Punk | Hardcore 146 Items

For all who missed the boat with the final pressing of Reinventing Axl Rose some time ago, the vessel is coming back around!

"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

The Complete Blitz Singles Collection, a compilation of songs by Blitz on clear vinyl!

Re-release of John Joseph's (ex-Cro Mags) Both Worlds “Memory Rendered Visible”. Originally released on Roadrunner in 1998, this releases includes the “Beyond Zero Gravity” EP and is lovingly remastered at Maverick Studios.

By combining the Mags' unrefined, pissed-off sound with a state-of-the-art production on "Memory Rendered Visible", and the time may just be right for this new band. The songs have an energized, raucous sound throughout, often fooling the listener into believing that the band is about to veer off course, which surprisingly never happens. Kicking things off with the Quicksand-sounding 'Cornered', Both Worlds pummels the listener with a barrage of heavy, discordant guitar riffs (courtesy of guitarist A.J. Novello), but then take an unexpected melodic turn on 'Hate Mantra'. The band keeps indulgence to an absolute minimum, as they bash and grind through such highlights as 'Space Junkies', 'Mode of Ignorance', 'Karma Inc.', and 'Inner Outlet'. Joseph has said that Both Worlds' material requires more thought for the listener, while the Cro-Mags were more about straightforward bashing. After hearing "Memory Rendered Visible", chances are you'll undoubtedly agree.

No Atlanta punk record from the 1980s creates such a lather as the debut single by DDT (except maybe Neon Christ's single, but I digress). Self released in 1983, merely finding a copy would put you into serious debt. That is, until now. Audio was restored by Jason NeSmith at Chase Park from a spotless copy of the record given to Chunklet by Joe Perry who recorded the single at his Bombay Studios in Smyrna. Never before reissued until right now. Get in on the ground floor of Atlanta's punk scene from 40 years ago

Dead Kennedy's 'Give Me Convienience' Available Again On Vinyl!Give Me Convenience Or Give Me Death (Stylized As Give Me Convenience Or Give Me Death) Is A Compilation Album By The American Hardcore Punk Band Dead Kennedys. It Was Released In June 1987 Through Front Man Jello Biafra's Record Label

Hot off the heels of their full length on TKO, Too Much Bullshit, Death Ridge Boys give Black Water a nice new single. There isn’t much to say that hasn’t been said before from their several previous releases from these working class oi! loving Portland mainstays. They have never been broken, therefore need no fixing, so these two new jammers are taken in with open arms. For newcomers to this band, these fellas play melodic, anthemic street rock filled to the brim with inspirational political lyrics. In this singles case, gruffly sung tunes about the singer (Will from Talk IS Poison, Pressing ON, etc) and his journey into punk, discovering the world is a fucked up place in “Society Overdose”. The B-side “Turn The Tide” is a mid tempo rocker about fighting to not let the bastards have their way. Both tracks are modern day anthems for an insane world.

Maybe the best Deftones Album back in print!

It's the year 2000 and the term "cuddly rock" needs to be reassessed. After the mega-success of the predecessor "13", a new album is on the way. So to warm up, they first recorded an ultra-German punk EP, "5, 6, 7, 8 - Bullenstaat". The genesis of the new album title can be described, but not explained. And: plush.

Under the fluffy cover, "Runter mit den Spendierhosen, Unsichtbarer!" turns out to be a cornucopia of hits, almost all of which still occupy a firm place in the not exactly slender-breasted canon of classics of the best band in the world almost a quarter of a century later and are way ahead of the zeitgeist. Because the ärzte are - surprise! - are extraordinarily diverse, especially when it comes to one topic: Sexual intercourse. There are all kinds of sexual intercourse, including more or less common problems that unfortunately complicate the fun between men, women and everything in between.

"You're even more annoying than Yoko Ono" has not only long since become everyday language, but even landed in the Guinness Book of Records for the short but painful video. "Sometimes Women Have" almost grows into a medium scandal because of the tangible topic, then becomes a radio hit - thanks to the even more tangible video - and ultimately shows an option for feminist self-empowerment. "Rock Rendezvous" is exceedingly F-word intensive and unrestrainedly funny. But BelaFarinRod are also in an extremely good mood in other respects, rhyme their heads off extensively even by their standards and are also totally rock.

die ärzte: Now with a lot of woo-hooing, onprangering, even more pop sex, a fatal lack of kohl and a very simple question: "Does the sun also shine for Nazis?"

Sealed. one corner has a bump.

The pack is back with six scorching new Oi! infused American hardcore tracks that will boil you over and leave everything in your path a smoldering wastepile. Denver has never been known as a mild place and “Endless Siege” reflects Direct THREAT’s harsh environment to a tee, tackling subjects ranging from a monotonous reality sparking violence to hopeless futures to threats and paranoia. To say life is uneasy is putting it mildly and mild is something DT just doesn’t fuck with. Our favorite lyric line on the record sums it all up nicely: “We are the hammer and they are the nail.” If you let these sounds fuel your fight, you cannot lose. 500 on black 70gr vinyl housed in a 350 gsm reverse board glue pocket sleeve with lyric sheet included.

20 years ago DISCLOSE released their response to the greatest hardcore 12" ever released: DISCHARGE's Why. At the time the band was at the peak of their DISCHARGE era and had perfectly crafted a trademark sound, which shows through on the recording. The chainsaw-sounding double-toned guitar, Kawakami's unmistakable vocals, and a rhythm section firmly based on the Stoke-On-Trent's beat melded together to create a repetitive mantra-like noise chant. Recorded at Grove Cargo and mastered at Studio D-Takt by Jan Jutila, the production is a perfect example of noise not music pressed into vinyl, with both high and low frequencies cutting through the mix without losing any power. Lyrically Nightmare Or Reality focuses on the tragic sights of war while aurally the record is a full-blown attack on all senses. D-Beat Raw Punk at its best. 20 years on and many times imitated but never duplicated. Originally released by MCR Company, this 20 year anniversary official reissue comes in a printed inner sleeve and heavy board outer sleeve.

Picking up where 2022’s “Seething” EP left off, “Threats” finds a reinvigorated Extortion further distilling their water tight stop/start anti-feedback power violence velocity to “communicate... something. actually, a LOT of something- too much panic, too much frustration, too much nausea, too much of everything.” The new EP is an absolute brain pummel that will leave you more destroyed than ever. Seriously, this band just keeps getting faster and tighter and more ferocious with no limit to what they can do. Extortion is a gift… just don’t look ‘em in the mouth. 600 on black 70gr vinyl housed in a 12pt custom die cut jacket with lyric insert included.

Face To Face celebrates 25 years as a band this year. For their silver anniversary, they are reissuing their first 3 records, including bonus tracks from each original recording session. All 3 have also been remastered and boast enhanced artwork that incorporates silver details to denote the 25th anniversary. These deluxe re-releases are the perfect nod to 3 absolutely classic albums that not only cemented Face To Face's place among the punk rock elite, but influenced legions of fans and helped to define the genre.

Face TO Face are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band’s tenth full-length No Way out but Through, a melodic-punk masterpiece teeming with blistering guitar riffs, fleetfingered basslines and vocal harmonies that are so infectious they’ll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face’s 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, No Way out but Through raises the sonic bar when it comes to songwriting, arranging and musicianship. This time around, singer/guitarist Trever Keith was able to get out of his proverbial comfort zone by renting a cabin near Malibu, California, and holed up with bassist Scott Shiflett as they transformed a collection of their respective demos and ideas into the polished recording you hear today. Production-wise, the band teamed up again with Juno Award winning producer Siegfried Meier and Davey Warsop (Foo Fighters, Green Day) and later was mixed and mastered by Jason Livermore at the legendary Blasting Room. The result is an album that’s sound quality mirrors its sonic weight and is the best-sounding face to face album to date.

Flawless green vinyl. Label signed by all band members. 050/200

Picking up right where Dag Nasty era 1988 left off, comes Field Day. Peter Cortner (Dag Nasty vocalist) and Doug Carrion (Dag Nasty, Descendents bassist) haven't lost a beat on this, their second 12" release to date and now available widely to their U.S. fans. Melodic D.C. style hardcore at its finest. The Doc is amped up to have finally gotten this one out! For all those kooky-crazy-colored vinyl exclusives, get in touch with the crew at Cobraside or the Doc himself. ALL of their previous releases have sold out in less than a month, this one will too!

In Poor Taste is the debut EP from London's Grazia—written and recorded by Heather Dunlop and Lindsay Corstorphine. Often referential—In Poor Taste pulls inspiration from the high and low brow, but mostly the low. Grazia pays homage to everything from The Fall to cheap lingerie brands in a campy pastiche of 80’s new wave and pop. In Poor Taste is all about having a lot of fun while delving into your worst, core self.

Green Day is one of the most successful bands in the world and named best punk rock band of all time by Rolling Stone. Emerging in the early 90’s, influenced by the late 70’s British punk, the American trio took a more mainstream turn by incorporating catchy hooks and harmonies into their loud, energetic sound. They popularized punk rock in the US to the point of selling out stadiums, especially after the release of “Dookie” in 1994 which sold 15 million copies woldwide. The singles “Basket Case” and “When I Come Around” spent weeks on top of the the American modern rock charts. All the classics are present on this excellent live recording.

Reissued on 10-inch vinyl, previously available as a long-out-of-print 12-inch in 1994. Features members of English bands Snugg and THE Wildhearts.

Hypnotics were one of those amazing early 80s hardcore-punk bands from Long Beach, California who expertly channeled the guitar sounds of bands like Tsol and Angry Samoans and melded this buzzsaw sound with snotty, offensive lyrics. This reissue of their 1982 LP is not for the faint or the politically correct. Includes a 4-page booklet and "Filth" hype sticker on the polybag.

The fourth record from each of these bands, so make it a split one. Floridian hardcore in the vein of angry and aggressive.

The legendary, influential, celebrated and inarguably smallest release by I Hate Myself. First pressing in twenty-four years housed in pocket sleeves from the original source artwork and pressed on limited edition glow-in-the-dark vinyl.

A couple years back here in Richmond, VA, a group known as Invertebrates emerged from the river sludge, dropping an absolutely scorching demo AND promo tape in conjunction with the pulverizing of many a gig audience fortunate enough to witness them. While the Inverts have stayed the course on the latter, continuing to belt out the hits in the live setting the hardcore punk faithful have been hungry for more, and folks, am I excited to let ya know the wait is over! Featuring a handful of tunes from those aforementioned tapes that many have surely worn out by now, Sick To Survive is ten tracks of perfectly executed "45 RPM on a 12" style hardcore punk"—meaning that while it doesn't overstay it's welcome you will be left with a few sonic rage induced lumps as a reminder of the time spent together. Truly a slab for those who love the genre yet refuse to allot time for any of the extra bullshit that comes in tow with it at this particular point of the dystopian nightmare we find ourselves in. Each record comes in a jacket with a huge fold out newsprint poster and insert, all of which were designed by singer Max Mattoon.

Reissue of the 90’s Hidden Gem originally released on the infamous “Rugger Bugger” Records, featuring Frankie Stubbs of Leatherface. The album is a complete Discography, of all things Jesse on a double album, one unreleased song and everything remastered for its release. “Stubbs seems on the verge of breakdown into sorrowful melancholy on a number of tracks, only with an air of odd defiance, as if he's hurting but knows he'll weather it. He inspires hard empathy instead of irritation. You look forward to Stubbs' lyrics and he never fails, particularly as one experiences them with that gut-wrenching sincerity clutched within that sandpaper-voiced howl.” – Jack Rabbid Remastered – Nigel Walton – The Edit Suite & Graeme Philliskirk Artwork – Cactus Vella

Clear Vinyl, only opened to verify colour.

Heaven is the culmination of many years hard work and careful consideration of all the modern methods of outsider and extreme music being funneled into one comprehensive overview of Japan’s underground culture as Klonns sees it. Since their 2016 inception, they have drawn inspiration not only from their allies in the punk/hardcore scene, but also their friends from other scenes such as techno, experimental music, industrial/noise, hip-hop, etc. A united creative community of forward thinking maniacs centered on pushing culture in a positive direction. The “new Wave OF Japanese Hardcore” has never sounded more necessary.

Official reissue. Black vinyl. Includes a memorabilia insert and an A2 poster.

Cover with small beginning of seam split on top spine.

Portland, OR's Long Knife have spent the last 10+ years turning out some of the most well-crafted and unrelenting hardcore punk in North America, fusing the speed and ferocity of first wave Ushc, the barely restrained chaos of Japanese hardcore, and the guitar heroism of classic Hard Rock to devastating effect. And with three albums, numerous 7"s and compilation appearances to their name, this is a band that's never been content to rest on their laurels. If you, woefully ignorant poseur that you are, somehow missed the memo, and are now desperately clamoring to own the band’s long out of print EPs, TKO Records has got you covered. Rip City Bonerpunk Classics Vol. 1 compiles all of Long Knife's 7” tracks, including 'Possession,' 'Sewers of Babylon,' and 'Night of the Hunter,' as well as songs from their split 7” with Japanese Hardcore legends Forward and several previously unreleased covers. The assembled material featured on Rip City is some of the most incisive, hard-hitting, and musically interesting Hardcore Punk available today. Whether you pine for the unhinged guitar wizardry of G.I.S.M., the pummeling neanderthal churn of Motörhead, or the frenetic lunacy of United Mutation, Long Knife delivers. Grab a copy while you can, or don’t and wish you did later.