Record Store Day 2024 67 Items

Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings is a previously unissued 3-lp collection of recordings from jazz icon and virtuosic pianist, Art Tatum, captured live at the Blue Note jazz club in Chicago in March of 1953 with guitarist Everett Barksdale and bassist Slam Stewart. These recordings were transferred from the original tape reels and mastered for LP and CD by engineer Matthew Lutthans (who also worked on Resonance's Grammy-nominated 2019 Nat King Cole release Hittin' the Ramp). Containing a whopping nearly 3 hours of never-before-heard Art Tatum captured in an intimate setting at the height of his powers with his longtime trio, the deluxe, limited-edition 180-gram 3-lp gatefold set (and 3-cd set) includes rare photos and memorabilia from Herman Leonard, Bob Parent and the Holzfeind family archives (owners of the Blue Note jazz club in Chicago); plus liner notes from Columbia University professor and author, Brent Hayes Edwards; as well as statements from Ahmad Jamal, Sonny Rollins, Monty Alexander, Elew, Spike Wilner, Johnny O'Neal, Michael Weiss and Terry Gibbs. Limited Edition.

This album is compiled the live from 2000 to 2005 performed by Jazz pianist Shigeaki Sai, backed by the Mitsuyoshi Agatsuma Trio. This album is composed as if it were one night of live performances. You will be captivated by the chic and sweet piano, just like the soundtrack of a Woody Allen movie.

Monday Michiru covers soul, jazz, Brazilian, reggae, and other all-time dance classics with a jazzy taste. "You Are The Universe" was previously released as a 7" single and sold out immediately. This time, Yasushi Ide has selected the songs for the LP, making it a more jazzy album.

I've Enjoyed As Much Of This As I Can Stand represents a singular moment in the band's history. Recorded on the final night of their '98 tour in support of the eponymous LP, Acetone was in peak form. Recorded live on 16 track Adat, the band pulled from all corners of their catalog in a nearly 80 minute set that veers from serenity to recklessness, culminating in an epic 13-minute medley of "I'm Gone/Miserlou" that should put to eternal rest the notion that this was a "slowcore" band. Previously unreleased and unheard, this 2-disc live concert will be available on limited edition clear vinyl numbered, trifold package.

The BBC’s Third Programme aired four radio broadcasts between January 1964 and September 1965, collectively known as Inventions for Radio.
They were ground-breaking in both form and content, conceived by playwright Barry Bermange and consisting of the voices of the general public answering questions on four themes,
one for each programme: dreams, the existence of God, life after death and ageing. Delia Derbyshire was assigned by the Radiophonic Workshop to edit and add electronic music/ effects.
The collaborative result is dreamlike and mesmerising, an audial window to another era. For many years Derbyshire was not credited for her contribution, nor were the broadcasts available commercially,
although they still managed to acquire something of a cult following. This boxset duplicates the recent vinyl release on CD, with one disc for each broadcast and two further CDs of additional material.
The booklet includes notes by producer Mark Ayres on these extraordinary pieces which have been the most elusive of Twentieth Century classics until now.

Grammy award-winning Rock n' Roll Hall of Fame inductee (Jefferson Airplane & Hot Tuna) Jorma Kaukonen and bandmate John Hurlbut's new album is a followup to the highly successful River Flows releases. This deluxe package includes 180g Audiophile Black Vinyl, Doubled sided color cardboard photo board insert and an OBI side spin. This Record Store Day release is on a Vinyl Look-A-Like Compact Disc. These polycarbonate CDs are black on both sides. The front includes groove vinyl design with a record label. The sound includes High-Res remastering that will play in any CD player. The deluxe packaging includes a CD cardboard Gatefold jacket with 2 pockets, printed inner sleeves and an OBI side spine.

Prepare to embark on a nostalgic voyage through the cosmos of your childhood as the mesmerizing soundtrack for the documentary Butterfly in the Sky is unveiled. Centered on the cherished television show Reading Rainbow, this sonic masterpiece is nothing short of a reverie. Brought to life by the innovative sounds of The Octopus Project, every track is a musical journey that intertwines the spirit of knowledge-seeking with whimsical undertones. And as an exceptional treat, The Flaming Lips lend their iconic sound to reimagine the beloved Reading Rainbow theme song, delivering an interpretation that's both fresh and reminiscent of days gone by. But the magic isn’t just confined to the music. The soundtrack itself is a work of art, designed with collectors and aficionados in mind. Open the double LP to reveal a breathtaking butterfly gatefold popup, a visual spectacle that captures the essence of flight and imagination. Beneath the needle, the rainbow splatter vinyl evokes memories of afternoons spent chasing rainbows and stories alike. Beyond the vinyl, the intricacy continues. Unveil layers of craftsmanship through thoughtful inserts, precision die-cuts, gleaming foils, and the unique belly belt. Each element has been meticulously curated, creating not just a listening experience, but a tactile and visual odyssey. The Butterfly in the Sky soundtrack is more than just a collection of music; it’s a tribute to the power of reading, the magic of discovery, and the timeless appeal of Reading Rainbow. Secure your copy and let your imagination take flight once more.

Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B scene’s most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith – Rose Rouge (Joy Orbison Remix)

Elemental Music, IN Collaboration With Producer ZEV Feldman, Launches A Never Before Released MAL Waldron & Steve Lacy Live Concert Recorded IN Antwerp IN 1995 Transferred from the original tapes (preserved by Patrick Wilen, son of legendary saxophonist Barney Wilen), MAL Waldron & Steve Lacy: THE Mighty Warriors is presented as a 180-gram vinyl limited edition 2-lp SET. Package includes reflections by producer Zev Feldman and acclaimed jazz writer Adam Shatz, as well as the testimonies of the concert’s bassist Reggie Workman, and drummer Andrew Cyrille. The extensive booklet also contains interviews with Jane Bunnett, David Virelles, David Liebman, Vijay Iyer, Evan Parker, and Mal Waldron’s widow, Hiromi Waldron, as well as never before seen photos from the actual concert taken by Hugo Peeters.

The remarkable third act of Mavis Staples’ legendary career has seen the gospel, soul, and civil-rights icon embraced by new generations of fans through her collaborations with the likes of Jeff Tweedy, Run The Jewels, Neko Case, and Justin Vernon. And it all began with Have A Little Faith, her independently financed mission to bring her message into the 21st century. After being turned down by other labels unable to see the commercial appeal of this legend’s fresh, genre-busting approach to spiritual music, it was embraced by Alligator Records, who helped Mavis fulfill her dream and relaunch her career. Alligator is proud to release this landmark album on silver vinyl for a 20th Anniversary Edition with a reminiscence letter by Mavis, expanded artwork, and remastered on 2LPs at 45rpm for the best possible sound.

There’s no place like Oz, and no show like Wicked! Celebrate the Tony Award-winning musical with this limited-edition witch-shaped die-cut picture disc 12” single, available exclusively for Record Store Day. Featuring “Defying Gravity” and “Popular” performed by original cast members Idina Menzel and Kristin Chenoweth. Originally released in December 2003, the Wicked original cast recording album received the Grammy Award for Best Musical Show. Celebrate over 20 years of defying gravity with this collector’s item every Wicked fan should own!

Celebrating its 60th anniversary, this rare concert recording sees an official vinyl reissue, pressed on smoke effect vinyl.
The concert is notable, in that it formed part of the famous American Folk-Blues Tour, a touring music festival that played at venues across
Europe annually from 1962 to 1970. A showcase for American blues talent, Wolf’s performances in Europe added fuel to the burgeoning British Blues explosion.
Joined by a host of blues veterans including Willie Dixon, this record will form an exciting addition to the discography of any blues aficionados.

This intimate center stage recording from Bubba's Jazz Restaurant in 1980 is a potent reminder of how good Ahmad Jamal’s live performances could be.
Bubba’s Jazz Restaurant was considered one of the most famous jazz clubs in the world, with its performance roster presenting the Who’s Who of the jazz world.
Jamal sadly passed away in 2023. He was a luminary in the world of jazz; his distinct style marrying the elegance of classical music with the improvisational spirit of jazz.
Teamed up with bassist Sabu Adeyola and drummer Payton Crossley, the trio interprets an exciting array of standards including "Waltz for Debbie" and "Autumn in New York."
Complete with extended liner notes, this reissue comes available in two vinyl colour variations - standard black, and opaque amber.

For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

Far Out Recordings kicks off its 30th anniversary celebrations with the long awaited first ever vinyl pressing of The Ipanemas’s Samba is Our Gift. Originally released in 2006, the album combined Afro-Brazilian-bossa grooves with classic vocal samba: a step back in time to 1960s Rio de Janeiro.

The Ipanemas, aka drummer and vocalist Wilson Das Neves and guitarist Neco, were instrumental in breaking bossa nova in the 1950s. In the decades following, they recorded with practically every Brazilian great there is, including Elis Regina, Antonio Carlos Jobim, Wilson Simonal, Chico Buarque & Elza Soares to name a small few. Bringing together jet-set swinging bossa, with the roots samba and Candomble music of the religious black Brazilian working class, ‘Samba is our Gift’ united two sides of Brazilian culture that rarely met.

Alongside Wilson Das Neves and Neco, the album featured Azymuth’s original drummer Ivan Conti who helped put the project together and shared drum and percussion duties with Das Neves. Neco passed away in 2008, Wilson Das Neves in 2017 and Conti in 2023 but between the three of them, they left us with an enormous body of beautifully joyous music spanning over half a century.

With a remaster and vinyl cut by Stuart Hawkes at Metropolis Music, Samba is our Gift will be released on vinyl LP for the first time ever for Record Store Day 2024 via Far Out Recordings.

Released for the first time. This neon green Colored Vinyl showcases Jamiroquai’s brilliant 2006 BBC live session recorded at Maida Vale for Ken Bruce.

Quantity: 3400 Release type: RSD Exclusive Release / Rare Mingus tracks unavailable on vinyl for decades, reassembled as a stand-alone album as a sequel to Incarnations, which came out for RSD Black Friday 2024. 180g vinyl, remastered by Bernie Grundman.

This rare vintage Earl Hooker LP is packed full of high class blues instrumentals and soul-tinged arrangements.
A few familiar R&B tunes are covered here, including "Dust My Broom" and "Hold On, I'm Coming." This reissue comes with the original Red Lightnin' artwork designed by
US underground comic artist Robert Crumb, including a poster of the artwork too. Pressed on heavyweight splatter/burst effect vinyl.

These incredible blues recordings celebrate their 60th anniversary. Recorded live at the Blues Festival in Oberhausen, West Germany 1963, this is the first vinyl reissue since its
original pressing on the UK blues label Red Lightnin' in 1986. These 11 songs feature Memphis Slim and Sonny Boy Williamson backed by Matt "Guitar" Murphy (the original blues brother).
They are also joined by bassist Willie Dixon and drummer Bill Stepney. This particular show is rare, and captures some truly smoking performances, particularly Memphis Slim's
rarely-heard "I Wrote This Song", and Sonny Boy Williamson's "All My Love In Vain''. This record has been remastered and pressed on heavyweight opaque blue vinyl.

Exclusively to Record Store Day 2024 comes The Charlie Watts Orchestra, Live from Fulham Town Hall. Charlie Watts, the Rolling Stones’ drummer always had a passion for jazz and in 1986 he financed a world tour of an orchestra he hand selected, which included some household jazz names such as Peter King and Courtney Pine.

When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl

Winter in America is the fifth studio album by American Jazz vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in 1974. The album is produced in a stripped-down fashion, relying on traditional African and R&B sounds. The subject matter deals with the African-American community and inner city in the 1970s. “Scott-Heron’s most Righteous & Provocative” – ALL Music. Vinyl has been out of print and unavailable. This deluxe package includes an OBI side strip, gatefold album jacket with one pocket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

Grammy award-winning Rock n' Roll Hall of Fame inductee (Jefferson Airplane & Hot Tuna) Jorma Kaukonen and bandmate John Hurlbut's new album is a followup to the highly successful River Flows releases. This deluxe package includes 180g Audiophile Black Vinyl, Doubled sided color cardboard photo board insert and an OBI side spin.

Wojtek Mazolewski Quintet - Live Spirit is a recording of a two-day residency at Katowice's Hipnoza club, released especially for RSD 2024.

New times, new lineup, new formula. Wojtek Mazolewski Quintet, with a new refreshed lineup, played a series of concerts in a new unusual formula called Live Spirit. Instead of hitting the road and playing single concerts, the band held several-day club residencies in several Polish cities. At first it was Krakow and Katowice. Here, WMQ brings back the best jazz traditions of club residencies by such masters as Eric Dolphy, John Coltrane and Miles Davis.

WMQ has once again challenged itself and you.

With the best of intentions, we pushed the boundaries and appealed to tradition, bringing something new to the here and now.

Wojtek Mazolewski - double bass Pola Atmanska - piano Piotr Checki - saxophone Oskar Torok - trumpet Tymek Papior - percussion

https://instagram.com/wojtekmazolewski?igshid=MzRlODBiNWFlZA== https://www.facebook.com/wojtekmazolewskiquintet

Tracklist: Side A Live Spirit / NEW Energy

Side B Skoki DO Wody Spirit TO ALL

Wojciech Mazolewski is an artist who is impossible to pigeonhole musically. For years he has been famous for combining jazz and rock in his various projects, including Pink Freud and the Wojtek Mazolewski Quintet. In his Quintet, which already has five studio albums to its credit, the bassist is accompanied by Joanna Duda (keyboards), Marek Pospieszalski (saxophone), Oskar Torok (trumpet) and Qba Janicki (drums).

The special edition of Spirit To All on RSD 2024 combines tracks from the Polish and UK releases and includes all the songs that appeared on the album released by WMQ Rec/Agora and Whirlwind Rec. It is the essence of what the band had to say with this album.

https://instagram.com/wojtekmazolewski?igshid=MzRlODBiNWFlZA== https://www.facebook.com/wojtekmazolewskiquintet

Tracklist: Side A 1. Slavic Spirits 2. Harmony 3. The Year of Magical Thinking 4. Alchemia 5. The Power of Spirit

Side B 1. Spirit to All 2. My Heart 3. Grey Day 4. Ghost Town

The latest in our ongoing Rsd/bf series of rare grooves and soulful Jazz from the Craft vaults. Pressed on colored vinyl.

HHV exclusive vinyl edition on yellow vinyl, limited to 100 copies. Only available at hhv.de!

When the U.S. State Department announced in the mid-1970s that they were sponsoring a South African tour for the Oklahoma-born, Paris-based saxophonist Hal Singer, producer Rashid Vally took note. Even though his nascent record label As-Shams/The Sun (established in 1974) was making waves on the local scene, the idea of commissioning a recording from an international artist was a ballsy idea. With a discography that stretched back to the 1950s, Hal Singer was already somewhat of a legacy artist by 1976. Vally was well-versed on Singer’s accomplishments and specifically enamoured by his composition “Blue Stompin’,” which appeared on a Prestige album from 1959 that had struck a chord in South Africa. With his irresistible charm, Vally managed to coax Singer into a studio in Johannesburg, South Africa, to record a new version of “Blue Stompin’” with South African sax star Kippie Moeketsi, which became the title track of a 1977 album by Moeketsi. The recording session also yielded an album’s worth of new material by Hal Singer and his quartet that took its name from a track inspired by Singer’s trip to South Africa entitled “Soweto to Harlem.” Released in 1976 and only available in South Africa, Soweto to Harlem captures a laid-back, cheeky and nostalgic rhythm and blues set from the Hal Singer Quartet that is unlikely to have emerged for a different target market. With her irresistible charm, Vally was able to convince Singer to enter a Johannesburg studio. The recording session produced this album of new material by Hal Singer and his quartet named after a song inspired by Singer's trip to South Africa, entitled "Soweto to Harlem." Released in 1976 and available only in South Africa, "Soweto to Harlem" captures a laid-back, unabashed and nostalgic rhythm and blues of Hal Singer's quartet that would hardly have been born for a different market. Cinedelic’s 2024 edition of this rare album is sourced from the original tape masters and presents it on vinyl internationally for the very first time. The reissue follows Singer’s passing at the 100 in August 2020 as we contemplate and celebrate his extraordinary contribution to jazz in the United States and beyond.

Cheri Records is excited to unveil the reissue of The Family Tree's spiritual disco rarity, 'We Shall See Him As He Is.' Originally released in 1979, this gospel-disco gem has transcended time to become a sought-after treasure in the realm of soulful digging treats, paying homage to the vibrant gospel disco scene of Baltimore. With an original copy fetching prices exceeding $300. We present the opportunity to own this gospel rarity including the tracks 'Psalm 150' and a killer disco version of Stevie Wonder’s 'As' on a heavyweight vinyl album. Remastered and presented with the original striking album cover, this release is a special edition for Record Store Day, a testament to the enduring impact of The Family Tree's gospel disco masterpiece.

Previously Unreleased Recording Limited to 1200 copies on transparent cherry vinyl Tipon jacket, Download code, Insert featuring LP sized original art by Grungie O'Muck Includes the original recording of Richard Tucker's, "Are You Leaving For The Country", later covered by Karen Dalton,and the only song cowritten by Karen & Richard, "Sleeping In The Garden" "Richard, Cam & Bert seem to have grasped The Great Harmony. That is, ensemble singing that is at once sweet, precise, funky and a bit sardonic..." Mike Jahn / New York Times (1970)

"For a few years in the late sixties and early seventies Richard Cam & Bert ruled MacDougal St. walking a fine line between the increasingly commercialized demands created by groups like Crosby Stills and Nash and the fierce integrity of earlier folk performers, the generation to which Richard belonged. They managed this with great aplomb, producing original tunes of great integrity and obvious folkloric origins, as well as those which expressed the anarchic omnipresent psychedelia of the moment. They also never abandoned the idea of including some traditional material in their performances. But for the usual random application of luck they could have been very big." Grungie O’Muck / Artist, Bluesman, Cover artist for their first album and contributor to this one.

Richard Tucker, Campbell Bruce, and Bert Lee coalesced as a trio in the spring of 1968, and by the end of that year had become regular performers at fabled Greenwich Village nightspots The Gaslight, The Bag I’m In, Cafe Feenjon, among others. But mostly they were street singers, busking regularly in Central Park. Their only LP, Limited Edition, was released in 1970, and sold mainly at gigs and on the street. Somewhere in The Stars compiles earlier, previously unreleased recordings, when all three members were signed with PeerSouthern Music publishers as writers and began using their studio to make demos and experiment musically. Beautifully recorded by house engineer Charlie Mack (supervised by Jimmy Ienner), the demos capture a back room casualness and rustic, homespun quality. For me, listening to their songs and harmonies is like entering a world you always hoped existed but had never experienced.

Some of the songs were rerecorded the following year for Limited Edition, but many are heard here for the first time. Among them is the original demo for Richard Tucker's song, "Are You Leaving For The Country", which Karen Dalton covered on her seminal 1971 release, In My Own Time. Richard and Karen were husband and wife for much of the 1960s, performing as a duo (initially as a trio with Tim Hardin), and navigating their time on the Village scene while alternating living in a small mining town outside Boulder, Co. before splitting up in 1967. Also making its debut, is the only song Richard and Karen ever wrote together, the haunting "Sleeping In The Garden". Also contains two epic songs by Cam ("One Of These First Nights", and "Stockholm") not on their LP, but staples of their live performances, and noted in a gig review by The New York Times, and in a column by future A&R hero, Karin Berg, who was an early champion. Another rarity is the only cover of "Sweet Mama" by Fred Neil we’ve ever heard.

Campell Bruce came to New York in 1967 as lead singer with a band from Washington, DC, The Natty Bumpo. They’d recently signed a record deal with Phillips, but were falling apart. Cam landed in the Village with an acoustic guitar and first started playing and singing in the basket houses, and shortly thereafter at The Gaslight, as the "Cam Bruce Trio” (which included Collin Walcott). After opening for Mose Allison, Cam's hero, the trio went their separate ways, and Cam returned to regular solo gigs at The Flamenco, and the basket houses on Bleecker. Richard and Cam met up on that scene and quickly found a musical kinship as well as becoming best pals.

Bert Lee arrived in New York as a runaway the following winter, and began playing and sleeping wherever he could. His sometime accompanist, Ron Price, introduced Bert to Richard and Cam just as Bert’s own songs were garnering attention from publishers. According to Bert, “I arrived on the New York scene during a time of great change, and it was the notion of change that influenced me. All around me I saw there were two sorts of songwriters, on the one hand dedicated to the traditions that had inspired them, folk, jazz, the American songbook. On the other hand were songwriters influenced by the wave of experimentation that The Beatles were the perfect example of. Mixing genres, writing lyrics that weren't just about ordinary love and loss.

Richard Tucker was a country blues player, with a relaxed and melodic approach to the craft. Cam wrote something more akin to soul songs, with a hint of jazz in the changes. I was writing tunes that sometimes drew on classical structures with a tendency toward what I suppose would be known as progrock. But I was rather adamant about not being pinned down stylistically, and so I would write, for example, a song based on some complex classical chord structure, and then go right ahead and write a simple folk song, like Evelyn. Our band was popular locally, and it was this variety that made it distinct.”

Delmore is excited to present this unearthed treasure, fifteen years in the making. In the words of Richard Tucker, "Tap on your knee, roll on the floor; if you aint free, what's it all for?"

"The trio's singing, playing, and writing have all withstood the test of time. Believe me, because I was there. In 1969 R,C&B, myself, Charles John Quarto, David Bromberg, Ron Price, and Keith Sykes were just a few of that year's crop of songslingers. We were young turks back then, out on the prowl in New York's Greenwich Village for record deals, gigs, and beautiful young women to sleep with and maybe even write a song about. I've lost the names and numbers of those lovelies and I'm not sure what happened to Ron Price, but Richard, Cam, and Bert are back! Loudon Wainwright lll

A necessary groundbreaking album, originally released on Belgian label Antler in 1984. Fesobi Olawaiye debut is finally been re-issued, showcasing the incredible talent of the African musician, a longtime Fela Kuti associate in the legendary Afrika 70. Ander the moniker Feso Trombone he just prove an authentically brilliance, moving forward the afro-beat dogma while providing incredible white funk harmonies and contagious rare groove. Remastered from the original tapes!

Reissued on vinyl for the first time! A milestone of the Black music movement, originally released on Vault in 1969. The debut album of Elaine Brown was arranged by piano player amd composer Horace Tapscott, conducting the Californian Pan-Afrikan Peoples Arkestra. A true political manifesto, the album is an accurate meeting between black poetry and spiritual jazz. After her debut Elaine went to release an eponymous second album on Motown. Elaine Brown is an African American activist and a former leader of the Black Panther Party - Minister of Information and Chairman.

When the U.S. State Department announced in the mid-1970s that they were sponsoring a South African tour for the Oklahoma-born, Paris-based saxophonist Hal Singer, producer Rashid Vally took note. Even though his nascent record label As-Shams/The Sun (established in 1974) was making waves on the local scene, the idea of commissioning a recording from an international artist was a ballsy idea. With a discography that stretched back to the 1950s, Hal Singer was already somewhat of a legacy artist by 1976. Vally was well-versed on Singer’s accomplishments and specifically enamoured by his composition “Blue Stompin’,” which appeared on a Prestige album from 1959 that had struck a chord in South Africa. With his irresistible charm, Vally managed to coax Singer into a studio in Johannesburg, South Africa, to record a new version of “Blue Stompin’” with South African sax star Kippie Moeketsi, which became the title track of a 1977 album by Moeketsi. The recording session also yielded an album’s worth of new material by Hal Singer and his quartet that took its name from a track inspired by Singer’s trip to South Africa entitled “Soweto to Harlem.” Released in 1976 and only available in South Africa, Soweto to Harlem captures a laid-back, cheeky and nostalgic rhythm and blues set from the Hal Singer Quartet that is unlikely to have emerged for a different target market. With her irresistible charm, Vally was able to convince Singer to enter a Johannesburg studio. The recording session produced this album of new material by Hal Singer and his quartet named after a song inspired by Singer's trip to South Africa, entitled "Soweto to Harlem." Released in 1976 and available only in South Africa, "Soweto to Harlem" captures a laid-back, unabashed and nostalgic rhythm and blues of Hal Singer's quartet that would hardly have been born for a different market. Cinedelic’s 2024 edition of this rare album is sourced from the original tape masters and presents it on vinyl internationally for the very first time. The reissue follows Singer’s passing at the 100 in August 2020 as we contemplate and celebrate his extraordinary contribution to jazz in the United States and beyond.

Celebrating 30 years of Far Out Recordings, Azymuth’s biggest club track from their groundbreaking 1979 album Light As A Feather is reissued on 12” vinyl, in its full length unedited form.

When it was originally released, Azymuth’s disco fusion worldwide hit “Jazz Carnival” stayed in the UK top twenty for eight straight weeks. It was used as the theme music for national broadcasts in Italy and even made it onto Top Of The Pops in the UK. Since then the track has become a mainstay for disco, house, and eclectic DJs like Kerri Chandler, Floating Points, Four Tet, Mr Scruff, Gilles Peterson, Dan Snaith and Danilo Plessow.

First released in 2012, the 10 minute, original full length unedited mix of Jazz Carnival sold out immediately and has become Azymuth’s most in demand dance weapon to date. On the B side, Ashley Beedle and Yam Who? teamed up to rework Azymuth’s 1979 proto house classic for the 21st century, which made the record even more sought after still.

The vinyl DJs have been nagging us to bring this 12” back for over a decade. So for our 30th anniversary, we thought we’d finally do it!

The 12” vinyl of Jazz Carnival (Original Full Length Unedited Mix) will be available as a limited Record Store Day 2024 vinyl release via Far Out Recordings.

What we gonna do right here is go back, way back, back into time…and one of the most sampled refrains in dance music history. A 7 inch double header of two of the biggest records from the Jimmy Castor Bunch, the 1 million plus selling ‘Troglodyte’, flipped with ‘It’s Just Begun’. This funk masterpiece lit up the Bronx in the ‘70’s and was the spark from where Hip Hop caught fire. Get in early and go in hard. Funk, Soul, Hip Hop and dance fans all need this beaut. Original RCA labels and sleeve, all remastered for 2024.

In a celebration of soul music's enduring legacy, Celestial Echo is excited to unveil the reissue of Winfield Parker's revered classic, 'I Wanna Be With You.' Originally released in Baltimore in 1979, this soulful gem has maintained its status as a sought-after treasure by soul DJs for decades. With original copies commanding prices well beyond £200, the decision to reissue this timeless piece of soul music history on vinyl is a testament to its everlasting dancefloor impact. Celestial Echo is proud to present the reissue on a limited edition 7-inch vinyl record, meticulously remastered and pressed on heavyweight vinyl for an authentic analog experience. It also features a picture sleeve and redesigned labels. The following releases on this brand new re-issue label will include tracks from Brutal Force and Curtis. Diggers, and rare soul lovers need only apply.

Genre-busting re-issue label Selector is delighted to unveil the reissue of Superior Elevation's soulful obscurity, 'Giving You Love.' Originally released in 1985, this cherished gem hails from the heart of Lake Charles, Louisiana, encapsulating the band's profound connection to the soulful roots of their hometown. In the realm of rare finds, Superior Elevation's 'Giving You Love' stands as an elusive treasure. Original copies are virtually impossible to find, turning this reissue into an invaluable opportunity for collectors and soul music enthusiasts alike. The scarcity of the original release, coupled with its intrinsic soulful sophistication, makes this reissue a must-have addition for those searching for killer dancefloor obscurity. Selector Series is proud to present this soulful masterpiece on a limited edition 7-inch vinyl record, remastered and pressed on heavyweight vinyl. This reissue features new artwork including a captivating new company sleeve and redesigned labels, paying homage to the visual aesthetic of the original 1985 release.

Norman Connors' 'She's Gone' is a timeless blend of Soul and R&B from his 1981 album, 'Mr C'. 43 years since its initial release, 'She’s Gone' still endures as a masterpiece, showcasing Connors' musical prowess and ability to create unforgettable compositions. Lush arrangements, masterful instrumentation, and heartfelt vocals define the track with Norman Connors seamlessly fusing horns, strings, and rhythm instruments for a rich sonic experience. This 7'' heavyweight vinyl single, presented here exclusively for RSD is the first time this single has been available since 1981 & gives fans old and new the chance to own a slice of this classic, in demand Norman Connors production. remastered, but with slick early 80's aesthetics as was.

Johnnie Mae Mathews is fondly referred to as being 'The Godmother Of Detroit Soul' as she was responsible for creating at least 8 different Detroit record labels and for discovering and nurturing many future Motown artists in their early years. In fact she was a major source of inspiration for the young Berry Gordy, founder of Motown. We are delighted to finally be releasing what many people consider to be the pinnacle of independent Detroit Soul music, the impeccable and gut-wrenching 'I Have No Choice', the defining record of Johnnie Mae Mathews many recordings with the equally impressive 'That’s When It Hurts' on the flip. 'I Have No Choice' is a record that has finally hit the heights it always deserved after being a cult record for almost 50 years and is now commanding a staggering £1200-1500 for a decent original copy for those lucky enough to be in that league. This will be a historic RSD release with comprehensive notes and photos from Johnnie Mae Mathews expert Richard Gilbert. If you’re a Soul music fan, then this record is indispensable. Full picture sleeve featuring Johnny herself in full swing, with liner notes, and fully remastered, heavyweight vinyl 45.

Holy Grail alert! Two stunning sweet soul cuts from New York based quintet, The Village Choir. Blending latin, soul & jazz, two dancefloor swayers of serious class. This super soulful 70’s 7 inch has regularly been changing hands for over £500 on the second hand market & for the first time ever, it has been officially licenced and lovingly reissued on heavyweight 7 inch vinyl for this RSD exclusive release. For the dancers and the romancers!

Following the popularity of Dome City Orchestra’s 'Quiet Village' which we released last year, we started getting requests for the Dome City Orchestra’s 12 Inch release 'Dig It!', which is ridiculously rare and sought after. Built around a super catchy funky keyboard riff and bassline which wouldn’t sound out of place if Prince had recorded it, 'Dig It!' comes in 3 versions, the extended version, the short version and the instrumental version, all of which sound essential for mix enthusiasts. Typically, as with most of our RSD releases, original copies are nowhere to be found – the last copy sold on Discogs was 2021 and, even if you could locate a copy, it would cost you in the region of around £250 these days. We think this record will find a wider audience once people have access to copies as it sounds stunning over a good sound system. Play loud or not at all!

The ascending soul sensation Fat Generous embarks on a heavenly collaboration Wai Wan. This record is an invitation to their soulful world of jazz influenced funk and R&B, Fat Generous have been making waves in their hometown playing alongside the likes of Fatboy Slim and Sister Sledge, and their raw onstage energy has gained the stamp of approval from the godfather funk himself, George Clinton. Recorded at the height of a record breaking heatwave, Fat Generous have captured the blissful respite of a 'NightTime Cool Breeze' in a silky laid back groover that formed their debut single back in September. Amassing over 30,000 streams in the first month, alongside radio play and feedback from the likes of Craig Charles & Giles Peterson. Channeling carefree vibes reminiscent of Roy Ayers’ 'Everybody Loves The Sunshine'. On the second side a Record Store Day exclusive track 'Shake Your Body Down' 'Shake Your Body Down' is an unparalleled journey through the funk filled cosmos, a collector's dream that pays homage to the pioneers of funk while paving the way for a new era of groove. This release is the precursor to a bigger release schedule for the band a good vibes only DIY recording project that has been produced by legendary nujazz producer, Wai Wan, whose fingerprints can be found all over releases on Chrysalis Records and Virgin Records. This record is a scene setter that introduces you to the groovy rhythms that Fat Generous deliver in excess at each of their live shows unique performances that lean on the group’s tight knit ability to improvise and reimagine their own music. Limited edition heavyweight 7 inch vinyl in a picture sleeve. Get the debut release and you're ahead of the curve.

Universe City's 1976 12 inch promo release, featuring 'Can You Get Down' and 'Serious', gained cult status in the disco scene. Produced and arranged by John Davis, the limited release and the subsequent demand over several decades, fuelled in part by regular plays from tastemakers like Sean P and Dave Lee, highlight the enduring popularity and influence of this particular record within the disco community. John Davis, a highly influential figure in the disco music scene, particularly during the 1970s. As a composer, arranger, and producer, Davis played a crucial role in shaping the sound of disco and funk music that can be heard throughout this release. Presented here officially for the first time since it’s limited promo release 48 years ago, this exclusive RSD release, lovingly remastered will be an essential purchase for any disco lover! Mint copies regularly changing hands for £100, this is a 'do not miss!' Delivered in a glorious Universe City band sleeve, limited to 500 units.

This is a 5 track EP of brand new, previously unreleased material from The Near Jazz Experience (Terry Edwards, Mark Bedford and Simon Charterton).

Whilst recording the new album Terry asked pianist Mike Garson (best known for his work with David Bowie, Nine Inch Nails, Smashing Pumpkins) – whom Terry has toured with if he’d like to play on a track. Mike said yes, recorded a stupendous solo for Character Actor at his home studio and sent it over. All in the space of 24 hours! On hearing the piano part NJE bassist Mark Bedford came up with the idea of having the piano mixed with the original track (as intended) but also using it as the basis for a completely new recording with the piano leading rather than complementing the band.

Side 1 of the EP has these two very different versions from the same seed. Unidentical twins indeed. Side 2 of the EP contains 4 outliers from the album sessions. These aren’t out-takes or unfinished pieces. They simply couldn’t find a place for themselves within the album – along the lines of the tunes Tom Waits put together for his Orphans compilation of 2006. They are standalone tunes which have found a home together on this EP because in some way they all have filmic qualities.

Side 1 contains 2 takes on Character Actor (the title being a nod to Cracked Actor, a tune on Aladdin Sane, the album that introduced Bowie fans to Mike Garson), and Side 2 has The Loping Four; Projector; MacGuffin and Lockstep, all titles which contain strong cinematic elements, MacGuffin in particular.

It was Alfred Hitchcock’s favourite word for a red herring in the plot. The musical cast on this release has a remarkable pedigree. The NJE consists of Terry Edwards (solo artist and session player with PJ Harvey, Franz Ferdinand, Siouxsie, Jimi Tenor, Piroshka, Tindersticks etc); Mark Bedford (Madness, Robert Wyatt, Robyn Hitchcock, Nightingales etc); Simon Charterton (The Higsons, Alex Harvey, Zook, Serious Drinking etc). Alongside featured guest Mike Garson there is an appearance by Oliver Cherer (Aircooled, Miki Berenyi Band) on keys and synth.

This is an RSD exclusive on black vinyl in full colour sleeve which reflects the filmic quality of the recorded material. No download. The title track will appear on the next Near Jazz Experience studio album. The 4 additional tracks, however, will remain exclusive to Record Store Day.

Originally released on the cult V4 Visions label in 1991 & 1994, Ashaye’s 'Dreaming' and 'What’s This World Coming To' showcased the sound of Steet Soul, a genre that emerged in the 1990s, blending elements of soul, R&B, and hip-hop, that could be heard playing across London’s pirate radio stations. As the popularity of UK soul has grown in the last 5 years, DJ’s and tastemakers have put 'Dreaming' and 'What’s This World Coming To' into heavy rotation which has only increased demand & price for the original vinyl considerably. At present this demand is so high that it’s not even possible to purchase 'Dreaming' on the second hand market, while copies for 'What’s This World Coming To' are changing hands for £50+. On this fully licenced, RSD release, two of Ashaye’s biggest tracks are together on one 12 inch for the first time! Don’t sleep on this double header of premium UK street soul on South Street International's debut foray into vinyl!

Formed by Roland Treaudo and Manuel Herrera Jr, the Family Underground emerged from the rich musical tapestry of New Orleans. Despite their distinct upbringings in Baptist and Hispanic congregations, the band achieved widespread popularity. Securing a coveted Sunday residency at Whitey’s Devil’s Den, located in the heart of New Orleans, the band's dynamic performances led by Manuel on the grand piano and Roland on the mic drew in crowds that exceeded the 400-person capacity. Remarkably, this energetic scene continued until 4 am every Monday for over 250 consecutive weeks, all without the need for promotion or flyers. Amidst frequent tours and a bustling schedule across the Southern states, the band had limited time for recording. In 1975, at 'Cos' Matassa’s Warehouse Studio, they produced the single 'Everybody Knows'. The following year, their rendition of the Isley Brothers’ 'For The Love Of You' became a stripped-down classic, surpassing the original. Until now anyone wanting to own this piece of rare New Orleans funk and soul had to pay out nearly £150 for the pleasure, but for the first time in 49 years, the release has been officially licensed and lovingly reissued on heavyweight 7 inch vinyl, exclusively for RSD. An essential purchase for any lovers of rare soul and funk from the Deep South!

After their critically acclaimed LP “Arcadia” THE Buttshakers return with a powerful new 45” in celebration of Record Store Day. A two-sided slab of heavy hitting soul grooves. Cold World, with it’s darker, Stax-influenced horn hook, drives the listener on with an infectious groove and heart-wrenching vocals. The riff is heavy, but the message remains hopeful: stay golden in a cold, isolating world. A post-covid soul anthem. On the b-side, THE Buttshakers sink into the bluesy-country roots of soul music with Crossroad. The intimate guitar-voice of the intro gives way to a feverish drum and bass rhythm sent straight from the bayou. The song galops and races, taking the listener on a strange and dreary trip to meet the Devil at the crossroad. A story of legends; reimagined with some twang and a whole lotta soul."