Pure Pleasure Vinyl, CD & Tape 127 Items

Release: 1972 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

Go to Item

Stanley Turrentine

Sugar

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded: November 1970 in Rudy Van Gelder Studios, Englewood Cliffs, NJ, USA

Go to Item

Music Inc.

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The remarkable Music, Inc. Big Band remains the apotheosis of trumpeter Charles Tolliver's singular creative vision. Rarely if ever has a big band exhibited so much freedom or finesse, while at the same time never overwhelming the virtuoso soloists on whom the performances pivot. Built around the core of Tolliver, pianist Stanley Cowell, bassist Cecil McBee, and drummer Jimmy Hopps, the music boasts the kind of give-and-take born equally of talent and telepathy -- each player seems to communicate with his colleagues on a higher plane, delivering performances to rival any in their careers. Tolliver in particular plays like a man possessed, summoning an energy and clarity that slice through the big, bold arrangements like the proverbial hot knife through butter.

Go to Item

Phil Ranelin

Vibes From The Tribe

38,99 €*

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit.
Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience.
"Vibes From the Tribe" is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of airbrushed fusion that was in vogue at the time. "Sounds From The Village" is even better (and dirtier), showcasing Ranelin's oily trombone gymnastics and a viciously fuzzed guitar solo. "Wife" features Phil's singing and is oddly reminiscent of Frank Zappa's writing on "Sleep Dirt"; an affecting, snaking melody topped off with a beautiful solo from the leader, whose playing here has the grace of Bob Brookmeyer coupled with the agility of George Lewis.
"He The One We All Knew" is the obligatory Coltrane tribute and is a trip into the kind of groove based free playing typical of Pharoah Sanders, though only really picks up when the band launch into post bop swing mode in the last six minutes or so, provoking another fine Ranelin solo. Bassist Ralph Armstrong is particularly strong here; his brief solo passages are a wonder of agility and tough lyricism that make me wonder why he's not better known. Other highlights come from the mellifluous flute of Wendell Harrison. Beautiful stuff, and it's good to know that Ranelin is still at work even now. Essential.

Go to Item

Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thad Jones & Mel Lewis Orchestra

Consummation

LP | 1970 | UK | Reissue (Pure Pleasure)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Spirits Known And Unknown

Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Dave Brubeck Trio & Gerry Mulligan

Blues Roots

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | UK | Reissue (Pure Pleasure)

Canned Heat

Boogie With Canned Heat

Release: 1968 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Charles Lloyd Quartet

Love-In

LP | 1967 | UK | Reissue (Pure Pleasure)

LP | 1966 | UK | Reissue (Pure Pleasure)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Four-and-a-half decades after the event, saxophonist Charles Lloyd's "Love-In", recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance", "Temple Bells"), and the inclusion of John Lennon and Paul McCartney's "Here There And Everywhere", "Love-In's" semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.
It is likely that more joints were rolled on "Love-In's" cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane's "A Love Supreme" (Impulse!, 1965) and Pharoah Sanders's "Tauhid" (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as »the first psychedelic jazz group«.
It is to Lloyd's credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd's espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East.
So "Love-In" comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd's vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett's lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish "Sunday Morning", his two featured originals ("Sunday Morning" and the soul jazz-ish "Is It Really the Same?"), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.

Go to Item

Charles Lloyd

Dream Weaver

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

Go to Item

Eddie Harris

The In Sound

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

Go to Item

Sarah Vaughan

Sarah +2

Release: 1965 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1965 | UK | Reissue (Pure Pleasure)

Aretha Franklin

Yeah!

33,24 €* 34,99 € -5%

Release: 1965 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1964 | UK | Reissue (Pure Pleasure)

Modern Jazz Quartet

The Sheriff

Release: 1964 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1963 | UK | Reissue (Pure Pleasure)

Thelonious Monk

Criss-Cross

Release: 1963 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1962 | UK | Reissue (Pure Pleasure)

Paul Desmond

Desmond Blue

The Wonderful World Of Jazz

Release: 1962 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastering by Ray Staff at Air Mastering!

Go to Item

John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

LP | 1959 | UK | Reissue (Pure Pleasure)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

Go to Item

Ruth Brown

Miss Rhythm

Release: 1959 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1959 | UK | Reissue (Pure Pleasure)

Annie Ross & Zoot Sims

A Gasser

30,39 €* 37,99 € -20%

Tito Rodriguez And His Orchestra

Release: 1959 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Although best known as a member of the vocalese supergroup Lambert, Hendricks & Ross, the great jazz singer Annie Ross's solo albums are gems unto themselves and "A Gasser!" from 1959 is the finest of them all. Miss Ross is in peak vocal form here and is joined by the great Zoot Sims on saxophone and much of the same band featured on the Lambert, Hendricks & Ross classic "The Swingers". Don't expect any of the vocal acrobatics of the Lambert, Hendricks & Ross recordings however. This is straight-ahead jazz singing by one of the great singers in her prime. From the wry wit of "Everything I've Got" through the sheer perfection and beauty of "You're Nearer", this set is a must-have for jazz vocal fans. Highly recommended.

Go to Item

Three Loves Have I

LP | 1958 | UK | Reissue (Pure Pleasure)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1958 | UK | Reissue (Pure Pleasure)

The Ronnell Bright Trio

LP | 1957 | UK | Reissue (Pure Pleasure)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This rare date was cut at Studio des Dames in Paris on June 5, 1958 for French Polydor label and it's a stripped-down trio date with a nicely relaxed feel!

Go to Item

Nina Simone

Little Girl Blue

LP | 1956 | UK | Reissue (Pure Pleasure)

Release: 1957 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastering by Ray Staff at Air Mastering!

Go to Item

Cab Calloway

The Boss Of The Blues Sings Kansas City Jazz

Release: 1956 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From 1932 to the late 1940’s the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit.
Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section.The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. »This whole new chord structure idea was interesting to me,« Milt Hinton recalled, »and I would walk the new chords behind his playing.« Cab wasn’t the least enthusiastic. Danny Barker quoted him as saying, »I don’t want you playing that Chinese music in my band.«
The main attraction, however, was always Cab—showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called 'King of the Hipsters', and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its »clean musicianship, its jazz kicks, its brilliant showmanship«.

Go to Item

Big Joe Turner

LP | 1956 | UK | Reissue (Pure Pleasure)

38,99 €*

LP | 1955 | UK | Reissue (Pure Pleasure)

Release: 1956 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.

Go to Item

Nat King Cole

Penthouse Serenade

Release: 1955 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Duke Ellington & His Orchestra

Masterpieces

LP | 1951 | UK | Reissue (Pure Pleasure)