Punk | Hardcore Sale 311 Items

Die Toten Hosen haben 1998 ein Weihnachtsalbum veröffentlicht, das nun erstmals auf Vinyl erhältlich ist.

SO WHAT's debut LP is filled with stompers, hand clappers, and all the riffs that matter. Co-released by Just Add Water Records (usa) and Surfin' Ki (Italy). From the Glamtastic pounding drums, Moogs, and big fuzzy riffs of "Where We Going" and "Why Can't I See You Tonight" to the serious Equals worship of "Don't Come Back" and "What You Said", this album is chock-full of Hits!

Parasite kicks off with the title track, a rowdy throwback to a younger, angrier
incarnation of the band. Crafted in the wake of the election and during a tumultuous
period in the band members' private lives, "Parasite" is pure catharsis. "During the
making of our last album, I didn't want to scream anymore, I just wanted to sing and
focus on melody. When we came to this recording, I just wanted to scream and
curse," says guitarist/vocalist Julia Kugel. If the EP is meant as a journey through the
various stages of the band's career, it certainly storms out of the gate with the same
kind of piss-and-vinegar of their eponymous debut. And while "Wipe Out" is another
rowdy venture, with bassist Meredith Franco taking over the lead vocal duties over a
steady barrage of pointed power-chords, it also showcases the rousing choruses that
elevated the trio from underground heroines to an internationally renowned garage
act. Despite the adverse times, The Coathangers' mastery of pop cannot be contained
forever, as is evident in the EP's single "Captain's Dead", with its sultry verses,
triumphant chorus, and a bombastic freak-out of noisy guitar. The journey through
The Coathangers' musical evolution leads to a revamped version of "Down Down" off
2016's Nosebleed Weekend LP and the smoky twang of "Drifter", in which
drummer/vocalist Stephanie Luke demonstrates her knack for solid Dusty Springfieldstyle
ballads.

Hellions' thrillingly raw debut album is now available on LP in the UK & Europe for the first time ever. While the band would later shoot
to prominence with their subsequent albums, Die Young is a riot of colour, youthful energy and righteous anger.

Entry began as a passion project between partners Sara Gregory and Clayton Stevens (of Los Angeles post-hardcore giants Touché Amoré) in 2013, to create hardcore punk music in the vein of bands like Minor Threat, Discharge and Career Suicide. In 2013, the band recorded and released their first demo tape. In 2014, another demo was recorded in Los Angeles, entitled Encraty. In 2015, with a new lineup featuring Elliot Babin (Touché Amoré, Warm Thoughts) and Daniel Pouliot (Ancestors, Horse the Band), the band began work on a new EP called No Relief: six songs of tight, pummeling, crusty hardcore.

Limited edition for Record Store Day 2018!

Long awaited re-issue for one of the most influential and controversial post-punk combos of the 'Granducato era'.
After more than three decades I Refuse It! are still quite a great thing. Rock’n’roll’s later reaching of higher peaks of brutality finally made acceptable what once was considered noise and chaos and now make them appear just a bit less subversive, but their impact is still strongly felt. So, collecting and publishing their complete output in one album is definitely an historical act. Differently from Cronache del videotopo, the CD published in 2005 by the glorious Wide Records, the present double LP includes also their great version of Atto di forza numero 10 from I Ragazzi del Sole, a real gem from the Sixties Italian beat repertoire. Even if the Internet seems to have saved from oblivion any obscure document of the international hardcore punk saga, all these songs together in vinyl represent the best celebration for a band who, back in the day, really tried to stay away from the safe track of the business when it was very complicated if not self-destructive to do so.
They were certainly a bit too far out for a large part of the aficionados of “classic punk” but deserved attention, at least for those who began to be tired of the old stereotypes. It’s no coincidence that reviewing the Permanent Scar/Sfregio permanente casette in the magazine Il Mucchio Selvaggio I described their style as “experimental hardcore” and “a sort of Meat Puppets oriented sound”.
Finally, between 1982 and 1983, Italian punk got its spot on the international map. In fact, even if there were already some Italian punk bands, it was not before the emergence of the hardcore movement that we could really start talking about a real Italian scene. Needless to add that this was not just a simple musical issue, back in the day, for many of us, hardcore punk was mainly an attitude and a way of life.
In Tuscany, the whole scene became known under the acronym of GDCH (Granducato Hardcore) and I Refuse It! (together with CCM, Wardogs, Putrid Fever, Traumatic, Juggernaut and others) became one of its most significant bands.
Because of their varied and multiple inspirations and tendency to experiment, it's hard to consider I Refuse It! as simply a hardcore band. This 2LP collection compiles their complete recorded output for the first time and is an essential piece of Italian punk history.

Texas trio Bad Sports release their fourth full-length to Dirtnap and with it, push their sound into a more modern sphere of punk. Orville Neeley (guitars / vocals), Daniel Fried (bass / vocals) and Gregory Rutherford (drums) have spent over ten years together and this progression is justified. This time, the production quality is more lean and tense, giving an air that is decidedly frustrated, and more world-weary, but is still the great stripped-down classic-leaning punk band with deep power-pop vs. proto-punk undercurrents. They are not a “retro” band, however—Constant Stimulation is simply a timeless-yet-modern masterpiece.

Hailing from Florida, The Tropics were one of the finest 60s garage bands. Their memorable concerts are still remembered today by the lucky ones who saw them at the time. Between 1965 and 1969, they recorded some explosive and now legendary 45s which are prime examples of garage-rock, teen-beat, folk-rock and proto-psych sounds. Here you’ll find most of those 45 sides along with some rare, previously unreleased on vinyl tracks. Including the classic “As time’s gone” (covered by The Fuzztones) and many more.
Remastered sound in mono, insert with detailed liner notes by Jeremy Cargill (Ugly Things) and rare photos.
“In 1965 The Tropics were the biggest band in Florida…simple as that. I watched them in awe” Tom Petty

The perfect melding of two timeless facets of punk, the honest forward thinking DC style hardcore of Faith/Void split (yes, both sides) with total Deathside style anthemic hardcore. Both are furious and immediate and work together in perfect harmony here without really sounding like either exactly. New, important music is made this way. RASH MON has had their share of setbacks with immigration, mental health, modern American life in general... and that urgency and frustration is reflected here crystal clear. 500 copies of 150-gram black vinyl with an etched B-side are housed in a beautiful 24 pt jacket along with an insert and a download card.

Debut full length from the A Clockwork Orange themed all-girl Oi! band.