Punk | Hardcore Sale 302 Items

‘Snake Chain’ will be released on November 18th by Upset The Rhythm, a 180g red/clear splatter vinyl version (600 Only) is available to pre-order now. Shake Chain will also be performing at Marina Abramovic’s private view at Modern Art Oxford on September 23rd. Shake Chain have been busy demolishing audiences and expectations for the best part of three years. Vocalist Kate Mahony sets that standard by starting each live performance by crawling from the back of the room through a disbelieving crowd’s legs in a shiny yellow raincoat. The resulting questions that frantically arise of ‘what’s going on?’, ‘am I hallucinating?’ and ‘is this part of the show?’ are hallmarks of how Shake Chain approach making their unruly, lyric-bespattered rock music.

Great album of live tracks recorded on September 24th, 1976 at The 76 Club In Burton-on-Trent. 14 tracks including great versions of "Anarchy In The UK", "Satellite", "No Feelings", "Pretty Vacant", "No Fun" and "Substitute"

It includes cover/jacket to keep the collection of the 3 eps. This is the third one of a collection of three eps that forma a unique release all together. After their awesome full lenght debut they continue with their mix of post hardcore / post punk ala Fugazi, Hot Snakes or Drive Like Jehu and the primitive dark punk rock of bands like Wipers, Stooges or .Misfits.

Duricies a L'Anima / Xoc De Mermats / Amb La Rancunia Propia D'un Lletraferit

Limited, Color Vinyl Release ON Striped FOR THE 'punk Rock Raduno' Live Serie, This IS Senzabenza Full Live SET AT PRR Last Full-ON Edition. THE Inventors OF THE Italian WAY TO Pop-punk, A.K.A. 'flower Punk Rock' Recorded Live Over 20 Classics From Their 30+ Years Long Career, ALong With COver Version Rangin' From THE Beatles TO Minor Threat. FOR ALL Ramones Maniacs OUT There!

Sekiri’s (lit: Dysentery) 1988 debut album, “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri), was about three things. Sex, drugs, and rock n’ roll. With frank lyrics that throw social conventions out the window, and an open air of laziness, this Japanese all-female punk band took the world by storm. Even today, the post-punk leanings of their sophomore album sound fresh, a breath of fresh air in a society that seems to value conformity above all else. Don’t miss Sekiri’s “Watashi wo Sekirini ni Tsurettette” (Take Me to Sekiri) available now on limited edition vinyl from P-vine Records in collaboration with Alchemy Records.

You guessed it, Retarded are back with a new album titled "Same As The First", that literally brings back the formula of their first release. Ramones-core to the max, from Italy's Ramones-core pioneers. Produced, mixed and mastered by the legendary Mass Giorgini (Rise Against, Alkaline Trio, Screeching Weasel, Riverdales, Queers, Squirtgun, Common Rider, and more). Risen from the ashes of 90’s pioneering pop punkers Home Alone, Retarded hailed from Voghera, Italy, and debuted in 1998 with three singles and a self titled LP of pure Ramones-inspired madness: one of the best Italian punk albums of the 90’s, according to Rolling Stone Magazine.

Refused Are Fucking Dead? No, rumours come true and they release a new record after 17 years.

“Prior to forming the Gun Club, Jeffrey Lee Pierce (1958-1996) fronted The Red Lights. While 1980 is viewed as ground zero for Pierce’s career—his autobiography Go Tell The Mountain starts with the founding of the Gun Club—Pierce was active as a rock critic for Slash magazine and had started songwriting years earlier. Throughout the late 1970s, Pierce’s primary musical interests were power pop and reggae. He was the president of the Blondie fan club and had interviewed Burning Spear. So when the Red Lights, Pierce’s first serious attempt at forming a band, started rehearsing it’s unsurprising that power pop (with a hint of reggae) was the group’s musical direction. “The Red Lights existed throughout 1978. The lineup for the band’s debut show on July 14, 1978—opening for The Germs and The Middle Class at the Whisky—was Jeffrey Lee Pierce (vocals and guitar), Anna Statman (bass), Vitus Mataré (keyboards) and Jack Reynolds (drums). Mataré and Reynolds were members of The Last; Anna Statman was a contributing writer to Pleasant Gehman’s Lobotomy fanzine. This lineup was short-lived. Mataré dropped out afterwards; Jack Reynolds stuck around a little longer. Thanks to Flipside’s gig reviews, it’s known that the Red Lights played at least two more shows: one at The Arena in Culver City and another one at The Rock Corporation in Van Nuys on August 9, 1978, opening up for The Weasels. By the end of 1978, Pierce had moved to New York City, effectively ending the Red Lights “At some point in the second half of 1978, The Red Lights recorded a demo. Little is known about the session. Mataré had already left the band, Statman vaguely remembers recording it. Unfortunately, Jack Reynolds passed away in 2009. The Red Lights were obscure; people familiar with the band were likely committed Gun Club fans. Few were aware that this demo tape existed; those who had a cassette copy likely received it from Pierce directly. “Fast forward four decades and what’s surprising about the Red Lights’ material is how advanced Pierce’s songwriting was at 19 years old—the songs’ dynamic range, that voice—this is clearly the Gun Club’s Jeffrey Lee Pierce. Again, it’s all here.” —Ryan Leach

Belgian punk innovators Raxola formed in 1977, the name denoting Revolution Axis Opens Lights Ahead, one of only three Belgian punk acts to record an album in the early days. Guitarist/vocalist Yves Kengen, alias Yke, launched the trio with bassist Louis Hubeau and drummer Guy Van Snick, overlapping with the time that Kengen played bass in Bastard with Brian James, who returned to the UK to join London SS and ultimately, The Damned. Raxola’s self-titled debut is a furious, melodic, and intelligent blast of first-waveEuro-punk, a long sought-after classic whose originals go for silly money, now fully ripe for rediscovery.

12 years after Hospital Productions released the first Raspberry Bulbs album, the band returns to the label with their most focused offering to date. Gone are the interludes found on their last two albums. This time RB has distilled all their strengths into 11 concise songs. Listeners may be tempted to mention “noise rock” or “post punk” in describing the sound, but RB thinks outside the limits of any genre, and stands in contrast to those whose approach amounts to failed exercises in style. The band spent two years boiling each song down to its essence, while sacrificing none of the power and dynamics found on previous records. Somehow the results are both more metallic and more melodic. The vocals, in particular, are fittingly more venomous this time, with their vitriol aimed at the current narrow-minded, oppressive ‘underground’ landscape. Prepare yourself. Recorded among the ruins of the Belvedere Inn, Stamford New York, in 2023.

Available for the first time in over a decade, the 30th-anniversary edition of "Slip" was completely remastered for vinyl using the original, 1993 master tapes and includes bonus track "How Soon is Now?" The limited-edition, deluxe full-length and 64-page, hardcover book chronicle the release of this influential album. Includes a foreword by Walter Schreifels, never-before-seen photographs, original art, rare concert posters, show flyers, and ephemera from 1990-1994. Numbered out of 2,000 copies.

Praise is made up of members Andy Norton, Anthony Dye, Austin Stemper, Chris Bavaria, and Daniel Fang, who have made themselves familiar by their playing in bands like Turnstile, Have Heart, Mindset, Angel Du$t, and many others. Following an LP and a 12” EP that explored their deep passion for classic melodic hardcore, All In A Dream is the band’s most skillful and creative release yet, reaching back to the era of Revolution Summer bands while always looking forward. Recorded throughout the pandemic in Baltimore, Maryland, with Kevin Bernsten and Brian McTernan, these nine tracks find the band artfully channeling their influences while fine-tuning a sound that is totally their own.

2. Auflage mit neuem Cover., aber gleicher Musik.