Reggae & Dancehall 78 Items

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Writing on labels.

Includes original inner sleeve.

Writing on label and back cover.

few paper scuffs

Front cover with small sticker rip off and sticker.

This years annual Dub-Team-Up 7" from Moss Norway, 10th issue, a decade strong with double A-side. Kambo Super Sound flexing a hard & heavy, ultra steady ghost-town stepper. Don Papa meets DJ Sotofett in the matters of dub & funk with that significant Latino Dub twist, live drums & percussions. A true crossover – true to its roots!

In 2020, Cosmic Shuffling took the global rocksteady and ska scene by storm with its hit singles ‘Eastern Ska’ and ‘Short Break’ taken from the band first album “Magic Rocket Ship”. Highly acclaimed by the fans of sixties Jamaican sounds, this first album was sold out in a few weeks only. Now the band returns with brand new music!

Warning! This is original SKA music of the highest calibre. This new double A side 7” record will set the dancefloor on fire. ’jupiter’s Garden’ is an heavy, slow and extremely groovy instrumental ska blown by a six-piece horns section. It is instantly reminiscent of Don Drummond's melancholic compositions with The Skatalites. The music made by these Jamaican legends in the sixties will never be equalled, but Cosmic Shuffling pays a striking tribute to the style and sound of the Greats. Ready to take off on an outerspace dancing journey?

On the flip side, ‘asteroid Field I’ continues the journey through a zone of intense turbulence: the tempo becomes fiercer, the chords move away from traditional harmonies and the virtuoso soloists display their talent one after the other. All of this on a frenzied rhythm worthy of The Soul Brothers.

You can’t miss this record. Double scorcher. Double fireball. Available on 7” vinyl record with pantone silver ink label. Limited screen printed and numbered sleeves edition of 90 copies!

Marvin Gaye gets reworked for a cosmic reggae trip and a new life to “Enter The Dragon” by legendary composer Lalo Schiffrin is provided!

Part 3 of 3 of the Disciples dub plate 7" vinyl series. Green Colored Vinyl. Played regularly as dubplate by King Shiloh sound system and many more. This fast tempo steppers tune drops well in sessions every time.

Geneva’s finest ska and rocksteady band, Cosmic Shuffling, announces a new album Cosmic Quest for May 5th 2023. First single out of the album released on 7” vinyl, Hope FOR Longer Days is another banger from the cosmic septet. Driven by a pick guitar in fine style, this perfect rocksteady groove with wistful horns and voices is expertly recorded and mixed in a sixties fashion by producer Mathias Liengme and sound engineer Roberto Sánchez. On the B side, you’ll be delighted by an extraordinaire organ version reminiscent of the Soul Vendors or Crystalites greatest days.

Lloyd Altamont Thomas Robinson recorded many songs as a singer first for Studio One in 1963 and later for many labels and Jamaican producers including Duke Reid, Lloyd Daley, Sir JJ and more. Robinson was part of the duo Lloyd and Devon, whom had quite a few good songs under their belt including a hit for Derrick Morgan's Hop label, "Red Bum Ball.". With Glen Brown, under the name Lloyd & Glen, he wrote and recorded many outstanding Rocksteady & early Reggae tracks, some quite heavily influenced by black Soul including the two sublime tracks featured here. He went on to record the big dancehall hit “Cuss Cuss” in 1984 on the Harry J. label. He died in 2013 in the Kingston Public Hospital. He was 68 years old.

Glenmore Lloyd Brown, began his career as a vocalist in Sonny Bradshaw’s jazz group before recording duets with Hopeton Lewis, Dave Barker, and Lloyd Robinson. Later, Brown became the founder and owner of the Reggae/Dub labels Pantomine and South East Music. A sought after producer he worked with many with many Reggae greats including U Roy, Gregory Isaacs, Big Youth, I-Roy, Prince Jazzbo, Johnny Clarke, Lloyd Parks, and Little Roy. The heavy rhythms of his Dub productions resulted in his being known as "The rhythm master". He died at the Far Rockaway Center for Rehabilitation and Nursing in New York City on 4 October 2019, at the age of 75.

As “Lloyd & Glen”, they composed, sang and recorded together about 15 tracks, ranging from Ska to Rocksteady to Soul on a variety of labels between 1966 and 1968.

Most of these songs are outstanding and some are just sublime…

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King Most is a revered American edit and remix master who is back with yet another big vinyl drop. This one is the first on his own new KM label and has already, we're told, been getting some high-profile plays from the likes of A-Trak. The A-side pairs off two epic classics - 'Bam Bam Tom Tom Club' has that languid, ass-wiggling groove you know and love with a twisted reggae vocal to make for something brilliantly original. The B, meanwhile, is a vinyl-only exclusive pack with Jamaican sunshine. 'Reggae For Roy' is perfectly organic and horizontal with its new reggae beat delivered under a classic Roy Ayers vocal.

The Versatiles were an exciting Jamaican reggae group, formed in 1967 by Junior Byles, also a firefighter at that time, Ben 'Louis' Davis and Dudley Earl.
Lee "Scratch" Perry, then working as chief engineer at Joe Gibbs' studio, was scouting for talent for Gibbs' new Amalgamated label, and spotted the group while they were auditioning for the 1967 Festival Song Contest with "The Time Has Come".
Perry signed the group to the label, but left Gibbs soon after. Three superb titles ("Just Can't Win," "The Time Has Come" and "Trust The Book" were recorded under the supervision of Lee Perry.
When Scratch left, Gibbs employed another up-and-coming engineer/producer by the name of Winston Holness, aka Niney the Observer, to take control of his sessions. Niney produced a few Versatiles songs for Gibbs' Amalgamated label (titles such as "Push It In" and "Lu Lu Belle") which were riddled with sexually suggestive lyrics, tame though they are by today's standard.
The Versatiles stayed with Gibbs for two years, before moving to work with Perry, and then to Duke Reid's Treasure Isle label. They also recorded for other producers such as Laurel Aitken.
The group split up in 1970, when Byles left the group for a successful solo career. Byles still working as a firefighter, continued to record for Perry up to the mid ‘70s…
During their short career, The Versatiles recorded about 30 tracks for a variety of Jamaican & British record labels. Most of these songs are top uptempo early Reggae tracks with Rocskteady vocals; to spice things up, quite a few are on the risqué side such as the hit PUSH IT IN. Never a dull moment with the Versatiles.

The Slickers were an exciting Jamaican Rocksteady and Reggae group in the late 1960s and 1970s. Although their legendary song JOHNNY TOO BAD was included in the Jimmy Cliff movie THE HARDER THEY COME, their story is mostly unknown and full of hearsays and contradictions.
Here is our "version" of the story:
Firstly, it is often assumed that The Slickers were just an alias for The Pioneers but it seems now clear that they were in fact two distinct formations.
In fact, the group was formed by Derrick Crooks (of The Pioneers) and Winston Bailey (not to misunderstand with Winston "Shadow" Bailey a Calypso singer) around 1965. It seems that Derrick was the only constant member and the line-up was constantly changing and overlapping with both The Reggae Boys and The Pioneers.
Other known members were Derrick's brother Sydney Crooks, Roy Beckford (not to misunderstand with U-Roy), George Dekker and Abraham Green (later known as Ras Abraham) who joined at the time "Johnny Too Bad" was recorded in 1970. Abraham is said to have been the lead vocal on "Johnny Too Bad". Besides being featured on the soundtrack for the 1972 Jimmy Cliff film, the song was covered by the British reggae group UB40 and countless more.
The Slickers have recorded about 40 singles during the 60's and the '70s. It seems they disbanded after recording their second album BREAKTHROUGH in 1979...
Although nothing is written in stone about The Slickers, one sure fact is that they were a brilliant Rocksteady and Reggay band… Many of their singles were outstanding such as NANA, YOU CAN'T WIN, MAN BEWARE, JOHNNY TOO BAD and of course the two hot shots on this single: RUN FATTIE and HOOLA BULLA!

These two avidly sought-after early Reggay tracks are quite rare. Splash Down is the instrumental version of Sufferer and both songs have been produced by Derrick Harriott. This is the first time these two wicked tracks are released together on a 7inch vinyl single.

THE Kingstonians Jamaican vocal trio, the Kingstonians were formed around 1966 by Cebert Bernard (aka Jackie Bernard) and his brother Lloyd "Footy" Bernard, along with mutual friend Lloyd Kerr. They began their recording career with producer J.J. Johnson, but had their greatest success between 1968 and 1970 with producer Derrick Harriott, who helped steer the singles "Singer Man" and "Sufferer" to the top of the Jamaican charts. An LP of the Harriott material was released in 1970 under the title “Sufferer”. The album was the career high point for the Kingstonians, who left Harriott to work briefly with producers Leslie Kong and Rupie Edwards before breaking up as the roots reggae era began.

THE Crystalites The Crystalites were the backing and studio band for legendary producer Derrick Harriott and included top 60s Jamaican musicians e.g. Bongo Herman, Bongo Les, Boris Gardiner, Gladstone Anderson, Karl Bryan, Winston Wright among others!

They were extremely productive between 1968 and 1974 and recorded 4 albums and countless singles covering many styles from Boss Reggae to Dub. More specifically, they recorded many wicked and awesome “versions” of hit songs of that time e.g. Sufferer by THE Kingstonians!

Polish beats-wizard Emapea returns to Cold Busted for a quick double-shot of crucial dub and phat riddims. Released on 7-inch vinyl, Emapea’s new single celebrates the return of the good life with choice sounds for ‘zoning out’ in the global dancehall. “Same Old Same Old” occupies the A-side with a potent downtempo skank and an infectious sing-song vocal. The vibe is introspective and heady, as echoed percussion swirls through the soundsystem speakers. Flip the wax for “Drop the Bass,” a deeper dancefloor cut with a prominent boom-bap beat and bouncy bass line. Maximum dub pressure is exerted, with splashes of delay effects and rhythmic flourishes as an emcee gives “direction to the entire planet.” In the hands of a top selector, Emapea’s new tracks are ready to move the soul.

2023 repress -

The next Moonshine release comes courtesy of Australian-based Erin McKimm aka Sekkleman. It's been over three years since his last full release and we are very excited to show you what he's been up to.

“Gun The Man Down ” by Dice The boss aka Pama Dice was first released in 1969 on the Trojan sublabel Joe with the track “Thief” by Joe Mansano on the B side. “Thief” is also reissued by us on a separate single dedicated to Joe Mansano. “Your Boss DJ” was also released in 1969 on the Joe Label with the track “Read The News” by Joe All Stars on the flip. Both titles are skinhead reggae classics that have never been reissued and are very much demand.

“Skinhead Revolt” by Joe The boss aka Joe Mansano was first released in 1970 on the Trojan sublabel Joe as a B side to the track “Tony B’s Theme” by Joey’s All Stars. “The Thief” was released in 1969 on the Joe Label with the track “Gun The Man Down” by Dice The Boss on the flip. “Gun The Man Down” is also being repressed by us on a separate single. Both titles are British Boss Reggae classics that are very much demand.

Cover with small seam split!

"Skinhead Moonstomp Revisited" is a new recording of the classic album with Roy Ellis.

(Record Store Day Exclusive) Legendary A&O 90's album reissued in 2 volumes incl previously unreleased tracks!The vintage UK Dub sound: roots, spirituality and heavy basslines. Bass-music, play Loud! Incl "Jerusalem", "Stepping Up", "Promised Land", "Great Tribulations".

Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.

Originally released in 1997 during the heyday of the alternative UK Electro scene, Finley Quaye's debut Maverick A Strike struck a chord with many. Fusing Dub, Reggae, Pop, Triphop and Indie, his amalgam of styles resonated throughout the music world like no other record at the time.

With his Disco Deception album, Prince Fatty (who links up with Shniece for the occasion) delivers a captivating blend of disco-infused reggae and soulful grooves. Each track resonates with his signature low-end energy, and is fuelled by Fatty's impeccable production and Shniece's soul-stirring vocals. From funky basslines to shimmering horns, the album captures the essence of classic dub and ska while infusing it with modern flair and plenty of hooky horns and melodies. Shniece's dynamic range and emotive delivery elevate each song to really create a magnetic atmosphere that keeps listeners engaged from start to finish, all with character to spare.

This is the first volume of the HOT Sauce compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975. The initial plan is for at least 3 albums of 14 titles. HOT Sauce Volume 1 features Rocksteady, Boss Reggae, early Dub & early Reggae outstanding original Jamaican tracks including rare songs, overlooked gems, hidden treasures and some hits. The record labels showcased on the first volume are Attack, Amalgamated, Black Swan, Blue Cat, Downtown, Doctor Bird, Duke, Grape, High Note, Randy’s and Trojan. The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity. These tracks are all outstanding tracks, “killer tracks”, there are no “fillers” whatsoever. Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side. HOT Sauce is a musical journey across the early Reggae UK labels and across different Jamaican musical genres & talents and the way they interact together. Since the early 70s “Tighten Up” series, no compilation have really explored these labels in depth on vinyl…

Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.

In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.

In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.

The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.

43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album.

Stamped white label.

Vinyl with a couple of light scuffs. Small damage on opening.