Organic Grooves 3402 Items

(We Ain't Here Looking For) No Trouble

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Warren 'Sonny' Sharrock died of a heart attack at the age of 53 in 1994. At the time of his death, many writers noted that he had recently landed a contract with a major label (rca) and was perhaps 'destined for big things.' In my opinion, these writers missed the point. Although Mr. Sharrock may not have been successful financially (as though that might be a primary motivating goal for any true artist), he was uncommonly successful aesthetically. Certainly, there are a few dubious moments to be found inside his oeuvre, but Mr. Sharrock produced several of the most mind-shredding avant-garde albums ever recorded. Premier among them is Black Woman.

"Originally released on the Vortex label in 1969, Black Woman may be the universe's first true statement of guitar skronk majesty. It also represents Mr. Sharrock's first date as a leader and stands as the sole documentation of a band that well-understood the essentials of energy. Besides Sharrock's explosive guitar, the band features the omni-directional percussion mastery of Milford Graves (then in the midst of recording Love Cry with Albert Ayler), the gorgeous post-tongue vocalizing of Sonny's then-wife Linda Sharrock, the sinuous bass presence of Norris Jones (later known as Sirone) and some the most explicitly abstract piano work ever recorded by Dave Burrell. That Black Woman was produced by flautist Herbie Mann, a guy not well-known for his affinity to fire music, makes it even more intriguing." – Byron Coley

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Jimmy Thomas

7" | 1969 | EU | Reissue (You Are The Cosmos)

13,99 €*

LP | 1969 | US | Reissue (Legacy)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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First official reissue of this Soul classic originally released in 1969 by Spark label.

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Jeff Beck

Beck-Ola

I Haven t Got Anything Better To Do

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

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Astrud Gilberto

LP | 1969 | EU (Endless Happiness)

LP | 1969 | EU | Reissue (Verve)

Release: 1969 / EU

Genre: Organic Grooves

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With her tenure on Verve drawing to a close, Astrud Gilberto steps further away from her bossa nova roots with I Haven't Got Anything Better to Do, an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach, whose "Trains and Boats and Planes" is beautifully rendered here. In the liner notes Gilberto dubs it "my fireplace album," and indeed the record is immediately warm and comforting, despite the melancholy that colors all of the selections. Albert Gorgoni's arrangements are sumptuously romantic, perfectly complementing the simple, poignant vocals. Mistakenly considered a minor entry in the Gilberto canon, I Haven't Got Anything Better to Do is instead a minor masterpiece.

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The Eddie Fisher Quintet

The Third Cup

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Craft)

Isaac Hayes

Hot Buttered Soul

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Charly)

Don Cherry

Mu. First Part

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Chicken Fat Clear Vinyl Edtion

Mel Brown

LP | 1969 | US | Reissue (Jackpot)

LP | 1970 | US | Reissue (RCA)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

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Nite-Liters

Nite-liters

16,99 €*

Turn Back The Hands Of Time

Release: 1970 / US – Reissue

Genre: Organic Grooves

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sampled by Cali Agents

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Tyrone Davis

LP | 1970 | US | Reissue (Dakar)

14,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Did You Give The World Some Love Today Baby Black Vinyl Edition

Doris

LP | 1970 | UK | Reissue (EMI)

LP | 1970 | US | Reissue (Brunswick)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

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Hysear Don Walker

Complete expressions

14,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Spectator)

Tordenskjolds Soldater

Peace

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)

Joe Pass

Intercontinental

LP | 1970 | UK | Reissue (Kent)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.

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Preston Love

Omaha Bar-B-Q

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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A Tribute To Jack Johnson

Miles Davis

LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

62,99 €*

LP | 1970 | US | Reissue (Polydor)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
MOBILE FIDELITY’S NUMBERED-EDITION 180G SUPERVINYL LP PRESENTS 1971 LANDMARK IN EXUBERANT, FULL-RANGE SOUND

Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Sourced from the original analog master tapes, pressed on MoFi SuperVinyl, and housed in a Stoughton jacket, Mobile Fidelity's 180g LP reissue brings it all to fore with startling realism. Benefitting from SuperVinyl’s nearly inaudible noise floor, superb groove definition, and clean, ultra-quiet surfaces, this 180g LP showcases everything — from the bold tonality of the headliner's white-hot trumpet solos to the decay of crashing cymbals, carry of wiry guitar notes, and echoes of the studio — in reference fashion.

Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences long-time fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires.

Utilizing wah-wah and distortion, the go-to instrumentalist of the performances— guitarist John McLaughlin — attacks with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson< cross the until-then-impenetrable divide between rock and jazz. Davis puts both feet in the former camp and erases any gap. The stories of the record’s creation are nearly as legendary as the sounds within: Two sessions, multiple jams, different sets of musicians (several uncredited), and near-miraculous production perfectionism that made it all appear cohesive.

The least-well-known masterpiece of Davis' career, the 1971 record — seamlessly assembled and spliced together by producer Teo Macero — was a victim of limited record-label promotion. Audiences also didn’t immediately know what to make of its original cover art — faithfully replicated here. In addition, the powers that be at Columbia Records were directing the public’s attention to Miles at Fillmore, a completely different kind of album guided by two keyboardists. A Tribute to Jack Johnson practically lives in a different universe, one from the future. To many listeners who did manage to hear it — among them critic/musician Robert Quine, Stooges leader Iggy Pop, and renowned critic Robert Christgau — it surpassed everything that came before.

Indeed, Davis treated it as a personal manifesto: An opportunity to salute the Black championship boxer admired for his threatening image to the establishment and impeccable taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson — a stance mirrored by the defiant music, which hits with a prize fighter's force and reflects the graceful elegance with which a pugilist navigates the ring — and closes the album with a Johnson quote read by Brock Peters.

Inspired not only by Johnson but by Jimi Hendrix and Sly Stone, Davis changed his approach and his band. He surrounds himself with a cadre of musicians in their 20s and, in the case of bassist Michael Henderson, a 19-year-old fresh from touring with Stevie Wonder. Henderson gives Davis what he requested: boogie-based grooves that don’t lose shape or direction. Soprano saxophonist Steve Grossman, drummer Billy Cobham, and organist Herbie Hancock adhere to a similar aesthetic that prizes brazenness, innovation, and energy.

In that vein, during a portion of “Yesternow,” Davis segues into a separate performance (which became known in its entirety as “Willie Nelson”) played by guitarists McLaughlin and Sonny Sharrock, bass clarinetist Bernie Maupin, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette. Dig it!

Talking with jazz scholar Bill Milkowski — who himself noted how McLaughlin’s unrestrained style, decibel-forward volumes, and rapid-fire power chords engendered himself to the rock crowd at the same time that his harmonics and syncopation still definitely made him a jazz player — guitarist Henry Kaiser summed up part of the appeal of A Tribute to Jack Johnson as well as anyone, saying: “It’s a jazz record that way way more open than other jazz records at the time, but still not free jazz. [McLaughlin’s] rhythm guitar playing on ‘Right Off’ — the use of different chords in a rock shuffle than what anybody had used before — was revolutionary.”

And to think that’s just one aspect of a record that contains multitudes. “Never let them forget it.” Indeed.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

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Lee Dorsey

Yes We Can

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Afreaka! Black Vinyl Edition

Demon Fuzz

LP | 1970 | EU | Reissue (Music On Vinyl)

Welcome Back A Foolish Man / Lovin' Hard, Livin' Good

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Demon Fuzz's only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock.

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Bobby Jones

7" | 1970 | EU | Reissue (Rocafort)

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Conforming to the usual high standards we've come to expect, Rocafort Records have got their hands on another sublime soul 7inch. Originally released in 1970 on the amusingly named Kack label, soulman Bobby Jones assures us that there's nothing but the smell of sweet soul music happening here.
Written and produced by well-known Chicago music veteran, Maurice Lee Simpkins, "Welcome Back A Foolish Man" does everything an early 70s mid-tempo two-stepper should. Urgent, pleading lyrics telling of unspeakable heartache, sweeping strings, twangy guitars, heavenly backing vocals that lift everything towards the Gods. All solidly crowned by the raw, expressive vocal talent of Bobby Jones – a consistantly worthy bluesy/soul singer who never really got the recognition he deserved.
Interesting to note that both "Welcome Back A Foolish Man" and the similarly veined B side, "Lovin' Hard, Livin' Good" were sung by soul siren Ruby Andrews a few years prior but with different lyrics, different composers and label. A mystery worth solving for any of you musos out there !

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The Meters

Struttin'

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | Reissue (Music On Vinyl)

The Delfonics

Release: 1970 / Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Craft)

Booker T & The MG's

Melting Pot

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Craft)

Tito Puente & Celia Cruz

Alma Con Alma

Free Your Mind And Your Ass Will Follow Blue Vinyl Edition

Release: 1970 / US – Reissue

Genre: Organic Grooves

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THIS ALBUM SYMBOLIZES THE VERY ESSENCE OF TWO GREAT ARTISTS AT THEIR VERY BEST. THE 'CUBAN EDITH PIAF', CELIA CRUZ AND THE UNPARALLELED TITO PUENTE GIVE THIS ALBUM EVERYTHING IN SPADES: FEELING, STYLE, RHYTHM AND CLASS!

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Funkadelic

LP | 1970 | UK | Reissue (Westbound)

Live Evil Black Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Also from 1970 is Funkadelic’s second LP.

In a thick card gatefold sleeve with 180g blue vinyl pressing

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Miles Davis

2LP | 1970 | EU | Reissue (Music On Vinyl)

33,99 €*

Airport Love Theme / Afro Som

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.

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Waldir Calmon

7" | 1970 | UK | Reissue (Mr Bongo)

2LP | 1970 | UK | Reissue (BBE)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album! Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It’s feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard. Afro Son' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism. Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.

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Kohsuke Mine

First

A Divina Comedia White Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.

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Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

John Mclaughlin & John Surman

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Where Fortune Smiles Color Vinyl Edition

LP | 1970 | EU | Reissue (Tiger Bay)

15,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | Reissue (Be With)

Willie Hutch

Season For Love

Hank Jacobs And Don Malone / Hank Jacobs And The Tko's

Release: 1970 / Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.

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The World Needs Changin' / Gettin' On Down

7" | 1970 | UK | Reissue (BGP)

Is It Because I'm Black Grey & Black Swirl Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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A straight reissue of this super-rare funk single from 1970 on the Call Me label.

Original copies of this political soul anthem change hands for a lot of money.

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Syl Johnson

LP | 1970 | US | Reissue (Numero Group)

Discovers Hoagy Carmichael's Music Shop

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Ten years into his role as poster boy for pop soul and peak-hour R&B, Syl Johnson did an unlikely about-face and cut the most inspiring and powerful song he'd ever touch. Issued on 45 in September of 1969, "Is It Because I'm Black" struck an immediate chord within the black community, forcing the song up the charts by sheer volume of call-in requests. It would be Syl's biggest hit for Twinight, climbing as high as #11 on the Billboard R&B chart during its 14-week stay, marking the defining moment of what had become more than just an occupation. Syl had his hands on a career and worked tirelessly rehearsing his next opus, an album of songs reflective of the changing times. With "Is It Because I'm Black" still bolding the pages of Billboard, the coming LP's title appeared to Syl plain as day _ or, in this case, black as night. Issued in April 1970 _ a full 13 months before Marvin Gaye's What's Going On _ Is It Because I'm Black can rightly be called the first black concept album, a distinction few give it credit for. But that factoid, whatever its meaning then or now, failed to inspire music buyers: Johnson's record never got a whiff of the two million copies Gaye's did in its first year of availability. Syl lays the blame squarely on the record's lack of marketability to a white audience. The album's cover didn't exactly move units either. Photographer Jerry Griffith dragged Syl to a burned-out building on 43rd Street to shoot the back cover image, and he finger-painted the iconic title over a stock photo of an eroding brick wall. The title track, coupled with the politically charged "I'm Talking About Freedom" and ghetto conscious "Concrete Reservation" sealed the album's cool reception as the work of an "angry black man." Which is unfortunate, as "Together Forever," "Come Together," and "Black Balloons" are positively uplifting, forming their own pot of gold at the end of a grayscale rainbow. The album's closer burns the brightest. "Right On" devolves into a full-on party track, ending with Syl riffing on the line "I'm gonna keep on doing my thing," as if to answer his critics before their needles reached the run-out groove.

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Stark Reality

2LP | 1970 | US | Reissue (Now-Again)

36,99 €*

LP | 1970 | EU | Reissue (Far Out)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.

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Hermeto Pascoal

Hermeto

LP | 1970 | EU | Reissue (Be With)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).

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Nucleus

Elastic Rock

30,99 €*

LP | 1970 | UK | Reissue (Ace)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

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Candi Staton

I'm Just A Prisoner

2LP | 1970 | UK | Reissue (BBE)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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With Candi Staton hitting the UK to play the Love Supreme festival over the weekend of 30th June/2nd July, Ace records is delighted to reissue her debut LP, which has been out-of-print on vinyl for decades. "I'm Just A Prisoner" was released in 1970 and remains a definitive slice of Southern soul. Recorded at Rick Hall's legendary FAME studio in Muscle Shoals, "I'm Just A Prisoner" pulled together five tracks - 'I'd Rather Be An Old Man's Sweetheart (Than A Young Man's Fool)', 'I'm Just A Prisoner (Of Your Good Lovin')', 'Evidence', 'You Don't Love Me No More' and 'Sweet Feeling' - that had appeared as A and B-sides on early singles issued in 1969 and 1970. These were augmented by another five tracks recorded specifically for the album; 'Someone You Use', 'Get It When I Want It', 'Do Your Duty', 'That's How Strong My Love Is' and 'Another Man's Woman, Another Woman's Man'. Like Southern fried chicken, this music is essential food for your ears. This new edition includes an inner sleeve featuring a new interview with Candi conducted by Ace Records' Ian Shirley about this magical stage of her career as well as photos from the period.

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Sphere

Inside Ourselves

44,99 €*

LP | 1970 | EU | Reissue (Universal)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.

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Rodriguez

Cold Fact

For Children Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Rest in peace, Sixto Rodriguez.

Newly remastered by Alex Abrash at AA Mastering, pressed on 180 gram vinyl!

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Eero Koivistoinen

LP | 1970 | EU | Reissue (Svart)

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Masterful Finnish jazz available on wax again!

The 1970 album For Children by Eero Koivistoinen was originally released by the book publishing company, Otava, which was responsible for his earlier two albums as well. Jazzpuu/Sähkö Recordings reissued For Children in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings this important piece of Koivistoinen's career, a successful amalgam of acoustic jazz and funky fusion back on the market on a limited Svart exclusive blue vinyl edition, classic black vinyl and CD.

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Antonio Carlos Jobim

Stone Flower

Build Up Mustard Yellow Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.

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Rita Lee

LP | 1970 | EU (Future Shock)

Dónde Está Esa Mujer A La Que Yo Amé

Release: 1970 / EU

Genre: Organic Grooves

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180 gram reissue of Rita Lee's (Os Mutantes) debut solo album, originally issued in Brazil in 1970. Orchestral arrangements by Rogerio Duprat and production by Arnaldo Baptista, with a cover of The Beatles' "And I Love Her."

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Grupo Uno

7" | 1970 | EU | Reissue (Madmua)

Electric Byrd Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hypnotic organ-fueled psych-pop from Argentina 1970, now having a new life thanks to Madmua Records. As usual, 500 copies that are instantly sold out at source (we have 50 copies available only now). Nice new cover artwork (original came in plain generic cover), with insert and two postcards.

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Donald Byrd

LP | 1970 | US | Reissue (Blue Note / Third Man)

43,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | EU (Endless Happiness)

James Taylor

Sweet Baby James

Release: 1970 / EU

Genre: Organic Grooves

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Ghetto Records Presents Eddie Lebron

Eddie Lebron

LP | 1970 | US | Reissue (Now-Again)

LP | 1970 | EU | Reissue (Vampisoul)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. First up in the series - Heavy Salsa and Latin Soul from Puerto Rico-born pianist Eddie Lebron and Orquesta Suave, the album that kickstarted Ghetto Records. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Marie Queenie Lyons

Soul Fever

Neil Ardley, Ian Carr, Don Rendell

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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A real soul gem from 1970 on the James Brown affiliated Deluxe label, the first and only album by this mysterious singer: Marie Queenie Lyons. It is perhaps apropos that Queenie Marie Lyons's best known song is titled 'See And Don't See.' For all the acclaim that song has accrued, and all the times it has been compiled, reissued and, yes, bootlegged - for all the times it has been seen - Queenie herself has somehow remained unseen. Queenie was a natural performer and a gifted singer. At the age of fifteen, she was doing three shows a week at a local venue. In early 1962, Queenie moved to Queens and was soon playing gigs across the city - an early engagement was with Gene Krupa at the famous Metropole Café in Times Square - as well as touring with established acts like Fats Domino and Ray Charles. The following year, Queenie made her debut recording, for a subsidiary of RCA called Groove, credited to an entirely fictitious "Shelley Shoop and the Shakers." It remained Queenie's only presence on wax until early 1968, when a Nashville-based label called Sims gave her her first accurately attributed single, "A Minute Of His Goodtime / Good Soul Lovin'." Although the 45 is now a highly collectible part of the Northern Soul and Lowrider Oldies pantheons, it made no impact at the time, as Sims was focused on more typical Nashville sounds. A few months later Queenie was back in New York City, performing R&B and pop covers with her band when a man passed her his business card at a performance. The card read James Brown Enterprises. James Brown "was my idol," she says, and someone whose business acumen and stage presence she strove to emulate. Although Queenie ended up on tour with James Brown for only a month or so, when the group reached Cincinnati in mid-'68 she entered the King Records studio there to record what would become the album you hold in your hands. The songs were a combination of covers, some of which she'd been doing in her live shows, like 'Fever' and 'Try Me,' and originals...

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Greek Variations

LP | 1970 | EU (Endless Happiness)

LP | 1970 | EU | Reissue (Far Out)

Release: 1970 / EU

Genre: Organic Grooves

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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.

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Agustin Pereyra Lucena

27,99 €*

LP | 1970 | JP | Reissue (Sony Music Japan)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own.

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music.

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

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Kosuke Mine

Mine

59,99 €*

Seasons Clear Amber Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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A monumental work that marks the historical beginning of the prestigious Three Blind Mice label, and the shivering debut album by saxophonist Atsusuke Mine, with a tension that seems to tear through the entire album. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product on the TBM label from SME.

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Pete Jolly

LP | 1970 | US | Reissue (Future Days)

33,99 €*

LP | 1970 | UK | Reissue (Charly)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this rare masterpiece - Remastered from the original analog tapes by Kevin Gray at Cohearent Audio - Includes new liner notes by Dave Segal interviewing Herb Albert and Chuck Berghofer - Pressed at RTI on Clear Amber Wax & Clear Light Green Wax - Originally released on A&M in 1970 - Featuring session heavyweights Chuck Berghofer (bass), John Pisano (guitar), Milt Holland (percussion), Paul Humphrey (drums), Emil Richards (percussion) and Herb Albert (producer) - Sampled by Cypress Hill, Jay Dee, & Busta Rhymes Organic, electric, freeform. Pete Jolly's Seasons is comprised of melodies and textures composed live and without pretense—its grooves contain a complete and divine listening experience that surpasses all others of the era in which it was originally released, coming as close to transcendent musical meditation incarnate as one could possibly imagine. Seasons is an unsung masterpiece of ensemble groove and stellar musicianship, equally unsurpassed and inspired in its quiet excellence.

While Seasons never had significant commercial success upon its release, it has since amassed a cult following, leading collectors to pay top dollar for copies of the rare record. Out of print since 1971, it has only been reissued once on CD. In his liner notes accompanying this release, Dave Segal puts the album’s massive demand in perspective: “British label owner Jonny Trunk put up an original pressing of the LP for sale for an undisclosed but large sum on Instagram in January 2023, and it sold in five minutes. With Seasons back in circulation, maybe Pete Jolly will finally gain the broader audience that his phenomenal skills merit,” writes Segal. “If nothing else, it serves as a valuable lesson to artists: venturing outside of your comfort zone can bring the most interesting, enduring results.”

Remastered from the original analog master tapes by Kevin Gray at Coherent Mastering, this record not only foreshadows the roots of hip-hop but manages to embody the richness of a full album listening experience that few records can offer. Its timeless appeal is rare—and its dynamic range sets it apart as an album that straddles both the jazz and pop worlds in a way that almost no others can. Sit back, relax, and enjoy the changing and complex colors of Seasons for the first time ever since its initial release.

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Don Cherry

Mu. Second Part

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Montreux II Blue Vinyl Edtion

Bill Evans

LP | 1970 | EU | Reissue (Klimt)

John Surman, Eddie Louiss, Daniel Humair

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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Our Kind Of Sabi

LP | 1970 | EU | Reissue (Endless Happiness)

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

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Gal Costa

Legal

LP | 1971 | US | Reissue (Curtom)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

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Curtis Mayfield

Roots

25,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (RCA)

David Axelrod

Messiah

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Polydor)

Chakachas

Jungle fever

LP | 1971 | EU | Reissue (BGP)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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sampled by Beatnuts, Public Enemy, 2 Life Crew ...

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S.O.U.L.

What is it

LP | 1971 | EU | Original (Elektra)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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sampled by Organized Konfusion, Main Source, Pete Rock ...

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The Doors

L.A. Woman

Alice Coltrane with Pharoah Sanders

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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Journey in satchidananda

LP | 1971 | US | Reissue (Impulse!)

36,99 €*

Ain't no big thing but it's growing

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

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New Birth

LP | 1971 | US | Reissue (RCA)

15,99 €*

Face to face with the truth

Release: 1971 / US – Reissue

Genre: Organic Grooves

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sampled by Wu-Tang Clan

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Undisputed Truth

LP | 1971 | US | Reissue (Gordy)

16,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Gordy)

Undisputed Truth

The Undisputed truth

LP | 1971 | EU | Reissue (Speakers Corner)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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sampled by Inspectah Deck ... produced by Norman Whitfield

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Bill Withers

Just as i am

33,99 €*

LP | 1971 | BR | Reissue (Polysom)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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180 gram high quality pressing vinyl!

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Erasmo Carlos

Carlos, Erasmo

LP | 1971 | BR | Reissue (Polysom)

Release: 1971 / BR – Reissue

Genre: Organic Grooves

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Polysom Brazil vinyl LP repress import, released in 1971. Erasmo Carlos sounds even cooler here than usual – still working with tunes penned with his brother Roberto – but also taking on music by Caetano Veloso, Jorge Ben, and Marcos Valle too!

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Jorge Ben

Negro E Lindo

Release: 1971 / BR – Reissue

Genre: Organic Grooves

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LP | 1971 | UK | Reissue (Pure Pleasure)

Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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2LP | 1971 | US | Reissue (Fantasy)

Isaac Hayes

Black Moses

44,99 €*

LP | 1971 | US | Reissue (Fat Possum)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Ike's all time classic is back in!

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Ann Peebles

Part Time Love

30,99 €*

LP+CD | 1971 | EU | Reissue (Schema)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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There were so many competent records coming out of Memphis that any burgeoning greatness can only be detected by a careful listening. Ann Peebles deserves that kind of extra care. Her style is so subtle and economical that the finer qualities of her talents might be passed over as being merely competent. This would be a crime because little Ann has so very much to offer. Ann stresses the melody (rather than rhythm for its own sake). This is not to say she can’t sing funky; she can and does very effectively. It just means Ann shines extra brightly on the slower bluesy numbers. For example “Give Me Some Credit” is such a moving lament, filtering faint traces of early Smokey Robinson and the album’s two most tender cuts, “I Still Love You” and “Steal Away” are the places where Ann Peebles makes such a great impression. These are the kinds of song that become “personal” classics. Ann sings seven up-tempo numbers on which she illustrates her tight, full-bodied voice and shows why she’s presently way up on R&B charts all over the country. Her renditions of “It’s Your Thing,” “Part Time Love,” and “Make Me Yours” are unfettered delights. Ann Peebles goes past the apparent and into the sublime. She stands beyond the predictably competent. And you know that’s where it’s at.

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Piero Umiliani

Synthi Time

LP | 1971 | EU | Reissue (Atlantic)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The most ‘avant-garde’ Umiliani can
be found here, with excellent examples of a Maestro exploring new sounds and the future of the music.

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Aretha Franklin

Greatest Hits

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Nelson)

I Marc 4

G.L.P. 1007

LP | 1971 | EU | Reissue (Bear Family Productions)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The best and most valued volume of GLP series featuring the fantastic modal madness of "André", "Peroche", "Suoni Distorti" and the milestone “Alfio” feat the flute by Alfio Galigani. The music goes from insane Psychedelic tunes to Jazz, Funk and more Bossa and Lounge tracks with plenty of Fuzz guitars, amazing Hammond job, and totally catching drum Breaks. An insane trip into early gold Italian Psychedelic and Underground vibes with loads of laden beats and grooves with the mark of the legendary Italian quartet. Simply essential!

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Geater Davis

Sweet Woman's Love

LP | 1971 | US | Reissue (UA)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Soul/blues singer/songwriter Vernon ’Geater’ Davis (1946 – 1984) was born in Kountze, Texas. When record producer Allen Orange heard Geater and another singer, Reuben Bell, perform he decided to record both in Birmingham, Alabama. It was the start of his own record label in 1970, ’House of Orange’. One of the label’s first releases was Sweet Woman’s Love by Geater Davis which went up to #45 on the Billboard R&B charts. His follow-up releases did not follow-up on the initial success.

After House of Orange closed its doors in 1972, Geater went on to record for several smaller independant record labels like 77, Ace, and MT, and he contiinued to write or at least, co-write his own songs. With the exception of Your Heart Is So Cold in 1973 which reached #64 on the Billboard R&B charts, his records did not sell particularly well. But Geater toured extensively on the chitlin circuits for a soul and blues audience. He died of a heart attack in Dallas, Texas in 1984. He was barely 38 years old.

Geater Davis never achieved major succes and stardom. This vinyl re-issue of the legendary House of Orange LPS-6000 should put the limelight on one of the most talented soul singers from the South.

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Bobby Womack

Communication

20,99 €*

LP | 1971 | US | Reissue (Kudu)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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Johnny Hammond

Breakout

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Superior Viaduct)

Joe McPhee

Nation Time

27,99 €*

Strawberry Letter 23 / Ice Cold Daydream Record Store Day 2019 Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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It’s been nearly five decades since Joe McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his debut LP. It was December 1970, thirty-one-year-old McPhee was inspired by Amiri Baraka’s poem ‘It’s Nation Time,’ and the students at Vassar College didn’t know what hit them. ‘What time is it?’ shouted the bandleader. ‘C’mon, you can do better than that. What time is it?!’

The music on Nation Time came out of the fertile, but little-known creative jazz scene in Poughkeepsie, New York, McPhee’s home base. Two bands were deployed, one with a funky free foundation featuring guitar and organ, the other consisting of a more standard jazz formation with two drummers and the brilliant Mike Kull at the piano. Across the concert and the next afternoon’s audience-less recording session, the band was ignited by McPhee’s passion and his gorgeous post-Coltrane / post-Pharoah tenor. On ‘Shakey Jake,’ they hit a James Brown groove filtered through Archie Shepp, while the sidelong title track is as searching and poignant today as it was during its heyday.

Originally released in 1971 on CjR, an imprint started expressly to document McPhee’s music, Nation Time has a sense of urgency and inspiration. Additional material from those December days would later appear on Black Magic Man, Hat Hut’s first release. In fact, the first four records on this seminal Swiss label all featured McPhee.

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Shuggie Otis

7" | 1971 | EU | Reissue (Epic)

12,99 €*

Victim Of The Joke: An Opera

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Remastered & reissued with original labels as per the '71 press on 7 inch. Famously covered by The Brothers Johnson, which achieved big chart success, Shuggie Otis' 'Strawberry Letter 23' is an instantly recognisable masterpiece of psychedelic soul.
The flip side houses 'Ice Cold Daydream' a funk bomb full of bouncing organs and squelching wah wah guitars with Shuggie's trademark vocal tones laid over the top.
Spine tingling greatness for the LA master.

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David Porter

LP | 1971 | US | Reissue (Craft)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Svart)

Eero Koivistoinen

Original Sin

13,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Vinyl Magic)

Giuliano Sorgini

Percussioni In Crescendo

Maggot Brain 50th Anniversary Deluxe Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious library music and soundtrack composers: practically nothing is known about his life, despite his name being linked to dozens of albums and compositions, and to various collaborations with artists such as Alessandro Alessandroni and Lesiman - for which he used the pseudonym of Raskovich. Compared to the already reissued experimental and avant-garde LP "Elettroformule", "Percussioni in Crescendo" is much more heterogeneous and melodic, suspended between jazz-rock and lounge, bossa nova and funk, with sometimes minimal keyboards that evoke exotic atmospheres.

"Percussioni in Crescendo" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

First official reissue ever on black vinyl.

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Funkadelic

LP+12" | 1971 | UK | Reissue (Westbound)

37,99 €*

Nico Gomez And His Afro Percussion Inc

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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1971 and Black America was luxuriating in the soft soul of the O’Jays, the Temptations had just left behind their flirtation with psychedelia, James Brown was explaining Soul Power, Sly & the Family Stone were having a Family Affair, and Marvin Gaye was asking ‘What’s Going On’.

In their own inimitable way, Funkadelic were laying down their own statement about the ecology of the planet in the opening of lead and title track ‘Maggot Brain’, turning it into an elegy for the Earth in the ensuing heart-wrenching extended Eddie Hazel guitar solo – one of the most radical records of the period.

The album also spawned two Top 50 singles with the usual Funkadelic wry observational humour of ‘You And Your Folks, Me And My Folks’ and ‘Can You Get To That’. And just in case you think things have normalised, the set closes with nine minutes of the chaotic sound collage ‘Wars Of Armageddon’.

This 50th anniversary edition includes a second 12” with two versions of the title track. Side A features the live version from Meadowbrook from the same year that the studio album came out. Jump forward 46 years to the “Reworked by Detroiters” release and side B has the BMG Dub, showing the enduring quality of one of the great guitar records of all time.

This issue is mastered from fresh transfers of the tape.

Facsimile gatefold sleeve.

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Ritual Red Vinyl Edition

LP | 1971 | UK | Reissue (Mr Bongo)

Pastor T.L. Barrett & The Youth For Christ Choir

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.

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Like A Ship Without A Sail Ice Wind Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

27,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (RhIno)

War

All Day Music

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Tape | 1971 | UK | Reissue (Ace)

Funkadelic

Maggot Brain

20,99 €*

Forever Changes Sacd Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Love

SACD | 1971 | UK | Reissue (Mobile Fidelity)

47,99 €*

We'll Talk About It Later

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Nucleus

LP | 1971 | EU | Reissue (Be With)

30,99 €*

Malombo Jazz Makers Volume 2

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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Malombo Jazz Makers

LP | 1971 | EU | Reissue (Strut)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Bound / Remember You Black Vinyl Edition

Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

John Carter / Bobby Bradford

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

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Self Determination Music

LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

25,99 €*

Stand By Your Man Black Vinyl Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.

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Candi Staton

LP | 1971 | UK | Reissue (Kent Soul / Fame)

7" | 1971 | EU | Reissue (Discos Quilombo)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Released in August 1970, as well as detonating hard and reaching #4 in the US R&B charts, ‘Stand By Your Man’ became a break-through single for Candi Staton, spending 14 weeks in the Billboard Hot 100, peaking at #24. When it came to the follow-up to ‘Stand By Your Man’, the formula was repeated with Candi taking on another country song ‘She Called Me Baby’. This song was written by country singer Harlan Howard and appeared on “Harlan Howard Sings Harlan Howard” released in 1961. It was first drenched in strings and sung from the female perspective as ‘He Called Me Baby’ by Jeanne Newman in 1965 and then, in more soulful form, by Ella Washington, whose version got to #77 in the Billboard Hot 100 in 1969. As with Newman and Washington’s versions, Rick Hall dressed the song in strings as well as belting brass. Staton’s definitive southern soul version of ‘He Called Me Baby’ got to #9 in the R&B chart and #52 in the Billboard Hot 100 when released in January 1971.

Both ‘Stand By Your Man’ and ‘He Called Me Baby’ – as well as their flips ‘How Can I Put Out The Flame (When You Keep The Fire Burning)’ and ‘What Would Become Of Me’ – appeared on Staton’s second album “Stand By Your Man”, released at the end of 1970. As with her singles and debut LP, “I’m Just A Prisoner” Capitol’s promotional rodeo ran wild and one advert even included the line, “Stand by your radio. Stand by your racks. Stand by for Candi Staton, a new American singing star.”

“Stand By Your Man” is one of the cornerstones of Southern soul. As well as the tracks listed above it features other ear-Candi such as ‘Mr and Mrs Untrue’, Freedom Is Just Beyond The Door’ and ‘Sweet Feeling’.

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Los Laser

Vuelven!

17,99 €*

Jan Erik Vold & Jan Garbarek

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Discos Quilombo is back with its second release, and what a killer one!!!

Bolivian group “Los Laser”!!! Took ages to finally locate the Laser guys in La Paz but can’t be more worth than this and you can read their story in the 4-page full-colour insert.

They were part of the so-called “Bolivian New Wave” where local teens were emulating the British groups of the mid-60s, but their music turned as furious as their minds (they were deeply involved in political activities, even joining an armed organization fighting against Bolivian dictatorships).

With biting lyrics and outstanding fuzz guitar riffs, they recorded the awesome social anthem “Los desposeídos” which was part of their only EP released in 1971. Now you can get the two best tracks of that EP in the new Discos Quilombo single.

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Hav

LP | 1971 | EU | Reissue (Norske Albumklassikere)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | PL | Reissue (Warner)

Novi Singers

Novi Sing Chopin

Release: 1971 / PL – Reissue

Genre: Organic Grooves

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2LP | 1971 | US | Reissue (Craft)

Woody Shaw

Blackstone Legacy

48,99 €*