Out-Sider Music Vinyl, CD & Tape 15 Items

First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

Born out from the ashes of legendary Florida garage band The Tropics (of “As Time’s Gone” fame), Bacchus was a powerful psychedelic/hard-rock/boogie power trio influenced by Cream, Hendrix, Allman Brothers et al. They only released four rare 45s, collected here for the first time. When Eric Turner (guitarist, vocalist and songwriter), grew into a more progressive form of rock music after a split from The Tropics, he teamed up with fellow Tropics bass player Charlie Souza and drummer Bill Peterson: Bacchus (named after the Roman God of wine) was born. In 1970 they opened for Cactus and Free and after the good response, they recorded their first 45, the fab hard-rock sounding “Carry My Load”. From there they went on tour with Grand Funk Railroad around the state. After more 45 releases, Bacchus was also the opening act for Lynyrd Skynyrd, BB King, The Outlaws, Redbone, Edgar Winter, and Ted Nugent. They also had the privilege to open a Florida concert for Mahavishnu Orchestra and appeared on the free stage at the Atlanta Pop Festival, just before Grand Funk Railroad on the main stage. Famous also in the recent years for appearing on one the famous Brown Acid volumes, a vinyl / digital comp of their complete output was long overdue. Here it is. Play Loud!

Unissued recordings by this very Loud power trio from San Francisco, modeled after Cream, Blue Cheer or The Jimi Hendrix Experience.

Including their fantastic studio demo from 1968 plus raw & wild live tracks from 1969.

Boogie (or The Boogie) was probably the first hard-blues / proto-metal group that emerged from the San Francisco scene. This power-trio was formed by Barry “The Bee” Bastian (Canned Heat, Lee Michaels...) on guitar/vocals; John Barrett (The Rhythm Dukes) on bass and Fuzzy John Oxendine (Roky Erickson & The Aliens, Jerry Miller Band...) on drums.

Comrades of Moby Grape (who even let Boogie use their rehearsal space) and the Sons Of Champlin, they played at all the legendary venues (The Ark, Avalon, Fillmore…) sharing stage with bands like Buffalo Springfield, Quicksilver, Ace Of Cups, Flamin’ Groovies or Country Joe & The Fish. Their explosive show at the Sky River Rock Festival (August, 1968, the first outdoor multi-band Rock Festival held in the United States) to an audience of 150,000 people, is still remembered today.

Sadly, their convulsed story, which includes undercover narks and marijuana busts, left them with no record deal. But a studio demo - recorded in 1968 at Pacific High Recorders - including three tracks, “In Freak Town”, “To Me” and a terrific, fuzzed out 7-minute long cover of “Wade In The Water”, plus some live recordings from 1969, survived. Previously available only as part of a private CD released by Barry Bastian, here’s the first ever vinyl release.

70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

Northwest Company were one of the most hard-working bands from the Vancouver scene of the Sixties. Famous for their monster garage-punk double sider from 1967, the reverberating "Hard To Cry"/ "Get Away From It All", the group released seven singles between 1966 and ‘73. Eight Hour Day features a selection of those 45 sides, their cool & raw studio demos from 1966 and their final 7-minute long hard-blues live freakout "Police's Coming". Including all-time garage classics like “Get Away From It All”, “Hard To Cry”, “Each Day”, "Eight Hour Day" and more! Newly remastered sound, insert with detailed liner notes and cool photos / memorabilia.

Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

“Limited Edition” was originally released in 1977 as a private edition of 1000 copies for promo purposes. Here’s the first ever official vinyl reissue with new, improved artwork, newly remastered sound and insert with liner notes.

Previously unreleased archival studio/live recordings from 1970-71 by this lost Bay Area band. A superb cool blend of acid-rock, psychedelia and brass-rock with some outstanding guitar leads, Hammond organ and a tight rhythm section. Stow Lake was a seven piece group (named after the lake in Golden Gate Park) comprised of well-seasoned musicians from the original San Francisco psychedelic / fusion scene. Among them, we can find ace guitar player Bob Hardy (previously of hard psych group The Osgoode/Asgard); the tandem of Jeff Ervin (sax, flute) and Jean Hintermann (trumpet), both later on Aura, Bill Whiter’s backing band and Hot Cider (with Dennis Geyer of A.B. Skhy); child prodigy Larry Mallarino on trombone and bass player Dave Dunaway (later of jazz fusion band Listen). Not forgetting powerful singer / organist Bob Staley. Unreleased until now, the recordings contained here were registered at top studios like McCune and Golden State Recorders. Also including are a couple of excellent quality live tracks recorded at the legendary Fillmore West in 1971, showing the band at their peak with an impressive jamming / acid-rock sound.

Previously unreleased ‘72/74 recordings by this US hard rock band!

Blind Willie formed in Spokane (Washington) in 1972 and featured terrific guitar player Frank Trowbridge from hard-psych legends Sleepy John.

They carved out a unique niche in the Northern Idaho/Eastern Washington rock scene in the early to mid-’70s, performing original music in a time when doing so wasn’t widespread for regional bands. Within weeks of the group’s formation, they commanded stages with a potent smattering of hard-rock, country-rock and psych.

The band’s history includes a brief courtship with the Doobie Brothers’ Dave Shogren on bass, as well as major label interest from Columbia and Epic Records.

Here’s the first ever release of their amazing studio demos from 1972/74.

Blind Willie’s original lineup of Craig Karp (guitar, vocals), Frank Trowbridge (guitar), Charlie Bieker (bass, guitar, vocals) and Jim Griffith (drums) is represented via slices of incendiary rock ‘n’ roll pomp recorded on a 4-track tape machine in a friend’s apartment in 1972.

Live in the studio tracks from 1974 feature later drummer Mike Garland and bassist Joe Johnson for a fiery radio set at the legendary Kaye-Smith Studios in Seattle.

The album’s selected tracks navigate Blind Willie’s wide-ranging sonic explorations, anchored by formidable guitar-forward rockers that stand the test of time, and hold up to any of the more well-known work of their peers from the ‘70s. Writhing in the rock ‘n’ roll milieu, Blind Willie’s musical tributaries run deep, steeped in a spectrum of styles that range from hard blues-rock scorchers like the incendiary “Georgia,” to heartfelt ballads (“I’m Wondering If”) and into the upper echelons of sci-fi psych (“Zolly”), a comet ride through wah-wah geetar spacedust, replete with Rocky Horror cinematic sheen. It’s also easy to imagine songs like the choogle-heavy “Somebody Help Me” illuminating the vibe of parties, bars and theaters all over North America.

Previously unreleased heavy acid-rock / proto-prog album from 1972!

Asgard (initially known as Osgoode, named after the street where Blue Cheer had their headquarter) was a San Francisco band featuring ace guitar player Bob Hardy (a veteran of many Bay Area bands since the early 60s) and Jake ‘Gelon’ Lau (Gideon & Power, Mary McCreary, Tribe…) on electric violin and vocals.

This is their lost album, registered at Roy Chen Recorders in 1972, now released for the first time.

“For Asgard” features nine original tracks, perfectly recorded and played, dominated by Bob Hardy’s outstanding fuzzy lead guitar and the cool touch of Gelon’s Lau electrified violin that recalls UK prog-psych bands like the similar named Asgærd or High Tide at times. Hard to believe that such a pro-recorded, top quality album like this was never released at the time. After playing a celebrated free concert at the Provo Park in Berkeley alongside bands like Mother Cat and Summerhill, the band slowly disintegrated.

Download card includes one studio track from the same album sessions plus three raw rehearsal tracks.

Local Philly legends the American Dream was a late 60s band (featuring musician / actor Nick Jameson, later of Foghat!) who were regulars at clubs like the Electric Circus and offered a cool mix of psych, hard-rock and proto-power pop. They were signed to Ampex / Bearsville Records, releasing their only album in 1970, produced by Todd Rundgren (his first production work). Now, for the first time on vinyl and straight from the original masters, we present their previously unreleased studio demos from 1969 – also produced by Todd Rundgren – that landed the band their deal with Ampex. Music is great psych-rock with superb vocal harmonies and hard guitars. Also included are two rare tracks from their unfinished 1970 second LP plus the killer garage-jangle classic “Big Brother”, originally recorded by pre-American Dream band The Finestuff in 1967, as a bonus.