Random Numbers Vinyl, CD & Tape 6 Items

ontains remixes by BXP, Big Hands, Elena Colombi and Front du Cadaux.

Unveiling the upcoming release – a captivating remix of La Serpiente's "You Are Dreaming!” Immerse yourself in the sonic journey as BXP delivers a psychedelic rework with its unique loop and arrangement style. Front de Cadeaux explores downtempo techno, Big Hands introduces trippy polyrhythms, Elena Colombi contributes an energetic uptempo track, and (exclusively for digital download) enjoy a 15-minute mind-blowing remix by Wang Inc. Together, these remixers redefine musical boundaries, promising a dynamic and eclectic experience. Get ready for a transcendent odyssey through diverse sounds and styles. This record has been realized with the contribution of the Bologna Unesco City of Music and Comune di Bologna.

Artist Bio:

Marco Segato is a sonic explorer, producer and live performer currently based in Amsterdam, Netherlands. He's the co-founder of Rete Neurale Milano E.S.T. - an event born in the infamous Milanese multi-cultural space Macao - and curator of the mix series Empty Signal Transmission. He was a Red Bull Music Academy alumnus in 2016 Montréal (Canada) and graduated in Audio Production at SAE Institute Milan in 2017. During the last few years, Marco released his music under three different monikers: La Serpiente, MS, and Narvalos (a duo project with Alessio Costantino aka Askmeaboutdogs). Across these projects, his sound maintains a sense of mysticism brewing with eerie tension, influenced and incorporating sounds of broken beats, post-industrial experimentations, and ritualistic elements to conjure psychic immersion. He produces and performs live sets with analog and digital hardware, with a sonic outcome that always saturates the mind with extra-musical ideas. Marco has released on labels such as Brokntoys, Xcpt Music, Random Numbers, Sons of Traders, Communion Records, Dionysian Mysteries, Vastechoses, etc... as well as on many solidarity compilations like Перамен! A Compilation for Belarus, Despertar: Chile, Sonic Resistance. A Compilation For Rojava. Recently, he has started a journey of sharing his extensive music selection with his monthly residency “Searching for the Sublime” at Tbilisi’s Mutant Radio.

We all remember with mixed feelings the past two years of domestic isolation: a temporary anomaly in which the world had to adjust to a new routine, a new rhythm. In these daunting yet precious circumstances, Italian producer Markeno has found his rhythm back, dusting off old records and re-approaching his past musical love affairs that he believed to be long forgotten. Here, in the fertile limbo that connects past and future, “Dock lown (exploring)” is born: a 3-tracker release with a chameleonic nature and an undeniable groove, in which Markeno is able to tactfully combine different genres such as indie, post-rock, African mu- sic, electro and funk.

In the contemporary music scene, overly saturated with catchy melodies and seductive lyrics, it is refreshing to encounter a composition like “Fase 01”, which starts from a purely percussive structure. Just when the ear is settled and well inserted into the tangle of drums, here comes the melodic twist, no less than at the fourth minute, injecting an unexpected groove and chalking out the contours of a track with multiple personalities: a little esoteric, a little synth-wave, quirky and badass. The temperature rises with “Zona Ros- sa”, in which the electro hint sketched in “Fase 01” becomes more pronounced, opening the doors to a dense psychedelic scenario. A shamanic loop accompanies the electric bass and escorts us through the smoke of the bonfire, veils swayed by the wind and colored lights that sparkle in the night. The ritualistic humming of ‘’Zona Rossa”’ is still hearable, floating in the rarefied atmosphere, while the last track “Limbo” makes its entrance and confirms once again the poliedric but congruous essence of this release, whose percussive attitude lures you in and whose hypnotic and groovy body makes you stay. At least for one more dance.

Sara Berton

Random Numbers is proud to present the latest release of fellow Italian Steve Pepe, real name Manuel Cascone. After some brilliant EPs on Hivern Disc, Macadam Mambo and inside Out Records, we are honoured to have him over for the album that has already enchanted us.

"Arabia per Delfina" opens the dance with a languid sound, which slithers in slowly but persistently. Protagonist is a solitary synth whose bright and sensual frequencies rise from the darkness, lighting up the room like the sultry moon in the summer nights. The Arabic influence is clear, supported both by the title and the sonic timbre: anything but stereotypical, is reinterpreted by Steve Pepe through his New Wave sensibility. What follows, “Sospesissimo”, softens the initial intensity slightly through its wobbly and playful groove. Here the guitar strings seem to move in slow motion, conveying a slight feeling of dizziness. Elements from jazz and downtempo music are expertly arranged into a bizarre and synaesthetic choreography of gestures. The percussions hinted in “Sospesissimo” become more insistent, almost unruly, in “El Pelusa”, which pushes us effortlessly towards a frenetic and liberating dance. This cornucopia of Latin-infused sounds marks the contours of an iconic character, Diego Armando Maradona, AKA Mano de Dios, and culminates in a carnivalesque explosion of euphoria. "Carpenter" enhances the peak reached by its predecessor with a more reserved and introspective verve, but no less fascinating. As a composition with oneiric nuances, deep volumes and chiaroscuro, "Carpenter" demonstrates the double-edged nature of this album and, consequently, the wide emotional spectrum that Steve Pepe manages to convey in his productions.

Almost sneaking up on us is “Verso”, with its classical violins and the fearless cacophony challenging the harmony of the track. Fearless is also Steve’s voice, which channels the intensity and excitement of a journey that’s about to begin, but whose destination is yet unknown. A slight hint of existentialism comes into play just before we approach the next track, "ZimaNeta", which marks the end of this sonic journey. Here it is again, that very same languidness grasped in the opening. If “Arabia for Delfina” lets us glimpse the moon, “Zimaneta” goes straight for the entire Milky Way with its multitude of glimmering dots. In this spacey exploration made of a thousand colors, all the musical elements encountered along the way are revealed once again for a final farewell.

Random Numbers is proud to present its newest V.A. release, the most ambitious to date, which sees the contributions of 16 producers close to the label and kindred to the sonic quest Random Numbers has been pursuing since 2015.

“Second Wave” is the organic continuation of the journey initiated with the V.A. Parallel Routes, released at the beginning of the 2020 lockdown.

This collection of 12 tracks - like the 12 months that have just passed, delivers a multi-faceted testimony of our experience with the pandemic, translating feelings of absence, desire and necessity into a mind-bending sound exploration.

Despite crossing a wide range of tempos and genres, a common thread is found in the mystic, trippy and ritualistic atmospheres that populate this release. The metamorphic nature of each track continuously surprises the ears, blurring the boundaries between heady listening experience and dance floor bliss.

Starting from the assumption that polyrhythmic music is a political statement,
Wang inc. developed this 12” focusing on the stories of the past years taking place in the
central Mediterranean Sea. Stories of hope and despair, often tragic by the will of
powerful and egoistic people.

Each track describes a fase of the crossing of the Sicilian channel: Fuga is the escape from the Libyan prisons, Gommone is the crossing on an inflatable raft that often finds a tragic epilogue, Approdo is the battle between humanitarian aids and governments to find a place of safe, Abbraccio is the tragic history of mother and son found at the bottom of the Mediterranean Sea still hugging each other.
It’s harsh techno, slow, with vivid images, lot’s of tension and bleak atmospheres. All titles are in Italian because this story is part of the history of Italy.