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All Items / HHV Records

PMG HHV Records 7 Items

HHV Records 7 Vinyl, CD & Tape 7 Used Vinyl 1
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Jake Sollo - Coming Home
Jake Sollo
Coming Home
LP | 2016 | AT | Reissue (PMG)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 2016 / AT – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Pogo Limited - We Shall Win
Pogo Limited
We Shall Win
LP | 1978 | EU | Reissue (PMG)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Organic Grooves, Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Jake Sollo - Coming Home
Jake Sollo
Coming Home
LP | 1977 | EU | Reissue (PMG)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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In 1977 Jake Sollo returned to Nigeria to record his first solo album, Coming Home. His long-term band, The Funkees, had imploded in London. And his big break with the Afro super band, Osibisa, was cut short when he went on strike with Kiki Gyan and promptly got sacked. Rather than sit at a bar and feel sorry for himself, Jake returned to Nigeria and got his mates together – including the aforementioned Mr. Gyan – and headed into the EMI studios in Lagos. The result was Coming Home, a triumphant album that combined the raw power of The Funkees with the slick tricks he learned in London. The opening instrumental, '404', is the track Carlos Santana would have recorded if he'd been born in Nigeria rather than Mexico. 'Raise Your Hands' and 'I Just Wanna Dance' are slick boogie monsters and 'Deiyo Deiyo' sees Jake displaying some mad synth skills on Africa's only Prophet-5, a hot piece of hardware that was transforming music in Europe and America. Coming Home is the sound of an artist at the heights of his power. And a precursor of the skills and sounds that would make Sollo the most sought after producer in Nigeria. - Peter Moore.
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The Apostles - The Apostles
The Apostles
The Apostles
LP | 1976 | EU | Reissue (PMG)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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The Apostles were disciples of a heavy kind of psychedelic soul/rock fusion. After The Funkees left for London, they stepped into the breach to become the champions of East Nigeria’s flourishing post-war music scene. Based in Aba, and led by guitarist and charismatic chancer Walton Arungwa, they laid down a couple of singles with the city’s newly-formed BEN label. EMI liked what they heard and in 1976 whisked the band to Lagos to record The Apostles with the legendary Emmanual Odenusi at the controls. A heavy mix of wailing guitar, swirling organ and James Brown-style vocals, it became a fixture in every east Nigerian home. ‘Never Too Late’ sets the stage with a scorching lead break that most believe was played by guitar-slinger-for-hire, Felix ‘Feladay’ Odey. Drummer Joel Madubuike and bass player Henry Tandu lay down the rock solid groove for Benji Davidson’s righteous organ lines in ‘Inflation’ and ‘Highway to Success.’ And each is invested with an urgency from battle-hardened vocals of Chyke Fussion, a vetran of the Biafra war. Don’t be fooled by the angelic white outfits worn on the cover of The Apostles. These guys were BAD. And ‘Never Too Late’ could well be the best Afro Rock song ever recorded.
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Friimen Musik Company - We Can Get It On
Friimen Musik Company
We Can Get It On
LP | 1978 | EU | Reissue (PMG)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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By the mid 1970s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands such as The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming from smaller groups like the Friimen. The Friimen, or the Friimen Musik Company to use their official name, were influenced as much by pre-'Saturday Night Fever' Bee Gees as Jimi Hendrix and James Brown. Their album 'We Can Get it On' is a hybrid of West Coast ballads and dancefloor chuggers.
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Harry Mosco - Country Boy (Mr. Funkees)
Harry Mosco
Country Boy (Mr. Funkees)
LP | 1978 | EU | Reissue (PMG)
14,99 €*
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Don't let the floppy hat and rolling English countryside on the cover fool you. Harry Mosco's Country Boy is a certified floor-filler, bursting with Studio 54 era disco-funk as well as a token reggae monster, complete with its own dub version. Harry Mosco always had swagger. A founding member of The Funkees, he'd stride out on stage in tight pants and dark sunglasses, commanding the attention of a population distracted by war. When The Funkees split in London, it was clear that his star would rise the fastest. Released in 1978 by fledgling Taretone label, Country Boy went on to become one of the best-selling Nigerian records of all time. The first few bars of ‘It's Too Late' are guaranteed to get on the dance floor. Sam El'Salahi's slinky bassline on ‘I Feel Funky' will keep you there. And ‘Harry's Party' is a celebration you never want to end. The title track, and its dub doppleganger, are a reggae-tinged chance to catch your breath, before ‘The Wanderer' drags you back on the dancefloor until the house lights come on. Grab this PMG re-issue and enjoy the sweat and the swagger of Harry Mosco in his pomp all over again.
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Steve Black - Village Boogie
Steve Black
Village Boogie
LP | 1979 | EU | Reissue (PMG)
19,99 €*
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Release: 1979 / EU – Reissue
Genre: Organic Grooves
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A reissue of the 1979 Afro-funk LP by a dynamic artist from Nigeria, originally issued by the well know Afrodisia label.
'Village Boogie!' really deserves the status of a legendary rarity and holy grail for fans of afro funk music. The original album is incredibly rare today and fetches prices of $800! On this unique album Steve Black presents a new version of the smasher 'Brand New Wayo', originally played by the band Mixed Grill, in which Steve Black was also the singer. Along with that hit 'Village Boogie!' gives us six other groovers and movers that make your hips shake like you were hit by an earthquake, and in fact this is an earthquake of ever pulsating polyrhythmic drum and percussion patterns, as solid platform for lush horn arrangements and swinging bass lines. A little bit of guitar and other instrumentation adds color to the whole wild steaming funky sound and on top we find the utterly distinctive voice of Mr. Steve Black.
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