Reggae & Dancehall Vinyl 7 Inch Sale 232 Items

7inch black vinyl 45 RPM - Hsrss-0025 Special Edition - Strictly Limited TO 500 Copies This is the first re-release on 7inch vinyl single of the early Reggae classic “She Caught The Train” by Ray Martell released in 1970 on the Trojan sublabel Joe in the U.K. and later covered by UB 40 in 1983. The original Jamaican song, a huge hit, has featured on many compilations but has never been repressed as a single, until now…It is still extremely popular and very much in demand today. It was initially released with the track “Tea House From Emperor Roscoe” by Dice The boss on the B side - which we also release separately on the 22nd of March 2024 – see below. On this release, we chose to showcase a super rare song written and performed by Ray Martell, the gorgeous “Cora” initially released on Attack in 1970. Both tracks have never been reissued until now.

Rikitakeman Meets Hummingbird's second release is, as the title suggests, a party tune!! The message, however, is as strong as ever. "Life is a party, let's have some fun before we get old!" - This is a call that resonates with those of us who have experienced the pandemic. The melodica on the familiar rhythm track is provided by Anna Ozawa, who has also worked with THE Slits and DRY & Heavy, and the dub mix by Hummingbird is unexpected, but also has a deep, lingering feel. The debut single was so well received that it almost sold out, so we recommend you get this one as well as soon as possible!

Get ready to unleash another fine release on BCSM Records. We present you a powerful tune
and version by singer Christine Salem from Reunion Islands and danish dub wizard Dub Across Borders (DAB) ,
combining the best of world music and dubwise business.

The characteristic, deep and powerful voice of Christine Salem first made its way to
the speakers in the Dub Across Borders studio one winter night in 2018. Through a musical
friendship in Brazil, DAB was presented with a recording of one of Salem’s live concerts.
Instantly, the stripped down vocal/percussion style arrangements of the songs resonated with a
raw authenticity and nerve which sparked inspiration. Shortly after, with a sort of ‘bootleg-approach’,
DAB was found reworking the song “Kadjembawe” into a heavy dub version, adding several other instruments
like, organ, bass, guitars, etc. Some years later when the rework had gone rounds with friends and alike,
it was presented to the Swiss bass clarinet virtuous Eloi Cálame.
From his studio in Switzerland he then transcribed and recorded the horn arrangements
with trumpeteer Jaronas Hoehener. After many e-mails with Christine and her management,
the song being reborn into its dubby self. Then it was presented to Tino from BCSM who took charge
in the endeavour to present it to the world.

The song 'Kadjembawe'' is an ancient incantation to connect and pay hommage to our ancenstors.

Last in a serie of 7 x 7 inch started in 2018, "Clocks Of Men" closes the chapter.

Killer mid '80s 'live digital' tune made at Aquarius Studio, released for the first time ever. A rarity to get Dunkley on this type of rhythm, this one was great to unearth.

Killer female roots vocal on the tuff lick of the 'Java' rhythm that we released other cuts on (see above links). This tune was originally released on 12" on Park Heights' Son of a Gun label, under the name 'Park Heights Angel' aka Angel Hoytt. This is the first release on 45, and the A-side vocal cut is an alternate previously unreleased mix.

Deep and heavy Roots in a 70s Revival style. Self produced, written and performed by the great Prince Jamo out of UK! Shaka style

Originally released on the seminal self-titled Nucleus Roots album at the turn of the millennium, Under De Kitchen is finally getting a well-deserved vinyl pressing with new dubs and remixes!

Vocals come courtesy of Manchester's Des Nia Lashimba, accompanied by Moses, Dub Dadda and Maria.

Bristol's Sasha Steppa steps up on remix duties with her debut production, elevating the track even further with her trademark high-energy peak-time stepper style.

Normandy via Glasgow dubber Stalawa strips everything back for his futuristic interpretation, channeling plenty of Rhythm & Sound inspiration.

As usual, Dub Junction isn't doing things by halves, with three separate records being pressed to house all six mixes, all with their own unique two-colour marbled effect.

Originally released on the seminal self-titled Nucleus Roots album at the turn of the millennium, Under De Kitchen is finally getting a well-deserved vinyl pressing with new dubs and remixes!

Vocals come courtesy of Manchester's Des Nia Lashimba, accompanied by Moses, Dub Dadda and Maria

Bristol's Sasha Steppa steps up on remix duties with her debut production, elevating the track even further with her trademark high-energy peak-time stepper style

Normandy via Glasgow dubber Stalawa strips everything back for his futuristic interpretation, channeling plenty of Rhythm & Sound inspiration

As usual, Dub Junction isn't doing things by halves, with three separate records being pressed to house all six mixes, all with their own unique two-colour marbled effect.

A 7-inch record coupling "Tour Of Jamaica", a sample cource of the Japanese hiphop classic "mess/age" by Seiko Ito and Yann Tomita, and one of the selector's must-haves, "Under My Skin", will be released from Think! Records!!

Rr7005 sees the Parisian raggamuffin deejay-cum-crooner Peter Youthman joins the Red Robin flock with a haunting ballad about love gone wrong and the loneliness that results.

With nods to classic, melancholic love songs of the 80s, Peter sings over a deep, dark Naram riddim that carries the DNA of lo-fi roots anthems from the likes of Wackies.

As you'd hope, there's there's accompanying stripped back version from Naram on the flip. Mixed to tape, and fine tuned by Downbeat Mastering, this is a unique piece of music that will please those with a love for the darker side of rub-a-dub.

Veteran Jamaican deejay Tippa Lee returns to the fold with a playful twist on the classic love song, professing his adoration for sweet reggae music and all its provided him.

As per usual, the enigmatic Naram is on riddim duties with a retro-futuristic piece of rub-a-dub mixing live Simmons drums, acoustic piano and a menagerie of colourful synths.

Paired with a stripped back dub version, mixed to tape, and mastered for full effect by New Zealand’s Downbeat Mastering, this is another essential 45 from the Red Robin camp.

Available now the brand new single out of the Taxi hit factory. Presenting a scorching new instrumental "Freedom" out now on 7" vinyl. This dynamic track breathes new life into the Skatalites hit, "Addis Ababa," originally released on Studio One in 1964, thanks to the contemporary retouch of Sly & Robbie. Listen closely for the brilliant contributions of Charlie Organaire on harmonica, Robbie Lyn on vibraphone, and the captivating vocal vibes provided by Cherine Anderson. Together, they elevate the experience, harmonizing seamlessly with Sly Dunbar's masterful and fierce drum programming. In Sly's own words "I grew up listening to the Skatalites, they were the ones that inspired me to become a musician, I would sneak out of the house just to see Lloyd Knibbs perform, he is a hero of mine. So to lick Addis Ababa in a Dancehall style was cool".

Stix Records, a sub-label of Favorite Recordings, presents the 2nd release from its new Mellow Reggae Series project. Launched earlier this year by Mato & Ethel Lindsey with a stunning cover of the famous “What You Won’t Do For Love” by Bobby Caldwell, the series continues with the same duo, now taking over “Baby Come Back”, the underground AOR/Blue-Eyed-Soul classic from Player.
This time again and likewise could be told about Bobby’s most famous song, “Baby Come Back” can be considered as a “One-Hit Wonder”, reaching #1 on the US Billboard Hot 100 in 1977, while very few people might be able to name who performed it. Like he always does, Mato delivers an outstanding version, delighting us with his matchless skills for dub production. Already perfectly matching on Bobby Caldwell’s rendition, Ethel Lindsey ensure again the perfect vocals over Mato’s production. Currently preparing his 1st album to be released on Favorite Recordings, Ethel has a long music and singing experience, unless an almost blank discography. From his very young age, he’s developed a deep passion for AOR and Blue-Eyed-Soul style.
Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

We’re happy to announce our new 7”, a collaboration between producer Ojah and Jamaican singer Clive Hylton.

The A side contains the track “Always”, featuring Clive Hylton on vocals, who delivers a timeless reggae track. Clive Hylton (a.k.a. Colour Red) is a veteran Jamaican singer who amongst others worked with Lee Perry at Black Ark Studio back in the day.

On the B side we find the track “Always Dub”, a dub version mixed live by Ojah that takes us into a different territory, making the listener appreciate sounds and layers that were half hidden on the vocal version.

We are also releasing a melodica version called “Forever” (aldbs7018) over this riddim, featuring Nik Torp from The Specials.

The release is the first studio collaboration from longtime friends Sam Cumming (Italiks) and Ben Dudding (Deep Fried Dub), with the former providing the rhythm and vocals, and the latter on mixing and melodica duties.

With introspective lyrics born in the depths of a Fiordland forest, Crown considers the challenge of facing your inner demons and dealing with insecurity, ably assisted by the healing power of music. The result is a heavy roots cut that will soothe your soul while rattling your ribcage.

Side A : Unreleased Great Rock Steady Vocal. Recording In Duke Reid Studio 1966. Side B : Unreleased. Great Rock Steady Instrumental. Recording In Duke Reid Studio 1966.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

Side A: 1969 Recordind Duke Reid's Studio. Unreleased. Great Harmony And Killer Early Reggae Vocal. Side B: 1969 Never Released at 1969. Wicked Early Reggae Vocal. A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

Taken from the self-produced LP "Empty Promises" released on Bridge records in Canada, 1987.

A truly enigmatic character from the golden era of Jamaican roots music, Icho Candy is an artist that has, to me, always been shrouded in mystery. A devout rastafarian born with a gift for prophetic songwriting, Candy always writes in a way that is true to himself and his deep seated beliefs, regardless of the external pressures he endures as a veteran artist, an incredible feet for an independent artist with a career that spans fifty years.
First recording for the great Joe Gibbs and Jack Ruby in the late seventies, Icho’s big break in the industry came with the hit record “Captain Selassie”, a track that is widely considered to be one of the greatest rastafari anthems in dancehall. During this time Icho also recorded for labels such as Jah Life, Rockers International, Tesfa, Jah Shaka and many more. Like so many of the great artists in the eighties Icho recorded and toured in America for an extended period alongside Sugar Minott, Nicodemus, Nitty Gritty, King Kong before returning to Jamaica to record two amazing albums for the late Jah Shaka.
The A side of this latest seven inch gives us the classic writing style of Icho Candy. Pairing his lyrical depth with an early 70’s Phil Pratt style production. An eerie horns line meets the clean sharp, older school backing vocals provided by The Mighty Viceroys to create something magical, the type of record we thought we may have already heard on some scratchy 45 deep in a soundmans crate.
Yakka once again returns to the label on B side duties, providing another Tubby inspired voyage into dusty fx units and quick draw fades. The bassline increases, the vocal decreases but the vibe never ceases.

A super Mellow & Sweet roots sound created by a collection of artisans from popular bands such as Asound, Youth OF Roots, and Noroshi. With a focus on Jamaican rare grooves, they develop an original reggae sound as a reggae band that anyone can enjoy. This time, the original song "Sweet Time" written and composed by Seima, which is also popular in live performances, is released on 7-inch!!

This is rebel music! The vocals are gentle, but the message is powerful. The lyrics are full of suggestions, and you can feel the essence of roots reggae. The track is a bold and delicate rhythm track produced by Hummingbird, an internationally acclaimed dub creator, who has taken the original source material and expanded it into a pleasant dub. Reggae / DUB club "open" in Shinjuku, which will celebrate its 25th anniversary this summer, proudly releases this 7-inch single, and at the same time, it is the record debut of Rikitakeman in his 60th year!!

Knifeplay’s sophomore full-length, and first ever studio album Animal Drowning is a sprawling landscape of shoegaze and lofty slowcore. The album finds the band in a blend of folk instruments, walls of distortion, orchestral strings and delicate vocals, all carefully organized by Philadelphia engineer/producer Jeff Zeigler, known for his work with Nothing, Kurt Vile, and more. Though their sonic palette is vast, Knifeplay craft a cohesive aesthetic to carry frontman Tj Strohmer’s thematically heavy songwriting, which touches on loss of all kinds against the backdrop of a nihilistic world. These songs cry out with urgency no matter their ever-varied tempo and dynamic, each painting a unique vignette of tragedy. Yet the band’s dense, meticulously composed instrumentation exudes beauty, creating a lightness to balance the subject matter. With Animal Drowning, Knifeplay goes deeper into the sonic experimentation and brutally honest lyricism so beloved on their early bedroom recordings, creating an enrapturing experience that deftly builds on previous work.

sealed picture sleeve

33rpm

33rpm

Death Is Not The End's 333 sub-label digs out a synth-heavy early 80s disco/punk-inflected reggae 45 from short-lived Birmingham group Dessus - produced by British-Cypriot Kim Nicoloau and originally pressed in extremely limited numbers in 1981.
Originally formed around 1976 under the initial name Odessus, Dessus spent the late 70s performing a selection of reggae covers and original compositions in venues across the UK, though mostly in the West Midlands area, with a stint supporting local group Steel Pulse on tour. Meeting the band in a chip shop on Soho Road, Birmingham, British Cypriot record producer Kim Nicoloau asked to sit in on a rehearsal and subsequently booked them in for a session at engineer Gary Lucas' Spaceward Studios in Cambridge. 4 tracks in total were laid down over a 2 day period in early December 1980, with Ghetto Children and b-side Dessus Jammin' eventually seeing release shortly after on an extremely limited pressing on Ellie Jay Records (a short lived outfit that provided cheap P&D deals for jobbing bands and producers). The single became a BBC radio "Hit Pick" and recevied a fair amount of airplay, yet no further material from the group ever saw the light of day.

This heavy roots reggae cut comes courtesy of The Viceroys, legendary harmony group from the stables of the world renowned studio 1. First recording for the venerable Mr Dodd in 1967 The Viceroys were instrumental in moving the sound from rocksteady to reggae with early hits like “Ya Ho” and “Love & Unity” .

The A side of this weighty 45 is a revisited vocal from the early days of the group, a haunting, smokey rendition of Maga Down. Drawing musical influence from Ethiopian and Cuban music as well as its obvious early reggae basis this record sounds fresh whilst simultaneously transporting you back to the golden era with its warm nostalgic themes.

The flip side is an ethereal dub mix from the Bristol based Yakka, an almost psychedelic journey into the mixing board bringing out the best of the vintage sound pellet.

This is the third release from Bristol label Poor Man's Friend Records, produced in the Poor Man's Friend studio and voiced in Jamaica only 300 copies of this smoked out ode to the golden era are available for purchase.