Nu Disco | Disco Edits | Cosmic Vinyl 7 Inch 281 Items

Mikal Asher hails from the legendary reggae group Morgan Heritage and he was behind plenty of top musical moments. His vocal work here comes on top of original off stems from disco don Gary Davis, but served up with all-new fire in the form of two mixes by DJ and producer Knoe1 and Warehouse Preservation Society. Knoe1 goes first and flips the OG into boogie-laced funky stepper with squelchy bass and lush melodies. Warehouse Preservation Society then go for a more heavy, percussive and dubbed-out house cut that has tropical sound effects and humid grooves to make you move. All this comes on a mega limited 7" that is sure to vanish in quick time.

Eddie C's always on-point RED Motorbike moves effortlessly into its 20's with another fine double A, dinked 7". A beautiful lost folk-Disco frugger from Tel Aviv's Elado greets us on the A, while Eddie expertly re-jams a Turkish delight with some punchy 606 rhythms. Pure class.

Hello Sailor Recordings is back with its first (and last) release of 2020, this time with another excellent addition to the beloved 7" series. The chaotic sounds and lyrics of 'Sera que eu to Pirada' originally released in 1995 by short lived band Silvanna & A Maquina do Tempo, feels current amidst the challenging times we face and it's accompanied by 'Vem Viver Pra Mim' on the flip side. Both songs were elegantly edited by Sao Paulo mystery producer Hotaru for this Brazilian holy grail of early electro and proto-house

The Funky French League is a collective of intergenerational DJ’s / producers / musicians, composed of Young Pulse, Arthur Chaps, Woody Braun, Monsieur Willy, DJ Asko and Uncle T. Coming from diverse backgrounds, from hip hop to electronic music, the love of groove brought them together. Their goal is to promote funk and its derivatives through parties, mixes, remixes, radio broadcasts... This 7” release is a remake of the African Blood classic A.I.E from 1975. It goes without saying that Monsieur Willy touched this one with respect, dignity and style but yet still pumped it up to the max. The afro beat driven Bonus Beat on the flip, again caters for the DJ to give them maximum freedom to express their skills and mixing creativity.

The Funky French League is a collective of intergenerational DJ’s / producers / musicians, composed of Young Pulse, Arthur Chaps, Woody Braun, Monsieur Willy, DJ Asko and Uncle T. Coming from diverse backgrounds, from hip hop to electronic music, the love of groove brought them together. Their goal is to promote funk and its derivatives through parties, mixes, remixes, radio broadcasts... Much more than a musical style above all, they defend a state of mind: celebration, diversity, inclusivity, good vibrations and the spirit of the party. They have release compilations through Universal and Warner Music and have their own label Funky French League records.

Andrés (aka DJ Dez) is back on David A-P’s Hot Pot Records with uptempo 7” flips, done only in the way Andrés can! “I Can’t Understand It” kicks off the release with plenty of drums and bubbly bass to keep the dance floor pumping. On the other side is “Loleatta Disco Flip”, a full on MPC chop with Dez’s chunky drum programming and just the right amount of Synare. We love a 7” that knocks like a 12”!

An epic team up with NYC's J Kriv (razor N Tape) and Star CREATURE's Saucy Lady. A positive upbeat floor filler with an infectious bassline and saucy vocals (pun intended). B/w a slick disco dub and full remix treatment from J Kriv. A real disco cut future classic.

Elusive Italo duo Maurizio e Dandolo return with Demin, a dreamy disco dancer celebrating the iconography of 1980s Italian summer and the heydays of Italo Disco. Unfolding over an equally suave and hard-hitting tapestry of synths and drum machine, Demin plays with the authors’ nostalgia for the hazy and sun-drenched summers on the Italian eastern coast of their hometown of Pescara. In the unmistakable and unmatched tradition of Italo Disco, Demin strikes a balance between the irrepressible desire to let loose on the dancefloor and the touching nostalgia for a past that, perhaps, was never lived but only dreamed of. That of the halcyon days of Italian design cars blasting synthy bangers from the radios, beach establishments with their candy-striped umbrellas, neon-lit discotheques and dancers in outrageous designer shirts, teenage flirts, and denim bracelets, the true icons of that era which Maurizio e Dandolo tribute in the song title. Demin is set to become one of the ultimate dancers of the summer of 2024, an anthem for cheeky disco riviera flirts and boogies. After being originally released on digital platforms, Demin is now finally out on 7” vinyl format too, accompanied on the B-side by an unreleased scratch version: a dub mix by Rome DJ and establishment Francisco.

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Anané Electrifies With New Version of Dancefloor Classic “Get On The Funk Train”. Known worldwide as one of the New York City’s most vibrant, charismatic and talented producer / DJs, Anané is uniquely positioned to bring light to the 1977 Number 1 Disco Hit “Get On The Funk Train,” originally released by the Munich Machine and produced by the renowned Giorgio Moroder.

Black Bones are back to outdoor digging it seems, coming over all Balearic for this, their 7th outing. Not a cm of precious vinyl wasted again as we get another indispensable 4-tracker deftly combining excavations from the Scottish highlands, a buried blue beat classic, and some more of their expertly unearthed idiosyncratic pop from the tiled discoteca's of yore.

Never before on 7" format, a special version of the title track from The Sunburst Bands critically acclaimed 4th album backed with a special 7" exclusive version of 'Look At The Stars' from Dave Lee's Produced With love II Album. Black vinyl with Z Records house sleeve.

RNT welcomes Amy Douglas to their ever-growing lineup of illustrious talent with a double A-side 7" of pulsating, Rough-N-Tumble NYC Disco. Known to the heads as a voice and pen behind Horse Meat Disco, Roisín Murphy, and as the face of Hard Feelings (her project with Hot Chip’s Joe Goddard), Amy’s distinctive vocal swagger and songwriting talent are on full display on this EP. Co-written with and produced by RNT co-honcho JKriv, both tracks are bass heavy instant earworms, and wickedly naughty party starters. Grab this pair of future modern disco classics, conceived by a pair of experienced dance-floor auteurs.

One of Fake Blood’s most seminal hits, the 2009 nu-disco / electro powerhouse ‘I Think I Like It’, gets a much-deserved reissue for RSD 2023. This instantly recognizable, high energy dancefloor destroyer comes backed with Fake Blood’s debut single ‘Mars’, also reissued here for the first time since initial 2008 release. With copies of the original Fix Your Accent EP that ‘I Think I Like It’ was first housed on, having sold for over £100 on Discogs, it will be a welcome sight for many to see this available for the first time on red 7” vinyl nestled in a fresh picture sleeve.

New 7” record from Italian stallions Groove Culture, serving a high energy, high flying double dose of the good stuff. Funk & disco at its finest from Micky More & Andy Tee - check it out!

A little masterpiece brimming with exoticism, whimsicality and psychedelia, presented here in two different versions recorded by Enzo Minuti and his group in 1981 – an afro-dub one propelled by sax, synths, percussion and weirdly processed choir vocals (side A), and a tropical-downtempo mix with claves and flute exuding Caribbean/cinematic vibes (side B). Both perfect for a sunset DJ set.

Casual Connection is back with another double dose of classic mashups over more recent instrumentals. Back-to-back club Bangers.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

AS WE Continue ON! Caserta is back with another vocal you haven’t heard on it’s own before with music that defies the time period the song was actually recorded in. If it wasn’t for the recognizable vocal that is Curtis the A Side could be confused with something you might of found on Beat Electric back in the day. Growling bass and boogie synths stabs make for a west coast post disco affair.

While the B side is a cheeky take on another 80s classic from the legendary Solar Records catalog. With the familiar 808 drum and lush 80s synths it might be a bit of a task to figure out what version to sing along with!

Handstamped cover, handstamped white label. Colored vinyl.

Free Soul 1969 The groove is heavy too ñ and a popular hip hop sample ñ but really itís all about Klemmerís blisteringly intense, stream of consciousness freak-out. Been sampled over 16x from INI to Ed O G & Da Bulldogs to Kurious, Akinyele, Dred Scott to name a few. Klemmer just wyles out on the sax keep that Psychedelic funk moving!! Up Above the Rock Edit 1968 You wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids Iíve heard in some time. Produced by Richard Evans this song is a perfect display of acoustic jazz funk with Ron Carter & Grady Tate filling out the Rhythm section. Dance Floor classic!!!

Picture Disc

Metropolis; a powerful song addressing city inequalities and their impact on youth. It's a call for freedom, criticizing large corporations. The lyrics remind us of our basic human needs, while the smooth music eases the despair about environmental issues. Despite being recorded over forty years ago, the message feels relevant today, as we continue to struggle with harmful capitalism.

Originally part of a 1975 charity compilation LP raising money for environmental charities in California, which later became a collectors artifact changing has for silly money (which didn’t fit well with the Déjà vu kid team), so this Balearic nugget, the crown jewel of this album, was released on 7”…There is no better way to share it again than on it’s own 45 inch release at a fair price.

Moonboots, Danny Psychemagik, Spruzzi Monorecords, Micky Browne, Paul Hillery are just a selection of names who have championed this track from this great album and now we can reshare it with you in this first time format.

Artwork redesigned by GNB Studios.

Michael Gray's monumental crossover dance hit, 'The Weekend,' originally released in 2004, is set to make a special return for its 20th Anniversary. For the first time ever, the track will be available on a limited edition Colored Vinyl 7-inch, complete with the iconic original Sleeve Artwork. This commemorative release also includes previously unreleased 7-inch Version from Michael Gray himself. The 'Sultra 7' mix features live strings and an ambient feel, adding an extra layer of exclusivity for fans and collectors alike.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

Limited edition pressed on white vinyl.

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

Groove Culture and Irma Records teamed up on this beautiful fluorescent green coloured 7'' and provided two of the best house music classics ever made in Italy. Two crazy timeless hits: ‘Found Love’ by Double Dee and ‘Say It Again’ by Jestofunk. On the A side we find a peak time pumping version of ‘Found Love’ by the one and only maestro Dimitri From Paris, on the back a funk fuelled version of ‘Say It Again’ by Micky More & Andy Tee, who painstakingly reconstructed all the arrangements of the original and added some delicious sax phrases to elevate the track to new heights. A must have for of any true music lover.

Hey Joyce (BlackCash & Theo Edit) by Lou Courtney b/w Soupy (BlackCash & Theo Edit) by Maggie Thrett | Galaxy Sound Co. — Gsc45-36 If you know, you know. & I know many of you have been digging for the very rare donut “Hey Joyce” by Lou Courtney. Even if you first heard it back in the day via #CutChemist & #DJShadow, this gem has long been popular amongst #raregroove dancers & dusty-fingered hip-hop DJs/beat-makers. “Hey Joyce” is a rare 1967 single from soul man Lou Courtney. Featuring a rasping, impassioned lead vocal from Courtney, sweet female backing vocals & the kind of semi-stomping beat that's so beloved by Northern Soul heads. In 1991, Main Source sampled it on their track “He Got So Much Soul (He Don't Need No Music)”. & thanks to the fine folks at @galaxy_sound_company you can cop it all for yourself.

On the flip, we have another lost funk jam, “Soupy” by Maggie Thrett, that has been sampled by #PrincePaul & #DeLaSoul for 1989’s “Jenifa Taught Me (Derwin's Revenge)”. Black Cash & Theo do the track right with a proper edit that'll put smiles on faces all across the dance floor. Like the A-side, “Soupy” is also a fave of Cut Chemist & DJ Shadow, as evidenced by their live sets & sample of it for their 2008 track “Fused Of Course”. As with all GSC45s, another true must-have treat & 45-crate essential.

Multi track version take the original song to whole new level of mixes that we wish came out back in 1980!
Unreleased version of Sky Here's To you Part 1 & 2. Taking back to the old days when labels released Part 1 & 2 on 45s of recording artists.
Here's to you, stripped down to the bone. Sounds like a lost demo mix thats been sitting on 1 inch reel for over 35 years but originally made for Larry Levan & Ron Hardy to drop in their marathon djs sets.

First up, Eddie Logix continues his streak of dance floor bombs with Edits From Detroit Vol. 3, a two-tracker of low-slung midtempo groovers to nice up the dance. “boss” kicks off the release with some grass-fed free-range organic dubbed out sleaze. “fmpm” is on the flip side and ups the spaced-out cosmic vibes with plenty of post-disco dub. Hand-stamped with love by Eddie Logix and Peter Croce in Detroit, TIP!

The mighty Modern Funk band from Annecy France hit one more time with this double sider. Two heavy electro funk tracks with creamy vocals from Mae Rojas on the A side, both track are fully made with analog synths and drum machines. Enjoy the vibes of that French Touch !!

Reel People Music are excited to present a limited edition 7” Vinyl release of the Opolopo remixes of Mothers Favorite Child & Saeeda Wright’s “Purple Funk, a tribute to the legendary Prince. Of course it had to be pressed on a stunning translucent purple disc !

Music producer and songwriter Paris Toon, founder of Mothers Favorite Child, has teamed up with the ever so soulful vocalist Saeeda Wright for this updated version of Purple Funk. Saeeda Wright who previously performed and recorded with Prince adds delightful new layers of depth and nuance with her stylish vocals whilst the one and only Swedish fire starter Opolopo steps forward in real style to deliver his classic bounce to a remix that is set to shake global dancefloors for many a year to come.

First in the new series of 7" singles from Beatconductor. Feel good summery Disco on the A side. "stop Draggin MY Heart Around" acapella on top of a moody, Rotary Connection style, mid-tempo disco chugger on the B. Stamped!

The original pressing sold out within a month and then we found some copies in August of 2022. It’s been out of stock and out of print since then. Now a limited repress back in stock. Two bananas version of two jazz-funk classics reworked by DAVID ZYLBERMAN (AKA GHOST) from EGYPTIAN LOVER's spaced out synthfunk backing band. New school, breakbeat electro-jazz-funk house future classics of "EXPANSIONS" and "EVERYBODY LOVES THE SUNSHINE".

Mr. K goes Gospel on the latest seven from Most Excellent Unlimited’s series of collaborations with the master editor. As is often the case, both of these edits are appearing on vinyl, and on 45, for the first time, with all the hallmarks of MEU’s commitment to quality.

A massive favorite with audiences who’ve attended Danny Krivit’s sets around the world, his “Churchapella” edit of Madonna's “Like A Prayer" is finally on wax. One of the singer’s greatest tracks, it has always fascinated with its combination of the sacred and the profane, leaving it up to the listener whether she is referring to a secular or holy love. In Krivit’s hands, focused largely on the undeniably massive sound of the Andre Crouch Choir, the divine nature of the lyrics shine through. Uplifting, moving, even transcendent when presented at the right moments, it’s both an inspiring piece of music and a seriously powerful DJ tool.

“Like A Prayer” is paired on the flip side with a fantastic edit of the Clark Sisters funky, slinky rare groove classic “Ha-Ya (Eternal Life).” Never officially released on 7-inch before, Krivit has taken the loose original recording and given it a steady pulse not by adding post-production elements, but via his experienced hand at building a musical movement that audiences will respond to. A slight tempo change, a bit of careful repetition, and at last connoisseurs of the smaller format vinyl have a definitive version of this powerful song.

This latest limited 7" from Mr. K features two incomparable baroque soul masterworks, one from a Chicago-based band that defied categorization and the other a deep cut from a living legend songwriter and performer.

The psychedelic soul of Rotary Connection’s “I Am the Black Gold of the Sun” still sounds revolutionary and unlike anything else, a full fifty years after it was originally released in 1971. Swathed in ethereal ripples of strings (courtesy the Chicago Symphony Orchestra) innovatively arranged by unsung genius Charles Stepney, and rooted in a rock solid foundation provided by the cream of Chicago’s cutting edge session musicians (among them guitarist Phil Upchurch and drummer Morris Jennings, veterans of countless soul jazz cuts), “Black Gold” sits in uncharted territory somewhere between soul, rock, jazz and classical chamber music. It’s a gorgeous territory, a fantasy land where Minnie Riperton and Sidney Barnes’s vocals transmit mystical, uplifting vibes, the entire affair anchored throughout by an addictive piano riff—a mixture that proved irresistible to Masters at Work, who covered it for their Nuyorican Soul project in 1997. Mr. K’s edit doesn’t try to force anything fancy on this masterpiece, simply tightening it up and taking advantage of the lush remastering to present this progressive classic on 45 for the first time.

In keeping with the orchestral soul mood, Mr. K turns to Stevie Wonder’s “Pastime Paradise” for the flip. Whereas “Black Gold” paints a portrait of a magical land, Stevie’s lyrics on “Pastime Paradise,” originally issued in 1976, are a penetrating look at the very earthbound concerns of modern society and its follies, an urgent message to look ahead rather than languish in dreams of the past. The sensitive string accompaniment provides just the right amount of gravitas and emphasis to Stevie’s voice without overwhelming it, while the hare krishna-inspired tambourine keeps the rhythm effectively. Mr. K’s edit again keeps things true to the original, simply providing a subtle intro that uses the tambourine rhythm to lead into the body of the song.

Mr. K is back with a tribute to one of the great tape editors that updates a timeless DJ crate staple, plus a proto-hip hop instrumental that works as a standalone groove or a useful disco tool, specially reworked for maximum sonic potential on the compact vinyl format.

First up is an extended edit of the Frankie Beverly and Maze sureshot “Before I Let Go.” Originally released on the best-selling 1981 Live In New Orleans LP, the track was not actually a concert recording but a new studio track made to fill out the final “D-side” of the double album live release. A smash hit on Black radio right out of the box, “Before I Let Go” was chosen as a single and went on to become a must-play standard for parties of all varieties, from club nights to family barbecues. 1991 saw the noteable edit on Moo Records that quickly became a DJ favorite with its skillfully extended intro and outro. Some 30 years later it can be revealed that this was the work of beloved NYC DJ and editor Gail “Sky” King, a formidable technician with the razor and tape, who considered this one of her best works. “Gail’s edit was unfortunately pressed at the lowest quality,” Krivit explains, “and as good and useful as the edit was, I often chose not to play it because of its harsh quality.” Working from a new, high resolution source, Mr. K carefully recreated some of King’s iconic highlights, while optimizing it for the 7-inch format.

Our flip side is a bit more unusual, but also a fun and funky one. legendary hip-hop pioneer DJ Hollywood, “Hollywood’s Message” was a self-released single from the man who was one of the first to grab the microphone at a jam and rhyme over records. In this case however, as a backing track for his rhymes Hollywood took a shortcut and used the renowned “Love Is The Message” edit created by Mr. K that repeatedly runs the groovy clavinet break from MFSB’s tune. Mr. K tightens up the instrumental chant version for it's first time on a 7" release, also adding a touch of Millie Jackson "Now That I Got Your Attention Again" at the top of the song as an intro, which in itself could be used to introduce almost anything, all custom fitted for 7-inch vinyl.

Main Title (The Taking Of The Pelham One Two Three) (Edit) by David Shire b/w One Way Glass (Edit) by Manfred Mann Chapter Three | Galaxy Sound Company, Solo 500 — Solo500-502 | I am excited to share a sneak peek test pressing of the third & latest entry in @galaxy_sound_company’s Solo 500 series, which digs deep in the jazz-funk crates for killer breaks ya need in yo bag.

Side A is an edit of the jazz-funk intro track “Main Title” from the original soundtrack of 1974 gritty subway hijack film The Taking Of The Pelham One Two Three. The soundtrack with its funk, jazzy score has been a well that hip-hop artists have repeatedly drawn from. Most notably, “Krazy Kings Too” by Company Flow, “Suprize Packidge” by Mix Master Mike, & “I’m Set” by Goodie Mob.

Side B is a subtle edit of “One Way Glass” by Manfred Mann Chapter Three, which is taken from their self-titled 1969 LP. Manfred Mann Chapter Three were a British experimental jazz rock band, 1969 to 1970, founded by South African keyboard player Manfred Mann & long-time partner Mike Hugg, both former members of the group Manfred Mann. The track was sampled by many, most notably by The Prodigy for their 2009 track “Stand Up” & on “Headbanger” by Krafty Kuts in 2011.

Ed Black, better known as "edbl" is a hip hop~R&B artist / composer and one of the most noticeable talents in the independent music scene of South London along with Jorja Smith, Jamie Isaac etc... The sound influenced by lo-fi soul / hip hop following in the wake of artists like Jordan Rakei and Tom Misch, has also attention when Spotify UK picked him up as cover artist of their popular playlist "New Music Friday", and he was also nominated for "The Hottest Independent Artists In The World" by Music Business Worldwide Magazine. "The Way Things Were" is one of his most popular track with impressive mellow vocal by Isaac Waddington, and it's finally pressed on 7" vinyl.

Stevie sounds ever so fresh and updated on the A side's bass heavy piece of funky 4-on-the-floor neo-soul, "wish". This will surprise a few people. THE Rolling Stones disco classic gets reworked on "I Miss U" with ultra groovy beats, a funky bass line, and a few gorgeous breakdowns.

Coyote drop a special 7 inch single. Inspired by recent events over the last 2 years and their continuing love affair with all things dub and reggae sound system.related. They have been playing lots of this type of stuff at their monthly night at The Bodega in Notts. Apparently causing some heat at recent Alfos parties too. Bubble Up!

The Star Creature vet returns for Part 1 of his 2022 Chicago/Cali/Minn/Moon combo venture this time around bringing MR. Zackey Force Funk on vocals. This one spins round like the rings of Saturn. Intimate dancefloor funk. No matter how hard you throw it, it still comes back around.

A 7 inch with two monster jams featuring Format-440 and Puppy Smooth. A classic disco rap track on side A, with the production of Format-440 and the vocals of the New York MC Puppy Smooth. And a soft instrumental boogie jam on side B signed by Format-440.

The second installment in the 45 Reloved series sees acclaimed world-electronic duo Dengue Dengue Dengue diving into the most intriguing side of Giuliano Sorgini. In the hands of the Peruvian duo, the sonic geography of ‘Oasi nella giungla’ magically shifts from the depths of Africa to those of the Amazon rainforest, and the tribal percussions of the Savannah turn into an equatorial cumbia full of mystery and mystical echoes.

Italian stallions Groove Culture let loose a new 7” (only) imprint, with the inaugural release serving a high energy, high flying double dose of the good stuff. Funk & Disco at its finest from Micky More & Andy Tee - check it out!