Nu Disco | Disco Edits | Cosmic Vinyl 271 Items

Both tracks are taken from the 1979 LP “Accadde A…….” by Arawak, which is a standout Italian Library recording. Arawak is one of a multitude of pseudonyms that Luciano Simoncini used in his career as a composer for film scores & background music for radio & television in Italy. The album laid virtually unknown until it was heavily sourced by #Madlib in 2000. Original copies fetch near $1.2K, but luckily the LP received a reissued for the first time by Light In The Attic subsidiary Golden Pavilion in 2017.

Both tracks offer up swift jazzy & funky sounds ranging between mellow dreamy moods & wicked addictive drum breaks. Side A’s “Bali” was sampled for “Real Eyes” by #Quasimoto(2000) while Side B’s “Belfast” blends bag-pipes fading in & out under punchy bass & steady drums that will have break takers & beat makers salivating.

Michael Gray's monumental crossover dance hit, 'The Weekend,' originally released in 2004, is set to make a special return for its 20th Anniversary. For the first time ever, the track will be available on a limited edition Colored Vinyl 7-inch, complete with the iconic original Sleeve Artwork. This commemorative release also includes previously unreleased 7-inch Version from Michael Gray himself. The 'Sultra 7' mix features live strings and an ambient feel, adding an extra layer of exclusivity for fans and collectors alike.

All your favorite System Olympia songs in one vinyl record. Tip!

The tom-tom heavy tribal rhythm of “Wela Wela” is one of the rawest, hardest cuts from the band Black Blood, a conglomeration of musicians from the central part of the African continent who were based in Belgium. The group had a breakout single in 1974 with the exotica-leaning “A.I.E. (A Mwana)” but never were able to quite capture the excitement that single generated with their follow up records. We can only guess that songs like “Wela Wela” were simply way too heavy for the pop tastes of the day, since the groove is a beast! — an acid rock tangent of the “Soul Makossa” riff that radiates pure energy. Mr. K aserts “It’s an incredible song to dance to, but was not very DJ friendly, and I never seem to hear other DJs play it... or even talk about it.” Originally debuted on his Grass Roots album, Mr. K's new rearrangement should change that, especially now that it's been made available on this hard hitting, portable 7-inch format.

Originally released the same year as Black Blood’s debut, “Komi Ke Kenam (Fish & Funjee)” was discovered and distributed by a small independent Brooklyn label that featured many other incredible African bands of the 70's. The song opens with a tough breakbeat (subtly extended by Mr. K on our release), and rumbles over a funky bassline and slicing wah-wah guitar before bursting out with a sax-led climax, a gritty get-down jam if there ever was one.

Both cuts have been remastered expressly for DJ play and are loud and clubworthy, in new extended edits that tease every last bit of funk from the originals.

Main Title (The Taking Of The Pelham One Two Three) (Edit) by David Shire b/w One Way Glass (Edit) by Manfred Mann Chapter Three | Galaxy Sound Company, Solo 500 — Solo500-502 | I am excited to share a sneak peek test pressing of the third & latest entry in @galaxy_sound_company’s Solo 500 series, which digs deep in the jazz-funk crates for killer breaks ya need in yo bag.

Side A is an edit of the jazz-funk intro track “Main Title” from the original soundtrack of 1974 gritty subway hijack film The Taking Of The Pelham One Two Three. The soundtrack with its funk, jazzy score has been a well that hip-hop artists have repeatedly drawn from. Most notably, “Krazy Kings Too” by Company Flow, “Suprize Packidge” by Mix Master Mike, & “I’m Set” by Goodie Mob.

Side B is a subtle edit of “One Way Glass” by Manfred Mann Chapter Three, which is taken from their self-titled 1969 LP. Manfred Mann Chapter Three were a British experimental jazz rock band, 1969 to 1970, founded by South African keyboard player Manfred Mann & long-time partner Mike Hugg, both former members of the group Manfred Mann. The track was sampled by many, most notably by The Prodigy for their 2009 track “Stand Up” & on “Headbanger” by Krafty Kuts in 2011.

For the fourth Serie Pegaso release, Periodica invites the listener on an escapist adventure through the ‘Citta’ Futura’ of Bassolino. With arrangements assisted by Paolo Petrella and a host of contributing musicians joining along, the album presents a paradise of sun-seared fusion colorations…horns skronking and six strings riffing over latin dance rhythms, liquid keys and cosmic leads setting the air aflame, and filmic guitar themes riding across epic deserts as spaghetti western belles sing romantic tales amidst flute and piano. It’s a sonic world of texture, mood, and cinematic magic, where midnite funk grooves transition into sorcerous prog rock melodrama, and where symphonic soul themes sing out over galactic percolations and kinetic disco jamming.

Featuring George JJ Flores on vocals, this follow-up to "do's AND Don'ts" is a hard, yet tender, West Coast style funk slapper. Another major boogie groove likely to set floors ablaze from LA to Paris, Tokyo to Chicago, and Berlin to Brazil. Vocal and instrumental mixes.

Montreal. 1983. In the studio, Denis and Denyse LePage once again marry their musical ability to produce a romance streaked electro disco gem. Fast forward three decades and the husband-wife partnership of Lime may be forgotten by some, but not by all. Odessa pays homage and treats you to a Private Disco Show. Synth lines are buffed and allowed to shine once again. Vocals take a back seat as glittering notes are given centre stage. Bright beaming bars, cascading chords and heady harmonies bob and weave in this refreshing of a true classic.

É Soul Cultura captain, originator of Manchester’s legendary Electric Chair and definitive people’s champion, Luke Una taps into a lifetime’s worth of musical discovery for the second volume in our Mr Bongo Edits series. A cosmic coming together that sees two of Luke’s secret weapons, re-edited and re-contextualised by the man himself to provide optimal dancefloor euphoria. A stalwart of the underground for nearly 40 years, Luke has become an appointed leader of the late night disenfranchised, with an unquestionable ability to pick records that make minds tick. Not least through his two É Soul Cultura compilations released on Mr Bongo over the past two years. A taste that traverses genres as much as it does emotions and decades, who better to give an insight into the tracks he has chosen to edit, than the man himself. “I've been an avid collector of afro-beat house, techno and underground black heart disco since before the basement soul days of Electric Chair 30 years ago. Both these bombs were very much holy grail finds, plucked from the last four decades of digging in random crates of dusty vinyl all over the world.” First up, Thandi Zulu & The Young Five’s interpretation of Pure Energy’s early ‘80s disco power play – ‘Love Game’. With a distinctive South African synth bass and killer keys combo, Luke explains the original has this “bonkers alchemy of heavy machine soul, uptempo rawness and a majestic disco evangelism”, making it ripe for a re-edit. On the B side, Lionel Pillay’s Jazz dancer ‘Plum’. “The original was a relentless 18-minute raw jam”, Luke states, “which despite its late ‘70s South African origin kinda reminded me of a 1986 Chicago piano House record”. “These edits strip the tracks back and rebuild them, giving them more sonic weight with that looped up drum jacking militancy from the days of Chicago, combined with a boosted sense of transcendental, psychedelic, cosmic disco. They have always had such an explosive reaction on so many dancefloors including the heavier electronic club, so it felt only right to reshare them”.

Cool Million by now is a household name, when it comes to the Boogie Funk style. They are deeply rooted in this musical genre, that we lost by the end of the 1980s and they reinvigorated it for us with their very own sound. Cool Million feature singers from today and the original era of the 80s Soul, Funk and Boogie. English soul singer and UK Top 40star Kenny Thomas is well known as one of UK’s beloved voices, when it comes to the original UK Soul sound.With eight Top 40 singles and two top 10 albums, Kenny Thomas plays a major role in keeping the UK soul scene alive and kickin’.With ‘Without Your Love’ he delivers a perfect example for this sound. Definitely one of Kenny Thomas best moments of his recording career. The track is a driving uptempo track with an uplifting, funky feel. This recording follows the path of the Cool Million Boogie Funk sound and with the dub version on the flip side delivers a highlight for all the DJs, cutting their own mixes on turntables worldwide. This new release on Sedsoulciety Recordings is accompanying Kenny Thomas’ recent comeback and Europe wide live touring.

Although one could imagine that by 1993 any Italo Disco nuances would have been vanquished from sophisticated Italian production setups of the time, it is hard to ignore its presence in this particular work of Italian DJ and producer Gianpiero Pacetti. Much more so than in the work of his contemporaries at the time who would have shifted into full on early progressive trance in pursuit of novelty. Resulting in a refreshingly playful exploration of melodic themes, an aesthetic only to be heard again more than 10 years later with Dutch works like Alden Tyrell. With exception of Alvorada which distinguished itself as completely detached from any of the previously mentioned influences, diving deep into percussive samba elements adjoined by alluring arpeggios and other subtle melodic ornaments characteristic of early progressive trancey movements of the time. Includes new remix of “Alvorada” by Berlin's E-Talking. Remastered with new artwork.

This round, we get treated to another masterclass in a far ranging deep balearic hypnotic chugging tripped-out ride with 3 cuts of the highest caliber.

For good measure, we hear it's been picked up by some choice selectors already.
Don't sleep. Grabbing doubles are to be recommended.

Legendary Italian producer Gianni Bini Debuts on Groove Culture with 'The House Of Glass' LP. With an inimitable CV and discography that includes over a thousand production credits to his name, hundreds of singles under renowned pseudonyms including Bini & Martini, Fathers Of Sound, The Goodfellas, Subsystem and two Worldwide hits as Eclipse and House Of Glass, Gianni is one of the most revered producers of disco-house, defining each genre with a signature sound. Always looking to push the boundaries of what it means to make music, his latest project sees Gianni return to deliver an epic disco record that takes the sound back to its roots in every way possible. Backing up live drums, live bass, live guitars, live strings with catchy vocals and enough groove to level a discotheque, it’s this Disco-Pop energy that Gianni has captured and expertly delivered with 'The House Of Glass'LP.

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics. 2024 welcomes the new 12” on the label with 4 hot and rare gospel disco/funk tunes to uplift your sets and throw people’s hands in the air!

“The Top” is an uplifting and relentless disco roller for incendiary peak times, “Hear my prey” suits the openings with its midtempo funky groove. On the flipside, “Lil Longer” gets deeper and moodier for the most demanding djs out there while “Giving It Up” rounds things up with its lovely boogie vibes.

All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors! 12” limited to 300 copies (no digital).

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Here at Bordello, the hot season has already arrived. Championing this warmth is Italy’s very own Hey Cabrera! The Turin based dynamo melds elements of electro disco, italo and house to create a uniquely aromatic blend of dancefloor joy. Clean drum patterns, claps and hi-hats are at the foundation of “Italo Void”. From these percussion points, a bold and ensnaring melody takes flight; glimmering synthlines shining from beginning to end. Fellow Bordello mainstay, Lauer arrives to bring his own analogue sound to the title piece. Accentuating that irrepressible tune, piano keys give extra ballast with a touch of late evening romance as we wait for the sun to come up. The flip transports us to Scandinavia for some unrequited love. Although “Forelskelse” may mean unexplored passions, this track is brimming with emotions. Burning with a smouldering energy, ingredients from disco to house combine to produce a wonderfully uplifting work. David Bay, of Zissou Records fame, closes with his interpretation of “Forelskelse”. A measured introduction gives way to those addictive notes of the original, Bay stripping back the samples to allow the instruments to sing. A soundtrack to see us into a magical summer.

Todd Terje's signature track "Inspector Norse" by Cruisic, which was released in a small press run in September 2019 and is still very much appreciated. Especially the Slowly Remix of the disco reggae song on the B-Side at that time is still being requested by many people. In response to the many requests, we have finally decided to release it as an RSD 2024 item, remastered and long-awaited! The Slowly Remix is included on Side-A, and the danceable ET Remix with a Nu Disco taste by Nagatetsu Takamiya is included on Side-B for the first time. Both are fully field-ready. This is a limited edition with a full jacket, so don't miss it!

Elado’s original edit of this Bollywood gem has brought immeasurable joy to dance floors around the world for the past 2 years, RNT now double down on the love with this official 7’ remix package. The familiar Gulab Jamun rework graces the A side, and on the flip we have the dubby acidic treatment of Elado’s brand new 4 A.M. mix. And in homage to the artist Nadim Khan, the original CD artwork as been repurposed for a slick custom jacket. Tu Tak Tu Tak Tutiyan…RNT Loves YOU!

community Theros by Coti K.

Share / Embed Wishlist supported by ike thumbnail Martin Simonis thumbnail Yonaton Aronoff thumbnail jenniferaslett thumbnail Nicholas Callaghan thumbnail Theros 00:00 / 04:01 Digital Album Streaming + Download Pre-order of Theros. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, Flac and more), plus the complete album the moment it’s released. releases April 5, 2024 Pre-order Digital Album $7 USD or more Send as Gift Vinyl EP + Digital Download Record/Vinyl + Digital Album package image Vinyl Format with Digital Download

Includes digital pre-order of Theros. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, Flac and more), plus the complete album the moment it’s released. shipping out on or around April 5, 2024 Pre-order Record/Vinyl $14 USD or more Send as Gift 1. Theros 04:01 2. Blue 3. Argonauts 4. Shoal 5. Notte Estiva about Coti K. brings 5 tracks of Balearic-ambient sweetness to Dark Entries. Italian-Greek musician Costantino Luca Rolando Kiriakos has been a pioneering force in the Athens electronic music scene since the mid-80’s, wearing hats as diverse as composer, sound engineer, and installation artist. His countless projects and collaborators include Tuxedomoon, Stereo Nova, In Trance 95, and RAW (previously reissued by Dark Entries). 1994’s Theros, Kiriakos’s first release as Coti K., was comprised of three tracks of breezy downtempo beats, brimming with smooth breaks, boomy 808’s, and cosmically chill pads & pianos. In tune with the global vibes of the emerging ambient electronica movement, Coti K. brings a dose of his Hellenic heritage with tracks titles like “Argonauts” and “Theros.” The title track includes spoken word contributions from Konstantinos Bhta of Stereo Nova and is built off of a drum loop from Greek goth outfit Flowers of Romance. The sauntering “Blue” features vocals by Christina Moraki which were captured on a portable tape recorder, while the instrumental “Argonauts” is bolstered by cello from Nikos Veliotis. This reissue also includes two tracks from Coti’s 1997 debut LP - “Shoal” and “Notte Estiva” - which have never before appeared on vinyl, and show Coti experimenting with ambient and IDM styles. The cover art for Theros is a photo of the ocean by Giannis Papaioannou of RAW featuring early digital processing done on a Macintosh LC. Coti’s Theros is a timely slice of 90’s nostalgia with a uniquely Mediterranean twist.

tes the Arthur Baker/Tony Carbone-helmed project's most famous song, Tee Scott/Larry Levan favourite 'Happy Days'. The original multitrack was unfortunately lost, but the track finally appears, 40-odd years after it was recorded. Whether what we're hearing was finished and mixed at the time is uncertain, but the 'Club Mix' is certainly authentic sounding - a genuinely energetic, joyous and effervescent New York disco number with full orchestration, addictive vocals (Jocelyn Brown & Dennis Collins on backing Vox) and a killer groove. Elsewhere across the EP, we get two versions of 'We Can't Live Like This Anymore' - the synth-laden, solo-heavy disco-boogie style original mix (b2) and a superb 'drum break' percussion tool (a2) - and a brilliantly low-slung instrumental dub-disco cover of The Temptations' 'Cloud 9'.

Pleasure of Love reissue imprint, New Islands, launches with a quiet storm, soulful balearic stunner. Kim Yaffa’s Once Bitten was recorded in LA and released on a 1989 private press 7 Inch, only to be buried in american record bins for decades after. A re-emergence of Yaffa’s music on the internet in the last couple years has reached fever pitch, with collectors thirsting for copies of the record. Now, New Islands has worked directly with the artist to deliver an official reissue, professionally transferred from the mixdown reels, carefully restored, and remastered. The title track is an effortless class-act pop tune, with 80s blue eyed soul/Sade inspired sounds, and unknowingly balearic production that make it timeless (reminiscent of Linda Di Franco, Edie Brickell or 80s Fleetwood Mac). The 12 Inch is rounded out by new mixes from Nick the Record (Record Mission) and Michael David (Classixx)

DJ Moplen has outdone himself with this reimagining of Machine’s disco classic. Sticking purely to elements from the original, he’s managed to completely redesign the song, starting with an extended version of the soulful piano intro. Punching up the kick drums and handclaps moves the track into house territory, complemented by a funky guitar riff that was completely buried in the original. When the bass enters front and center Moplen practically forces you to the dancefloor, leaving you vulnerable to August Darnell’s controversial lyrics. Fresh from a career-making start with Dr. Buzzard’s Original Savannah Band, lyricist/vocalist Darnell’s collaboration here with Machine was only months from his next incarnation as Kid Creole. Just like those groups, Darnell here fills his song with the politics of race, religion, and sexuality under the guise of a great beat. This release features that rarest of things: a dub just as good as the original. Rather than just removing the vocals, Moplen again rearranges the song, removing the slow intro and building a killer groove from the ground up. As well as the 1979 version, this 12” also features Timmy Regisford’s 1994 house mix and an alternate “acapella reprise” take of that mix, both of which capture the dark energy of the song perfectly.

Cool Million by now is a household name, when it comes to the Boogie Funk style. They are deeply rooted in this musical genre, that we lost by the end of the 1980s and they reinvigorated it for us with their very own sound. Cool Million feature singers from today and the original era of the 80s Soul, Funk and Boogie. Glenn Jones, US soul star and Billboard top scorer delivers such a great performance, that even youngsters and hipsters run up to the DJ, to inquire about this smash. Glenn Jones keeps touring and performing the US and Europe even though his recording output is not as frequent as it was back in the days. Never the less when teaming up with Cool Million, together they become the perfect fit and ‘Tonight’ a sure shot dancefloor filler. This recording follows the path of the Cool Million uplifting Boogie Funk sound and with the dub version on the flip side delivers a highlight for all the DJs cutting their own mixes on turntables worldwide. This new release on Sedsoulciety Recordings is backed by Glenn Jones’ Live performances during the 2024 festival season.

Sunshine Sound come through once again with the cultural archivists dream. Two FK mega-rarities made and played for the legendary the Loft and Garage parties.

French producer Panthera steps up to Melodize with a pair of Italo inspired cuts that come remixed by the legendary Lauer and Endrik Schroeder.

Panthera prefers to remain secretive about his identity, but his music has plenty of people talking. It has come out on labels such as Bordello A Parigi, Polaris and Correspondant so far and contains a distinct, synth-heavy, euphoric sound.

This is evident from the beginning with ‘Hustle’, a colourful and cosmic cut with rich melodies, occasional vocal touches and shimmering arps. They bring sugary rushes of joy to the mid-tempo nu-disco drums and will douse dance floors in subtle euphoria. Remixing this one is the underground stalwart Lauer, who always brings his retro style to his disco and house on labels such as Permanent Vacation and Running Back. His version is faster and more direct, though still packed with starry melodies and subtle synth motifs that bring it to life.

Panthera’s ‘Western Union’ then brings more raw percussion and slapping drums but again takes flight through the cosmos on sleek synth lines with hints of 80s nostalgia. It’s a track that is always on the rise and full of bright, irresistible melodic suspense. Remixer Endrik Schroeder also hails from France and is a fast-rising talent with credits on the taste-making Bordello A Parigi, Ritmo Fatale, and Roam Recordings. He flips the original into a more propulsive and urgent nu-disco weapon with crashing drums and synth loops spiralling around the track as extra melodies fall like stardust to light up the groove.

There is real quality as well as plenty of feel-good energy to these four shiny, synth-heavy tracks.

2x12” Black Vinyl 140g

Full Colour Outer Sleeve - NO Holes

Neon Lies started as a synth wave bedroom solo adventure in late 2015 by Goran Lautar while he was still singing and playing guitar in prominent bands from Zagreb’s D.I.Y. punk and post punk scene.

His fourth full length album “Demons” is the logical progression from the minimalistic lo-fi darkwave sound crafted on the highly praised previous album “Loveless Adventures”, but on this one you can expect even more of this desperate and introspective display, dwelling into the darker dystopian side of up-to-date electronic sounds from European underground clubs and sweaty stroboscopic flash dance floors. Both restless and intimate, “Demons” brings eleven personal hymns full of icy synth lines, rubbery bass punches along with minimal wave drum beats that are all accompanied by desperate and warm cry out of his vocal manoeuvres.

Curlina is back with three massive edits, ranging from slow Balearic till fast refined Disco: a must have in your record bag! limited copies, don't sleep!

Invisible Inc once again presents another incredible full-length album from the talented Double Geography. Following on from 2020's “The Indoor Gardener”, the new LP “Open Water” is bathed in a similar blissful atmosphere...it would be appropriate to describe it as rather sublime.

Double Geography aka Duncan Thornley (one half of Weird Weather and studio engineer at MAP Studios), following the success of his debut album “The Indoor Gardener” (also on Invisible Inc) had sent Invisible Inc label boss GK Machine demos of his second and third album, which the label reluctantly declined on the basis that the music didn't sound quite right for the label. However, this fourth studio album fits the bill perfectly. Leaning towards the label's more ambient and laidback output, the album is themed around water, moving on and escape and sounds as unshackled and free-flowing as you'd expect...you can almost feel the breeze in the air and the sun on your skin.

The album is a progression from his previous releases, this time featuring several additional guest musicians, including stalwarts of the London jazz scene Greg Foat and Kaidi Akinnibi, to compliment Thornley's electronics...adding a complexity and depth to each of these compositions and an overall 'organic' quality that makes these new pieces sound like quite a departure from the first album. Fretless bass, clarinet, piano and saxophone decorate the music with refrains and melodies that have been enchanting our reveries since first hearing them.

“I wanted to incorporate some live musicians on this release so called upon some of the talent I'd worked with as an engineer at MAP Studios...that was the main drive behind the music for this release. The tracks are named after things that relate to either leaving behind canal boat living, e.g. Goodbye Great Escape (Great Escape was the name of our boat) or memories from a trip to Hydra, Greece. All sorta water related… On one of our walks around the island we ended up sharing a beach with Pierluigi Collina hence Famous Italian Referee! That track felt like the weirdest of the bunch so it got designated the weirdest name / memory!” (Duncan Thornley, March 2024)

Duncan Thornley - synthesizers, programming, percussion Adam Hayes - drum kit, roto-toms (A1, A3, A5) Pike Ogilvy - congas (A2, A3) Jasper Osbourne - fretless bass (A1, A3, A5) Kaidi Akinnibi - tenor and soprano saxophones (A1, A5) Simeon May - bass clarinet (A2, A3, B2, B4) Greg Foat - piano (b1)

Recorded and mixed at MAP Studios, London Mastered by James Savage at Milk Mastering Cyanotype photography by Lydia Dique Sleeve layout and design by Gordon Mackinnon

PPU split 7" single showcasing the nouveau funk nite people of New Orleans, Louisiana.

Sexxy Dexx burst onto the scene in December 2014, igniting stages across New Orleans with their electrifying live performances. Renowned as one of the most captivating and hardworking DIY musicians in town, they've mesmerized audiences with their unparalleled talent. Their music is a thrilling fusion of post-disco, boogie, and electro, enriched by bold experimentation with synth, sampling, and effects. Their sound is not only seductive, paying homage to Prince's iconic Minneapolis sound, but also boldly progressive, reminiscent of the avant-pop excitement of George Clinton's Computer Games and the innovative spirit of Trevor Horn.

Delores Galore Dive into the electrifying artistry of Delores Galore! Based in New Orleans, she swiftly stamped her name in the music scene with her debut album in 2019. Drawing inspiration from chic, Robin S, and MBV, Delores Galore blends elements from Electronic, House, and Alternative R&B to create a unique sound that lures you to the dance floor with lush melodies and rhythms. Her EP 'New Growth' garnered overseas success with the UK label Acid Waxa, infusing the hard beats and rhythms of house and freestyle with juicy cascaded soundscapes of new wave and shoegaze.

After capturing the attention of audiences, DJs worldwide and the media with the brilliant "Flight Of Sagittarius", Brazilian Diogo Strausz, signed to Parisian label Goutte d'Or Records, presents : Samba From Outer Space This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen. "This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."

Long time house and disco devotee Dave Lee comes through on Z Records once more with a sampler from this years ZR Essentials collection. It features two of his masterful reworks starting with Jamiroquai's 'Little L'. He flips into a funked up cosmic delight with plenty of the original's synth flourishes melodic hooks and orchestration all present and correct but with added slap bass, replayed rhodes and beefy new drums which make this a surefire dancefloor winner pretty much anywhere. On the flip comes Dave Lee's Disco Fantasy mix of Shelia & B Devotion's 1979 hit 'Spacer' which has a more retro disco sound thanks to the masterful original work of Chic. Additional clav, new string parts and solo-ing keys give 'Spacer' the extended DJ mix it never had at the time of original release.

Walking into the Light, this next installment carries the weight. A1 drives right thru all the stops & storms the dance floor like a holy ghost on a mission to send a message. It does not miss its mark! The flip showcases the range we love exploring, jazzy dance floor vibes that brighten any rooms' sonics. Then, we close this chapter with a super charged leftfield bomb that will fit into any discerning DJ / selector's playlist. DO NOT Sleep! Limited

Bordello Travels presents the fourth volume of ‘Buone Vacanze’ with your tour guides Aural Trace, Sparkling Attitude & Gianmaria Gamberini, Bubs and Amount. Comes with a limited edition Bordello Aperitivo sticker sleeve.

The release will be out on the 4th of May, kicking off the 108th edition of La Corsa Rosa. Every copy comes in a limited edition sleeve with a unique and rare original Merlin collector’s sticker of the 78th Giro from ’95.

Riposa in pace, Il Pirata.

Mousse T. soulbrother, DJ, producer, songwriter, entrepreneur and label owner of his currently 30years celebrating Peppermint Jam Records opened his archives for his longtime bro and producer colleague Rob Hardt. Rob chose Mousse T.’s 2018 single release Melodie featuring Cleah to become an exclusive release on Sedsoulciety Recordings. The twist from a soulful House track to a thriving Electro Boogie bouncer feels so organic, that you hear it as natural and original as such a track can sound. Punters will be Boogie bumping, Electro bouncing, Disco dancing and hip shaking, when they hear ‘Melodie’ (Rob Hardt Mix) on the dance floors worldwide. Already a collector’s item and must have for DJs, in true Sedsoulciety Recordings fashion with a smashing dub version on the flipside. This new release on Sedsoulciety Recordings is an unreleased exclusive vinyl 45!

" Official reissue of a German pop rap obscurity in addition with a bombastic Hade rework. Comes in picture sleeve with the original artwork. Limited to 300 copies.

The project fes consisted at its core of Fred Schwalbacher and Herry Schmitt. Their impetus was to combine the local dialect of the German Saar area with modern musical styles. After a full length release in 1984, the single 'Altstadtking' was released in 1986.

At that time musicians were encountered with rap music and some experimented with and included it into their musical output. 'Altstadtking' (old town king) is the result. The old town part of Saarlouis was a mecca for all kind of braggadocio back then, it was all about seeing and beeing seen. This tongue-in-cheek song is the story of a man showing off and bragging at nighttime while living an ordinary life at daytime.

For the flipside jack of all trades and any-bpm-powerhouse Hade (baumusik, OYE Records, Razor-N-Tape) did a stunning rework. He chopped and cooked down all instrumental parts of the original into a new dub version, added keys & bass on top and an extra punch to the mixdown for his vision of a dancefloor-ready 'Altstadtking'.

Rock it! "

Thought is the essence of where you are now.

Composed in an era where people weren't concerned with music labels but just wanted to hear fresh new sounds and go out to clubs religiously, “Digital Imagination - The Essence of Thought” is a sci-fi inspired mixture of House, full- speed Trance and Trip Hop coming from a young Ted Heinz falling in love with electronic music in the thriving early 90s Boston rave scene. Originally release by Concept Records in 1993 and with original copies now hard to get ahold of, Sunny Crypt is happy to give this record a full reissue treatment with audio restored from the original DAT tape and a new graphic design.

5 track downtempo Balearic house EP by Ex Spiral tribe member Lol Hammond's studio project Wah Wah Planet from 1990 along side Russell Crone featuring female vocals by Lucy Sian. Serving as a pioneering early example of UK Street Soul. A side explores the romantic theme brought to the table by the lyrics in a more pop/radio edit oriented manner whereas the B-side takes things down a more leftfield route with 3 different excursions in early 90's smooth Balearics ranging from early breaky/triphop nuances to elements borrowing from dancehall music. Including a previously unreleased mix found deep in Lol's master tapes.

Cccp Edits, the vanguard of experimental music, unveils its latest sonic odyssey with the release of a mesmerizing vinyl EP. Immerse yourself in a world of unparalleled soundscapes, where every groove tells a story and every beat pulses with innovation. Limited edition. Order yours now!

The idea of the project was to reconstruct a different perspective of Tribal Italia, an imprint set in 1995 in Riccione. The label recollected the attitude of the Afro/Cosmic djs of the region like Meo, Fary, Fattori and Brahms that created a distinctive "world-sound trademark" in whole Italy and Europe (as seen lately in the Austrian experiments of Stefan Egger). There was a side of the label that was clearly influenced by the "heavy-sample" culture of Hip-Hop and, especially, by what was going on in the UK where groups like Transglobal Underground and Loop Guru were creating a new identitarian imagination. These influences gave birth to a suggestive selection of the best breaks of the Tribal Italia catalogue.

Viscardi & Il Duo Magnetico is the collaborative project between italo-swiss DJ, producer and singer Pascal Viscardi, Yavor Lilov and Alain Sandri, respectively drummer and percussionist of the swiss cult band L’Éclair. The three musicians joined forces in Geneva and worked in the studio for the past two years with Viscardi as the main vocalist, Lilov producing the tracks and playing drums, bass and keys, and Sandri on guitar, percussions, and backing vocals. The result is a unique and contemporary version of italian pop, peppered with new-wave, boogie, disco and world music references.

After the release of the first two singles, Sale Sole & Jamba Club in June 2023, Cosmic Romance is proud to present their first full-length effort: Elka Mare.

Like a mystical portal that opens on a digital journey through sunny Boogie and Mellow Reggae, Art Pop and Ambient New Age, the eight songs that make up the album draw on a vocabulary composed of fragmentary images, unusual verses and original assonances, where maritime themes mix with the gray of the city and the Neapolitan dialect sparsely appears; witness to a paternal emigration. The journey sounds like dreaming of Campania beaches in the midst of Geneva traffic, or fantasizing about speeding motorboats and Balearic bonfires while listening to Enzo Carella on the sixth floor of a council building. And then dance until the sun rises on the last slow song of the night.

Round two of Leo Zero's edit archive series sees four more favourites given the LZ treatment. On the A you'll find a killer housed-up version of an New Wave classic, alongside a tight n' tidy beefed up slo-mo disco remaster and chop of a west coast rock beauty. On the flip, a chunky remake of Brit soul bomb as well as a curveball dubby, wonked out version of an alt rock rhythm that's flipped this one into a deep 5am groover.