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Pelt Vinyl, CD & Tape 2 Items

Vinyl, CD & Tape 2 Rock & Indie 1 Electronic & Dance 1
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Pelt
Pelt - Reticence / Resistance
Pelt
Reticence / Resistance
LP | 2021 | US | Original (Three Lobed)
30,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
For almost thirty years and over the course of countless releases, the American band Pelt has traversed non-idiomatic improv, Eastern-tinged psychoacoustic drones. The group once counted among its ranks the late guitarist Jack Rose, whose spirit continues to imbue Pelt's music with a sound that is as forward-thinking as it is refreshingly unpretentious. "Reticence Resistance" was recorded in London over two nights in 2017 and is focused on piano, harmonium, fiddle, percussion, banjo, harmonium, bowls, and bells. The pieces as mesmerizing, harmoniously advancing and receding, at first almost imperceptibly, recalling Coltrane's improvisations circa 'India' as much as it does ocean currents and lapping waves. Pelt clearly possess a firm grasp of the American folk vernacular, and similarly honor this history without resorting to pastiche or cliché - "Reticence Resistance" is a crucial document of Ever Weird America, and quite possibly the band's finest work to date.
Pelt - Pearls From The River
Pelt
Pearls From The River
LP | 2019 | US | Original (VHF)
24,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
VHF presents the first time on vinyl for Pearls From The River, the all acoustic epics album from the “classic” Pelt trio lineup of Jack Rose, Mike Gangloff, and Patrick Best. Recorded in a single March 2003 session in Virginia by Mikel Dimmick, this was a superb distillation of their interests at the time (both alone and together—Rose’s first solo records, the emergence of the Black Twigs as a busy working band, etc). “Up the North Fork” is a trio for banjo, baritone banjo, and cello—after the snakey bowed introduction, the fast thwacking of the banjos and forcefully strummed cello take over and whip up a storm. The other two tracks are lengthy ragas (one in C, one in D) with the virtuoso modal guitar of Rose front and center. The title track features Rose on twelve-string, dueling with Mike Gangloff on esraj. Best’s thick, sonorous double-bass bowing anchors the duet between the lightning thrumming / plucking of Rose’s guitar and Gangloff’s arcing, sharply bowed half-time melody. “Road To Catawba” has Rose on six-string, with Gangloff moving to tamboura. Best’s bass is again the foundation, with whistling overtones rising from his bow over the low drone. Liner notes by Byron Coley.
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