Nu-Jazz | Broken Beat 56 Items

single sided

Vinyl with many scuffs and hairlines

Promo copy with white labels

Cover is close to NM.

Taped spine.

seam split. Writing on label sticker.

5 exclusive remixes by Central, Jarren, Dirk 81, Nelson of the East and Space Ghost himself (yes he’s remixing his own track ;)

Glenn Astro returns to Tartelet Records with Purple, a four-tracker of minimal slow burners and futuristic dance music, marking the label’s 50th 12-inch release. Since releasing his second album Homespun in late 2020, Glenn Astro has been quietly channeling his funky instincts towards new production approaches. Purple, a four-piece compilation of mutant future-boogie daubed in Rogers-Nelson hues, comes through with emotional heft. It also marks the 50th 12" release for Tartelet Records. “Following up on Homespun, I wanted to try out some more dancefloor- oriented tracks again,” says Glenn Astro. “Keeping it simple and practical, while not being too predictable. I incorporated a lot of modular synth bits and experiments, with ‘Flux’ being an almost exclusively modular-based jam.” Incorporating tricky sound design and fluid structures, Astro’s new lines of enquiry never come at the expense of the groove. From the opening thump of ‘Penduloop’ onwards it’s apparent that his rugged rhythmic kinks are present and correct to hook in the dancers, while the melodic drops later in the track edge in a little melancholic flavour to take the mind somewhere else entirely. On this opening track, the artist explores new territory with his version of early naughties minimal house – a welcome slow burner. The EP title track ‘Purple’ slaps with purpose, not least in the Linn-esque drums and melodic bassline, but it’s a positively dreamy piece which skips on crooked beat formations and floats upwards via a multi-timbral tapestry of yearning synth shapes and robotic vocals. On ‘Out Of Office’ Glenn Astro provides a generous dose of electro nostalgia when he amps up the heavy-hearted feeling with aching string pads and electro-informed machine logic. The track becomes alive with its deep un-synced rhythms and dark bass notes, pushing further into the abyss. ‘Flux’, with its tooly feel, takes the electronic mantra further and sheds light on the source of much of Astro’s new sound palette. Crucially, even in its techiest moments, an irrepressible humanity shines through across Purple. Glenn Astro’s soul is the binding agent which links his early, sample-heavy house to his more explorative new angles, and it comes through in abundance on this fully-formed release.

As we head towards the end of 2019, the CoOp Presents crew unleash a heater for the cold months, and a very warm welcome to the label for Danvers, with an EP entitled 'Light Movements'.
Joe Danvers has been building a diverse catalogue of dance music over the past several years, including releases on FINA Records, Boogie Cafe and Wotnot (his debut release also featured mixes from the likes of Joe Armon-Jones & Warren Xcince). Aside from his solo efforts, Danvers makes up 50% of Kassian, who in turn have dropped releases on Phonica White & Heist Recordings, as well as a series of highly-acclaimed remixes. Their debut track 'The Premise' was nominated as "Track of the Year" at Gilles Peterson's Worldwide Awards.
These various projects have been shown support far and wide from selectors such as Bradley Zero and Detroit Swindle, whilst Danvers & Kassian have been booked for parties across Europe this past Summer. Danvers is also co-founder of Curve Records, along with Luke Campion & Mike Wilkin of Fact / Vinyl Factory.
So to the EP - 4-tracks demonstrating Danvers' flair for eclectic bruk boogie. 'Devotional' kicks off the set, featuring the soulful vocals of Natalie May atop a rhode-laden bubbler. The EP's title track 'Light Movements' follows and is a more stripped-down affair, with big kicks and synth stabs. Next comes 'The Flex', inspired by Selectors Assemble runnings - a tasty stepper with a huuuuge b-line. Finally closing out the EP on a deeper jazzy vibe we have 'Calmer' featuring the don T. Williams.
Expect more big things from Danvers and from the CoOp Presents crew in 2020. In the meantime, get this one on your speakers and watch for the movements. Standardly essential business.

5 exclusive remixes by Central, Jarren, Dirk 81, Nelson of the East and Space Ghost himself (yes he’s remixing his own track ;)

Price tag.

Band on the Wall's latest 7" release is from producer, musician & DJ Contours. Known for applying his own percussive dexterity, his sound is placed within the intersection of House, Jazz, Broken-Beat and percussive experimentation. Double A-side 'The Programme / Conga Quinto (Dub)' is the latest in an ongoing sonic evolution for Contours, having released music on labels including Rhythm Section, Tru-Thoughts, Anma Records, in turn receiving praise from the likes of Gilles Peterson, Mr Scruff, Alex Nut and Bradley Zero.
Premiered by Gilles Peterson on BBC Radio 6 Music, covered by The Vinyl Factory, Music is My Sanctuary, Stamp the Wax, Resident Advisor, Bolting Bits. Airplay from Laani on Worldwide FM, Gilles Peterson on BBC Radio 6 Music.

Stepping Hill EP Kicks off with a classic cut ‘Planets’ a straight up Bruk workout, reminiscent of the original CoOp days when Seiji’s Loose Lips was running the dance red hot! These crunchy Bruk step drums keep this jam running with vocal chops, talking philosophy about the planets and language, while lush chords, bleeps and a fat round bassline roll through to keep the energy moving, what else does one need to fling foot on the floor! (Try saying that fast!) One for the steppers! The second track takes us on a more 2 step UKG vibe, baring the other strings to Szajna’s bow. ‘Pavement groove' is a proper soulful roller featuring London born, Manchester based Yemi Bolatiwa, a talented vocalist and songwriter who is a leading light of the Manchester music scene. Working with orchestras, bands and DJs in a range of different genres, a versatile performer as her recent single, ‘Water’, showed. On Szajna’s ‘Pavement Groove’ Yemi’s soulful vocals flow in and out of the 2 step rhythm and jazzy chords with low end sub basses laying foundations to the groove. Then to finish off the A side Szajna pulls out Tape Cut, another sweet roller, more breakbeat than Broken-beat but still chopping it with that Bruk essence. Chords and percussion dance with the drums until a hypnotic flute introduces itself. It’s uplifting, playful, beatsy, bassy with dubbed out FX, a perfect bridge to the B side. B1 rolls in with D.R Juice, a fave in the office, hitting all the right buttons in a Bruk dance floor sense. Dark and moody with proper chunky broken drums syncopated with this stab that gives the whole thing a kind of wobble while dubbed out sirens bleed through the tight hi-hats and deep bassline. We’ve been playing this one for a while and can’t wait to mash the dance with this one ! All you Bruk Steppers, S P R E A D O U T ! Like you’d need any more after that, Szajna lays down more soothing soulful garage esq beats on ‘Feeling’ with singer songwriter for The Darling Mundaring, London based, Crystal Alice, who has gathered a wide respect for encapsulating music that draws the listener into an unforgettable and intense experience, vocalist Crystal entices the listener with her soft sultry melodies that tell stories about love, loss, life and redemption. Finishing off with Low ft Rosco G, skippy drum patterns once again keeping up that nod to UKG with piano chords and a muted Miles Davis style trumpet from Manchesters Rosco G. Smooth as you like, a laid back head nodder, that gangsta lean shit. Early support from IG Culture (CoOp), Worldwide FM, Tuck Shop Music, Alex Nut (Eglo Records), Don Pascal, Mark Tilley, Mikey Do

WOLF Music offer up something a little different to their usual tip, enlisting the warm dusty reverberations of four-piece, jazz-not-jazz collective Velour for a 7 inch of hazy, genre traversing rhythms. Alongside being producer for the Velour project, long-standing member of the WOLF pack Mr. Fries gives his own distinctive house touch to the flip side remix.
Perfectly capturing the new school of jazz, Essen-based Velour crisscross genres drawing on elements from each yet anchoring their roots in the richness of jazz’s deft melodies and percussive touches. Head-nodding down the open road, ‘Pose’ is that undeniably soulful, first swig of summer many tracks strive to be. Morphing into a woozy affair as the sun sets midway through, Velour’s songwriting talent well outstrips their years. Throw WOLF pack member Mr. Fries into the mix, kneading in his signature production style and the freshly baked result straddles the intersection between jazz, broken beat, house and soul.
Fries then takes on remix duties for the flip, maintaining that dusty demeanour yet going for a full frontal Moodymann-esque house interpretation. The smokey jazz bar sax, background hustle and weighty beat make for a summertime heater served straight from the grill, garnished just right with Mr. Fries own vocals over the top.

A little masterpiece brimming with exoticism, whimsicality and psychedelia, presented here in two different versions recorded by Enzo Minuti and his group in 1981 – an afro-dub one propelled by sax, synths, percussion and weirdly processed choir vocals (side A), and a tropical-downtempo mix with claves and flute exuding Caribbean/cinematic vibes (side B). Both perfect for a sunset DJ set.

Makin' Moves! Here we present the hot new limited Edition Vinyl EP.

Side A brings you a tantalising remix from Chicago's finest, Mr Glenn Underground! "Let It Go" originally produced by MAQman and Joseph Junior on MM, gets the special treatment where GU gives us his signature CVO mix which is sure to grab the attention of DJ's, dancers and music lovers worldwide!!!

Side B On the flip we present a man of very few words, however expresses an executes the deep soulful sound eloquently. Trinidadian Deep gets busy with championing his signature roots stylee, curated especially for the dance floor sprinkled with a little baby powder!

GIM Records is back from the Moon bringing a new release "In The Music" signed by the Italian team "Groove In Mind" aka GIM Productions (Onda Records). The original track is a dancefloor oriented anthem with a groovy bassline and a House vibe feeling, fueled by magnetic Rhodes keys and flute. Included are a couple of very hot remixes by the well-renowned Kai Alcé (ndatl Muzik) and the Italian Dj Emanuele Inglese (Cocoon Rec).

Limited Edition 12 Inch - 140 grams standard black vinyl with generic jackets

Reel People Music breaks new ground, in more ways than one, with the launch of fresh compilation series Broken, Deep & Dope. A spin-off from acclaimed compilation brand Soulful, Deep & Dope – introduced back in 2015 – this new series sees the much-loved independent imprint pushing further at the boundaries of soulful music. All with that customary Reel People feeling.

Broken, Deep & Dope 2024, the series’ first instalment, unleashes 20 superlative examples of the soulful ‘bruk’ (broken beat), nu beat and nu jazz sound that has so innovatively informed contemporary dancefloors around the world since its inception back in late Nineties West London.

Bringing together classic cuts from the Reel People Music stable (including those by Daz-I-Kue, Monkey Brothers and Reel People) and key productions from some of its closest affiliates and biggest inspirations (such as Vikter Duplaix, Jazzanova, Bugz In The Attic, Kaidi Tatham, and Sean McCabe), this white-hot selection nips and tucks beautifully between stuttered Latin and Afro rhythms, deep house-edged jams and soaring flights of soul-jazz fancy.

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and authentic soulful groove.

Broken, Deep & Dope 2024, with its scattered yet compulsive beats, frisky basslines and acrobatic melodies, promises to further expand Reel People Music’s reputation for soulful depth and drama. Gathering old and new favourites from some of the world’s finest taste-making DJs and producers, this is another scorching, oh-soul essential hustle. End of.

(INCL. FREE TOTE BAG)

April 2024 sees the launch of the Stratasonic imprint with the four-track ‘Accidental Effects’ by ANiML, a collaborative guise for the members of the collective behind the label.

Stratasonic is a new label founded by a German/Canadian collective operating out of LA whose roots dig deep into electronic music. By collaborating with artists new and legendary they’ll push the boundaries of the traditional music space into visual arts, video, events, digital and beyond. The collective’s philosophy is to reimagine the music, masters, and methods of the past in a modern context, exposing the world to the stuff they like. Here to inaugurate the label is Animl, the project whose members will remain anonymous is inspired by the classic era of vinyl and analogue production with hints of 90’s nostalgia.

Title-cut ‘Accidental Effects’ leads the EP and lays down twitchy bass grooves, crisp, crunchy breaks and an amalgamation of hip hop vocals all dynamically pieced together and processed to create a raw, fluid dance floorworkout. ‘Mementos’ follows next and veers into a more immersive, cinematic electronica realm via subtly unfurling synth textures, murky bass swells, bumpy breaks, squelchy acid lines and hypnotic brass licks.

Opening the flip-side is ‘Day Dreaming’, shifting focus back to a raw off-kilter rhythm at its foundation while haunting synth lines ebb and flow amongst hooky vocal chants and bubbling echoes. ‘Formulaic Appeal’ then concludes the original material, a three minute ambient darkwave excursion through brooding analogue bass drones, heavily reverberated atmospherics and a ticking clock like percussive effect.

Stamped white label copy with insert.

Introducing Abunai - multiinstrumentalist and singer from Oakland, California Dreamy, psychedelic, electronic soul featuring co-productions by Max Graef and Glenn Astro Early support from Gilles Peterson and Don Letts,

Limited to 500 copies

Open is the sixth studio album from acclaimed composer, producer, filmmaker and multi-instrumentalist, Kutiman. It is an addictive & irresistible twelve-track trip taking in elements of classic soul, Middle Eastern psychedelia, Afrobeat, Thai funk, jazz fusion, cosmic library soundscapes and more.

The uptempo “Vanishing Point” opens proceedings, recalling both Abstract Orchestra’s 2017 Dilla tribute and the lounge OST/library music flips of Tosca and DJ Vadim fame.

My Everything introduces prominent guest & frequent Kutiman collaborator, Dekel, whose soul-pop vocals coupled with jangly acoustic guitar riffs tip to contemporary indie artists such as Michael Kiwanuka and SAULT. “A Day Off passes through” Anatolian psych and Khruangbin-esque Thai funk whilst the afrobeat/jazz fusion “Confetti” pays tribute to Kutiman’s other namesake, Fela Kuti.

Dekel rejoins for the beatdown, lilting dub-soul “Believe In You” with hints of Lord Echo and the sun-inflected New Zealand dub-soul sound. The Tuareg-leaning guitar lines on “Canoe” travel across the Saharan desert easterly towards Sudan and Ethiopia by the end, whilst meditative and Coltrane-adjacent album closer “Ripples” provides a final moment of reflection from a truly global excursion of soundscapes.

Reissue of "Art Of Moz" originally released in 1984 is the first official Moz-Art album aka Claudio Rispoli,hystoric Dj of Baia Degli Angeli.

Vinyl with many scuffs and hairlines. Cover with sticker.

Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.

Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.

Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.

Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Smɔl Smɔl with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.

Wave to Mikey, the fourth album from the Los Angeles-based actor, musician and photographer Danny Lane is a nocturnal, neon-lit ode to the friendships that shape us. “I made this album for my friend Mikey from back home,” Danny explains. “We were pretty much inseparable for a large part of our lives, and our musical and social minds were always in sync in a special way. Then with age, we drifted apart, especially since I moved to Los Angeles. This album is just a little wave hello to an old friend and a kindred spirit.”

Equal parts avant-garde composition, instrumental city-pop, ambient, Kankyō Ongaku (environmental music) and Fourth World music, Wave to Mikey is an impressionistic and reflective cycle of eleven richly detailed memory portraits. Throughout the album, the influence of Jon Hassell, Arthur Russell, Hiroshi Yoshimura and Yellow Magic Orchestra hangs in the air like late-night mist, adding character but never overshadowing the rhythmic ambience of Danny’s musical visions.

Wave To Mikey began as a series of sketches on analog synthesisers, guitar, sample and found percussion sketches, initially recorded in Danny’s home studio. Once he’d located the vibe, Danny called on his friends E Talley II, Solange collaborator John Carroll Kirby and Destroyer session musician Joseph Shabason, who respectively added flute, spiritual synth textures and saxophone to the record.

For Glossy Mistakes founder Mario G.R., who originally discovered Danny through his photography, Wave To Mikey captures a vivid feeling of melancholy and peace. “He's able to encapsulate emotions in a very straightforward way, either in his portrait or songs,” Mario says. “I think that's a kind of virtue or skill given to talented artists, no matter the field.”

Born and raised in Staten Island, New York, Danny began playing music with his friends when he was thirteen, before putting that passion on pause to study Fine Arts (Theatre) at Rider University in Lawrence Township in pursuit of an acting career. Acting led him to photography, after playing a photographer in a film, he was inspired to pursue the medium. Danny began shooting photos on film for magazines and lifestyle brands, spent a stint living in New York’s Chinatown neighbourhood, and eventually relocated to Los Angeles in 2017.

Four years ago, Danny started recording and releasing music under his own name, leading to the trilogy of releases that preceded Wave To Mikey, How To Empty A Cup (2019), Memory Record (2019) and Caput (2021). Over the course of these releases, he’s revealed himself to be a sophisticated composer and producer with a studied ear from years spent digging through record bins for ambient, experimental, new age, jazz and electronica records from around the globe, with a particular emphasis on Japan.

“Music is something that’s always been involuntary for me,” Danny reflects. “It’s unconditional, always there. It’s something I just have to do. I’ve taken breaks and it’s always gloomy when I’m not playing. I just want to get better and better and understand more and more.”

Here at Glossy Mistakes, Wave To Mikey marks our second contemporary album release, following on from Evenings by Japanese composer Metoronori. We’re proud to be able to present Danny, Metoronori and other modern musicians' work alongside reissues of classic works from Stevia aka Susumu Yokota, Akira Ito, Yuji Toriyama & Ken Morimura, and Takashi Kokubo.

Mastered by Damian Schwartz, Wave To Mikey will be released on Vinyl LP Glossy Mistakes on June 27 2022. Besides the regular black vinyl, a limited clear vinyl will be available in an edition of 100 copies. Both editions come packaged with original cover art photography shot by Danny.

A?er the success of the first volume, the second Soul Fingers’s tribute compila&on is released on double vinyl too. Soul Fingers is a wandering black music dancefloor that in 2023 reaches to celebrate 10 years lifelong. Soul Fingers mixes soul, disco and funk, with rap and La&n rhythms. In this brand new compila&on there are some pieces that have really marked great par&es since 2013. This &me featuring soAme carefully selected dancefloor music bombs directly from the hands of Claudio Cavallaro, the leader of the Soul Fingers console.

Deepening of a Groove is the new album, the fifth dedicated to the research of sounds Disco Funk from its origins revisited by today's rhythms and the dancefloor feeling of 2000. For the first time on this album 4 sung songs appear. Bad Side (already released in single version) and Infiltrator are sung by Anduze, soul singer from Los Angeles also known for his collaboration with Parov Stelar. I'm Gonna Funk U and Stranger are sung by the Marche singer AdniL for the first time in collaboration with LTJ.

Close to NM!

Cover is missing!