Organic Grooves Vinyl 7 Inch Sale 249 Items

- First 45 From New Label 3 Palm Records- Classic Deep Funk And Soul Cover Featuring Singer Adryon De León- Hard Break Beats And Soaring Vocals//West Coast Soul And Funk Powerhouse Orgone Returns To Their Roots With This Scorching Cover Of The James Brown-Produced Marva Whitney Song "It's My Thing (You Can't Tell Me Who To Sock It To)." The Original Is Considered A Breakbeat Classic And Has Been Sampled By Hip Hop's Golden Era Stalwarts (Nwa, Public Enemy, & Epmd). Orgone Brings Their Brand Of Heavy Hitting, Gritty Production To Update The Song For New Ears And A New Era. Lead Vocalist Adryon De León Struts And Belts With Swagger And Soul, Riffing And Owning Marva's Response To The Isley Brothers' "It's Your Thing." Orgone's Seasoned Rhythm Section Chugs Hard And Heavy In Their Crusade To Do Justice To The Legacy Of James Brown's Renowned Band The J.B.'S. Topped Off With Percussion Breaks And Killer Horn Lines, This Side Is Ready To Be Embraced By Soul Aficionados, Beat Junkies, And Deep Funk Crate Diggers_not To Mention The Hardcore Fanbase That Orgone Has Established Over Two Decades Of Criticallyacclaimed Studio Releases And A Well-Earned Reputation For Fiery Live Shows. This Is The Debut 45 From 3 Palm Records.

Two tracks taken from the Heavy Rhyme Experience long player from 1992 featuring hip hop heavyweights Main Source & Grand Puba. Issued on 7" for the first time by P-Vine on a limited 45.

Sometimes it is meant to be. I remember years ago Ian Wright (a notorious 45s collector, not a footballer) played me Marion Javius, it was about $1 at the time. I really love the record, but the "sshumwere" vocal in the chorus and the cha cha at the end of the bars did my head it a little.

Roll on 15 years and I was speaking to my record fiend and friend David Haffner who helps with releases on Aotn. It turned out he had been sitting on the multi-track tapes for Marion Javius for some time and was cool with us doing a 45. Having multi-track was an opportunity for me to fix the little bug bears with the OG mix. On first listen, I was delighted to hear a vocal take without the "Shamwooon" on the chorus, so myself and Linkwood got on the case to rebuild an Ecla version without the Game Show bar ends and "Shamons" that had been haunting me for years.

So here we are, the Ecla version, with the OG on the flip in case you think I'm talking rubbish.

Limited edition vinyl!
Finally opening up the garage after 8 months of deep winter, Chandeliers are hopping in the black Chrysler LeBaron convertible, and rumbling down Western Ave to a bubbling, dark and sensual soundtrack called "High Diamond". A gothic synth-funk house beat pumps the blood of this diamond, brooding and mood-altering, evoking a feeling that there is something menacing going on just blocks away, but for now, we are here, and we will dance. The flip side "Snake Bomb", is a wicked, reptilian instrumental, where the promises of our new snake democracy lies in the power of those with their hands on the synthesizers and drum machines. With a trapped-out drum kit pushing us into the future, and industrial metallic synth bombs being hurled over our newly shed skins lying on the sand next to us, "Snake Bomb" spins us at 45 revolutions per minute into some distant but oddly familiar past, when we were still trying to escape from our lizard leaders.

This masterful slab of Louisiana loveliness from Willie Tee’s band The Gaturs, gets a much called for reissue. By far the rarest of the Gaturs’ releases, the only copy for sale on Discogs would set you back the princely sum of £2500. A fiery funk workout from the New Orlean’s band, exquisitely tight, unquestionably absorbing – they don’t get much better than this. Green label version original black sleeve.

Standard Edition on black vinyl WITHOUT picture cover.

Remastered form the original Session Tapes.

First time ever on the flip - It's The Music That Makes Us Do It.

The first single cut from "We Are King" which is the 1st album of soul group "King", which was generously praised by famous big-name artists such as Prince, Kendrick Lamar, Robert Glasper, Erykah Badu…

Limited edition 7inch!
Only one copy per customer!

The San Francisco Bay Area tradition is as one of those magical centers of musical energy, sending out waves of jazz, psychedelia, rock and funk into the ears of the world. The M-Tet carry on that tradition. Featuring Joe Baer Magnant on guitar, Gary Pitman on Hammond organ, Chris Lujan on bass and Michael Reed on drums, the M-Tet have for the past few years been honing their own very special sonic blend.
The M-Tet has managed to wrap up the entire history of Hammond-led groups, from their earliest days when jazz and R&B were wrestling in urban barrooms, through the soulful bookends of Booker T and the MGs and the funky Meters, and into the future, yet never losing sight of their roots.
Here, with their new release, the M-Tet offers another statement of the groove guaranteed to please everyone from the dusty-fingered connoisseur to the Friday night good-timer looking for something to shake it to.

Includes instrumental on the flip! Limited to 300 copies!

Includes instrumental on the flip! Limited to 300 copies!

With the collapse of Stax Records, The Staple Singers signed with Warner Bros in 1975, leading to a brief and fruitful collaboration with Curtis Mayfield. Their first work, the OST ‘Let´s Do It Again’, became the Staples’ all-time best seller. Such was the success that the major decided that Mayfield would also produce their next work, ‘Pass It On’, in 1976.

Along with the group’s new sound and shift in lyrics, there also came a new image and a shortened name: The Staples. “Take This Love Of Mine” is a catchy two-stepper dancer, with a passionate and powerful vocal performance and uplifting chorus. “Precious, Precious” is an elegant and sophisticated ballad with less presence of arrangements but which is still incredibly moving and oozing quality. Both tracks, overlooked as singles, closed an album destined to consolidate the success of the new era.

Unfortunately, sales fell short of WB's expectations, leading to Curtis being removed from the production of the subsequent Staples records. Undoubtedly, one of their finest albums and a true favorite among soul fans.

Iu Adell

Melvin Davis’ ‘Wedding Bells’ 45 - first issued on the Ke Ke label out of Detroit in 1964, was an early Dave Hamilton project that he collaborated with Melvin for. Both sides are noteworthy, ‘It’s No News’ has particularly amusing lyrics over a dance-friendly rhythm.

‘Wear Your Natural, Baby’ was a good seller when issued on Kent Harris’ Romark label in the late 60s – judging by the, at least, three pressings of it. Understandably so, as it is a captivating rhythm for a then very current political and fashionable message. Towana was in fact Ty Karim, singing under her young daughter’s name. On this flip, Ty recorded as herself on a cover of the CB Overton’s hit ‘If I Can’t Stop You’. However, Kent Harris decided to not go with this recording at the time and re-cut it with new lyrics as ‘Keep On Doin’ Whatcha’ Doin’’ as a duet with George Griffin issued in 1980 on Sheridan House. That record has become a modern soul classic over time and this alternate solo version, with the different lyrics, by Ty is sure to excite lovers of that genre.

For Fans Of Lady Wray, Amy Winehouse, Alice Russell, Sharon Jones.Kendra Morris Recalls Singers Who Straddled Soul And Rock During The Early '70s, Such As Ruth Copeland And Chaka Khan. After Touring With Dennis Coffey And Releasing Singles That She Did With Collaborator Jeremy Page Including "Concrete Waves," With B-Side Remixed By DJ Premier, Morris Released The Album Banshee (2012). In 2013, Morris Returned With The Covers Album Mockingbird, With Both Banshee And Mockingbird Garnering Successful Followings And Impressive Film/Tv Placements. Morris Also Worked On A Project-Band With Friends Scarlett Johansson, Julia Haltigan And Holly Miranda. With Este Haim Joining On Drums, They Released One Single, "Candy" And A Cover Of "Bizarre Love Triangle" For Amfars The Time Is Now Record.Now Presenting Her Debut 45 On Karma Chief Records, A Division Of Colemine Records, Kendra Showcases A Textured And Contemporary Take On R&B, All While Retaining The Old-School Flavor. The A Side Track 'This Life' Is A 70's Soul Super Dive Carrying You Through Fuzzy Guitars, Lush Harmonies And Straight Into The Old Vegas Casinos Of The Main Strip. Who We Are, The B Side, Counters The Upbeat Side A With Its Epic Introspective Look At The Human Psyche. Combining Kendra's Wide Vocal Range And A Partnership Of Solid Drum And Thick Bass, 'Who We Are' Provides The Perfect Backdrop For It's Carefully-Threaded Lyrics.

The West Coast super duo of BRIAN ELLIS and TIM TUCKER is back! 2 sided slap zone, use caution! "FANCY FREE" is a sweater funk delight backed with "THAT FUNKY STUFF" on the B-side, a certified funk freaks slapper. High quality boogie funk.

High quality boogie featuring production by top-shelf duo THE POTATOHEAD PEOPLE featuring THE PENDLETONS own TRAILER LIMON on vocals. Sexy, classy, niceness in pure STAR CREATURE fashion. NICKY WISDOM laces up a tasty dub journey on the flip so doubles are highly recommended.

Ultra obscure funk (official re-issue)

Dynamite Cuts & The George Semper Music Archives present you this third in a series of soulful dancers 'Do You Know' from Patti Williams! Her powerful, gospel inflected perfromance on the rare gem A, 'Do You Know' is an anthem of Women overcoming scorn. Written and Produced by George Semper, as part of her unreleased album, 'Do You Know' was recorded at Original Sound Record Hollywood in 1969. The master recording lay dromant in the vault until now!

'Hypnotise' is the spellbinding new single from sampler slayers, The Allergies. Who, once again, build funky new worlds out of dope beats and loops from their wild and wonderful record collections.
Here, the Bristol-based duo break new ground, sampling the incredible Deli Sosimi and heading out on the housier side of things, working a deadly dancefloor 4/4 around their signature soulful stylings.
Pulsing kicks and playful percussion keep the pace, as euphoric Afrobeat horns and insistent vocal lines build the energy in the room.
It's a captivating cut, made for discerning DJs and discos. But, as soon as you let the infectious double bass-led groove hit you, you'll mesmerised by the music.
'Vamonos' on the flip laces old school boogaloo and salsa samples with sizzling hi-hats, claps, and club-ready breaks. It's an anthem for beach bodies, holiday heroes, and sun-seekers, hell bent on escaping the rat race.

When growing up as a young teenager many dream of hitting the recording studio and getting that record deal.
The sheer musical drive inside you to lay down those raw and emotional feelings.
The chances of going to high end studios were slim and expensive. Opportunities were sparse to say the least.
So the next best thing was to go into one of the ever growing number of home studios that were popping up in the 1980's
Studios in peoples garages or in the spare bedroom.
And so we bring you to a small group of teenagers called Klimate.
They ventured into a un-named 8 track studio in Walsall around 1981 to record a series of 2 tracks.
There is little remembered about the group of lads from member Harbans Srih who played drums on both tracks and was in charge of writing duties. Harbans Srih was also the man behind sde 42 Sticks & Co "Jazz Dancin"/"Jazz funkin" .
The 5 piece band was very multicultural that really represented music in britain at the time. 3 of the players were of Afro-Caribbean decent giving us lead vocals, guitar, bass and keyboard. The 4th member was only known as a ginger haired youth (we like him!!) who was on saxophone duities.
shortly after these recordings tragedy struck Klimate and the bass player was killed in a car accident whilst on vacation in Italy.
fast forward 37 years and Harbans Srih discovers just a single D.A.T from that 1981 session.
We did our utmost to sonically get the recordings up to our very high standards at Super Disco Edits. Whilst we feel it perhaps just falls short, we couldn't ignore these recordings that optimises British youth culture and the heritage of Brit funk .
We hope you enjoy them.

Limited vinyl edition!

Although best known in the global music world for his four years (1984-1988) as the music director and bandleader for Whitney Houston, John’s tenure in the soul music field began when he was a member (with his brother Edmund ‘Butch’ Simmons) of The Reflections, a New York City-based quartet who toured from 1972-1975 as the backing group for the legendary Melba Moore. In 1975, The Reflections had a Top 10 R&B hit with “Three Steps From True Love.”

In 1978, John began touring with Stephanie Mills, at the same time collaborating with Phillip Ballou, a member of another New York-based vocal group, Revelation and UK soul music journalist David Nathan (who he met when Nathan did an interview with The Reflections for Britain’s “Blues & Soul” magazine in 1975). The trio wrote a number of songs for Ballou’s demo as a solo artist and while nothing transpired in that regard, John recorded his own version of one of the tunes, “Ain’t Nothing Like The Love” for a small independent Michigan label, Sabrina Records in 1981. John had worked with Cissy Houston at New Hope Baptist Church in New Jersey where she was the minister of music was asked by her to do some initial promotional dates with her daughter Whitney after Arista Records released her first single in 1984; he continued doing world tours with Houston until he passed away at the age of 45 in March 1989.

The Ballou sessions (held mostly in Montclair, New Jersey) expanded into recording dates for both Nathan and Simmons. None of the original recordings were released commercially – until now. In the wake of the interest among rare groove collectors in John’s version of “Ain’t Nothing Like The Love,” Nathan – himself a recording artist since 2003 – has uncovered the tapes of all the material he, Phllip and John recorded in 1978 and 1979.

Gaining its first-ever release now on Nefer Records via Super Disco Edits is the coupling of John’s solo composition, the upbeat gospel-infused “Safe” and the midtempo, “I Wanna Be Closer,” another one of the songs also recorded (and thus far unissued by both Ballou and Nathan).

The last and final instalment of the brilliant mighty fire unissued reels. And again two beautiful sides straight from the pen of Melton Bolton. These tracks were sitting around before they cut a deal with Elektra records. Melton Bolton has been a prolific player and musician for over 40 years. Writing for Motown plus a host of other record labels.
The label salvaged the reels, cleaned them up a bit. Nothings perfect in this music world. But the chance to give these songs a new vehicle gives Super Disco Edits always a great pleasure.

More dancefloor dynamite from Benin's almighty Orchestre Poly-Rythmo de Cotonou Dahomey, this time in the form of 'Gbeti Ma Djro'. Confusingly described on the centre label of the 1971 original issue as ’Soul’, this is in fact a prime slice of Afro-psych-funk complete with wails and grunts over fierce drums and picked guitar. 'Angelina II’ is a much warmer affair that rides a shuffling mid-tempo pachanga groove. Both tracks were transferred, restored and mastered from the original 1/4 inch tape.

Japan's Wilson Pickett, the incomparable soul singer Masakazu Sunagawa. This 7-inch version of a cover (1978 live version) of Sam Cooke's classic "A Change Is Gonna Come" is as if it became his own. This is a Japanese cover of "A Change Is Gonna Come" from a 1978 live performance with Nasty Chain, his first solo band after the breakup of Sooo Baad Revue, which had made a name for itself. The vocals seem to penetrate from the earth to the sky, and the tension-filled performance is overwhelming. The B-side is a cover of Wilson Pickett's "Something You Got" from a live session with Cold Rubbish featuring Masaki Ueda and Yoshiro Hagiwara, an original member of South to South. The generous sense of rhythm and the extension of the voice are the quintessence of Masakazu Sunagawa.

Lead single from Skinshape’s 8th Studio Album ‘Craterellus Tubaeformis’. For fans of Khruangbin, El Michels Affair, Madlib, Bonobo. A perfect taster of Skinshape’s latest album ‘Craterellus Tubaeformis’ is this double header featuring the laid-back vocals from the man himself. The joyous feel of ‘It’s Real’ sounds as if it’s been lifted from a classic blues album but with a contemporary feel. ‘Amnesia’ keeps a similar vibe with thoughtful lyrics leading to a deeper track than the production may initially suggest. Will Dorey’s ambiguous words on the tracks It's Real: “I shall leave you to decide what the song is about. Musically, it's straight-up 1960s British blues era style. Phased guitar solos, 12-string acoustic chugging along. All that.” Amnesia: “Following the course of slightly psych-edged bedroom pop. Is it pop? I shall leave you to discern the lyrical meaning.” Support from BBC 6 Music, BBC Radio 2, Jazz FM, Soho Radio, Mojo, Uncut, Shindig etc

Limited edition yellow vinyl pressing of this 50th birthday celebration for an influential slice of soul. A 7” remastered, reissue of Minnie Riperton’s iconic, majestic and much sampled ‘Les Fleur’.

Record Store Day 2020 Release.

The Nashville crew are back with another slab of top shelf vintage tinged funk. The limited 500 pressing, dinked 45, is their 6th seven inch record to date. This time showcasing a superb horn section, with a sleazy bass permeating the groove.

‘Stay In Your Lane’ bursts through with a dramatic cadence of slick guitar, aggres- sive bass, subtle wah-wah, and a soulful bridge section. Smooth and cinematic

library style funk at it’s finest. ‘Measly Peace’ shows off a hypnotic groove, with tight drums, and lush chords, with a driving rhythm reminiscent of a 70’s cop show theme, but with some new age flair.

Impressing dancefloors and vinyl bars since 2010, anyone familiar with their previ- ous releases will be happy to add this one to their crates. Another killer 45 from the stellar as ever, Magic In Threes.

‘What Does It Take (To Win Your Love)’ was originally recorded by Jr. Walker & The All Stars and was written by Johnny Bristol, Harvey Fuqua and Vernon Bullock, in 1969. Reputedly, Jackey Beavers was in the studio when Bristol and Fuqua produced the hit and it’s likely that Beavers’ cut his unreleased take at a similar time. Bristol, Fuqua and Beavers reunited that year to write the No.1 pop and R&B hit ‘Someday We’ll Be Together’ for Diana Ross And The Supremes, also produced by Bristol. In a recent post the influential Modern Soul Collective cited Jackey Beavers’ recording of ‘What Does It Take’ as their “new favourite version of the much-loved classic”. Here, we pair it with the, also unreleased, alternate version of ‘Lover Come Back’… same song, different lyrics.

‘Just Like The Weather’ was originally released in 1965 on the Chicago Constellation label. It failed to ignite the short-lived, flagging, career of Nolan Chance, talented as he was. However, in the early Seventies it was rediscovered by the UK Northern Soul scene and would go on to become an all-time classic. Reissued here, due to popular demand, with it’s much overlooked superlative B-side ‘Don’t Use Me’, yet to have its day on the dance floor. They really don’t get much better than this. Watch out for the simply stunning unreleased version of ‘Just Like The Weather’ by Mill Evans coming soon from Charly.

‘Why Don’t You Write’ was originally recorded and released in 1971 by Lee Bates on Joe Banashak’s New Orleans based Instant Records. It has over time become a sought-after Northern Soul collectable. It was produced by the unlikely sounding Alias Ducie (Deucie) who also released one obscure 45 on Instant, ‘Then You’ll Be Mine’, credited to Alias Ducie & The New Orleans Poets. In a recent search of the Banashak master tapes in the Charly vaults we found an incredible unreleased version of ‘Why Don’t You Write’ performed by Ducie, possibly as a guide track for Bates. We also found another unreleased master, ‘High’ and over a dozen unreleased Lee Bates masters. Here we release both versions for the very first time. And there’s plenty more where this came from!

‘I Can’t Help But Let You’ was penned by the great George Kerr in the mid-to-late Sixties, possibly with Linda Jones in mind who he was working extensively with at the time. But, it was Ruby Winters who recorded the song along with other Kerr compositions ‘Last Minute Miracle’ and ‘If Only We Had Met Sooner’. Here we feature Ruby’s raw audition take and newly restored, retouched and mixed down version which sounds stunning.

One of the most demanded vinyl from diggers, People's Pleasure "Do You Hear Me Talking To You?" is still shining brightly in the rare groove scene. Ap-vine is proudAof releasing the super killer track "World Full Of People" and the instrumental version of the same song that was not released at the time in the original LP as reissue 7inch for the first time in the world!!AIn addition, this ep includes a special download code for the bonus track that is sung by the producer Billy Brown with the same instrumental track!A

Previously Unissued funk with killer sax

The Lowdown Band is an African American funk and soul group from the United States that gained popularity in the early 1980s with their hit single "Music Is The Answer". Formed in San Diego, Ca in the late 1970s, the band was comprised of musicians from both the East and West Coasts of the United States. The track was an immediate hit and gained popularity which peaked at #72 on the US Billboard Hot 100 chart and #20 on the US R&B chart. It also achieved success overseas, reaching #61 on the UK Singles Chart

Written, performed, produced and recorded in an underground Wwii bunker ("The Crunch") in the English countryside, Jason Baldock’s “Grandbaby” project isn’t as cuddly as it’s cheeky name would suggest. In fact, it’s a take no prisoners, uncompromising approach to mostly-instrumental songcraft. Grandbaby's debut 7" bursts with feverish energy, formidable synth lines, crunchy/catchy guitars and an unearthly brilliance for drum break expertise most session musicians would kill for. There’s a deep history to Grandbaby, and trust, we’ll present it to you in due time. But first the story must begin the best way we know how - a tangible artifact of beautiful black wax.

Quirky as fuck!' is the term to describe the latest killer 45 from Paul Elliott & Shawn Lee. Since they crossed paths over a decade ago, Paul (Eleven76/Hot Border Special/The Mighty Mocambos) & Shawn (Ping Pong Orchestra/Young Gun Silver Fox) have collaborated on many impressive projects including the critically acclaimed documentary The Library Music Film. The pair share a love of weird, exotic, otherworldly sounds that can usually only be found in classic library music. However, with their latest release on Farfalla Records, they take the listener on a deep dive into the strange, percussive and unusual world they inhabit! 'Bass Sick Bitch' begins with a glitchy toy rhythm and leads into a voice memo of a wooden 'Jank tone' instrument that Shawn had played and recorded for Paul to hear. Paul's low slung drums and percussion take off and the pair exchange phrases on some of their unusual instruments. This one has a head nod groove and a breakbeat that poppers, lockers and bboys can get down to... 'Honey Roast Nuts' is introduced with a rhythm Paul literally played on an old tin of Honey Roast Nuts, hence the name....Shawn creates the vibe with Polynesian Ukulele, guitar and retro futuristic synthesized sounds, all the while a 70s inspired bass guitar keeps the mood up. The middle of the tune is stopped in its tracks when a voicemail recording from Paul's phone pops up and Shawn's fried brain takes us out with a modulated guitar! Take a trip with Paul Elliott & Shawn Lee, It's all good in the motherfucking hood yo

Favorite Recordings proudly present its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it! On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth solo in the end! On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.

Fully remastered reissue with replica artwork, for the first time since it's original release, one the rarest TX funk 45's. Black 7" dinked centre hole vinyl.