Nunorthern Soul Nu Disco | Disco Edits | Cosmic 12 Items

A decade is a long time in music, but it feels less epic when the music in question is timeless, picturesque, and immersive. Founded in London by Phat Phil Cooper, run from Bali for a period, and now based in Ibiza, NuNorthern Soul has grown from humble roots to become one of the most popular outlets for Balearic music on the planet. The success of NuNorthern Soul is rooted in Cooper’s ability to pick music to release from a wide variety of artists that fits the label’s colourful, atmospheric, and tactile sonic vision. Over the past 10 years the likes of Private Agenda, B.J. Smith, My Friend Dario, Jim Baron and many more have all had releases on the label with retrospectives also shining a light on the legendary Joan Bibiloni and Ryo Kawasaki. This lovingly curated box set is testament to that curational brilliance, with immersive, yearning efforts from veteran musicians such as Jon Tye (here appearing as Captain Sunshine, via the breath-taking ‘The Oceans Inside’) and the late, great Ryo Kawasaki (remixed by Mancunian, former Body & Soul NYC resident DJ Andi Hanley) being joined by wonderfully on-point productions from relatively recent signings such as Torn Sail (the Balearic folk swell of ‘Disconnected’), George Koultalieris, My Friend Dario and Tambores En Benirras. 10 Years, 5 EPs, 10 tracks, exclusives, previously unreleased and hard to find NuNorthern Soul treasures. Packaged in a full colour commemorative designed box with full colour inner sleeves. 1 track per side of vinyl for maximum audio pleasure. Comes with 4 page NuNorthern Soul insert. Limited edition.

This neat slice of mashup-Balearic from BJ Smith is a clever exercise in sample combination. First released in 2013 but reissued again here, we hear two iconic hip-hop tracks - Mos Def's 'Umi Says' and The Pharcyde's 'Runnin' - both laid to serene, lackadaisical Balearic backings. Thus two sunrise classics were born, complementing a very particular kind of rave.

David Lovato’s first outing as Lova, the superb Gypsophilia EP, was one of NuNorthern Soul’s most lauded and cherished releases of 2021 – a gorgeous collection of emotive, sun-soaked sounds from the mind of a producer who got his chance on the imprint after handing a USB of tracks to Phil Cooper at Hostal La Torre in the summer of 2020. Now, the EP returns for 2022 in expanded form, with a trio of fresh, mood-enhancing remixes joining the three original tracks featured on last year’s release. It’s those – ‘Cecilia’, Lovato’s glistening, emotionally resonant musical tribute to his baby daughter, mid-tempo nu-disco gem ‘Echoes of Memories’ and the stunning, sunset-inspired ‘Esperanza’ - that form the first half of the EP, with a trio of reworks following in hot pursuit. Long-time friends of the label Leo Mas and Fabrice, an Italian duo famed for their brilliant Balearic reworks whose individual and collective histories stretch right back to the late 1980s (Mas, for example, was one of the resident DJs at legendary White Isle venue Amnesia at the back end of that decade). Given this shared Balearic history, it’s fitting that they step up first and give their spin on ‘Cecilia’. Making the most of Lovato’s stunning, reverb-drenched guitar licks, dreamy chords and atmospheric pads, the pair delivers a shuffling, club-ready interpretation underpinned by a locked-in dub disco groove. It’s a fine take on a track brimming with positivity and joy. Hear & Now, an Italian duo best known for delivering a trio of brilliant albums on Claremont 56, give their interpretation of ‘Echoes of Memories’. Beginning with a mixture of quietly colourful chords, enveloping sonic textures and hazy guitar motifs, the mix gently builds as it progresses, with the pair introducing a pitched-down house groove, chiming electronic melodies and alluring elements from Lovato’s original version. Like much of Hear & Now’s work, it sits somewhere be-tween Balearica, slow-motion electronic disco and the Rimini-friendly dream house sound that marked out Italian club cuts at the turn of the ‘90s. To close out the EP, rising star Danilo Braca – an Italian producer based in New York City who began DJing in his home country way back in 1996 – gently leads ‘Esperanza’ towards the dancefloor. Braca is a member of production duo Synth & Soda, whose 2020 remix of DJ Harvey presents Locussolus track ‘Berghain’ was selected by the man himself as the winner of an online competition. On this solo revision, Braca wraps a punchy, Latin-tinged house beat in cascading melodic motifs, bubbly synthesizer arpeggio lines, rising and falling electronics and pads so sumptuous you might want to marry them. Simultaneously morning fresh and sunset-ready, Braca has delivered a classic-sounding chunk of Balearic nu-disco/deep house fu-sion. Gypsophilia Remixed is the latest volume in NuNorthern Soul’s Myths of Ibiza series of EPs, which all feature specially commissioned artwork from illustrator Emily McGuinness. This time round, McGuinness’s distinctive artwork depicts Tanit, the ‘protector goddess’ of Ibiza. A warrior deity of dance, fertility, creation and destruction, her spirit is said to watch over the island’s West Coast, particularly the area around Atlantic and the mysterious Es Vedra rock.

Dario Aiello’s first EP for NuNorthern Soul as My Friend Dario, Cosmic Sailing, was one of the label’s most inspired releases of 2020 – a six-track musical voyage into the unknown that cannily combined elements of Balearic disco, ambient, turn-of-the-90s Italian dream house, horizontal jazz-funk and colourful synth-boogie.

With such strong musical motifs and instrumentation to work with, NuNorthern Soul boss Phil Cooper decided to ask some well-established producers and friends-of-the family to put their own spin on the Sicilian producer’s EP. The result is Cosmic Sailing Remixed, a four-track set of reworks that takes Aiello’s mesmerising, atmospheric and enveloping cuts to whole new musical places.

Crazy P’s Chris Todd dons his now familiar Hot Toddy guise for an EP-opening revision of ‘Neve Su Acireale’. Todd makes the most of Aiello’s Pat Metheny style jazz guitar motifs, teasing the track in via an ambient intro that recalls both the Orb’s earliest singles and Steve Reich classic ‘Electric Counterpoint’. After building tension through loose-limbed, progressively more intense drum fills, Todd unleashes a glorious Balearic disco groove that carries the track forwards towards a blissful conclusion.

Sometime Music For Dreams, Hell Yeah recordings and Leng contributor Willie Graff steps up next, brilliantly re-imagining ‘Fenice’ as a hypnotic and bass-heavy chunk of Balearic dub disco rich in layered, samba-style percussion, glistening electric guitar motifs and fluid synthesizer flourishes. Later in the track, Graff introduces more elements from Aiello’s original track – twinkling pianos and dream house style aural textures for starters – before adding touches of tape delay to emphasize the track’s dubby dancefloor mood.

Those seeking extremely immersive, mood-enhancing music will be thrilled by Blair French’s tactile, sunrise-ready take on ‘Malvisa’. The Detroit-based musician and soundtrack composer draws heavily on the kaleidoscopic but mellow synthesizer textures of Aiello’s original version while continually adding new layers of percussion and electronic melodies. The result is a swirling, calming remix that should delight home listeners and slow-motion dancers alike.

To round off the EP, Balearic synth-pop specialist James Bright puts his creative stamp on ‘Storm’. In keeping with the warm, tactile and synthesizer-heavy sound of his superb debut album on !K7, Headroom, Bright re-frames the most atmospheric cut on Aiello’s EP and a yearning, heart-aching journey through slow-motion acid lines, twinkling pianos, huggable synth-pop grooves and the kind of sustained chords that feel like they’re wrapping your body in a toasty blanket made of the finest cashmere. It provides a poignant, jaw-dropping conclusion to a high-quality set of imaginative and kaleidoscopic remixes.

Based in the Sicilian coastal city of Catania, Dario Aiello has plenty of chances to longingly stare into the endless deep blue of the Ionian Sea. It should therefore come as no surprise that his debut EP for NuNorthern Soul, Cosmic Sailing, is a six-track musical daydream about a kaleidoscopic sea voyage into the unknown. Although his recording career as My Friend Dario is still in its infancy, Aiello has already made an impact. He won plaudits from Balearic-minded Bandcamp diggers for a string of self-released singles, before offering up a handful of inspired remixes and tracks on a number of releases on the admirably saucer-eyed Hell Yeah! Recordings imprint. Even so, his NuNorthern Soul debut is a big development, portraying him as an accomplished producer and musician with a gift for crafting colourful and inventive musical fusions. Across the course of six tracks, Aiello perfectly sets out his mellow, warming, spacious and mind-soothing approach, smoothly navigating cosmic waters. Opener ‘Fenice’ sets the tone, with the Sicilian producer cloaking rising and falling synthesizer arpeggio lines in twinkling piano motifs, simmering chords and colourful electronic motifs. He channels the spirits of Italy’s turn-of-the-90s dream house movement and horizontal Balearic disco on the impeccable ‘Malvasia’, while ‘Mr Mellow’ sees him mix-up post-electro beats, pots-and-pans percussion and starry electronics to great effect. Aiello’s varied inspirations come to the fore across the reminder of the EP. Check, for example, the rubbery and undeniably intergalactic 21st century boogie bounce of ‘Neve Su Acireale’, where Pat Metheny style jazz guitar flourishes, sparkling synth riffs and elastic slap-bass notes dance around a snappy, early ‘80s drum machine groove. ‘Campagna 2’ goes further, with the Italian smothering a deliciously crunchy drumbeat with warming chords and looped sax samples, while ‘Storm’ sees him calming choppy waters via fluid, slow-motion piano solos, sleepy beats, enveloping musical textures and a handful of atmospheric samples. It’s a breath-taking end to an EP chock full of evocative, ear-pleasing aural treats.

While the ongoing global pandemic means our chances to gather and dance beneath deep blue skies are likely to be limited, there’s never been a greater need for warm, positive and life-affirming music. NuNorthern Soul has decided to do its bit by offering up a brand new 'Summer Selections' sampler that’s packed to the rafters with magical musical treats lifted from some of the label’s most potent forthcoming releases. The EP begins with something rather special from Canadian producer Igor B: a gentle, sunrise-ready soundscape rich in languid hand percussion, bubbly synthesizer lines and glistening guitars. Entitled 'Deep Breath', the track is just one of the many highlights you’ll find on his forthcoming debut album, “Stranded Seaside”. There’s a similarly tactile and immersive feel to 'Early Morning Ferry' by George Koutalieris, a Greek producer whose debut album 'Stop, Look, Listen' will be released by NuNorthern Soul later in the year. On his contribution to 'Summer Selections Two', Koutalieris wraps lilting, sun-soaked guitar solos and soft-touch electronics around a chunky groove that doffs a cap to the more laidback end of the 1970s West Coast rock spectrum. Next up, long-time friend of the family Chris Coco delivers a stunning interpretation of 'Dinum', an overlooked neo-classical/ambient fusion track by Faroe Islands-based producer Kristian Blak’s Yggdrasil project. Coco’s simmering, string-drenched re-imagining is featured here as a teaser of NuNorthern Soul’s reissue of the 2014 track in the autumn, which will also feature a mind-blowing 10-minute rework by Mike Salta – an artist who is also featured on 'Summer Selections Two'. This time round you’ll find Salta collaborating with Mortale on the starry, EP-ending ambient bliss of 'Bells of Burgibba', a deliciously drowsy mixture of twinkling electric piano motifs, chiming lead lines and woozy pads taken from the forthcoming “Celestial Hike EP”. It paddles in similar sonic waters to label boss Phil Cooper’s stretched-out, slo-mo Balearic dub of new signing Faint Waves’ 'Aphrodesia', a teaser of the artist’s “Islands In Time EP” which can be found elsewhere on 'Summer Selections Two'. No NuNorthern Soul label sampler would be complete without a contribution from BJ Smith, an artist who has been with the imprint from its earliest days. Smith returns to the imprint with another reminder of his uncanny ability to deliver ear-catching cover versions that re-cast classic cuts as loved-up rays of Balearic sunshine. This time round Smith takes us on a huggable shuffle through Prefab Sprout’s 'All the World Loves Lovers', re-imagining it as a future Balearic anthem and a summer 2020 sing-along. It’s not only a sneak peak of what we can expect from 'Dedication to the Greats Volume 3', his first covers collection for nigh on six years, but also a life-affirming highlight of an EP that oozes musical positivity from start to finish.

As NuNorthern Soul gets ready to celebrate its tenth birthday, it seems fitting that the label’s next album release comes from Coyote, whose impact on the 21st century Balearic scene has arguably been even more significant than that of Phil Cooper’s Ibiza-based imprint. Everything Moves, Nothing Rests is classic Coyote. Musically varied but tied together by a distinctively warm, dreamy and tactile trademark sound, it contains numerous subtle references to musical and cultural themes that have long been an under-reported feature of their work (the title, for example, is a reference to the 7 Hermetic Principles outlined in ancient Greek text The Kybalion, a work that has long fascinated the duo). Those familiar with the pair’s output will feel right at home. A rich, loved-up musical tapestry rich in drifting chords, dubby basslines, echoing vocal snippets, languid instrumentation, colourful synthesizer motifs and relaxed beats, the album’s multitude of sonic highlights come together to create a coherent musical voyage that seems to reveal new audio details with each successive listen. And what highlights. There’s opener ‘Free To Choose’, where aural textures reminiscent of vintage Italian dream house tracks rub shoulders with echoing spoken word vocals, cascading synth solos and flashes of acoustic guitar atop a head-nodding groove, the Flamenco-dub shuffle of ‘Freya’s Song’, and the yearning lament of ‘Nothing Rests’, whose lilting trumpet solos, swirling chords, tumbling Marimba melodies and infectious drums sound like a sunrise soundtrack in waiting. The quality doesn’t stop there, either. Many will gravitate towards the subtly psychedelic electronics, weighty acid bass and evocative ambient house chords of ‘Vine of the Soul’, and ‘Fullness’, whose atmospheric synth strings, sampled spoken word vocals, slow-motion grooves and deep bass are the aural equivalent of a tender embrace. Then there’s ‘Writing on Water’, a rushing, ever-building dancefloor excursion in which spine-tingling piano motifs, life-affirming strings and waves of kaleidoscopic synthesizer sounds lap around a dubby house groove. It provides a stunning conclusion to a fittingly evocative album from Nottingham’s Balearic masters.

Now onto its fourth volume, NuNorthern Soul’s annual Summer Selections EP is fast becoming a must-check for fans of slow-motion sunshine sounds, contemporary Balearic beats and sumptuous downtempo grooves. Summer Selections Four showcases six hand-picked tracks from EPs and albums to be released by NuNorthern Soul in 2022. A genuine ‘cream of the crop’ or ‘best in class’ feel, with NNS label boss and curator Phil Cooper putting together a varied EP piled high with evocative melodies, atmospheric chords, tactile grooves and ear-catching instrumentation. First to step up to the plate is experienced producer James Bright, whose cut ‘Amber’ offers a bubbly, colourful and analogue-rich stroll through mid-tempo Balearic house territory. The track is one of the highlights of Bright’s forthcoming Totem EP. It’s quickly followed by ‘Nana a Leon’ from Be.Ianuit’s Entre Dos Islas EP, a gorgeous mixture of deep bass, twinkling pianos, sultry synth-strings, sparkling synthesiser arpeggios, echoing machine drums and spoken word vocals from guest performer Marcos de la Fuente. San Francisco’s Cole Odin offers a snapshot of his forthcoming Songs For Suns EP via ‘Growing’, a slow-motion sunset soundscape built around ethereal chords, chiming melodies and head-nodding drums, while Gold Suite’s ‘The Cowboy’ – taken from the On My Horizon EP – brilliantly joins the dots between jangling Americana, mid-‘80s Balearic reggae and sun-soaked instrumental synth-pop. While brand-new, it could easily be mistaken for the kind of obscure, hard-to-find gem that gets Balearic record collectors so hot under the collar. Next up is another new signing to NuNorthern Soul, North of the Island, whose debut EP Feeling Free is undoubtedly a highlight of the label’s 2022 release schedule. ‘I Feel’, the track showcased here, adds attractive, sunset-ready musical flourishes to a chugging, delay-laden rhythm track and the kind if squelchy bass-line most often found in proto-house and early ‘80s electro-funk cuts. It’s a spaced-out, mind-altering delight. Rounding off another sizzling Summer Selections excursion is ‘Smoke & Fly’ from fast-rising twosome Residentes Balearicos, an Ibiza-based Italian duo who impressed many with their 2021 EPs on Balearic Ensemble. Dusty, bass-heavy, drowsy and picturesque, the track is a simply gorgeous chunk of Balearic dub piled high with organic percussion, undulating acid lines and mazy solos. It provides a fittingly triumphant conclusion to another essential sampler EP from NuNorthern Soul.

Bianca Binky only ever made a handful of records, the majority of which have long been forgotten by all but the most dedicated fans of late-‘80s European synth-pop and crossover house. ‘Tabu’, her final solo single from 1990, is different: a gorgeous, tactile chunk of piano-sporting Balearic house from the time when dancing under the stars at Amnesia was a rite of passage for clubbers from all over Europe, has undoubtedly stood the test of time. Something of a sought-after classic, with keen collectors willing to spend hundreds of Euros on an original 12” single, ‘Tabu’ remains a loved-up, life-affirming dance-floor gem.

It also happens to be a firm favourite of NuNorthern Soul founder Phil Cooper, who has gone to great lengths to produce a deluxe reissue of the hard-to-find Balearic anthem. Original producer Felix B Mangione, head of Blanco Y Negro Records, had long since lost the original master tapes, so Cooper flew from Ibiza to Barcelona to pick up one of the only mint copies still available, before forwarding high-quality digital transfers on to Robin Lee for remastering.

The results speak for themselves. The original mix, a breezy, sun-soaked fusion of synthesised marimba melodies, spine-tingling piano riffs, dreamy chords, Chicago-style Tb-303 bass and Binky’s sensual spoken word vocals, naturally opens proceedings, and is joined on the A-side of the 12” by the original, alternative ‘House Mix’ - more club friendly version that beefs up the beats, emphasises the undulating bassline and offers occasional blasts of spacey synth.

This reissue edition also includes an exclusive, never-before-heard re-edit of the legendary ‘Caribbean Dub’ – first featured on the flip-side of the original release - from Manchester’s finest, Ruf Dug. Tough, effects-laden, bass-heavy and positively epic, Ruffy’s version is arguably the ultimate version of a piano-laden, Tb-303 driven Balearic house classic: ten minutes of rising and falling, saucer-eyed dance-floor bliss that’s surely destined to be one of the most-played tracks of summer 2022.

To a degree, all musicians are a product of their environment, the places they record and the venues they play. For proof, check out the alumni of the n-wave era CBGBs venue in New York, Cabaret Voltaire’s Western Works studio in Sheffield or more recently London’s Total Refreshment Centre. We can now add to that list the Constellations Workshop in Colwick, Nottingham, a project that provides employment through making studio furniture, for out-of-work musicians. It was here, after-hours, that the music on Brown Fang’s impressive and ear-catching debut album took shape. Both members of Brown Fang, bassist John Thompson and guitarist Henry Scott AKA Henry Claude, have a long association with the Constellations Workshop. Though their musical projects are manifold – Thompson having toured with the likes of The Nectarine No9 and The Selecter, with Scott being both a mainstay of Nottingham jazz circuit and recording ambient music as Fang Jr – the work provided by the community-minded project has kept their heads above water and allowed them a space to record in when the shutters go down and the bandsaws get switched off. Yet the music showcased on Sherwood Pines is more morning-fresh and sun-kissed than industrial and sawdust-sprinkled. Combining the pair’s brilliant musicianship – think languid bass guitars and Pat Martino-esque jazz guitar licks – with saucer-eyed electronics, occasional downtempo drum machine rhythms and plenty of glistening special effects, the set’s eight tracks are as blissful and becalmed as an early morning saunter through Sherwood Forest on a misty autumn morning. For proof, check epic opener ‘Tracing Paper’, a slow-build ambient soundscape in which bubbly electronic lead lines and colourful chords sashay around Scott’s sparkling, laidback guitars, and the beguiling ‘That’s All You Can Think’, a subtle tribute to Steve Reich masterpiece ‘Electric Counterpoint’ in which slow-burn, stretched out synthesizer sounds wave in and out of a gradually evolving cycle of delay-laden electric guitar motifs. The band’s love of classic American minimalism – as well as a shared love of the Duratti Column and Robert Fripp – comes to the fore on ‘hdmi I Love You’, which boasts a deliciously dubby bassline, Tangerine Dream style synths and the deepest of ambient chords, while ‘I Nearly Married a Human’ and ‘Fridgewords’ balance bespoke electronics – languid, dewy eyed and comforting – with Scott’s gorgeously laidback, slow-release guitars. Every great album needs a triumphant conclusion, and Sherwood Pines is no different. You can hear everything that makes Brown Fang great on ‘Goodbye Donkey Jacket’, from the pin sharp, effects laden jazziness of Scott’s guitars and the fluid dexterity of Thompson’s bass, to the pleasingly spacey pulse of the synths and the gentle rhythms of the soft-focus machine drums. It’s a confident, ear-catching conclusion to a debut album that’s been years in the making.

Record Store Day 2020 Release. Rare tracks taken from key albums from Spanish / Balearic Islands musician Joan Bibiloni’s extensive career focusing on the period 1982 to 1989. This will continue the NuNorthern Soul Selected Works series, following on from the x2 Ryo Kawasaki EPs released. One of those was a RSD release in 2017. Vinyl will be black, sleeve notes will come from interviews conducted by Marc Rowlands plus the RSD release will contain a poster of the front cover sleeve artwork.

Following on from Los Rayos Del Sol (2021) & the follow up Los Rayos In Dub (2022) NuNorthern Soul presents ‘Moonbeams’ by Ibiza based producer, per-cussionist and sunset selector, George Solar.

Inspired by nocturnal moods and illuminated by the moon in all its phases, this collection follows the vibrations of 'Los Rayos Del Sol.' It's a journey into night-time peace and harmony, embracing the moonlit atmosphere.