jam and commune improv. Loping and loose, windswept and waterless, blowing over the sand of trails long since vanished. Another smoke signal rises in the distance; another scorpion sunset begins to dim. The Wrangler rides on.

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Andra Ljos

9,99 €*

Tape | 2022 | US | Original (Not Not Fun)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-18

The fourth album by Vilnius-based composer Aleksandra Evseeva aka Andra Ljos is as runic and ritualistic as the Bronze Age monoliths for which it’s named: Megalithic Statues of Vishapakar. Found mainly in the Armenian Highlands, vishaps are cigar-shaped slabs of stone carved with fish heads or snakes, depicting a sacred serpent of Armenian folklore thought to protect sources of water from drought and ruin. The music evokes a similarly arcane and devotional air, between raga, séance, and 4th world hallucination.

The track titles allude to significant vishap discovery sites, spanning lakes, bays, mountains, and temples. Wood block percussion wobbles beneath lattices of looped keys, golden organ, synthetic strings and flutes, distant birds, muffled voices, and the soft wash of restless waters. Evseeva’s muse may be mined from her Armenian heritage but the songs conjure a mood more elusive and expansive – pensive pastorals for a land of long shadows and ancient fears, strewn with cryptic relics swiftly dissipating into myth.

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Childese

Minor Eden

11,99 €*

Relativiteit Van De Omegeving

Release: 2022 / US – Original

Genre: Electronic & Dance

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The music of St. Petersburg keyboard fantasist Vova Kolbin aka Childese fuses reverie and melancholy in a wobbly mirage of memory, tape hiss, field recordings, and cosmic church organ: welcome to Minor Eden. Inspired by a particularly idyllic childhood summer spent in a dilapidated country house with his fisherman father, the album feels dazed and suffused with longing and wonder, nostalgic for early mornings out on the lake, dawn light streaking the sky. Kolbin describes his process as a form of magical realism, at the threshold of new age and hypnagogia, shaping sound like a funhouse mirror. This is devotional music in its truest sense, in thrall to times enshrined and things past, to golden ages and paradises lost, the hourglass of youth forever spilling softly in a dream half-remembered.

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David Edren

LP | 2023 | US | Original (Not Not Fun)

26,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Antwerp synthesist David Edren describes his latest solo collection in conceptual terms: a harmony of space and time, elements and environments, perception and impermanence. Conceived in the morass of 2020, he began envisioning a widescreen suite of electronic compositions connected to the hidden rhythms of what surrounds and affects us. The 12 tracks of Relativiteit Van de Omgeving trace a chain of miniature terrariums, from misty meadows and moonlit gardens to cosmic vistas of asteroid showers. It’s music both subtle and symphonic, attuned to the sweeping planetary clockwork of water and wind, birds and insects, seeds scattered in soil forever being reborn: “skating the thin ice of ideas, like a heroic water strider.”

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Drapizdat

Myth

Release: 2023 / US – Original

Genre: Electronic & Dance

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Drapizdat is the umbrella banner for Russian producer Vladislav Godzevich’s rogue gallery of musical identities. Its name derives from a fusion of samizdat (illegally reproduced publications of censored materials within repressive regimes) and drap (slang for marijuana; an early beat music alias was Papa Drap), which aptly evokes his ethos of covert altered state transmissions. МИФ presents a constellation of tracks spanning five projects, four years, and 73-minutes; taken together it fully delivers on the hidden acronym of its title: M = music, И = elected, Ф = fragments [combined = ‘Myth’].

Each entity spelunks its own vibrant catacomb: Сам Себе Па (“tropical industrial 5th world dada”), Ито Кумаре (“metaphysical ambient music”), Jeans Escape (rhythmic liberations from reality), Reather Weport (“free form music of the spheres, vibrations beyond the universal caves”), Drapula (“black moon feasts on the blood of soul and funk”), Клаксон Гансон (“psychedelic ethno-mutant punk”).

Godzevich describes his process as a metamorphosis, created at night, “with minimal light.” Percolating loops of percussion, texture, and melody, summoned into warped trances of alien grace. Elements align and obscure like celestial phenomena half-glimpsed, half-dreamed: “I plunge deeper and deeper to gather golden sand from the bottom of time and show it to the world, building islands in this dilapidated world.”

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Frunk29

Drifting Horses

14,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Marat Shainsky aka Frunk29’s third album of cyclical six-string fugues for NNF further threads his needle of treated guitar, metronomic rhythm, and slipstream electronics into a 12-track suite inspired by “the free energy of nature:” Drifting Horses. Recorded across 2023 at home, the songs conjure moods of open plains, big skies, and endless journeys, plucked and strummed through webs of kaleidoscopic FX. Patterns ripple and reverberate, lifting into liberated wind swells of melody, gold dust, and drift.

There’s an unhurried ease to Shainsky’s style, born of discovery and daily playing, limber navigations with familiar tools, echoing in his head on long forest walks with his dog. Music of vignettes and vistas, glimpses and memories, spilling from the source to somewhere beyond tomorrow.

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Golden Hallway Music

Rules & Chance Volume 3

Release: 2023 / US – Original

Genre: Electronic & Dance

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Manhattan’s resident innerspace organist Zack Tornaben centers the third installment of his ongoing Rules & Chance series on breath, tone, and the ancient Qigong practice, “Eight Pieces of the Silk Brocade.” Working once again with the classic Golden Hallway Music palette of a pair of reel-to-reel tape machines, a 49-key Acetone combo organ, and an 80’s synth clone, he records everything live without overdubs in sprawling séance sessions, then digitally transfers them for distillation into choice excerpts.

Swirling, shivering reveries of skylines and stained glass, Tornaben’s process prizes intuition, intimacy, and “feeling around in the dark,” inspired by a pantheon of greats from the grand tradition of harmonic divination – Young to McClellan, Brouk to Battiato. Rules & Chance Vol. 3 gently expands his evolving lexicon of daydream minimalism, levitational and limitless, born of passing thoughts and everyday joys, rippling in the mind like light on water.

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Hugh B

Live From The Gonsch

Lorena Alvarez & Alejandro Palacios

Release: 2023 / US – Original

Genre: Electronic & Dance

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Live From The Gonsch showcases Sydney head (and O.T.I.S. label boss) Hugh Burridge aka Hugh B’s lesser known domestic dub mode, low-slung and low volume, tracked on headphones during hidden hours, often with his daughter strapped to his chest. The album’s eight cuts are built from rhythmic modular loops layered with snaky bass, swampy guitar, and occasional hazed vocals, dub-mixed to 2-track cassette through hand-built FX (Burridge runs a boutique delay pedal business). The mood throughout is loose, soupy, and slippery, shaded in echo and spring reverb, glimpsed through tall grass.

The title alludes to Burridge’s recently retired Skylab radio show, “Mornings From The Gonsch,” which repped a spectrum of home recorded modes, from bedroom dub to hybrid new age to lost synth songcraft. Here he blends these muses into a woozy fusion all his own, dub-adjacent daydreams of time, money, stasis, and absence, hummed and half-heard beneath a bleached blue sky.

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Paisajes Para Torcer Al Reloj

Release: 2023 / US – Original

Genre: Electronic & Dance

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Paisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist / DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve & Smog arts residency in Santiago, Chile in the spring of 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.

Both Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.

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Severed+Said

End Time Loop

13,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Floridian synthesist John Touchton aka Severed+Said returns with his most cinematic suite yet of witching hour electronics, spidery rhythm, and macabre clockwork: End Time Loop. A 10-track panorama of “paradise and devastation,” the music moves between sinkholes of low-end, darkened room drones, and strobing percussion, tracing shadows of swamps and derelict blocks. Inspired by the possibilities of a newly acquired hardware sequencer, and composing on headphones, Touchton atomized and re-assembled each song until an “absolute form” revealed itself.

His tunnel focus recording method gives the pieces a hermetic precision, mutating and rippling across grid-mapped webs of smoke, mirror, and mirage. Touchton’s youth in a Pentecostal church informs the album’s conflicted themes, a crossroads of “atrocities and kindness,” reckonings and rapture, vestigial dread born of crosses covered in dust. What lurks is what lasts, looping beneath the surface, as unseen as an ill wind. All End Times have their beginning.

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Shakali

Rihmastossa

11,99 €*

I Want To Leave This Earth Behind

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

Based in the South Moravian city of Brno, Finnish multi-instrumentalist Simo Hakalisto aka Shakali crafts surreal terrariums of strings, synthetics, wood, and wind, teeming with bio-electronic synchronicities. Rihmastossa further finesses the project’s eclectic lexicon of electro-acoustic world-building, utilizing a gallery of instruments both ancient and advanced: solar-powered sine wave generators, singing bowls, metallophones, microtonal synths wired into tree slabs, lap harps, amplified found objects, percussion filters, flutes.

This is world music in the most naturalistic sense – subtle spatial ecosystems of climate, vibration, landscape, and species, as alluded to in the track titles about fungal colonies, extinct birds, rare worms, and pine forests. Hakalisto’s work in various exploratory duos (Gnäw, Lunar Horns, Thistle) has honed his instincts for atmospheric improvisation, but when alone he embeds even deeper into the terrain, acting as conduit as much as creator. Across seven free-flowing fugue states of texture and resonance, his touch simmers beneath the surface, guided by shifting light and hidden hands.

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Stefana Fratila

Release: 2023 / US – Original

Genre: Electronic & Dance

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Between December 2018 and 2019, Canadian composer Stefana Fratila went on a series of research trips throughout North America – including to Nasa Jet Propulsion Laboratory and Nasa Goddard Space Flight Centre – to meet with astronomers and scientists to answer a complex question: “If each planet in our solar system were a room, what would each room sound like?” Her findings culminated in Sononaut, a collection of open-source VST plug-ins for digital audio workstations emulating each astral body’s atmospheric conditions. (Artist Jen Kutler collaborated on the project as well, using calculations by Nasa astronomer and planetary scientist Dr. Conor Nixon). During a residency at Cmmas (Centro Mexicano para la Música y las Artes Sonoras) in Morelia, Mexico, Fratila began writing the album on an octophonic sound system, then added additional synthesizer, finalized arrangements, and incorporated Sononaut at her home studio in Toronto. The results are surreal, expansive, multi-colored, and mesmerizing. I want to leave this Earth behind is an odyssey of cosmic voyaging and technological innovation, fusing science, sound design, and stargazer reverie into eight cosmic portraits of our vast galactic family.

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Tegu

Ol Island

13,99 €*

Bitokagaku Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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The second outing by Hunter Thompson’s tribalist dub alias Tegu skews more spectral and simmering, a canopy of cascading keys, hand percussion, and swells of everglades bass: Owl Island. Recorded in early 2024 on the banks of a Floridian canal, the album’s 11 tracks roll in like shifting fog over an ancient marsh, swaying with low end and loops of humid synths.

Across 53 minutes, the music moves between séance and visitation, alternately transient and expectant, bathed in a sheen of starlight and streetlights. Fellow voyagers Wave Temples and X.Y.R. join for a pair of smoky, cosmic cameos, but otherwise this is a solitary affair – locked in, looking up, mapping new constellations in the expanding void.

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Unknown Me

LP | 2024 | UK | Original (Not Not Fun)

27,99 €*

2LP | 2024 | US | Original (Not Not Fun)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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V.A.

Alley Of The Sun

39,99 €*

LP | 2023 | US | Original (Not Not Fun)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Although many a vibe has shifted since the days of dubbing Nnf001 one at a time on the floor of a Koreatown bachelor apartment in February of 2004, using stolen photocopies and tie-dyeing J-cards with wine, the label’s essential premise has not. Then, as now, the vision was to elevate and enshrine outsiders, foragers, hidden gems, and hybrid sounds on cheap tapes or affordable records, to be savored and shared in the here and now. 399 catalog titles later, the center still holds.

To toast the label’s 20th anniversary and 400th release, we commissioned a gold roll call of alumni and affiliates: Alley Of The Sun. Named in homage to the Malibu mystic music fountainhead, skewed through a smoggy sideways lens, the 16-song, 90-minute, double LP suite spans every shade of NNF’s Pacific palette: rainforest ceremony, skyway motorik, Tascam rapture, silhouette shoegaze, basement vapor, astral ascension, jazz shadows, 5th world tropics, lucid dream drone, desert quests, prophecy electronics, ritual wreckage.

Equal parts snapshot, tapestry, and time capsule, the compilation reflects the breadth of NNF’s two-decade exploration and evolution, from simple soil to a sea of dunes. True undergrounds have no set sound or fixed polarity, only flashes of transient magic and forking paths, to be cherished and championed for as long as the candle lasts.

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Wave Temples

Panama Shift

24,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Over a decade since its inception, Wave Temples continues to refine and refract the project’s visionary mythopoetic exotica. Panama Shift presents a 20-track kaleidoscopic star map inspired by “the euphoric cults, both then and now, that come and go in the vast ritual of night.” Bleached keys, devotional synth, and driftwood percussion align in minimalist vignettes shaded by tape hiss and field recordings of streams, waves, wind, and birds.

Dedicated to the late Japanese-born American anthropologist Yosihiko H. Sinoto (whose portrait graces the cover), famed for his excavations throughout the Pacific and French Polynesia, the album embodies a similarly voyaging spirit: “chasing ancient mysteries… and rekindling with the esoteric journey of the human spirit.” This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis.

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Wave Temples

Portals

14,99 €*

Wet Hair / Peaking Lights

Release: 2023 / US – Original

Genre: Electronic & Dance

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Expansion pack of Wave Temples transmissions accompanying the Panama Shift vinyl suite. Its creator contextualizes Portals as the first volume in a tarot-style card game of the same name, to be used for divining prophetic strategies. Each of the 13 pieces here unfolds like a glimpse to an inner realm – or a past life. Hazed vignettes of primitivist anthropological fantasia, warbly and windswept, suffused with déjà vu. Insects and macaws sing from the periphery, while beach fires glow along an abandoned coast, the tide like a language lost in the tunnels of time.

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Bored Fortress

7" | 2010 | US | Original (Not Not Fun)

8,99 €*