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Glass Animals - I Love You So F***Ing Much Black & White Splatter Vinyl Edition
Glass Animals
I Love You So F***Ing Much Black & White Splatter Vinyl Edition
LP | 2024 | EU | Original (Polydor)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Preorder shipping from 2024-07-19
Paul Weller - 66 Blue Vinyl Edition
Paul Weller
66 Blue Vinyl Edition
LP | 2024 | EU | Original (Polydor)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-05-24
aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
The Velvet Underground - The Velvet Underground 45th Anniversary Edition
The Velvet Underground
The Velvet Underground 45th Anniversary Edition
LP | 2014 | US | Original (Polydor)
28,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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Yeah Yeah Yeahs - It's blitz
Yeah Yeah Yeahs
It's blitz
LP | 2009 | EU | Original (Polydor)
25,99 €*
Release: 2009 / EU – Original
Genre: Rock & Indie
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Disco-Pop infused new album by Karen O and her bunch. As catchy as it gets.
The Who - Live At Leeds Deluxe Edition
The Who
Live At Leeds Deluxe Edition
3LP | 2016 | EU | Original (Polydor)
33,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Live at Leeds is the first live vinyl record by the English rock band The Who. It was the only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The complete 33 track set form Leeds University, 14 February 1970. Mastered At Abbey Road Studios. This record was cut using half-speed mastering. In their early prime the Who hit #4 U.S. with "Tommy" ('69), "Who's Next" ('71) and maybe the best live album ever, "Live at Leeds." The 1970 LP only featured six songs from the band's storming set at Leeds. The 1995 CD upped the songs from that show to 14, then a 2-CD edition (2001) finally unveiled all 33 songs the Who played at Leeds-but the running order was not true to the original performance. That "Leeds" us (sorry) to this: the 180-gram triple-vinyl deluxe edition, which restores their storied set's original sequence and boasts superior sound due to half-speed mastering at Abbey Road. If ever an album was meant to be turned up to 11, it's this: "I Can't Explain," "Young Man Blues," "Happy Jack," "Substitute," "The Acid Queen," "Pinball Wizard," "Tommy Can You Hear Me?," "I'm Free," "Summertime Blues," "My Generation," "Magic Bus" and more of the Who on stage at their electrifying best in 1970! Universal UK.
The Police - Reggatta De Blanc
The Police
Reggatta De Blanc
LP | 1979 | EU | Reissue (Polydor)
28,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie
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The Cure - Three Imaginary Boys Picture Disc Edition
The Cure
Three Imaginary Boys Picture Disc Edition
LP | 1979 | EU | Reissue (Polydor)
26,99 €*
Release: 1979 / EU – Reissue
Genre: Rock & Indie, Pop
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limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.
Paul Weller - 66 Black Vinyl Edition
Paul Weller
66 Black Vinyl Edition
LP | 2024 | EU | Original (Polydor)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-05-24
aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
The Cure - Wish 30th Anniversay Edition Limited Lost Wishes Cassette
The Cure
Wish 30th Anniversay Edition Limited Lost Wishes Cassette
Tape | 1992 | Reissue (Polydor)
15,99 €*
Release: 1992 / Reissue
Genre: Rock & Indie
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The Police - Greatest Hits
The Police
Greatest Hits
2LP | 2023 | EU | Original (Polydor)
38,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Cure - The Head On The Door
The Cure
The Head On The Door
LP | 2010 | EU | Reissue (Polydor)
28,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Featuring what many consider to be the classic Cure line-up of Robert Smith, Porl Thompson, Lol Tolhurst, Simon Gallup and Boris Williams, 1985's The Head On The Door was described by Spin magazine as a "1985 poptopian tour de force". Across the album's ten songs, the band's sixth studio opus walks a balance between the Cure's pop sensibilities with 'In Between Days' and 'Close To Me', with the more gothic 'The Blood' and 'Kyoto Song'. It was described by Uncut as "magnificently realised". 180 gram vinyl remastered "Back to black" 60th vinyl anniversary series. Includes a voucher to download MP3 version of the album.
Rainbow - Rainbow Rising
Rainbow
Rainbow Rising
LP | 1976 | EU | Reissue (Polydor)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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The Cure - Faith
The Cure
Faith
LP | 1981 | PL | Reissue (Polydor)
28,99 €*
Release: 1981 / PL – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
LP | 1980 | EU | Reissue (Polydor)
28,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
The Cure - Kiss Me, Kiss Me, Kiss Me
The Cure
Kiss Me, Kiss Me, Kiss Me
2LP | 1987 | EU | Reissue (Polydor)
38,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
The Cure - Wish 30th Anniverary Remastered Limited Edition
The Cure
Wish 30th Anniverary Remastered Limited Edition
2LP | 2022 | EU | Original (Polydor)
33,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The Cure - Greatest Hits
The Cure
Greatest Hits
2LP | 2017 | EU | Original (Polydor)
38,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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For the first time on vinyl and pressed on 180-gram vinyl.
Florence + The Machine - Dance Fever - The Singles 7''Vinyl Edition Box Set
Florence + The Machine
Dance Fever - The Singles 7''Vinyl Edition Box Set
Box | 2023 | Original (Polydor)
95,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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The Rolling Stones - Sweet Sounds Of Heaven
The Rolling Stones
Sweet Sounds Of Heaven
10" | 2023 | EU | Original (Polydor)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Tattoo You 40th Anniversary Red Tape Edition
The Rolling Stones
Tattoo You 40th Anniversary Red Tape Edition
Tape | 2023 | EU | Original (Polydor)
15,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Jam - All Mod Cons
The Jam
All Mod Cons
LP | 1978 | UK | Reissue (Polydor)
28,99 €*
Release: 1978 / UK – Reissue
Genre: Rock & Indie
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Cream - Disraeli Gears
Cream
Disraeli Gears
LP | 1967 | FR | Reissue (Polydor)
28,99 €*
Release: 1967 / FR – Reissue
Genre: Rock & Indie
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The Cure - Pornography
The Cure
Pornography
LP | 1982 | PL | Reissue (Polydor)
28,99 €*
Release: 1982 / PL – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.
The Cure - Three Imaginary Boys
The Cure
Three Imaginary Boys
LP | 1979 | PL | Reissue (Polydor)
28,99 €*
Release: 1979 / PL – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
Holly Humberstone - Can You Afford To Lose Me?
Holly Humberstone
Can You Afford To Lose Me?
LP | 2023 | CZ | Original (Polydor)
25,99 €*
Release: 2023 / CZ – Original
Genre: Rock & Indie
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Sam Fender - Live From Finsbury Park Live Deluxe
Sam Fender
Live From Finsbury Park Live Deluxe
2LP | 2022 | EU | Original (Polydor)
28,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Thumb - Exposure Limited White Vinyl Edition
Thumb
Exposure Limited White Vinyl Edition
LP | 2022 | EU | Original (Polydor)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Elbow - Flying Dream 1 Black Vinyl Edition
Elbow
Flying Dream 1 Black Vinyl Edition
LP | 2021 | UK | Original (Polydor)
16,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Mura Masa - Raw Youth Collage Limited Red Vinyl Edition
Mura Masa
Raw Youth Collage Limited Red Vinyl Edition
LP | 2021 | UK | Original (Polydor)
23,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Paul Weller - An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
Paul Weller
An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
2LP | 2021 | EU | Original (Polydor)
37,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Inhaler - It Won't Always Be Like This Black Vinyl Edition
Inhaler
It Won't Always Be Like This Black Vinyl Edition
LP | 2021 | EU | Original (Polydor)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Paul Weller - Fat Pop Indie Exclusive Yellow Vinyl Edition
Paul Weller
Fat Pop Indie Exclusive Yellow Vinyl Edition
LP | 2021 | EU | Original (Polydor)
28,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
The Rolling Stones - Sticky Fingers Half Speed Remastered Edition
The Rolling Stones
Sticky Fingers Half Speed Remastered Edition
LP | 1971 | EU | Reissue (Polydor)
28,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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The 1975 - A Brief Inquiry Into Online Relationships
The 1975
A Brief Inquiry Into Online Relationships
2LP | 2018 | EU | Original (Polydor)
38,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Glass Animals - Dreamland
Glass Animals
Dreamland
LP | 2020 | EU | Original (Polydor)
22,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Voodoo Lounge Half Speed Remastered Edition
The Rolling Stones
Voodoo Lounge Half Speed Remastered Edition
2LP | 1994 | EU | Reissue (Polydor)
38,99 €*
Release: 1994 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - It's Only Rock 'N' Roll Half Speed Remastered Edition
The Rolling Stones
It's Only Rock 'N' Roll Half Speed Remastered Edition
LP | 1974 | EU | Reissue (Polydor)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Bridges To Babylon Half Speed Remastered Edition
The Rolling Stones
Bridges To Babylon Half Speed Remastered Edition
2LP | 1997 | EU | Reissue (Polydor)
38,99 €*
Release: 1997 / EU – Reissue
Genre: Rock & Indie
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The Police - Zenyatta Mondatta
The Police
Zenyatta Mondatta
LP | 2019 | EU | Reissue (Polydor)
28,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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The Jam - Snap!
The Jam
Snap!
2LP | 2019 | EU | Original (Polydor)
38,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Cure - Mixed Up
The Cure
Mixed Up
2LP | 2018 | EU | Original (Polydor)
33,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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The Velvet Underground & Nico - The Velvet Underground & Nico 50th Anniversary Peel Off Edition
The Velvet Underground & Nico
The Velvet Underground & Nico 50th Anniversary Peel Off Edition
LP | 1967 | CZ | Reissue (Polydor)
36,99 €*
Release: 1967 / CZ – Reissue
Genre: Rock & Indie
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According to the 50th anniversary, this release comes as the legendary reissue of “peel off” edition including a 12-page booklet with liner notes from John Cale.

Pressed on 180-gram vinyl.
Velvet Underground - White Light / White Heat
Velvet Underground
White Light / White Heat
2LP | 1967 | US | Reissue (Polydor)
41,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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The Who - Tommy Deluxe Edition
The Who
Tommy Deluxe Edition
2LP | 1969 | EU | Reissue (Polydor)
38,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Who - BBC Sessions
The Who
BBC Sessions
2LP | 2000 | EU | Original (Polydor)
19,99 €*
Release: 2000 / EU – Original
Genre: Rock & Indie
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The Who - Quadrophenia Limited Half-Speed Remaster 2022
The Who
Quadrophenia Limited Half-Speed Remaster 2022
2LP | 2024 | DE | Original (Polydor)
52,99 €*
Release: 2024 / DE – Original
Genre: Rock & Indie
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The Who - The Who By Numbers Limited Half-Speed Remaster 2022
The Who
The Who By Numbers Limited Half-Speed Remaster 2022
LP | 2024 | DE | Original (Polydor)
28,99 €*
Release: 2024 / DE – Original
Genre: Rock & Indie
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The Rolling Stones - Hackney Diamonds Black Vinyl Edition
The Rolling Stones
Hackney Diamonds Black Vinyl Edition
LP | 2023 | CZ | Original (Polydor)
34,99 €*
Release: 2023 / CZ – Original
Genre: Rock & Indie
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Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang!

Tracklisting will be announced at a later date.
The Rolling Stones - Angry
The Rolling Stones
Angry
10" | 2023 | EU | Original (Polydor)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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The Who - Who's Next : Life House Limited Edition
The Who
Who's Next : Life House Limited Edition
4LP | 2023 | EU | Original (Polydor)
45,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Snow Patrol - Final Straw 20th Anniversary Gold Vinyl Edition
Snow Patrol
Final Straw 20th Anniversary Gold Vinyl Edition
2LP | 2003 | CZ | Reissue (Polydor)
37,04 €* 38,99 € -5%
Release: 2003 / CZ – Reissue
Genre: Rock & Indie
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The Cure - The Top
The Cure
The Top
LP | 1984 | EU | Reissue (Polydor)
28,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
The Cure - Entreat Plus
The Cure
Entreat Plus
2LP | 1989 | EU | Reissue (Polydor)
33,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.
Courteeners - St.Jude 15th Anniversary Edition
Courteeners
St.Jude 15th Anniversary Edition
LP | 2023 | EU | Original (Polydor)
28,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Inhaler - These Are The Days
Inhaler
These Are The Days
7" | 2022 | DE | Original (Polydor)
9,99 €*
Release: 2022 / DE – Original
Genre: Rock & Indie
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Maurizio Carucci - Respiro
Maurizio Carucci
Respiro
LP | 2022 | EU | Original (Polydor)
37,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Live At The Mocambo
The Rolling Stones
Live At The Mocambo
4LP | 2022 | EU | Original (Polydor)
89,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The Who - My Generation Half-Speed Remastered 2021 Vinyl Edition
The Who
My Generation Half-Speed Remastered 2021 Vinyl Edition
LP | 1965 | EU | Reissue (Polydor)
33,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The Who - A Quick One Half-Speed Remastered 2021 Vinyl Edition
The Who
A Quick One Half-Speed Remastered 2021 Vinyl Edition
LP | 1966 | EU | Reissue (Polydor)
31,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Udo Lindenberg - Udo Lindenberg - 75 Jahre Panik
Udo Lindenberg
Udo Lindenberg - 75 Jahre Panik
2LP | 2021 | EU | Original (Polydor)
33,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Who - Its Hard 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition
The Who
Its Hard 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition
2LP | 1982 | Reissue (Polydor)
35,99 €*
Release: 1982 / Reissue
Genre: Rock & Indie
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Limited to 6000 copies.

It’s Hard celebrates its 40th anniversary with a 2-lp expanded vinyl version, Disc One a ½Speed master (OrangeVinyl) contains a re-mastered version of the album while Disc Two (Yellow Vinyl) continues the rest of the album but also has a disc of rare and unreleased material. The set, with art by Richard Evans, comes with a poster from the era.
U2 - Achtung Baby 30th Anniversary Limited Black Vinyl Edition
U2
Achtung Baby 30th Anniversary Limited Black Vinyl Edition
2LP | 1991 | EU | Reissue (Polydor)
47,99 €*
Release: 1991 / EU – Reissue
Genre: Rock & Indie
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Limitierte, schwarze Edition. Anlässlich des 30. Jubiläums wird eine limitierte Auflage des mit dem Grammy ausgezeichneten U2-Albums "Achtung Baby" auf schwarzem Vinyl veröffentlicht.

Produziert von Daniel Lanois und Brian Eno und aufgenommen in den legendären Berliner Hansa Studios sowie an verschiedenen Orten in Dublin, wurde "Achtung Baby" 1991 unter großem Beifall der Kritiker veröffentlicht und gilt als eines der bahnbrechendsten Alben von U2. Das Album enthielt fünf Singles: 'The Fly', 'Mysterious Ways', 'One', 'Even Better Than The Real Thing' und 'Who's Gonna Ride Your Wild Horses'. Bitte beachten Sie, dass das Produkt explizite Inhalte enthält.

30th Anniversary Limited Edition Produkt 2x 180g schweres schwarzes Vinyl Ein neu gestaltetes 8-seitiges Booklet mit Songtexten und Credits Ein limitiertes, maßgeschneidertes 60cm x 60cm großes Faltposter
Elbow - Flying Dream 1
Elbow
Flying Dream 1
CD | 2021 | UK | Original (Polydor)
15,39 €* 21,99 € -30%
Release: 2021 / UK – Original
Genre: Rock & Indie
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The Rolling Stones - Tattoo You 40th Anniversary Standard Editiom
The Rolling Stones
Tattoo You 40th Anniversary Standard Editiom
LP | 1981 | CZ | Reissue (Polydor)
28,99 €*
Release: 1981 / CZ – Reissue
Genre: Rock & Indie
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The Rolling Stones - Tattoo You 40th Anniversary Limited 5LP Edition
The Rolling Stones
Tattoo You 40th Anniversary Limited 5LP Edition
5LP | 1981 | EU | Reissue (Polydor)
127,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Tattoo You 40th Anniversary LP+4CD Box
The Rolling Stones
Tattoo You 40th Anniversary LP+4CD Box
LP+4CD | 1981 | EU | Reissue (Polydor)
110,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Holly Humberstone - The Walls Are Way Too Thin
Holly Humberstone
The Walls Are Way Too Thin
LP | 2021 | EU | Original (Polydor)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Eric Clapton - Eric Clapton
Eric Clapton
Eric Clapton
LP | 1970 | EU | Reissue (Polydor)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Elbow - The Newborn EP Blue Record Store Day 2021 Edition
Elbow
The Newborn EP Blue Record Store Day 2021 Edition
10" | 2021 (Polydor)
9,99 €*
Release: 2021
Genre: Rock & Indie
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Record Store Day 2021 Release.
The Who - The Who Sell Out
The Who
The Who Sell Out
2CD | 1967 | EU | Reissue (Polydor)
15,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
The Who - The Who Sell Out
The Who
The Who Sell Out
2LP | 1967 | EU | Reissue (Polydor)
32,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
Paul Weller - Fat Pop Standard Black Vinyl Edition
Paul Weller
Fat Pop Standard Black Vinyl Edition
LP | 2021 | EU | Original (Polydor)
28,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Paul Weller - Fat Pop Limited Standard CD
Paul Weller
Fat Pop Limited Standard CD
CD | 2021 | EU | Original (Polydor)
16,49 €* 21,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Sea Girls - Open Up Your Head Black Vinyl Edition
Sea Girls
Open Up Your Head Black Vinyl Edition
LP | 2020 | EU | Original (Polydor)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Who,The - Who Limited Edition
Who,The
Who Limited Edition
2LP | 2019 | EU | Original (Polydor)
24,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Udo Lindenberg - Bunte Republik Deutschland
Udo Lindenberg
Bunte Republik Deutschland
LP | 1989 | EU | Reissue (Polydor)
17,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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Elbow - Cast Of Thousands
Elbow
Cast Of Thousands
LP | 2003 | EU | Reissue (Polydor)
28,99 €*
Release: 2003 / EU – Reissue
Genre: Rock & Indie
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Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.
Elbow - The Take Off And Landing Of Everything
Elbow
The Take Off And Landing Of Everything
2LP | 2014 | EU | Reissue (Polydor)
38,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.
Elbow - Asleep In The Back
Elbow
Asleep In The Back
2LP | 2001 | EU | Reissue (Polydor)
38,99 €*
Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.
Elbow - Leaders Of The Free World
Elbow
Leaders Of The Free World
LP | 2005 | EU | Reissue (Polydor)
28,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.
Elbow - Dead In The Boot
Elbow
Dead In The Boot
LP | 2012 | EU | Reissue (Polydor)
28,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Die ersten drei Studioalben von elbow werden auf Vinyl wiederveröffentlicht. Die Vinyl-Pressungen umfassen das Debütalbum ”Asleep in the Back”, das Nachfolgealbum ”Cast of Thousands” und das dritte Album ”Leaders of the Free World”. Darüber hinaus werden die B-Seiten-Kollektion, ”Dead in the Boot” und ”The Take Off and Landing of Everything” (2014), neu aufgelegt. Damit ist der gesamte elbow38 Angaben ohne Gewähr - Sound Aktuell 07.09.2020 Album-Katalog nun auf Vinyl erhältlich. „Asleep in the Back” war das Debütalbum von elbow (2001). Es wurde von Ben Hillier (Blur, Doves, Depeche Mode) produziert und enthielt die Singles ”Newborn”, ”Any Day Now”, ”Red” und ”Powder Blue”. Es etablierte die Band beim britischen Publikum und führte zu Nominierungen für den Mercury Award und den Brit Award. „Cast of Thousands”, wurde in den legendären Parr Street Studios in Liverpool wieder mit Ben Hiller aufgenommen. „Leaders of the Free World” war das erste Album, das in den Blueprint Studios, Manchester, aufgenommen wurde. Es wurde von der Band und Tom Rothrock (Beck, Foo Fighters) koproduziert. Das Album enthält mehrere Tracks, die bis heute die elbow-Sets zieren, darunter ”Great Expectations” und ”Station Approach”. „The Take Off And Landing…” erschien 2014 und war das erste #1 Album der Band in England. ”Asleep in the Back” und ”The Take Off and Landing…” werden als Deluxe 2LP erscheinen. ”Cast of Thousands”, ”Leaders of the Free World” und ”Dead in the Boot” erscheinen jeweils als Deluxe 1LP.
The Rolling Stones - Goats Head Soup
The Rolling Stones
Goats Head Soup
LP | 1973 | EU | Reissue (Polydor)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Some Girls Half Speed Remastered Edition
The Rolling Stones
Some Girls Half Speed Remastered Edition
LP | 1978 | EU | Reissue (Polydor)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Exile On Main Street Half Speed Remastered Edition
The Rolling Stones
Exile On Main Street Half Speed Remastered Edition
2LP | 1972 | EU | Reissue (Polydor)
38,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Bryan Adams - Shine A Light, New Version
Bryan Adams
Shine A Light, New Version
LP | 2019 | EU | Original (Polydor)
28,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Eric Clapton - 461 Ocean Boulevard
Eric Clapton
461 Ocean Boulevard
LP | 1974 | EU | Reissue (Polydor)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Level 42 - Children Say / Starchild / The Platinum Edition Megamix
Level 42
Children Say / Starchild / The Platinum Edition Megamix
12" | 1987 | US (Polydor)
13,99 €*
Release: 1987 / US
Genre: Organic Grooves, Rock & Indie
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/ starchild / megamix
Paul Weller - On Sunset
Paul Weller
On Sunset
2LP | 2020 | EU | Original (Polydor)
28,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Undercover Half Speed Remastered Edition
The Rolling Stones
Undercover Half Speed Remastered Edition
LP | 1983 | EU | Reissue (Polydor)
28,99 €*
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Tattoo You Half Speed Remastered Edition
The Rolling Stones
Tattoo You Half Speed Remastered Edition
LP | 1981 | EU | Reissue (Polydor)
28,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Emotional Rescue Half Speed Remastered Edition
The Rolling Stones
Emotional Rescue Half Speed Remastered Edition
LP | 1980 | EU | Reissue (Polydor)
28,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Dirty Work Half Speed Remastered Edition
The Rolling Stones
Dirty Work Half Speed Remastered Edition
LP | 1986 | EU | Reissue (Polydor)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - Black And Blue Half Speed Remastered Edition
The Rolling Stones
Black And Blue Half Speed Remastered Edition
LP | 1976 | EU | Reissue (Polydor)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones - A Bigger Bang Half Speed Remastered Edition
The Rolling Stones
A Bigger Bang Half Speed Remastered Edition
2LP | 2005 | EU | Reissue (Polydor)
38,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
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Mick Jagger - Wandering Spirit
Mick Jagger
Wandering Spirit
2LP | 1993 | EU | Reissue (Polydor)
33,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Mick Jagger - She's The Boss
Mick Jagger
She's The Boss
LP | 1985 | EU | Reissue (Polydor)
25,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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