Organic Grooves 26961 Items

Release: 2020 / Original

Genre: Organic Grooves

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12" | 2017 | EU | Original (Favorite)

Calvin B. Rhone

I Believe!

13,99 €*

12" | 2017 | FR | Original (Favorite)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Favorite Recordings proudly presents this new official single reissue of I Believe! by Calvin B. Rhone: A very rare Gospel/Disco masterpiece, originally released at only 1000 private-press copies, and surprisingly unknown and underrated until today.
Calvin Bernard Rhone, a native of Los Angeles, has been ministering in word and song for more than 40 years throughout the US and abroad. He acknowledges that he is passionate about music; yet purposed for ministry. Beginning his professional singing career at age eight, he has shared the stage with possibly every major Gospel artist from the 60’s to present.
In 1983, he released the album Intimate Friends on his own label, C.B.R. Records. Recently discovered by DJ and collector Charles Maurice, the LP has never received the attention and fame it deserves. It was anyway obvious for the DJ and Favorite Recordings, that some of the tracks it includes would for sure become real classics for all Disco and Funk music lovers and deejays.
Officially licensed to Calvin B. Rhone himself, it’s today reissued for the first time, as a 3 tracks vinyl single.

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Calvin Bernard Rhone

I Believe!

Release: 2017 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2013 | US | Original (Wide Hive)

Calvin Keys

Electric Keys

Release: 2013 / US – Original

Genre: Organic Grooves

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Full Court Press Record Store Day 2022 Vinyl Edition

Calvin Keys

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

I'll Take Her / Looks Like (You've Been Crying)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue.

Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Calvin Richardson

7" | 2019 | EU | Original (Soul 4 Real)

Somewhere In The Stars Cherry Vinyl Record Store Day 2024 Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Calvin Richardson is a bit of a chameleon, smoothly able to transition between the most heartfelt gritty soul ballads to the latest cutting edge urban R&B that now dominates the more mainstream sound of today's "Black America".

His revered solo debut "Country Boy" came back in 1999 when signed to major label powerhouse Universal Records and went on to sell 100.000 units but, in those halcyon days, still not enough to get him a second bite of the cherry at the time. He then went on to strike deals with Hollywood Records, Jordan House (owned by Eric Benet) and Shanachie Records where he still resides.

With comparisons drawn to a young Bobby Womack. It's easy to see why he chose to record long player "Facts Of Life: The Soul Of Bobby Womack" back in 2009. For their ninth release those sterling Soul 4 Real guys have chosen to resurrect two fantastic sides from that debut recording, with the soulful as hell "I'll Take Her" backed with the melodic gem of a beat ballad "Looks like (You've Been Crying)"... make sure you don't miss it! -- Mark Coddington (Fish)

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Cam & Bert Richard

LP | 2024 | US | Original (Delmore)

37,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Previously Unreleased Recording Limited to 1200 copies on transparent cherry vinyl Tipon jacket, Download code, Insert featuring LP sized original art by Grungie O'Muck Includes the original recording of Richard Tucker's, "Are You Leaving For The Country", later covered by Karen Dalton,and the only song cowritten by Karen & Richard, "Sleeping In The Garden" "Richard, Cam & Bert seem to have grasped The Great Harmony. That is, ensemble singing that is at once sweet, precise, funky and a bit sardonic..." Mike Jahn / New York Times (1970)

"For a few years in the late sixties and early seventies Richard Cam & Bert ruled MacDougal St. walking a fine line between the increasingly commercialized demands created by groups like Crosby Stills and Nash and the fierce integrity of earlier folk performers, the generation to which Richard belonged. They managed this with great aplomb, producing original tunes of great integrity and obvious folkloric origins, as well as those which expressed the anarchic omnipresent psychedelia of the moment. They also never abandoned the idea of including some traditional material in their performances. But for the usual random application of luck they could have been very big." Grungie O’Muck / Artist, Bluesman, Cover artist for their first album and contributor to this one.

Richard Tucker, Campbell Bruce, and Bert Lee coalesced as a trio in the spring of 1968, and by the end of that year had become regular performers at fabled Greenwich Village nightspots The Gaslight, The Bag I’m In, Cafe Feenjon, among others. But mostly they were street singers, busking regularly in Central Park. Their only LP, Limited Edition, was released in 1970, and sold mainly at gigs and on the street. Somewhere in The Stars compiles earlier, previously unreleased recordings, when all three members were signed with PeerSouthern Music publishers as writers and began using their studio to make demos and experiment musically. Beautifully recorded by house engineer Charlie Mack (supervised by Jimmy Ienner), the demos capture a back room casualness and rustic, homespun quality. For me, listening to their songs and harmonies is like entering a world you always hoped existed but had never experienced.

Some of the songs were rerecorded the following year for Limited Edition, but many are heard here for the first time. Among them is the original demo for Richard Tucker's song, "Are You Leaving For The Country", which Karen Dalton covered on her seminal 1971 release, In My Own Time. Richard and Karen were husband and wife for much of the 1960s, performing as a duo (initially as a trio with Tim Hardin), and navigating their time on the Village scene while alternating living in a small mining town outside Boulder, Co. before splitting up in 1967. Also making its debut, is the only song Richard and Karen ever wrote together, the haunting "Sleeping In The Garden". Also contains two epic songs by Cam ("One Of These First Nights", and "Stockholm") not on their LP, but staples of their live performances, and noted in a gig review by The New York Times, and in a column by future A&R hero, Karin Berg, who was an early champion. Another rarity is the only cover of "Sweet Mama" by Fred Neil we’ve ever heard.

Campell Bruce came to New York in 1967 as lead singer with a band from Washington, DC, The Natty Bumpo. They’d recently signed a record deal with Phillips, but were falling apart. Cam landed in the Village with an acoustic guitar and first started playing and singing in the basket houses, and shortly thereafter at The Gaslight, as the "Cam Bruce Trio” (which included Collin Walcott). After opening for Mose Allison, Cam's hero, the trio went their separate ways, and Cam returned to regular solo gigs at The Flamenco, and the basket houses on Bleecker. Richard and Cam met up on that scene and quickly found a musical kinship as well as becoming best pals.

Bert Lee arrived in New York as a runaway the following winter, and began playing and sleeping wherever he could. His sometime accompanist, Ron Price, introduced Bert to Richard and Cam just as Bert’s own songs were garnering attention from publishers. According to Bert, “I arrived on the New York scene during a time of great change, and it was the notion of change that influenced me. All around me I saw there were two sorts of songwriters, on the one hand dedicated to the traditions that had inspired them, folk, jazz, the American songbook. On the other hand were songwriters influenced by the wave of experimentation that The Beatles were the perfect example of. Mixing genres, writing lyrics that weren't just about ordinary love and loss.

Richard Tucker was a country blues player, with a relaxed and melodic approach to the craft. Cam wrote something more akin to soul songs, with a hint of jazz in the changes. I was writing tunes that sometimes drew on classical structures with a tendency toward what I suppose would be known as progrock. But I was rather adamant about not being pinned down stylistically, and so I would write, for example, a song based on some complex classical chord structure, and then go right ahead and write a simple folk song, like Evelyn. Our band was popular locally, and it was this variety that made it distinct.”

Delmore is excited to present this unearthed treasure, fifteen years in the making. In the words of Richard Tucker, "Tap on your knee, roll on the floor; if you aint free, what's it all for?"

"The trio's singing, playing, and writing have all withstood the test of time. Believe me, because I was there. In 1969 R,C&B, myself, Charles John Quarto, David Bromberg, Ron Price, and Keith Sykes were just a few of that year's crop of songslingers. We were young turks back then, out on the prowl in New York's Greenwich Village for record deals, gigs, and beautiful young women to sleep with and maybe even write a song about. I've lost the names and numbers of those lovelies and I'm not sure what happened to Ron Price, but Richard, Cam, and Bert are back! Loudon Wainwright lll

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LP | 1982 | US | Original (Chocolate City)

Alligator Woman

10,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | US | Original (Chocolate City)

Alligator Woman

5,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Stamp on cover.

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LP | 1982 | BR | Original (Casablanca)

Alligator Woman

Release: 1982 / BR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Knights Of The Sound Table

LP | 1981 | UK | Original (Casablanca)

Release: 1981 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | US | Original (Atlanta Artists)

She's Strange

Release: 1984 / US – Original

Genre: Organic Grooves, Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Atlanta Artists)

Single Life

7,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2017 | Original (Mack Avenue)

Cameron Graves

Planetary Prince

23,99 €*

Release: 2017 / Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Artistry Music)

Cameron Graves

Seven

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Epic)

Camila Cabello

Familia

22,99 €*

Ibio-Ibio Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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Camilla George

LP | 2022 | US | Original (Ever)

Ibio-Ibio Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Saxophonist, composer, bandleader and innovator Camilla George makes a stunning return with her third album 'Ibio-Ibio' - a rich, cultural journey dedicated to her Ibibio tribe of south eastern coastal Nigeria, out on Ever Records / !K7. The album is a heady mix of afrobeat, hip hop and jazz coproduced by Camilla George. Across eight tracks, Camilla's virtuosic alto saxophone performance collaborates with a stellar line-up of some of the hottest players in London's jazz scene including Daniel Casimir (bass), Shirley Tetteh (guitar), Winston Clifford (drums), Sheila Maurice-Grey (trumpet), Rosie Turton (trombone), Renato Paris (vocals), Sarah Tandy (keys), plus Senegalese kora player Kadialy Kouyate, acclaimed US drummer Daru Jones (Jack White, Pete Rock, Talib Kweli), and Birmingham's finest MC Lady Sanity.

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Camilla George

LP | 2022 | US | Original (Ever)

Camille-Alban Spreng's Odil Feat. Nina Kortekaas

Release: 2022 / US – Original

Genre: Organic Grooves

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Unheimlich

LP | 2023 | EU | Original (De W.E.R.F.)

15,59 €* 23,99 € -35%

LP | 2023 | EU | Original (Vita Productions)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Swiss-born pianist Camille-Alban Spreng, who has resided in Brussels for over a decade, has been active since 2010 in a diverse range of bands and projects within jazz, improvised (electronic) music, art performance and theater. He can be seen on stages all over Europe and trained at various conservatories with renowned players such as Emil Spanyi (hemu, Lausanne), Eric Legnini and Kris Defoort (crb, KCB, Brussels). Together with his regular band Odil, he has already released two records: 'Something' (qftf Records - 2016) and 'reson' (qftq Records - 2019), with the collaboration of Leïla Martial, and Valentin Ceccaldi on the latter album. Odil operates from Brussels but, with in its ranks a pivotal figure with Swiss roots, a French drummer and an Irish saxophonist, is a band with international allure. Nina Kortekaas' unique voice is also an absolute asset.

His third album, titled "Unheimlich," will be released on W.E.R.F. records, one of Belgium's finest jazz not jazz labels. The new album sprung from Camille-Alban's fondness for Allen Ginsberg and the beatnik movement. Poems by Ginsberg are provided with music, notably "Pull My Daisy" (co-written by Jack Kerouac and Neal Cassady at the time) and "White Shroud," with the approval of the rights holders/heirs.

The lyrics that Camille-Alban himself wrote for the album exude the same beatnik vibe. In that sense, the new work is also an homage to Allen Ginsberg. "I love his way of writing: it's funny, twisted, quirky ánd spiritual," Camille-Alban said. "I couldn't think of a better title for the new album. 'Unheimlich' doesn't translate. The black cat in the lobby of a creepy hotel in 'The Matrix,' I think of that image, that atmosphere." Odil's music has a narrative character and in terms of form, the compositions are not ordinary. Impro plays a role and the music is unmistakably characterized by a contemporary jazz aesthetic but at their core the compositions are also songs, a unique feature. 'Unheimlich' is a jazz album that can be listened to just as well as a pop rock album.

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Camille Bertault

Bonjour Mon Amour

22,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Okeh)

Camille Bertault

Le Tigre

21,99 €*

God's Prescriptions Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Auf "Le Tigre" zeigt Sängerin Camille Bertault neben brillanter Vokalvirtuosität viel Emotion. Die Französin beeindruckt, wie auch schon bei ihrem Erfolgsalbum "Pas de géant" von 2018, mit ihrer Vielseitigkeit und ihrem abwechslungsreichen Spiel mit den verschiedenen Genres von Brazil, Chanson bis Funk und Jazz. Sie komponierte alle Songs auf "Le Tigre", schrieb die Texte und die Arrangements. Begleitet vom Pianist Jacky Terrasson, wechselt sie zwischen bewegenden Balladen zu Songs über Inspiration und Träume ("There is a Bird", "Je vieillis") weiter zu dynamischen Tracks, die mit Elektro flirten ("Todolist", "Le Tube") und Stücken mit anregendem Groove. Alle vereint Camilles Bertaults farbenfrohe und subtile Stimme, aber auch das großartige Spiel von Christoph 'Disco' Mink am Kontrabass, Minino Garay am Schlagzeug und an der Trompete und am Flügelhorn Michael Leonhart, der das Album auch produzierte.

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Camille Doughty

LP | 1978 | EU | Reissue (Regrooved)

God's Prescriptions Green Vinyl Edtion

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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ReGrooved repress of God’s Prescriptions, Camille Doughty’s sole solo effort - a rare soul/gospel album that was originally released in 1978 on Gospel Roots. Available on black or green vinyl Handmade Tip-On Sleeves Analogue Remastered

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Camille Doughty

LP | 1978 | EU | Reissue (Regrooved)

7" | 2016 | UK | Original (BGP)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Camille "Lil" Bob

Stop! / Brother Brown

12,99 €*

LP | 2018 | EU | Original (Souffle Continu)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Louisiana-based singer Camille “Lil” Bob was one of the most successful R&B stars of southern Louisiana. His recordings for Goldband, La Louisianne and ANLA are the highest quality soul and funk.
These sides have caused a storm on discerning dancefloors. ‘Stop’ is an incendiary cover of the Howard Tate number, whilst our flip is a 100 miles-per-hour slice of hardcore funk.

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Camizole

25,99 €*

LP | 2018 | EU | Original (Souffle Continu)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Is freedom worth more than mastery, construction and achievement? In replying yes, the utopians of Camizole clear show which side they are on. For them, musical creation must be as spontaneous as possible. To achieve this, it is better to put egos to one side to concentrate on collective experimentation, to be tried and tested in front of a live audience. Playing the card of unlimited and unhindered improvisation is Camizole's crédo, having decided to get a taste of the urgent game-playing already established by the Nihilist Spasm Band and the Living Theatre research of Julian Beck and Judith Malina.

At the time, that is to say when punk was exploding, this concept, itself inherited from the May 68 events, made an impact on Chris Cutler of Henry Cow, but also Lindsay Cooper, who invited Camizole member Françoise Crublé to join the Feminist Improvising Group. Also, the Tapioca label run by Jean Georgakarakos (co-founder of BYG Records), considered producing an album, from a live recording made at the Théâtre de Chartres in November 1977. Unfortunately the label rapidly ceased all activities and the recording was left in a drawer, which was a real shame.

Today, after extracts and other live bits and pieces came out via Spalax at the end of the 1990s, an integral double-album is finally being released to do justice to the collective created by Jacky Dupéty, and which included, amongst others Dominique Grimaud(Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan, Urban Sax), Xavier Jouvelet (notably heard alongside Lol Coxhill) and Bernard Filipetti (Art & Technique). Better late than never! 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Camizole & Lard Free

12" | 1985 | EU | Reissue (New Danceform)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan) and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud – Bernard Filipetti and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beckand Judith Malina's Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public.

Before exploring constructed repetitive forms which would be perfected by Urban Sax, Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track "À chacun son Boulez" emerged.

There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style of Faust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences. 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Camomilla

Queen Of The Night

31,99 €*

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Pop

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LP | 2023 | EU | Original (Little Butterfly)

Campo

Campo Red Vinyledition

33,99 €*

Septology - The Black Forest Session

Release: 2023 / EU – Original

Genre: Organic Grooves

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Campo's debut album, released in 2012, was a milestone in the new South American music scene. The brainchild of Juan Campodónico - one of the creators of Bajofondo - combines sophisticated pop, electronica, and South American roots, uniting past and present in a unique way. Neo-cumbia, tango, and candombe shake hands with Britpop, soul, and trip-hop in a timeless album. A place where indie rock intersected with the great Latin bands of the 1950s, fringe genres like cumbia villera were transformed into sophisticated music, tango joined alternative pop, and track music became contemplative and landscaped. Juan Campodónico has a long artistic career (Peyote Asesino, Bajofondo) and extensive experience as an artistic producer on some fundamental records of Uruguayan and South American music (Jorge Drexler, Cuarteto de Nos, No te Va Gustar among others). In 'Campo' is a very heterogeneous group of composers, performers and instrumentalists from different genres and geographical locations (Jorge Drexler, Martín Rivero, Ellen Arkbro, Pablo Bonilla and Verónica Loza, among others). 'Campo' was based on the song format, jumping the limits of the Río de la Plata, immersing himself in rhythms, genres and forms of South American songs from the past and present, seeking the link with pop, rock and electronic music. The album -which received nominations for the American Grammys, the European MTV Awards and the Latin Grammys- broke schemes and prejudices. He brought together opposite worlds such as cumbia and britpop, songwriters and dance music, or bolero and electropop, finding beauty and sophistication in unexpected places.

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Canadian Jazz Collective

LP | 2023 | EU | Original (Hbgsblue)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1972 | UK | Reissue (Kent Soul / Fame)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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In 1972, Rick Hall moved distribution of his Fame label from Capitol to United Artists. This was to give his label more heft internationally as well as Stateside. The first single from this new agreement was Candi Staton’s ‘In The Ghetto’ which was released in May 1972. Not only did the single do well, but Staton received a personal note from Elvis Presley telling her how much he had enjoyed her version of the songs.

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LP | 1978 | US | Original (Warner Bros.)

House Of Love

4,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1978 | US | Original (Warner Bros.)

House Of Love

8,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.
Includes original inner sleeve.

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LP | 1970 | UK | Reissue (Ace)

I'm Just A Prisoner

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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With Candi Staton hitting the UK to play the Love Supreme festival over the weekend of 30th June/2nd July, Ace records is delighted to reissue her debut LP, which has been out-of-print on vinyl for decades. "I'm Just A Prisoner" was released in 1970 and remains a definitive slice of Southern soul. Recorded at Rick Hall's legendary FAME studio in Muscle Shoals, "I'm Just A Prisoner" pulled together five tracks - 'I'd Rather Be An Old Man's Sweetheart (Than A Young Man's Fool)', 'I'm Just A Prisoner (Of Your Good Lovin')', 'Evidence', 'You Don't Love Me No More' and 'Sweet Feeling' - that had appeared as A and B-sides on early singles issued in 1969 and 1970. These were augmented by another five tracks recorded specifically for the album; 'Someone You Use', 'Get It When I Want It', 'Do Your Duty', 'That's How Strong My Love Is' and 'Another Man's Woman, Another Woman's Man'. Like Southern fried chicken, this music is essential food for your ears. This new edition includes an inner sleeve featuring a new interview with Candi conducted by Ace Records' Ian Shirley about this magical stage of her career as well as photos from the period.

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Stand By Your Man Black Vinyl Edition

LP | 1971 | UK | Reissue (Kent Soul / Fame)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Released in August 1970, as well as detonating hard and reaching #4 in the US R&B charts, ‘Stand By Your Man’ became a break-through single for Candi Staton, spending 14 weeks in the Billboard Hot 100, peaking at #24. When it came to the follow-up to ‘Stand By Your Man’, the formula was repeated with Candi taking on another country song ‘She Called Me Baby’. This song was written by country singer Harlan Howard and appeared on “Harlan Howard Sings Harlan Howard” released in 1961. It was first drenched in strings and sung from the female perspective as ‘He Called Me Baby’ by Jeanne Newman in 1965 and then, in more soulful form, by Ella Washington, whose version got to #77 in the Billboard Hot 100 in 1969. As with Newman and Washington’s versions, Rick Hall dressed the song in strings as well as belting brass. Staton’s definitive southern soul version of ‘He Called Me Baby’ got to #9 in the R&B chart and #52 in the Billboard Hot 100 when released in January 1971.

Both ‘Stand By Your Man’ and ‘He Called Me Baby’ – as well as their flips ‘How Can I Put Out The Flame (When You Keep The Fire Burning)’ and ‘What Would Become Of Me’ – appeared on Staton’s second album “Stand By Your Man”, released at the end of 1970. As with her singles and debut LP, “I’m Just A Prisoner” Capitol’s promotional rodeo ran wild and one advert even included the line, “Stand by your radio. Stand by your racks. Stand by for Candi Staton, a new American singing star.”

“Stand By Your Man” is one of the cornerstones of Southern soul. As well as the tracks listed above it features other ear-Candi such as ‘Mr and Mrs Untrue’, Freedom Is Just Beyond The Door’ and ‘Sweet Feeling’.

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When You Wake Up Tomorrow

12" | 1979 | US | Original (Warner Bros.)

7,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines

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Genre: Organic Grooves

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Jingo / Thousand Finger Man Yellow Vinyl Edition

Candido

12" | 1979 | EU | Reissue (Salsoul)

13,99 €*

Latin Fire (The Big Beat Of Candido)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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2021 repress. Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

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Candido

LP | 1959 | US | Original (ABC-Paramount)

23,99 €*

LP | 1969 | US | Reissue (Solid State)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Candido

Thousand finger man

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Now-Again)

Candido Y Su Movimento

Palos De Fuego

31,99 €*

2LP | 2021 | EU | Original (Music On Vinyl)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - Joseph “Candido” RodrÌguez - Candido was mentored by Tito Punete, and his debut features a fantastic mix of fiery Salsa, Latin Jazz and Sweet Latin Soul. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Candy Dulfer

Essential

33,99 €*

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2021 / EU – Original

Genre: Organic Grooves

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It’s hard to believe that it’s been over 30 years since Candy Dulfer rose to fame with her high-profile collaborations with Dave Stewart (the worldwide number 1 smash “Lily was here”) and of course the legendary Prince, whose tongue-in-cheek recommendation (“When I want sax, I call Candy”) in the “Partyman” video made the world sit up and notice the young, glamorous and talented sax player at his side. Candy has been fortunate to work - both in the studio and on stage - with some of the biggest names in music, including Van Morrison, Maceo Parker, Sheila E., Mavis Staples, Lionel Richie, Beyoncé, Pink Floyd, Chaka Khan, Aretha Franklin, and many others. Despite these high-profile collaborations, Candy mainly focused on her solo career, starting her own band at age 13 and touring the world ever since.

The Essential contains an overview of all the fantastic songs she recorded both solo as in collaboration with other musicians. This 17 tracks double LP includes famous songs like “Sax-a-Go-Go”, “Lily Was Here”, and “Saxuality”. The package includes an insert.

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Candy Dulfer

Sax-A-Go-Go

Release: 2024 / EU – Original

Genre: Organic Grooves

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Scepter Sessions Colored Vinyl Edition

Candy & Kisses

LP | 2021 | US | Original (Sundazed)

Release: 2021 / US – Original

Genre: Organic Grooves

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Tenderness George Semper Mix

Candy Rae

7" | 1969 | EU | Reissue (Record Shack)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Tenderness George Semper Mix

Candy Rae

7" | EU (Inner City DJ)

Release: EU

Genre: Organic Grooves

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LP | 1995 | US | Reissue (Liberty)

Canned Heat

Boogie With Canned Heat

22,99 €*

2LP | 1979 | DE | Reissue (Liberty)

Release: 1995 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 1995. Vinyl with a couple of light scuffs

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Canned Heat

Living The Blues

LP | 2018 | EU | Original (Born Bad)

Release: 1979 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Generic

Vinyl 1 ONLY (Side A/B)

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Cannibale

Not Easy To Cook

Cannonball Adderley & Bill Evans

Release: 2018 / EU – Original

Genre: Organic Grooves

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If Cannibale's members brought their breakfast back up when talking about 'Not Easy To Cook', their listeners would be surprised. There's a world of difference between the beginning of Cannibale's success story and this second album. The most surprising thing about 'Not Easy To Cook' is the sultriness that emerges. It's hard to sum it up other than by comparing these 10 songs with some pressure cooker in which bits of dancehall, London ska and Hawaiian dub would have cooked together. Here's the small miracle achieved by this LP recorded by the band in its remote French village: sounding French, but Polynesian French. A very psychedelic mixture of cumbia, African rhythms and garage music. Or, if you will, a kind of missing link between Fela Kuti, The Doors and The Seeds!

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Know What I Mean?

LP | 1961 | EU | Reissue (No Frills)

Cannonball Adderley / Bill Evans

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of the impression. In a peculiar way, the present album is a result of that success. For it is something that Adderley might well not have dared attempt in the past, and that he might not have been able to convince his record company to do. This his most satisfying LP. The nature of this album should be immediately apparent from Adderley's choice of associates. Cannonball feels, and many agree, that pianist Bill Evans is unexcelled when moody delicacy is called for.

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Know What I Mean Original Jazz Classic Series

LP | 1961 | Reissue (Concord)

38,99 €*

Release: 1961 / Reissue

Genre: Organic Grooves

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2LP | 1970 | JP | Original (Capitol)

16,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Cannonball Adderley And Friends

2LP | 1973 | US | Original (Capitol)

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened. Slight wear.

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Cannonball Adderley – Live!

LP | 1965 | US | Original (Capitol)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has seam splt at the bottom.

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Cannonball Adderley's Fiddler On The Roof

LP | 1964 | US | Original (Capitol)

30,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs

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LP | 1961 | US | Original (Mercury)

Cannonball Enroute

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Reissue (Riverside)

Greatest Hits

13,59 €* 15,99 € -15%

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam splits on top and bottom spines.

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I Got It Bad And That Ain't Good

LP | 1967 | US | Original (Pickwick)

Cannonball Adderley / John Coltrane Quintet

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tears in spines.

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In Chicago

LP | 2021 | EU | Original (20th Century Masterworks)

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Cannonball Adderley / John Coltrane

Quintet In Chicago

LP | 2010 | EU | Reissue (Jazz Wax)

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Cannonball Adderley & Miles Davis

Somethin Else

LP | 1958 | Reissue (Jazz Images)

Release: 1958 / Reissue

Genre: Organic Grooves

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LP | FR | Reissue (Savoy-Musidisc)

Presenting Cannonball

Cannonball Adderley Quartet

Release: FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.

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Liederhalle Stuttgart 1969

CD | 2019 | DE | Original (Südwestrundfunk)

Release: 2019 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cannonball Adderley Quintet / Benny Carter Sextet

Live In Cologne 1961

LP | 2015 | EU | Original (Jazzline)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Cannonball Adderley Quintet

Cannonball Adderley In Chicago Acoustic Sounds Edition

LP | 2023 | EU | Reissue (Verve)

43,99 €*

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Cannonball Adderley Sextet

Jazz Workshop Revisited Limited Edition

LP | 2024 | EU | Original (Jazz Wax)

19,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Not Now)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1984 | JP | Reissue (Blue Note)

43,99 €*

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Without hype sticker. Vinyl with a couple of light scuffs

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LP | 1958 | US | Reissue (Mobile Fidelity)

161,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Second)

16,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP+CD (Groove Replica)

Genre: Organic Grooves

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Somethin' Else + 1 Bonus Track

LP+7" (Glamourama)

Genre: Organic Grooves

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Somethin' Else Blue Vinyl Edition

LP | 1958 | EU | Reissue (20th Century Masters)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Blue Vinyl Edition

LP | 2019 | EU | Original (Dol)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Somethin' Else Lime Vinyl Edition

LP | 1958 | EU | Reissue (Second)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Yellow Marble Vinyl Edition

LP | 1958 | EU | Reissue (Second)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Elsehybrid Stereo Sacd

CD | 1958 | US | Reissue (Blue Note)

38,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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The Black Messiah Live In Vienna

LP | 2023 | EU (Whp)

13,99 €*

Release: 2023 / EU

Genre: Organic Grooves

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These are the Adderley brothers, Cannonball and Nat, respectively on alto sax and cornet, and both at the head of a top flight quintet featuring Mr. George Duke on piano (acoustic and electric), Walter Booker - bass and Roy McCurdy - drums. Recorded live in Vienna in November 1972, this is a fine example of pure electric Jazz-Funk of the era. The album opens with an ecstatic twenty minutes long version of George Duke's "Black Messiah" and it goes on with equal intensity throughout five other tracks including three Joe Zawinul classic gems, "Directions", "Mercy, Mercy, Mercy" and "the Scene".

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Cannonball Adderly

LP | 1958 | EU | Reissue (Blue Note)

23,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Blue Note 85 Collection Blue Vinyl Edition

Cannonball Adderly

LP | 1964 | WW | Reissue (Blue Note)

Canonball Adderley & Bill Evan

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

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Waltz For Debby

LP (Jazz Wax)

16,99 €*

Genre: Organic Grooves

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LP | 2023 | JP | Original (P-Vine)

Cantaro Ihara

Portray

24,79 €* 30,99 € -20%

7" | 2022 | JP | Original (P-Vine)

Release: 2023 / JP – Original

Genre: Organic Grooves, Pop

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The second album from Cantaro Ihara is finally here!

Deftly weaving everything from 70’s soul to AOR to city pop into his sound, Cantaro Ihara makes pitch-perfect groove-forward pop music. With high praise from DJs both in his native Japan and abroad, this second album is sure to be killer! With a knowledge of music unbound by genre, recent years have seen Cantaro Ihara’s star steadily rising. Whether he’s compiling music for DJ Bars, providing commentary for international artists, or releasing 7-inches that sell out on pre-order, it’s clear that the young musician is quickly becoming a force to be reckoned with in Japan’s indie music scene. In the two years since his first full album C, Ihara has leveled-up, and Portray makes the clear from beginning to end. From a Japanese-language cover of free soul legend Weldon Irvine’s “I Love You” (the original 7-inch led to intense bidding wars after heavy radio play in both Japan and abroad) and the Ihara original “Twiny”, the lead singles are already off to the races. Gripping the hearts of crate diggers worldwide, it seems predetermined that Ihara’s newest album would be funky, soulful, and mellow. Yet Portray manages to remain shockingly fresh, without any of the obvious tropes that have threatened modern soul. A feature from Japanese trumpeter Yusuke Sase on “Baby So In Love” catapults the song into neo-soul territory, bringing a new twist to a timeless sound. Meanwhile, a feature from Bialystocks keyboardist Go Kikuchi on “Yoru no Nagare” (The Flow of the Night) sees one of Ihara’s most instantly iconic melodies played with a gentle sophistication that could move you to tears in one moment, and have you two-stepping the next. With a history of selling out vinyl on pre-order and intense bidding wars, I’d say it’s clear that Cantaro Ihara is not just one of Japan’s most promising musicians, but one that continues to grip the hearts of record lovers everywhere. His second full length album Portray has everything there is to love about him. Mellow soul and funky grooves are aplenty - but I can’t say the same for stock! Make sure to get your copy of Portray on limited edition vinyl while stock lasts!

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Cantrao Ihara

Twiny

7" | 2023 | UK | Original (Dune Castle)

Release: 2022 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Earlier this year, Cantaro Ihara gripped the hearts of crate diggers and AOR fans worldwide with his Japanese cover of free soul legend Weldon Irvine’s “I Love You”. Released as a 7” single with B-side “You Are Right”, it sold out immediately - leading to intense bidding wars over what was soon to become one of the year’s most popular records. His newest single, Tsumuguyouni (Twiny), features a mellow, 70’s AOR inspired groove, with Ihara’s voice resting softly above it. Simultaneously danceable and relaxing, rest assured that this record is perfect for a club or a cafe. Don’t miss Tsumuguyouni (Twiny), Cantaro Ihara’s latest 7”, available only from P-vine Records.

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Cantrips

For Private Use Only

10,99 €*

Lassa Sta' La Me Creatura

Release: 2023 / UK – Original

Genre: Organic Grooves

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Dune Castle Presents For Private Use Only, two singles from Cantrips, the studio project of Melbourne multi-instrumentalist and composer Patrick Ryan. Featuring members of Surprise Chef, Karate Boogaloo and Cantrips, this release follows a record composed by Ryan under Dune Castle named Dark Age Martial Arts, which received significant airplay and support from Radio DJs around Australia on stations such as PBS, RRR and FBI, as well as support from record stores in the UK such as Mr Bongo and Rarekind records. Dark Age Martial Arts was also nominated for best album in the Australian Music Prize 2022.
For Private Consumption contains two heaving psychedelic funk tracks, The Prayer and The Big Break, both of which take cues from David Axelrod's work with the Electric Prunes. Composed by Ryan, these tracks were brought to life and recorded live in one day in a cramped DIY studio in Collingwood, Melbourne.

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Canzoniere Del Lazio

LP (Foné)

50,99 €*

Genre: Organic Grooves

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Truly Transparent Violet Vinyl Edition

Caoilfhionn Rose

LP | 2021 | UK | Reissue (Gondwana)

Caoimhín Ó Raghallaigh & Thomas Bartlett

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Limited edition, celebrating 15 years of Gondwanan records!

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2LP | 2019 | EU | Original (Real World)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1966 | US | Reissue (ATCO)

Capitols

Dance The Cool Jerk

19,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Capon - Maté - Morris - Rahoerson

LP | 1977 | EU | Reissue (Souffle Continu)

25,99 €*

Music Love Song / Mother Hernie 2024 Repress

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Capone

12" | 1979 | EU | Reissue (Miss You)

12" | 1987 | AT | Original (Koch Records International)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1979, strangely only in Portugal, yet produced by a French duo, Anselmi/Silvestre. “Music Love Song” is a 7 minute long European disco excursion with an unmistakably unique aesthetic, confidently breaking every rule in favour of a sound unheard of at the time. Employing unorthodox studio techniques that would have been unacceptable for most major labels this single only made it on a relatively small sublabel in Portugal for some mysterious reason. The result is a deeply cosmic/melancholic escapade with dreamy androgynous vocals and raging guitars at 130+ BPM - hard to forget. Officially re-issued, remastered and released with original artwork that is no less bold than the music.

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Caprice

Baby Come Back

8,99 €*

Release: 1987 / AT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Sun Zoom Spark: 1970 To 1972

Captain Beefheart

4CD | 2014 | US | Reissue (Rhino)

119,99 €*

Release: 2014 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1972 | US | Original (Reprise)

Captain Beefheart

The Spotlight Kid

12" | 2019 | EU | Reissue (BeauMonde)

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs

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Captain Creole

Ni Bel Jounin

Captain Lowell E. Graham Conducts National Symphonic Winds

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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1979. The suburbs of Paris. Five friends, whose origins stem from the West Indies and North Africa, came together to form Trenchtown Meditation, a “creole-speaking” French reggae band.
Heavily inspired by the seminal sound of Bob Marley, Trenchtown Meditation was one of the pioneering bands of the burgeoning French reggae scene. It was also at this time that France saw the explosion of pirate radio stations; like many other bands of the era, Trenchtown Meditation would play live sets on-air in these small radio shacks in between gigs on the various scenes of Paris and its vicinity.
The band also got their 15 seconds of fame in 1983 when they appeared on the French TV show “Aujourd’hui La Vie- ‘Spécial Exotisme’”.
It was during this busy period that the band recorded an 8 track reggae album (which to this day remains unreleased).
But in spite of their record and strong desire to make a living from music, the daily grind caught up with the band; in 1984 the guitar player quit the band.
Subsequently, the four members decided to rename the band ‘Cap’tain Créole’ with the aim – while remaining true to its reggae roots – of exploring new musical horizons, driven by the will to go beyond all that they’d done up to that moment.
The group had access to a professional recording studio and quickly decided to cut a new project. With the help of 3 new members – among them a sax player and a trumpet player, both coming from the jazz scene, who helped define the new sound of Cap’tain Créole – they recorded their unique outing called Ni Bel Jounin. It’s a single composed of 2 titles Fré Moin / Ni Bel Jounin, both sung in créole, which was clearly unusual for the time.
Both tracks are at the crossroads of many universes: Afro, Rock, Funk, Reggae and the result is quite unique! The band also used with great impact some subtle electronic elements.
Fré Moin catches you instantly while Ni Bel Jounin strikes the listener with its beauty. The spiritual vibe that oozes from the record is an obvious marker of their reggae roots.
Privately pressed and self-distributed in small quantities at the time, BeauMonde is proud to make the one and only record of Cap’tain Créole available again.

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Center Stage 180g Vinyl, 45rpm Edition

2LP | 2021 | US | Original (Analogue Productions)

80,99 €*