Organic Grooves 1174 Items

Africa Funk Roots Chapter 2

2LP | 2022 | EU | Original (Cosmic Disco Machine)

Magma Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Second volume of this collection of pure Funk, Afro Beat and African Funk music is out! This chapter, as previous one, includes highly respected artists such as Mandrill, The Wild Magnolias, Manu Dibango, Fela Kuti, Tony Allen, Buddy Miles and many others, but also includes the very rare and exclusive long version of “Sangadongo” from Niagara. All these artists guarantee the high quality of this collection, a record that any funk lover can’t miss: the real funk from the origins and the groove in its free form.

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Black Flower

LP | 2022 | EU | Original (Sdban Ultra)

23,99 €*

LP | 1969 | EU | Reissue (Blue Note)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Five-piece hybrid jazz outfit Black Flower are set to release new album 'Magma' on the 28th January via the groove-obsessed Belgian label, Sdban Ultra.

Piloted by Brussels-based saxophonist/flutist/composer Nathan Daems (Echoes of Zoo, Dijf Sanders), the quintet is a vibrant, hypnotic mix of Ethio jazz, afrobeat, psychedelia and oriental influences, inspired by Mulatu Astatke, Fela Kuti and varied western musical traditions.

Black Flower is a band at the peak of their creative powers. Having received glowing praise for the 2019 album 'Future Flora' from Mojo, Songlines, BBC Radio 6 Music's Gilles Peterson, BBC Radio 3's Music Planet, Worldwide FM and Jazz FM among others, forthcoming album 'Magma' sees Black Flower embrace new synth and organ sounds from the band's most recent recruit, Karel Cuelenaere. His influence can be heard from the outset - his keys adding a swirling, mischievousness to album opener and title track 'Magma'. Elsewhere, the shuffling drum patterns and flighty, flute-propelled 'O Fogo' are rich in texture and flow.

Driving rhythms and Eastern influenced melodies serve as a rich source of pleasure that, like magma, become real and solid when finding its way to the surface. It's the perfect metaphor for this album's creational process. The pulsating, trance-inducing 'Deep Dive Down' continues the joyous process while singer-songwriter Meskerem Mees (winner of The Montreux Jazz Talent Award 2021) adds, her clear-as-spring-water vocals to the celestial 'Morning in the Jungle'.

With the much-trusted Frederik Segers on production and London-based visual virtuoso Raimund Wong (Total Refreshment Centre) on artwork duties, it all adds up to the psychedelic and exploratory identity of the band and are key elements that helped 'Magma' in its ascension from deep down up to the surface. A creative process solidified into vinyl, just as magma into rock.

Fellow musicians and spiritual henchmen are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, Mdciii) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas) at the bass and Karel Cuelenaere (John Ghost) on keys.

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Don Cherry

Where Is Brooklyn?

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Love Is The Message / Message In Our Music Mike Maurro Remixes

M.F.S.B. / The O'jays

12" | 2021 | EU | Original (Brookside Music)

LP | 1969 | UK | Reissue (Be With)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Fresh off the back of Philadelphia International Records 'Mike Maurro Remixes' digital release, comes a mighty 12" release featuring two never before released remixes from Brookside’s own Mike Maurro. The A side features a classic remix on MFSB's staple 'Love Is The Message'. Extended in all the right spots with loving care. On the B side the O'Jays classic 'Message In Our Music'….also extended and given the Maurro TLC treament. Pressed on HQ vinyl with vintage art sleeve.

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Willie Hutch

Soul Portrait

Surprise Chef / Minoru Mraoka

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

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The Positive And The Negative

7" | 2022 | EU | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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This release is a special one; a moment where the two halves of the Mr Bongo record label unite, our heritage re-issues and our contemporary artists roster. Minoru Muraoka’s 'The Positive and the Negative’ is a firm favourite at Mr Bongo. It sees a master of the shakuhachi, a traditional bamboo Japanese flute, flex his prodigious skill resulting in a unique mix of breakbeat jazz and Japanese folkloric music. 'The Positive and the Negative’ featured on the 1970 'Bamboo’ album, which Mr Bongo reissued in 2019. Heralded by DJ Shadow, Cut Chemist, Egon, and many others. The record’s cult status had us thinking how could we pay further homage to a sublime track such as this. The opportunity came to us in an email from Melbourne’s Surprise Chef with a link to the fabulous reinterpretation of the track which they had just recorded. "Minoru Muraoka’s ‘Bamboo’ LP has long been a fixture in our record bags, mostly for the killer shakuhachi funk cut The Positive and The Negative. The record is possibly our favourite from Mr Bongo’s extensive catalogue of reissues, and certainly the most influential to Surprise Chef; The Positive and the Negative’s cinematic atmosphere paired with the wonky drum feels and dramatic performance makes it a near-perfect amalgamation of what we try to capture on Surprise Chef records. We’ve borrowed an element or two from the tune over the last few albums (such as the percussion on ‘The Limp’), so it felt right to go head first into reinterpreting the entire track for ourselves. We recorded the tune in Karate Boogaloo’s attic studio with our man Henry Jenkins at the controls and Hudson Whitlock on percussion. We spent an entire day trying to get the take; we felt such a deep responsibility to capture the intensity of the original, we must have done 20 or 30 takes before we were finally happy. We stuck a fork in it late into the night, satisfied that we’d had our best crack at paying homage to a masterpiece by the great Minoru Muraoka.” - Surprise Chef Forged in their signature sound, "The Chef" have made 'The Positive and the Negative' their own whilst simultaneously treating the original with utmost respect. The shakuhachi and koto have been replaced by synths and guitars, but the breakbeat psychedelic vein flows richly through both instruments The 7" vinyl format was the right fit for this release, so the original Minoru Muraoka recording which clocks in over nine minutes has been edited into a 7” version to accompany Surprise Chef’s new take.

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2LP | 2021 | EU | Original (Use Vinyl)

Arlecchino Volume 2

LP | 2021 | EU | Original (GLM Music)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Second Chapter, once again in double vinyl, by Arlecchino Disco Club in Santa Maria Codifiume - Italy - is out now. The release collects the best of Afro, Funky, Rare Groove and Black Music selected from the classics club's anthems by the residends djs Giancarlo Lelli, Ghello and Frank

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Leleka

Sonce U Serci

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 1972 | EU | Reissue (Elkar)

William S. Fischer

Akelarre Sorta

23,99 €*

LP | 1981 | EU | Reissue (Mad About)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Raposa Velha

There's A Riot Going On Red Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Raposa Velha was a notable Jazz group from Brazil, which was part of the wave of great musicians and bands in Bahia during the 1980s, such as Sexteto do Beco, Saul Barbosa and Andréa Daltro.

Thus, Raposa Velha only released this album, independently in 1981. Lined between Jazz-Fusion and Avant-Garde Jazz, this LP has become a very obscure piece within the Brazilian Jazz universe and one of the rarest of Brazilian Jazz.

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Sly & The Family Stone

LP | 1973 | UK | Reissue (Sony)

35,99 €*

Kind Of Blue UHQR Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Sly & The Family Stone are celebrating their 50th anniversary of There’s a Riot Goin’ On released December 10th 1971. The album was a commercial success featuring the hit single “Family Affair” reaching number 14 on the official UK chart. This was a departure from the optimistic psychedelic soul of previous records and shifted to a more political and militant vibe, perfectly encapsulating the turbulent political climate in the United States at the turn of the 1970s. To this day the album is highly regarded and continues to rank in many publications’ best-album lists, including 500 Greatest Albums of All time. This year There’s a Riot Goin’ 50th anniversary features a limited edition red 1LP, which will supported with a PR and marketing campaign.

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Miles Davis

LP | 2021 | US | Original (Analogue Productions)

140,99 €*

LP | 1977 | EU (Survival Research)

Release: 2021 / US – Original

Genre: Organic Grooves

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Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' "Kind Of Blue". The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting "Kind Of Blue" where it belongs: the Ultra High Quality Record (uhqr) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original Uhqr so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every Uhqr will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. A minor audio complication with "Kind Of Blue" has been addressed with this Uhqr edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue In Green", making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This Uhqr was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of "Kind Of Blue", free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our Uhqr series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of "Kind Of Blue" meets the highest audiophile standards and offers the truest sound for the most enjoyment.

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West Coast Revival

LP | 2021 | EU | Original (Melius Prod)

Release: 1977 / EU

Genre: Organic Grooves

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Seattle-born preacher’s son Luther James Rabb played sax with Jimi Hendrix in the Velvetones and after forming popular horns-based rock act Ballin’ Jack, moved to Los Angeles, where soul harmony trio West Coast Revival was born. Early singles for United Artists were produced by Howard Scott and Lonnie Jordan of War, and their sole LP, released in 1977, is an exceedingly rare soul-funk gem, with solid vocal harmony, hard funk breaks, and a touch of sophisticated strings. ‘My Mind Is At Ease’ is a breakbeat special and ‘Feelin’ Allright’ rides a meaty bass groove, both underlining the War connection; our edition comes with bonus love song ‘Beautiful Girl,’ an early single B-side. Overall, this is prime soul-funk with uncommon elements, ripe for rediscovery by all discerning funk fans.

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Panam Panic

Love Of Humanity

20,99 €*

LP | 1976 | EU | Reissue (Mad About)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Founded by the pianist Robin Notte (from the former electro-jazz band Wise) Panam Panic is one of the best Jazz-Groove french band. Influenced by Musician like Yussef Dayes, Robert Glasper, Roy Hargrove or Christian Scott, Panam Panic mix up Jazz with groove, Hip hop and electronic textures. Love Of Humanity is their last album. Robin Notte's gamble is to create a Jazz which is sufficiently sophisticated to delight the most demanding experts, yet also accessible enough to initiate neophytes. As such, Panam Panic defends a resolutely actual Jazz, open with no borders or blinders, combining powerful organic grooves with tidy melodies, delicate harmonies and frenzied solos.

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Tete Mbambisa

Tete's Big Sound

Another Side Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Tete Mbambisa has performed and recorded with many of the giants of South African Jazz (Bazil ‘Manenberg’ Coetzee, Johnny Dyani, Dick Khoza, Duku Makasi, Gideon Nxumalo, Dudu Pukwana, etc...), and is one of the very few South African jazz musicians that can claim to have played with the three jazz generations of the last fifty years. His work as a pianist, vocalist, composer and arranger is a landmark on South African jazz history.

After a recording hiatus, Mbambisa returned in 1974 with an octet album, 'Tete's Big Sound' released on a newly formed label, As Shams or The Sun, established by South African record store owner and independent producer Rashid Vally. 'Tet's Big Sound' included tracks like 'Unity' and the 'Black Heroes Lamentation', now considered a classic in the South African jazz underground. The sound that Mbambisa carved in this period was wholly acoustic, and is a style that now is often loosely labelled spiritual jazz, a sound that alludes to deep African textures and rhythms balanced with clear nods to American hard bop and modal jazz, sometimes edging toward free improvisation in echoes of John Coltrane and Pharaoh Sanders.

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Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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BISBI - Selected By Beppe Loda

2LP | 2021 | EU | Original (Use Vinyl)

J.J. Barnes / John Gary Williams

Release: 2021 / EU – Original

Genre: Organic Grooves

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Beppe Loda and 'was resident DJ at the disco Bisbi Pavone Mella (bs) in 1980 and semi-resident until 1992, the year of final closure of the club, in this double collection, have been selected the most significant songs of the musical journey started by Loda in that period.

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Sweet Sherry / The Whole Damn World Is Going Crazy

LP | 1974 | EU | Reissue (Outta Sight)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Joshie Jo Armstead / Carla Thomas

I Got The Vibes / I'll Never Stop Loving You

LP | 1973 | EU | Reissue (Outta Sight)

At Last! Orange Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Led by maverick composer Abigail Moura, Orquestra Afro-Brasileira were one of the most influential yet overlooked groups in Brazilian music history. Operating for almost thirty years until 1970, they released just two albums - the first of which, Obaluayê, has recently been reissued by Night Dreamer Records - and left behind a legacy of Afro-Brazilian consciousness that continues to resonate today.

Combining Yoruba spirituality, folk tales, Candomblé chants and West African percussion with the instrumentation of the big band jazz tradition in the United States, the Orquestra placed Afro- Brazilian heritage in a new and vital context. Weaving emancipatory narratives into complex poly- rhythms and powerful, syncopated horn lines, the group educated and enlightened all those who saw them perform.

For Abigail’s protégé and percussionist on the group’s 1968 album Carlos Negreiros, the message of the group’s music had a profound impact: “I became aware of what it is to be black,” he says, “discovering the extraordinary potential of the Afro-Brazilian culture in the making of the national ethos.”

Now the last remaining member of the original Orquestra, Carlos was tracked down by producer Mario Caldato Jr. - whose credits include Beastie Boys, Marcelo D2 and Seu Jorge among others - to oversee the first new album of Orquestra Afro-Brasileira material since 1968.

“I was overwhelmed with the percussive rhythms, beautiful deep vocals and combined energy,” Caldato Jr. explains. “It felt like the most authentic Brazilian roots music I had ever heard. It was raw and dynamic, a pure organic sound and energy. It was a spiritual experience.”

Alongside arranger Caio Cezar, Carlos assembled his Orquestra to record five tracks at Berna Ceppas’ Estudio Maravilha 8 studio in Rio De Janeiro. With percussion, horns and vocals cut in single takes over three days, the session captured the intuitive, pure and natural spirit of the group in full flow.

Following the success of the initial session, five additional tracks were recorded at the iconic Estudio CIA dos Tecnicos in Copacabana to complete the album. Mixed by Caldato Jr., 80 Anos is a contemporary incarnation of Abigail Moura’s vision, bristling with the flair of the original recordings.

“This is an important continuation of the Orquestra Afro Brasileira sound and movement that is still strong and relevant today,” Caldato Jr. says.

80 Anos celebrates 80 years since the formation of the group, bringing its trailblazing legacy into the spotlight for a new generation of musicians and listeners alike.

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Etta James

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Superstition / Shades Of Hades

The Button Down Brass

7" | 2021 | UK | Original (Dynamite Cuts)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Overdose Of The Holy Ghost - Compiled By David Hill

2LP | 2013 | EU | Reissue (Z Records)

28,99 €*

12" | 2021 | UK | Original (Brainfeeder)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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"Gospel music has often followed the prominent trends in secular music, probably in the hope of widening its audience by giving the subject matter a sprinkling of cool. In the 60s it happened with R&B and then funk-flavoured gospel, the 70s brought sweet-soul crossovers, and by 1975 the sounds of early disco had started to permeate the genre. This compilation brings together overlooked gospel gems that have their production rooted in disco and boogie, the sound of the early 80s that followed in disco's wake. It's only recently that this music has begun to be appreciated by fans outside of its original target market, and I'm glad to help it finally reach a wider audience."

David began his music career in 1994 as a member of the Ballistic Brothers, together with Ashley Beedle and Rocky & Diesel of X-Press 2. In 1994 he co-founded the Nuphonic record label, where he managed the creative aspects on almost a hundred releases, with artists including Faze Action, Norman Jay, Andrew Weatherall, Maurice Fulton and David Mancuso. In addition to the record label, Nuphonic also produced the Sony award winning London Xpress radio show for Xfm, which led to various club nights.

David has also acted as a music consultant to several record companies, one of these being Soul Jazz records, who he produced a series of successful albums for - in 2004 the 'World of Arthur Russell' and more then the acclaimed 'Soul Gospel' series. He was also production consultant for Auralux, the London based reggae reissue record label, where he worked with Lee Perry, King Jammys, Sly & Robbie and Linval Thompson.

He continues to work on personal projects such as Rootikal, the monthly roots reggae Night, and has a number of reissue and compilation projects currently in production. He is also currently overseeing the production of a book and an accompanying touring exhibition that will showcase Bill Bernstein's photographs of New York nightlife in the late 70s.

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Hiatus Kaiyote

Canopic Car

Release: 2021 / UK – Original

Genre: Organic Grooves

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Snowfall: The Tony Bennett Christmas Album

Tony Bennett

LP | 1968 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The Mood Mosaic 18 - The Shape Of Things

2LP | 2021 | EU | Original (Mood Mosaic)

31,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Ubuntu)

Benjamin Croft

Far And Distant Things

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | EU | Original (Expansion)

The Paradise Projex

The Paradise Projex EP

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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American Soul Connexion Chapter 4

2LP | 2019 | EU | Original (Le Chant Du Monde)

LP | 2021 | US | Original (Now-Again)

Release: 2019 / EU – Original

Genre: Organic Grooves

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L’année 1962 apparaît comme le véritable “An 1” de la Soul Music. Tous ceux qui vont régner sur le genre pendant une décennie sont au rendez-vous que leur a fixé l’Histoire. Otis Redding, Joe Tex, Solomon Burke, Mary Wells, Wilson Pickett, James Brown, Marvin Gaye, Aretha Franklin, Rufus Thomas, William Bell (…) accumulent les hits comme autant de signes avant-coureurs de la période faste et débridée qui s’annonce.

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Fabiano Do Nascimento

Ykytu

Thelonious Monk & John Coltrane

Release: 2021 / US – Original

Genre: Organic Grooves

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Ykytu is Brasilian guitarist Fabiano do Nascimento’s fourth album for Now-Again Records. Produced by Nascimento’s longtime engineer Jason Hiller, this album is do Nascimento’s first solo guitar album and, like his previous album, Preludio, is reliant on do Nascimento’s own compositions, with a little help from like-minded musical travelers. In keeping with the trajectory of his previous albums, including Dança dos Tempos and Tempo dos Mestres, Ykytu follows folkloric Brasilian music, Brasilian jazz, bossa-nova and samba as experienced through the mind and able fingers of an expansive musician, this time in a minimalist, meditative manner. “Even though this album is a bit experimental and even abstract at times, It is meant to be a calming and easy listening experience,” do Nascimento offers. “I choose to keep the songs and arrangements intentionally very bare and stripped down. Just adding few layers and colors here and there.” The album came together during the Covid-19 pandemic, but one hears anything but isolation in Ykytu’s grooves. Do Nascimento performed the album almost entirely with a Strimon Timeline pedal, with a few loops and overdubs, and the result is a full-fledged, if quiet and subtle, conversation Do Nascimento has with himself, as he ruminates about this stage in his life, in his musical journey, and his music’s place in the world. Ykytu means "wind" in the indigenous Brazilian Guarani language. In his own way, as he was quarantined in Los Angeles, Do Nascimento has succeded in journeying outwards, in heeding the call of the open world. At the same time, he has remained true to the spirit and calling of his forebears, hearing their whispers, amplifying them, augmenting them, and allowing them to flow outwards.

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Thelonious Monk With John Coltrane Opaque Oxblood Vinyl Edition

LP | 1966 | EU | Reissue (Dol)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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7" | 2021 | EU | Original (Six Nine)

B & The Family

Count On Me / Magic

Wales Wallace / Walter Jackson

Release: 2021 / EU – Original

Genre: Organic Grooves

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The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents B & The Family and their first release on the label! B & The Family, as a musical unit, reminds you of a modern day Jacksons or Sylvers group. Everybody plays several instruments and sings. This band is led by MD, patriarch, and male lead vocalist Brian K. Morgan, Katie Goulet (Wife/Bass/Vocals), Tayler Morgan (Daughter/Drums/Vocals),Genevieve (Daughter/Keys/Vocals) and Willa (Daughter/Keys/Vocals). “Count On Me” and “Magic” (produced and written by Brian K. Morgan and Katie Goulet), was originally created in the early 80’s for Johnny Kemp (“Just Got Paid”). Although these two songs never made the album, Brian was able to write and produce a few of his other songs on Johnny’s albums. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Somebody I Know / Let Me Come Back

Release: 2021 / EU – Original

Genre: Organic Grooves

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Adam's Apples / The Cooperettes

Don't Take It Out On This World / Shing-A-Ling

Release: 2021 / EU – Original

Genre: Organic Grooves

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Tony Drake / Gene Chandler

Suddenly / My Baby's Gone

16,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Barbara Acklin / Young-Holt Unlimited

Am I The Same Girl / Soulful Strut

Release: 2021 / EU – Original

Genre: Organic Grooves

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I Get The Sweetest Feeling / It Only Happens When ...

Jackie Wilson

Release: 2021 / EU – Original

Genre: Organic Grooves

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Why Would You Blow It / Why Did Our Love Go

Claude Huey

7" | 2021 | EU | Original (Expansion)

Release: 2021 / EU – Original

Genre: Organic Grooves

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West Coast soul singer Claude 'Baby' Huey initially sang with Jesse 'Ozz' Osborne & The Sperlings and recorded a series of solo singles in the late 1960s, including the highly acclaimed and much sought after 'Why Would You Blow It'. Produced by 'Ozz', chief engineer at Fantasy Records who would later work with Lenny Williams, The Debonaires, Freddie Hubbard and a host of soul and jazz artists, the tune became a popular UK Northern Soul classic, with originals becoming rare and expensive.

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Wamono A To Z Volume III - Japanese Light Mellow Funk, Disco & Boogie 1978-1988 Black Vinyl Edition

LP | 2021 | EU | Original (180g)

26,99 €*

Buena Vista Social Club 25th Anniversary Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene.

After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa.

For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Buena Vista Social Club

2CD | 1997 | EU | Reissue (World Circuit)

12,99 €*

I Flip My Life Every Time I Fly Orange Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The original album, Remastered by Bernie Grundman
• 12 bonus tracks taken from the original 1996 session tapes
• 64 page booklet including new liner notes, photos, song notes & lyrics

‘Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. To celebrate the 25th Anniversary of the album’s recording, World Circuit will release Special Edition Remaster formats of the album in September 2021, featuring previously unheard tracks, previously unseen photos and new liner notes. The releases will be supported by an international PR & marketing campaign, events and digital initiatives.

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The Pro-Teens

LP | 2021 | EU | Original (Mr Bongo)

23,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Within Melbourne's burgeoning cinematic-soul scene, which includes breakout acts Surprise Chef and Karate Boogaloo, mysteriously sit The Pro-Teens. Helmed by prolific drummer and percussionist Hudson Whitlock, who also plays in both aforementioned bands, this breakaway studio project involves an interchangeable collective of incognito, Melbourne-based, esteemed instrumentalists playing under outlandish pseudonyms such as "'Dead Honest’ Dean Amazing" and "Libby Clique-Baite". Symbolically led by keyboardist "Snooch Dodd", new album ‘I Flip My Life Every Time I Fly’ is the latest musical concoction from Whitlock's eccentric brain, marrying the soul/funk roots of sample culture with the principles of boom-bap hip hop.

Incorporating the colourful comic book stylings of MF Doom and Kool Keith, or the dark and exotic flavours of Gravediggaz and The Wu-Tang Clan, The Pro-Teens also take cues from their composing heroes Galt MacDermot, Richard Evans and Marc Moulin. The Pro-Teens bop, zip, whip and fling on this phantasmagorical journey - an unorthodox patchwork of cinematic soul, hip hop-guided funk breaks, vivid instrumental textures and film score-esque moods.

The Pro-Teens work on the same analogue recording model adopted by the tight-knit College Of Knowledge label, self-recorded and produced with the rag-tag crew of musicians putting tracks down live to tape in crammed attic studios and sharehouse recording spaces. The first limited pressing of 'I Flip My Life Every Time I Fly' was released on the 'College Of Knowledge' imprint in late 2020. It was one of the highlights of the year at Mr Bongo HQ who loved the concept and felt this tripped out masterpiece from Melbourne needed to be heard well beyond those lucky enough to have bagged those limited first copies.

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Rip It Up: The Best Of Specialty Records

LP | 2021 | EU | Original (Craft)

15,59 €* 25,99 € -40%

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (P-Vine)

Smoke

Risin'

31,99 €*

LP | 1974 | EU | Reissue (Sommor)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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"Smoke" is a soul vocal group from Kansas City though soul music was not so popular at that time. The band had Larry Brown who is also a member ofAHarold Melvin & the Blue Notes, and Melvin Manning who is the younger brother of Marva Whitney.This album was originally released 1976 and P-vine released this album 24 years ago as LP and that edition has gotten expensive recently. So we decided to present it again for sweet soul lovers all over the world as a limited edition LP with OBI strip.The outstanding slow ballad "I'm So Lonely" provesAthis LP is not only rare, but also has perfect quality!

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Barrabas

Soltad A Barrabas!

Muddy Waters: The Montreux Years

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Muddy Waters

2LP | 2021 | EU | Original (BMG)

28,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Web Max Black Vinyl Edition

Web Web X Max Herre

LP | 2021 | Original (Compost)

Release: 2021 / Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Fresh Hold / Efficient Space)

Singing Dust

Africa/Brass Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Newly formed archival label Fresh Hold presents one of Australia’s most mysterious jazz long players - Singing Dust, in collaboration with Efficient Space. Almost bound for obscurity from its inception, the eponymous creation of Queensland-based jazz pianist Robert Welsh was originally issued in 1986 on Melbourne independent label Cleopatra Records. Rich in compositional sophistication and expressive performance, Singing Dust resembles a unique fusion of Indian devotional song, the jazz piano styles of Bill Evans and Keith Jarrett, English folk and Debussey’s tonal impressions, bearing little similarity to the dominant commercial and subcultural music of its time. Representing a culmination of Welsh’s influences in and outside of music, the dynamic collection of seven compositions accompany the Ghazal devotional poems translated by Australian poet Francis Brabazon. While Singing Dust sits loosely within the spheres of exploration that many jazz players took into world fusion in the ’80s, it stands alone in its bright searing light of truth, love and austerity. A true work of dedication and posterity that will appeal to many serious music lovers, the album has finally been transferred and remastered from original tapes by Dan Elleson, superseding the imperfect 1986 pressing and fully realising Welsh’s expansive vision.

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John Coltrane

LP | 2012 | US | Original (Jazz Wax)

Release: 2012 / US – Original

Genre: Organic Grooves

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LP | 1984 | EU | Reissue (Life Goes On)

Haki R. Madhubut

Medasi

14,99 €*

LP | 1960 | EU | Reissue (Life Goes On)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Super-rare deep spiritual jazz from 1977! A little-known sought after obscurity of indy label afro-centric deep jazz recorded in 1976-7!

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Eden Ahbez

Eden's Island

Tape | 2021 | US | Original (Star Creature)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun but soon will run out due to the new and exciting beat invasion. In US mainstream the tiki culture has reached a certain peak and is about to collapse but still goes strong and with it comes the so called “exotica” music, a crossover between smooth jazz and swing, Latin grooves, haunting melodies that are rooted in the folkloristic sounds from different parts of this world plus weird sound effects that often create a spooky jungle or dreamy island beach atmosphere. It can even bend your mind that far you would see palm trees growing out of your speakers and witness monkeys and parrots having fun in your room. Eden Ahbez, born in 1908, passed in 1995, a man living an even more consistent dropout and hippie lifestyle way before the movement was born in the mid 60s, a beat poet and composer who wrote the hit tune “Nature boy” that gave Nat King Cole his first big success in 1947, approaches the field of exotica music from a different point of view creating an epic concept album about an utopian society living in peace and harmony on an island far away from the modern western world as we know it. And indeed we find many trademarks of the prototypical exotica music beginning with this relaxed groove combining easy listening swing and Latin patterns, peaceful, dreamy and even transcendental vocal melodies, tinges of folk music from around the world including powerful dances and a whole color palette of mind expanding sounds giving the whole music an even greater depth and width.

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DJ Kool Hersh

Chi Boogie Mixtape #2

LP | 2021 | EU | Original (Outre-National)

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Star Creature drops another mixtape featuring a 90 minute mix of private press disco, soul and boogie records from the Windy City. Selected and mixed by Boogie MUNSTER's own DJ Kool Hersh. A party banger AND an audio history lesson--some of these cuts ain't even on Youtube!! Get it!

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Henri Guédon

Karma

Naima / My Favorite Things

Release: 2021 / EU – Original

Genre: Organic Grooves

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Henri Guédon is an artistic legend from Martinique. Musician, painter, sculptor and one of the main architects of modern Caribbean/Antilles music. Taking the music to truly new and progressive territory from the late 1960’s onward. Karma, his 2nd album is one of the holy grails of the Caribbean cosmic Latin/Jazz scene, near impossible to find in this day and age. Released in 1975 on a small Parisian label, La Voix Du Globe, a label releasing Algerian, Moroccan and Egyptian records, the album was an anomalous release in their catalog. Karma was a convincing and unswerving statement following his stunning landmark debut LP (Cosmozouk Percussion). Incorporating African, Latin and West Indies styles (Gwoka, Mazouk, Biguine, Bel-Air, Bomba...) with cosmic synths swirling all over intense roots percussion. The songs are propelled with a spiritual Jazz vibe mixing with deep ethno-folk music from Martinique and Guadeloupe. The LP belongs to the same vein as as Marius Cultier, Louis Xavier or William Onyeabor for its totally original take on a hybrid music.

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John Coltrane

12" | 2021 | EU | Original (Major Keys)

Soup For One Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Store Day 2021 Release. The ethos behind the Major Keys label is take that originally accomplished Album masterpice and give said slice of jazz brilliance its own side of a vinyl…so following the well recived maiden release of Herbie Hancock's Chameleon/Watermelon Man, what better way than to follow up with THE king 'Trane' himself, and his seminal cut "Naima" backed with My Favourite things. Exclusively on 180g for RSD.

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Chic

12" | 1982 | EU | Reissue (Mirage)

LP | 1983 | UK | Reissue (Mr Bongo)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

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Sandra Sa

Vale Tudo

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Toni Tornadon / Zeca Do Trombone

Sou Negro / Coluna Do Meio

7" | 2021 | UK | Original (Mr Bongo)

LP | 1971 | EU | Reissue (Svart)

Release: 2021 / UK – Original

Genre: Organic Grooves

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If you order additional products from our site they will be sent out with 'Toni Tornado - 'Sou Negro' / Zeca Do Trombone 'Coluna Do Meio'', so please place a separate order for those. For volume 86 in the Brazil45 series, we return with a pair of stellar 1970s Brazilian-Funk / Black Rio nuggets by two of the greats of the genre, Toni Tornado & Zeca Do Trombone. 'Sou Negro' (I'm Black) is taken from Toni Tornado's (aka Antônio Viana Gomes) sought after 1970 four-track compacto EP on Odeon Records. Already having had some experience in show business as a dancer in the 1960s, Toni started his musical career in 1970 and adopted the stage name 'Toni Tornado'. The influence of James Brown flowed through his music, with Toni becoming one of the first Brazilian artists (alongside Tim Maia) to introduce the soul and funk sound into Brazilian music. Together with other contemporary musicians and bands such as Banda Black Rio, Gerson King Combo and Cassiano, this new sound led to DJ's throwing soul parties. This unique Brazilian take on soul and funk (and later on disco) became coined as 'Black Rio'. A movement that celebrated pride in its Black identity and consciousness. Zeca Do Trombone has an impressive repertoire which has seen him releasing a handful of solo albums and working with some of the greats of Brazilian music, such as Tim Maia, Ivan Lins, Joyce, and Luis Vagner. The track 'Coluna Do Meio' is taken from his 1976 collaboration project 'Zé Do Trombone E Roberto Sax' with saxophonist Roberto Sax, which additionally features the heavyweight Wilson das Neves on percussion. This catchy Wah-Wah guitar-led dancer has become a favourite with DJ's over the years and will continue to be championed for years to come.

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Eero Koivistoinen

Original Sin

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Volume II: Baca Sewa Colored Vinyl Edition

Cochemea

LP | 2021 | Original (Daptone)

LP | 2021 | US | Original (Daptone)

Release: 2021 / Original

Genre: Organic Grooves

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The Dap-Kings' electro-sax space warrior returns with a groove-heavy sequel to All My Relations. Vol. II: Baca Sewa, an expressive, transcendental voyage through the archives of his indigenous roots and beyond. Drawing on ancestral memories and family histories to wrap new flesh around the bones of history, this album is a bold, semi-autobiographical work that leads us deeper into the annals of family histories, mythology and the cultural imaginary.

“Baca Sewa” is Cochemea's original family name prior to Spanish colonization and the fracturing or erasure of ancient knowledge and ways. The melody for the title track was composed by Anthony Gastelum and features vocals and drumming by the Baca Sewa Singers- a group composed of several generations of family members. The album runs thick with sonic tributes and remembrances. “Chito's Song” is a contemplative, ethereal tribute to a beloved uncle. “Curandera” conjures the memory of the irrepressible healing power of medicine women. “Black Pearl” recalls his great grandfather, heir to a legacy of indigenous peoples enslaved as pearl divers in the Sea of Cortez.

Leading a 7-piece ensemble composed of New York's top percussionists and members of Daptone's rhythm section, Cochemea recombined ancient elements of drums, winds, and voice, creating his own world of emotional textures and rhythmic possibilities. His musical and spiritual synthesis is made possible through his deep reverence of the horn and of the music and traditions preceding him. Vol II: Baca Sewa - is an offering and continuation of Cochemea's explorations, part of a musical process of cultural reclamation and healing through connection, relations, memory and imagination.

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Cochemea Gastelum

Vol 2: Baca Sewa

7" | 2021 | EU | Original (Suburban)

Release: 2021 / US – Original

Genre: Organic Grooves

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Hardwell

Apollo / Spaceman

Release: 2021 / EU – Original

Genre: Organic Grooves

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A Divina Comedia White Vinyl Edition

Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

29,99 €*

I Be Trying Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Cedric Burnside

LP | 2021 | US | Original (Single Lock)

LP | 1969 | Reissue (Vinyl Magic)

Release: 2021 / US – Original

Genre: Organic Grooves

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I Be Trying might be the title of the new record from two-time Grammy nominee Cedric Burnside, but it's also a mission statement in an era when plenty of us have discovered what "the blues" really means. Recorded over three days at Royal Studios in Memphis (the home studio of Al Green and Hi Records in the 60s and 70s), this album is the ultimate statement of purpose for a critically acclaimed artist who has proudly carried the mantle of Mississippi Hill Country blues around the world. Over thirteen tracks, Burnside delivers his bruised but unfettered truth over blistering guitar and deep pocket drums-a sound birthed in his soul but developed and perfected on the road. But no matter how far he travels, the righteous sound he makes could only come from one place. I Be Trying is the sound of modern Mississippi. Produced by second-generation Memphis soul trailblazer Boo Mitchell ("Uptown Funk") and featuring guest appearances from Luther Dickinson (North Mississippi Allstars) and Zac Cockrell (Brittany Howard), I Be Trying takes the sound that Burnside learned from his grandfather, blues legend R.L. Burnside, and reinterprets it into a modern, bold Black American sound that expands the sonic landscape while respecting and honoring its roots.

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Oronzo De Filippi

Meccanizzazione

28,99 €*

LP | 2021 | EU | Original (Space Echo)

Release: 1969 / Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and
England - a very particular trend began to spread, that one known as 'Library
music' or 'sonorization': as suggested by its name, those were real music
libraries intended for the accompaniment of audiovisual productions such as
television programs, advertisements, documentaries and films. Since they
were created in total artistic freedom condition, they are often difficult if not
impossible to catalog, as they're not anchored to a specific musical genre;
this freedom also allowed the authors to compose, sometimes in the most
complete anonymity, experimental and avant-garde music, capable of
anticipating the sounds that only many years later would have been
widespread on a larger scale.
Oronzo De Filippi is known not only for his library music works, but also for
having been part of the project The Braen's Machine, together with
Alessandro Alessandroni, another very important name in this context.
"Meccanizzazione" is a completely instrumental record - like practically all
LP's in this genre - literally dominated by the sound of the harpsichord, and it
substantially features two main kinds of compositions: the most 'friendly' and
easy-listening ones with a jazz-lounge and bossanova flavor, and the darker
and hypnotic ones, decidedly more fitting the repetitiveness of the industrial
world and its machines at work.
"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration
with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's
published between late '60s and early '70s, most of which have never been
released again until today, and that are finally made available again for
collectors and sonorization music lovers.

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Galathea

This Is A Mindfulness Drill Opaque Black & White Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Galathea is the new project by DJ Massimo Napoli, and the title of his first solo album. Borrowing the name from the homonymous Nereid from the Greek mythology, the album is a deep dive into dub, spiritual jazz and African surroundings. Over 12 tracks, the LP conceals a strong personality. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress into a dream-like journey. In "Spiritual Wind," the essence of spiritual jazz can be perceived on the central 5/4 rhythm, the deep double baseline, and the vocals. In "Afrique," the melody and the rhythmic Nigerian Afro-funk blend with dub tonalities into a subtle listening experience, enriched by Kadi Koulibaly's vocal performance. In "Dune," the album moves from Africa to the Caribbean; it is a tribute to the Cuban and Puerto Rican culture, sonically achieved with the interplay of Latin rhythms and dub sounds. “Black Sand" is an Afro dub jazz composition; John Lui's poignant vocal performance accompanies the dub sounds and African instruments. In "Scirocco," the warm and hypnotic atmosphere merges with Asian hues; it is reminiscent of the Shurhùq (or "midday wind") - a warm wind that blows from the Southeast over the Mediterranean Sea. The result is an explosive combination of music traditions with the addition of dub timbres. In "Simeto," Asian influences merge with jazz. The delicate sitar blends with dub atmospherics like river ripples gently flowing towards the sea. Simeto (in ancient Greek "Symaithos") is the river flowing into the Ionian Sea from the slopes of Etna. "Sunset Dub" was written in collaboration with musician and producer Salvo Dub; the song starts with a dynamic, percussive session and progresses into minimal dub tonalities and electronica. "Sirens" is an ethereal song composition enhanced by the sounds of the sea and the sea birds, as well as the haunting sirens' voices. "Karma Blues" is an Afro-blues track with impact. The kora and the reggae singing perfectly paint the recording and its gentle and atmospheric progression. "This is African Jazz" is inspired by the Savannah sounds; it carries the listener on a refined journey accompanied by an African dub and percussions. "Amanecer" was conceived as a soundtrack to welcome the sun, with the strings accompanying the sea sounds and the chanting of the sea birds.

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Hypnotic Brass Ensemble

12" | 2021 | US | Original (Jagjaguwar)

Mood Valiant Deluxe Glow In The Dark Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Somewhere along the way, I got the idea that Richard Youngs's `Sapphie' was all about a dead dog. I don't know if someone insinuated this idea in front of me or if I psychologically tethered the title to the tenderly printed dog paw on its cover. Either way, I've gone over a decade thinking this remarkable, windswept album of torch songs was about a dearly departed pet. And yet, as we approached a reissue of this Jagjaguwar classic and a new, reimagined version by artists Hypnotic Brass Ensemble, Moses Sumney, Sharon Van Etten, and Perfume Genius, Richard Youngs was straightforward and unsentimental about its meanings. "The lyrics are not about anything in particular," Youngs wrote. The paw prints on the cover are, in fact, that of a friend's dog ("The first dog I ever loved," Richard said.), but there is no devastating loss at its center. And so, I want to tell Richard how this album has become a centering album for a great many of us, a transcendent and meditative piece of art. "What does `the mindfulness drill' have to do with it?" Richard asks dryly me in a note. It's about being relentlessly present, Richard. It's how when we listen to your album, we feel like a lonely traveler in a foreign country. How everything has a newness to it and there's no one to share it with but the you inside of you. And that fine, fine line is where `Sapphie' lives, Richard. Thank you for this, Richard.

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Hiatus Kaiyote

LP | 2021 | UK | Original (Brainfeeder)

Release: 2021 / UK – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Hot Casa)

Vaudou Game

Noussin

26,99 €*

LP | 2021 | EU | Original (Mad About)

Release: 2021 / EU – Original

Genre: Organic Grooves

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African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the french Afro Funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP…yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today - they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro-Funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material - grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage 70's Funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in “The Smoke” where the incantations of British music culture were written within him. Noussin which means “Stay strong” in Mina, a dialect spoken in the south-west of Togo. Noussin, a message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don’t let them grind you down…Noussin!

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Renata Lu

7" | 2021 | Original (Diplomats Of Soul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Renata Lu is a bit of a mystery figure... She only made a few albums in the 1970s and sang backup on many more such Tim Maia and Nonato Buzar but for whatever reasons never seemed to make it into the MPB upper echelons. Debuted solo in 1971 on her self-titled album for Copacabana Records with a heavyweight fusion of US style soul and funk with added Latin percussion. This features Renata Lu singing over a hybrid samba/boogaloo backing track rich in jaunty bass, rasping horns and jazzy electric piano riffs. Rare LP finally reissued on a deluxe edition. One of the landmarks of Funk Carioca.

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Hilton Felton

Be Bop Boogie

Release: 2021 / Original

Genre: Organic Grooves

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Arnie Love & The Loveletts

Invisible Wind Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Tap Records)

John Reed & The Automatics

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. First official reissue of this much bootlegged and sort after 12" release from Arnie Love & The Loveletts. Having disappeared into obscurity shortly after it's release in 1981, original copies now fetching over £200 in part due to regular plays in DJ sets from Four Tet, Caribou, Palms Trax & Charlie Bones.

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On The Run

7" | 2021 | US | Original (Funk Night)

7" | 2021 | EU | Original (F-Spot)

Release: 2021 / US – Original

Genre: Organic Grooves

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Limited to 300 copies.

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Mestizo Beat

Left Behind / I Want You

12,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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A band who’s been gradually making a dent in the West Coast music scene, Mestizo Beat is pushing forth with a brand new 45 that further expands on their core sound to fuse the old with the new while paying homage to the greats who came before. “Left Behind b/w I Want You” is no exception.

Taking inspirational elements from Roy Ayers, Isaac Hayes, George Benson, Eric B and Rakeem, Mestizo Beat teamed up with longtime friends Jamie Allensworth and Terin Ector to bring a fresh set of vocals and lyrical element to the bands mostly previous instrumental catalog. On Side-A we find “Left Behind”, an original collaboration between Mestizo Beat and Jamie Allensworth (Jungle Fire, Orgone, Night Owls) who’s soulful vocals and wide range takes us strait to those late night after hour jams complete with a Benson inspired guitar solo by Aquiles Magaña and vibraphone additions by Tim Felten (Sure Fire Soul Ensemble). Left Behind’s lyrical elements are about leaving wherever you are in pursuit of something you can't quite explain, but you'll know in your soul when you find it. The song is a constant state of wandering in search of where you're meant to be while the clock keeps ticking adding a sense of urgency. Then, Side-B, hits it hard with a cover of Marvin Gaye’s “I Want You” featuring Terin Ector (Organ, Moswen, Soluzion) on lead and Jamie Allensworth this time providing backup support. While staying close to the original but with added production value and vintage synthesizer strings soaring over top, these two songs together, along with production out of the band’s home studio, Spc#166 in Topanga Canyon, CA, take this record to new heights for a true “double A-side” slab of wax.

Mestizo Beat is a musical group and production team founded by brothers Aquiles and Agustin Magaña. Both songs mixed by Claudio Cueni and mastered by John Golden.

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Fuera De Atracción. 60s Psychedelic Garage From El Salvador

LP | 2021 | EU | Original (El Tigre)

I'm The One Who Loves You / Forgive Me

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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El Salvador, the last frontier... the psychedelic revolution also reached this small country from Central America in the 60s, resulting in the formation of many teen garage bands. Until now, little was known about this amazing local music scene that took place in the late 60s and early 70s... a true musical revolution. Due to the lack of resources, musicians often had to build their own fuzz and effects pedals and in studio recordings, primitive tape experimentation and echo were often used... the result was a very unique sound, 100% raw & wild. Hear tremendous fuzzed-out covers of Doors, Blue Cheer, Country Joe & The Fish or Alan Bown along with cool self-penned songs. All tracks taken from very hard to find 45s, most of them unknown outside of El Salvador until now. Feat: Kiriaps, Los Saltos, San Miguel, Los Vikings, Los Rebeldes, Los Junior’s, Los Intocables… Includes color insert with detailed liner notes in English/Spanish and cool photos.

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Darrell Banks

7" | 2021 | Original (Outta Sight)

Release: 2021 / Original

Genre: Organic Grooves

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Sebastiao Tapajos Dos Santos, Pedro

Volume 1

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded And Originally Released Only In Argentina In 1972, The Album Shows An Exquisite And Delicatedialogue Between The Guitar Of Sebastiao Tapajos And The Percussion Provided By Pedro Dos Santos That Generates Ambiences Of Unusual Beauty And Depth.It Is A Necessary Addition To The Much-Hailed Pedro Dos Santos Album "Krishnanda" In The Collection Of Anyone With An Interest In The Most Adventurous Sounds Of Brazil And Also An Essential Work In The Discography Of Sebastiao Tapajos.Includes The Killer Afro-Samba 'Mungangá' And The Hypnotic Groover 'Sorongaio'.Info:The Ion Studios, Located In The Buenos Aires Neighborhood Of Balvanera, Have Been The Usual Setting For Recordings By Argentine Artists As Popular As Les Luthiers Or Charly García. In The Early 1970s They Also Hosted Brazilian Guitarist Sebastiao Tapajos For Several Sessions Accompanied By Other Musicians Such As Arnaldo Henriques, Marianazareth Or Pedro "Sorongo" Dos Santos. Two Albums Would Be Published In The Argentine Record Label Trova Of The Recordings Along With The Latter.Following The Success Of Our Recent Reissue Of Several Recordings From These Sessions ("Vol. 2" Vampi 212 And "Tudo É Moda" Vampi 45073) We Are Now Happy To Present This "Vol. 1". The Connection Between The Delicate Guitar Of Tapajos And The Surprising Experimental Percussion Of Pedro Dos Santos, Based On Unusual Objects Such As Spoons, Deodorant Containers Or Matchboxes, Creates Extraordinary Beauty Throughout The 12 Songs On The Album. The Sound Of The Flute Is Another Of The Ingredients Present In Several Of The Songs And, Although His Actual Involvement Is Not Confirmed On The Sleeve Credits Of The Album, Everything Seems To Indicate That Danilo Caymmi Was The Musician Invited To Accompany The Tapajos-Dos Santos Duo.Since Its First Release In 1972, This Album Has Been Highly Sought After By All Tapajos Fans, Both Inside And Outside Brazil, Becoming A Title Hard To Get Hold Of Due To The Fact That It Was Initially Only Published In Argent...

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Attack The Dancefloor Volume 18

12" | 2021 | UK | Original (Z Records)

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Doug Willis returns with a club banger in the form of “The Mighty Douglas”. A euphoric ride in the sky with live gospel organ-led instrumentation, whilst vocals are provided by Taka Boom (Chak Chak Chaka Khans Lil sis). Hallelujah! We then have Mr Basejam delivering one of his groovy chugging mid-tempo mixes of this forthcoming ZR release by Mr Wrightangle. Live strings, syncopated clav and overly loud organismic dog howls are the order of the day here. On the flip we have the prolific Atjazz who turns his hand on that classic Jakatta track ‘American Dream’. He reconstructs it elements with great precision as he lays out swinging drums & sparkling percussion to back up a seriously groove led bassline and slick synth work. The legendary US soul funk act of “Come Go With Me” fame release a brand new song in the shape of optimistic gospel tinged “Work It Out”. Dave Lee works his magic on the mix to tease in some of their classic old sound into the instrumentation.

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Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice

LP | 2021 | EU | Original (Favorite)

Jazz Harpist Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a fouron-the-floor climax! And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.

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Dorothy Ashby

LP | 1957 | EU | Reissue (Sowing)

Boogie To Drive By Volume 1

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a Jazz Voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!

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Orly Sad

12" | 2021 | EU | Original (Happy Milf)

14,99 €*

Airport Love Theme / Afro Som

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Are you ready to boogie ? Orly Sad, Italian producer based in Trieste built this solid 6 tracks EP dedicated to the ride. Melting heavy electro funk grooves & vocoder hooks in the pure west coast tradition, it's a must have for the poppers, lolow's drivers, and lowfi boogie lover!

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Waldir Calmon

7" | 1970 | UK | Reissue (Mr Bongo)

7" | 1975 | UK | Reissue (Mr Bongo)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album! Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It’s feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard. Afro Son' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism. Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.

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Magalhaes / Os Panteras

Xango / Lambada Pauleira

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 2021 | EU | Original (Wagram)

Salsa

16,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Circles - The Ultimate Fleur De Lys Colored Vinyl Edition

Fleur De Lys

2LP | 2021 | UK | Original (Acid Jazz)

31,99 €*

Moon & Stars: Prescriptions For Dreamers Colored Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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We’re delighted to present Circles - The Ultimate Fleur De Lys - a definitive compilation centred around one of the greatest 60s bands.

Atlantic Records, Andrew Loog Oldham, Shel Talmy, Cream, Isaac Hayes and er Tony Blackburn, all these and so many more turn up in the story of Southampton band the Fleur De Lys and so many more. You may not have heard of them, and if you have it may be just because of their glorious cover of the Who’s Circle’s – an ultimate freak beat anthem which this compilation is named after – but the singles they released in the second half of the 1960s are one of the greatest collections of singles by any band, ranging from R&B through freakbeat and psych and back into club soul.

Emerging from the English South Coast’s competitive club scene they signed to Rolling Stones’ manager Andrew Loog Oldham’s pioneering indie label Immediate where they recorded two singles before being taken under the wing of Frank Fenter who worked out of the UK Polydor office running the UK arm of Atlantic. The group went through numerous line-up changes as they recorded a series of singles which are now some of the most collectible of the era.

Acid Jazz and Countdown Records have been the custodians of the Fleur De Lys catalogue for the last decade and this compilation is the culmination of that work containing all the singles that they released for Immediate, Polydor and Atlantic (where they pipped Led Zepplin to become the first UK signed band to that legendary label). Issued digitally, on CD and in a limited edition gatefold coloured double vinyl, it has been produced with the full co-operation of the group’s Keith Guster, allowing us to use previously unseen photos and illustrations. Compiled by Eddie Piller and Dean Rudland and the band’s official biographer Paul ‘Smiler’ Anderson, who has contributed an extended note that tells the band’s story in compelling detail.

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Valerie June

LP | 2021 | US | Original (Fantasy)

34,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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7" | 2021 | US | Original (Lewis)

Still Brothers

Wake Up/The Deep

10,99 €*

7" | 2009 | EU | Reissue (Poets Club)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Still Brothers are Andrew LeCoche (Ula Ruth) and Evan Heinze (The Shacks) ‘Wake Up’ was created in a New York winter on a cloudy day. The song's bones were sculpted in the classic Still Brothers' fashion making use of a collection of favourite sounds. It came to life when Brazilian friend and collaborator Marina B heard the track in her sleep and thought of the song's lyrics as she woke up. It might take you to that place in-between dreams and the waking life, where you are pulled in and out of a state of slumber. It incidentally speaks to the abrupt change that was about to fall upon the world in early 2020. Between the singing in Portuguese and the sounds of subway doors, the song is just alienating enough to make anyone these days to feel right at home. ‘Wake Up’ was mixed by Will Dorey aka Skinshape and mastered by Alex DeTurk. The cover art was designed by Sofia Ohanna. Inspired by subway preachers, jazz funerals and Hip-Hop ‘The Deep’ serves as an introduction to the dazzling skills of New York production duo The Still Brothers. Their debut track breaks open with a reverend crying out about the transgressions we have committed against each other. He then observes that so many of us are throwing up our hands in an act of surrendering. A poignant sentiment in these troubling times and one that will resonate throughout the world.

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7 Samurai

Favela Gyal

8,99 €*

Release: 2009 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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LP | 1976 | EU | Reissue (Be With)

Keith Mansfield

Contempo

Tasty Tune Generic Cover Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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They Say: “New directions in contemporary scoring”. We say: Contempo is one of the best full album listens in the KPM 1000 library. Succinct smoking soul, super tight breaks and string-drenched sleaze composed by the library master, Keith Mansfield. The creator of the romping tunes that became the iconic themes to the BBC’s Grandstand programme and their televised Wimbledon Tennis Championship coverage, Keith Mansfield was perhaps KPM’s most prolific artist from the mid 1960s right the way through the 1980s. As well as the sort of pop orchestral sound that is all over these classic library records, he could also turn his hand to raw, edgy rock and funk. Quentin Tarantino is a big fan, going as far as including some of Keith’s work on the soundtracks to Kill Bill and Grindhouse. Many library records are a game of two halves and Contempo is certainly one of those. The first side cooks on a high funk breaks flame whilst the flip is something altogether more tranquil, yet no less groovy. It lays back with dreamier, post-coital grooves. Rugged funk opener “The Fix” confidently displays its low slung languid grooves with heavy drums, horns and bass. Smokin’ in slow motion. The punchy “What’s Cooking” follows and has a lighter, more whimsical touch. But the drums still roll and the clavs wiggle in fascinating opposition to those horns. The dark and moody intro to “Cut To Music” gives way to a more inclusive, relaxed funk that’s all irresistible bass and stabbing horns. The mid-tempo “Man Alive” signals the time to really get down.

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Minority Band

12" | 2009 | US | Reissue (Peoples Potential Unlimited)

Charles Lloyd & The Marvels

Release: 2009 / US – Reissue

Genre: Organic Grooves

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Jersey Shore's finest funk. Minority Band hails from the beaches of Monmouth County New Jersey. The septet performed locally from New York to Neptune City in the late 70s and recorded only one LP on JSR records entitled "Journey To The Shore". Widely unknown and hyper-collectible, these recordings fetch those 4 figures... Unattainable until now. We've taken two of the best cuts from the album and pressed them proper on 12inch.

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Tone Poem Tone Poet Vinyl Edition

2LP | 2021 | EU | Original (Blue Note)

52,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Running Away / Love Will Bring Us Back Together

Roy Ayers Ubiquity

12" | 2021 | UK | Original (South Street Disco)

LP | 1972 | US | Reissue (Real Gone Music)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy? From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round. Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best.

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Henry Franklin

Skipper

Release: 1972 / US – Reissue

Genre: Organic Grooves

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7" | 2021 | EU | Original (Saigon Supersound)

Trùc Mai

Sài Gòn

7" | 2021 | US | Original (Big Crown)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.

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Brainstory

Seasons / Bye Bye

LP | 2020 | EU | Original (Dig This Way)

Release: 2021 / US – Original

Genre: Organic Grooves

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Brainstory Is Back With A Pairing Of Tunes That The World's Top Sommelier Couldn't Hold A Candle To. This Gorgeous Two-Sider Features The Two Vocal Songs From Their Otherwise Instrumental Forthcoming Ep, Ripe.On Side A, Seasons Showcase Brainstory's Sunny California Soul And Mixes In A Touch Of Roy Ayers East Coast Energy. The Result Is An Infectious And Uplifting Tune Penned At The Beginning Of Quarantine With The Hope Of Finding A Brightside In The Trouble The World Is Facing.Sibe B, Bye Bye, Is Another Stone Cold B Side Ballad From The Group That Gave Us Dead End. The Darling Dears Of Rialto Have Recorded What Is Sure To Become Another Staple In Sweet Soul Sets Around The Globe. But, In True Brainstory Fashion This Tune Is Uniquely Theirs. Elements Of Psych, Hip Hop And Jazz Distance It From Their Soul-Loving Peers.

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The Springs Band

Disko Funk

Release: 2020 / EU – Original

Genre: Organic Grooves

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The record was produced by the twenty years old Alex Tony Okoroji at the legendary ARC Studios in Lagos, a facility set-up by Ginger Baker. This is the third production for the Alex Tony Okoroji’s fledgling independent label Love Records, the previous record was the pioneering release by Udu - Sound of the People (Love Records, Nigeria 1976) also reissued by Dig This Way in 2020. Musically these two records are poles apart but similar in as much as both the band and producer present a personal musical vision that sounds nothing like their piers’ at the time… The Springs Band formed in Ibadan (Oyo State) which is roughly 130km northeast of Lagos. The seven members met while training to be Reverend Fathers for the Catholic Church and come from both Nigeria and Sierra Leone… in retrospect as unlikely as this sounds (particularly when you hear the record) the band were the Seminaries event house band at the time… Musically, the record consists of five prime time dancefloor gems with two very subtle afterhours numbers to close - not a bad track on here - which at times in itself is unique for records from the region in the late 70s. The first five tracks are complex hypnotic afro funk with an almost mesmerizing organ groove, that is deep and raw at the same time which well represent the time, the place and the people involved in the recording... As odd as it may sound the spiritually of the bands chosen profession is reflected in the fluid deep funk of the groove ... not being there we can only guess how the live performances of this "band in full flight" must have been ... as luck would have it the recording captures all of those elements and that’s what the end result sounds like near unbeatable! Judge for yourself via this enlightening release!!! Reading the original hand written press release for the record it would be fair to say, at the time, the members of the band were potentially not entirely focused on their chosen vocation and, reading between the lines, were mildly concerned what their educators might think… years later it’s pleasing to discover that all of the survivors became as good as it gets in their original career choice… better still… for the Afro-Centric music collector… the very same set of individuals (in their wilder days) recorded one of the most forward thinking and dance floor friendly records of the period… little known until now… “This is our dream world cristalised in vibes. In a world of uniform hate where people experience death in a trance , it is through love's cry that we see through the eyes of wisdom that he needs somebody. Music is the message transmitted in this super disko funk for funky people, to tell the brandifield dad the truth or ask a music-minded-lass, introduce me to your loving. So, if you have anything to say, why not join us and say it...after all it's a happy world... We have a right to the good things of life.”

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Saturday Night: South African Disco Pop Hits

CD | 2021 | US | Original (Cultures Of Soul)

The New York Disco Orchestra

Release: 2021 / US – Original

Genre: Organic Grooves

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The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country’s apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco POP Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. And often!

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Reverie Black Vinyl Edition

LP | 1978 | EU | Reissue (Espacial Discos)

LP | 1969 | EU | Reissue (Polysom)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sought-after disco / funk / boogie album from the US, 1978!! Pro-sounding recording with top level musicianship and perfect sound quality, comparable to any other major album of the time (think Love Unlimited Orchestra!). Mixed by Disco legend Joaquin J. Lopes and featuring brothers John & Rocco Giamundo. Mostly instrumental with superb arrangements (string, keys and even the Vako Ochestron on one track) and surprising occasional fuzz/effects electric guitar. Originally released as a promo album in blank sleeve (now impossible to find) on the band’s own Artemis label, it was subsequently issued in Belgium (under the Reverie – Get Up And Dance title) and Japan, both housed in picture sleeves. Including club / rare-groove classics like “It’s True” (compiled on “Under The Influence Vol. 2 by Paul Phillips), “Get It On And Dance”, “The Way We Were” (a disco-symphonic version of the Barbra Streisand movie hit) and more… Here’s the first ever reissue featuring new artwork (based on the band’s original idea for the intended but never finished US cover) and master tape sound.

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Brazilian Octopus

39,99 €*