Pop 204 Items

Instead of distorted guitars and thunderous drums, we've used mellotron, glockenspiel, and chimes to highlight Tool's dreamy melodies on ROCKABYE BABY: LULLABY RENDITIONS OF TOOL. These incredibly lush lullaby versions of Tool's best known songs will captivate and engage your baby while they drift off to slumberland.

The lullabies on this album use the airy melodies and beautiful imagery of Coldplay's best material, cutting to the heart and soul. Whether your little one is just plain Jane or sweet little Apple, these beautiful lullabies will warm their hearts and put a smile on their faces.

Radiohead weave worlds of incredible sounds, design and imagery. Lush arrangements combine with epic performances. Their album KID a imagines the scope and power of music created by a newborn child. What will you baby dream about while drifting off to these seren interpretations of Radiohead's best-loved songs.

Rockabye Baby! transforms timeless rock songs into beautiful instrumental lullabies. The soothing sounds of the glockenspiel, vibraphone, melltoron and other instruments will lull your baby into a sweet slumber.

On this album, they’ll enjoy Metallica’s biggest anthems without the pesky earplugs you didn’t bother to wear growing up. We’ve turned down the volume from an eleven to a two, and made the bed ourselves. Say your prayers little one. Tonight the sandman will be gently rocking you to sleep with these essential masterpieces of rock n roll.

Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
The vinyl features the 10 Blancmange's essential tracks. The Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.

Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.

Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.

"Formed in 1975, Throbbing Gristle, aka Chris Carter, Peter 'Sleazy' Christopherson (1955-2010), Cosey Fanni Tutti, and Genesis Breyer P-Orridge (1950-2020), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture, and the arts has been immeasurable and still felt today.

Having reformed in 2004, Throbbing Gristle’s The Third Mind Movements initially emerged as an exclusive release only available on the band’s last ever American tour in 2009, before they split again in 2010. The album travels through manipulated, time-stretched, and distorted samples, with rhythmical breakbeats and hypnotic oscillations of electronics.

The Third Mind Movements is released alongside TGCD1 - both vital additions for dedicated Throbbing Gristle and industrial music fans."

Sunk in quicksand, doused in prosecco and soundwaves of glitches and Croatian choons, Bolka
is stuck in the raw state of desire. This love came into being under the sad ceilings, bearing traces of fantastically naive melodies shredded by claws of intruding noises of the artist's debut EP. And yet, radical sensitivity and optimism on the new EP do not remain just on the beach. Žiadzasamy (loosely translated as Yearningforus) include love songs about love read in cards, about overcoming insecurity, about scratching up the slippery walls of reality towards the dream source of warmth that only SHE possesses. Syrupy pop tunes in "nech sa ti páčim" ("i hope you like me") are led by a nursery rhyme about the complex embrace of infatuation, from the head down to the shoulders, knees and toes of the desired person. The sound wizard of peculiarities goes by the motto "let anything I wish for come true", whether it's his white buttocks shining in the dark sea or him sweeping past barefoot in search of seafood delicacies, and the same is heard in his music where euphoric and childish moods sink arbitrarily to the depths of corroded and distorted rhythms of anxiety. "A smutek utek" ("and the sadness is gone"), though, sets a new direction for the Bolka's musical piece; after a slow mo deflation of the balloon of hopes, after wallowing in oozy and sticky blend of delirious melodies, Bolka gets to spin the wheel of the real Balkan soap opera.

"More, mám ťa veľmi rád" ("sea/man, i like you very much") is the pinnacle of absolute infiltration and absorption with infatuation and suddenly, the amusing nods to stereotypical Croatian hits make it clear that all the joy and high spirits do not stem from holiday idleness. In žiadzasamy, Bolka indulges in the ideal notion of love that is closer to reality with each passing kilometer, impatiently speeding up the Latin tempo in the hyper-pop escalation in order to venture into the most radical decision – that all will end well. Žiadzasamy is hedonism injected right into one's vein, an ashtray always aglow with a lit cigarette and a musical burst of new-born love that sets the Bolka's sound world on a single course: from siesta to fiesta, and so on and on.

This is the first double-sider release of two songs, the 9th single "another World" (2001) and the 16th single "Last Song" (2003), which are highly praised as masterpieces released by Gackt, who is firmly popular as a solo artist. 7inch release! !

Contains "neo-plant" composed, arranged, and produced by Ryuichi Sakamoto. The only album left by Koharu Kisaragi, who presided over the theater company "noise", has been reprinted on an analog version. The title song "Tokyo no Seikatsu" was composed, arranged, and produced by Yuji Takahashi. Furthermore, Ayu Takahashi and others participated. A masterpiece that finishes the entire album in the finest electro-avant-pop to ambient style.

Yuji Dan's famous 12" single "Town & Country" will be reissued on a new 7" record!

Yuki Koyanagi's 1st single "Anata no Kiss wo Kazoemashou ~You were mine~" and 4th single "Aijyo" are now available as 7-inch double cider!

A must-see for Japanese fans! A reissue of "Wi! Shabadaba", a cover of the theme song of the late-night program "11pm" by the 80's three-woman idol group Arandron, has been decided!

Hana*Hana's representative songs "Ah Yokatitana (setagaya-mix)" and "Sayonara Daisuki na hito" have been made into 7-inch analog double cider for the first time!

“‘Please Stay’, by The Cryin’ Shames, was the last song by producer Joe Meek to enter the UK Top 40, peaking at No. 26. Released on 18 February 1966, the song should have reached the top, but its progress was held back by the fact that the Decca record label had not pressed enough copies to meet demand. The collaboration should have been long and successful for both of them, but the Cryin’ Shames story is cursed with bad luck and, sadly, within a year of the success of ‘Please Stay’ the band broke up and Joe Meek died. This compilation brings together a first part of the material collected by Cherry Red on the double CD ‘The Tea Chest Tapes’ . The group began as The Bumblies, formed in Liverpool in 1963 by bassist George Robinson and singer Joey Kneen who had previously been in a band called The Calderstones, that included Tom Evans, who later went on to form the group Badfinger. The Bumblies’ name was taken from a television series of the same name featuring Michael Bentine. The rest of the line-up included Charlie Crane (vocals, harmonica), John Bennett (guitar), Phil Roberts (keyboards) and Charlie Gallagher (drums). Charlie Crane would be known in addition as ‘Carl’ or ‘Paul’ to avoid confusion with the other Charlie in the group. Joe Meek didn’t like the band’s choice of name so they changed it to The Cryin’ Shames. Ritchie Routledge replaced Bennett (guitar) after the recording of their debut single ‘Please Stay’. Derek Cleary (bass/guitar) replaced Robinson in time to play on their second single ‘Nobody Waved Goodbye’. After the original Cryin’ Shames fell apart, Routledge and Crane formed a group known as Paul And Ritchie And The Crying Shames with new members Brian Norris (bass), Mike Espie (guitar), Pete Byrne (organ) and Paul Commerford (drums). They released one single, ‘September In The Rain’. The group (as The Bumblies) auditioned for Joe Meek in late October or early November 1965 - the exact date cannot be ascertained because Meek’s tapes contain very little information, and only one or two of the more than seven hundred tapes actually bear a recording date...” (liner notes extracted from the Cherry Red’s booklet made by Mr. Craig Newton)