Rock & Indie Vinyl 10 Inch 327 Items

Seven songs by Rully Shabara and Wukir Suryadi, rootsily mystical and vividly al fresco, spiralling from peripheral sites beside rubbish dumps and rice fields, into a busy market at the heart of Yogyakarta, from dawn till dusk.

Frokedal is a popular folk singer-songwriter whose haunting vocals have scored the music of various acclaimed bands over the past decade. The members of Sa^ver are veterans of the Norwegian heavy scene. Having toured all over the world playing renowned festivals like Roadburn and Psycho Las Vegas, they now fill and orchestrate the gap between eerie softness and furious anger as a three-piece atmospheric sludge metal ensemble. This split 10" sees each of these artists present a song from the respective other artist's back catalogue, finding a transcendental middle ground between the other artist's musical realm and their own sphere. Commenting on the beginning of her own musical career, Frokedal notes: "Because everyone has a computer these days there's no limit to how many times you can multi-track. I [was] sick of that. I hoped to go the other way - to remove as much as I could and be left with a beating heart." Remarkably, Sa^ver have done just that in their execution of Frokedal's track «Shot-Put», turning down their guitars to give space to clean vocals and laying bare the synths that are an integral part of their sound. Driven by deep drones and soft layered vocals, the Homeric simile of a meeting at the shot put becomes even more compelling, turning the folksy original into a haunting ambient rock opus. In turn, Frokedal lays bare the heart of «I Vanish» from Sa^ver's debut LP in a gently swaying but bewitching folk version. In a world somewhere between the triple harmony magic of The Staves and the polyphonic madness of Le Myste`re des Voix Bulgares, Anne Lise conjures the unsettling path towards obliteration. Many things can be said about the way these songs sound and even about how they transcend the originals in some ways, but the true beauty of this EP lies in the way both Frokedal and Sa^ver incline towards each other to find a middle ground that is yet unexplored in their respective careers. Coming together, they prove that beauty is found in the eye of the beholder, but transcendence is found in the eye of the storm!

6 tracks

If you’ve followed modern music, Rage needs no introduction. If you’re wondering how we got to release a record by a band this big, you must not know that Zack was in Inside OUT before he started Rage Against THE Machine. This is a Revelation exclusive 10” vinyl record featuring the track “People Of The Sun” along with some unreleased tracks (including a live version of Public ENEMY’s “Black Steel In The Hour Of Chaos” with Chuck D helping out on vocals).

Degenerate nihilistic punk commando Puro Odio seal an unholy pact with Sentient Ruin to reissue their incendiary 2018 debut demo on 10" vinyl, making it available for the first time ever on analog physical formats in North America. On the verminous and heinous demo the Basque raw punk terrorists first came together as a rogue entity of total barbarism and inhumanity, glorifying cruelty, violence and sadism at their most gratuitous and senseless stages through six primordial stabs of complete hatred and perversion. Firmly rooted in the proudest and fiercest tradition of raw punk and hardcore, Oi!, crust and d-beat, what sets Puro Odio apart from their far less controversial and harmless peers is their unique and sophisticated visual aesthetic and their meticulous yet unsettling sound blending nefarious black metal-like vocals, violent lyrics, barbaric d-beats and a meat grinder of unrelenting chainsawing guitars - a proud exercise in sonic atavism that has yielded a blood-drenched hardcore punk twilight of total darkness and bestiality. With an overall sound reminiscent of celebrated punk/metal plunderers like Gism, Bone Awl, Hellhammer, Von, Gag, and Glue, the eleven-minute demo has established Puro Odio as an unforgiving beacon of violence and immorality within underground punk and as a perverted sonic exaltation of humanity's most negative and repulsive traits.

Prismatic Shapes is Mexico City's premier post-punk group. Gaining a lot of attention for their sound and visual style, the goth rockers have created a hyper remixed new EP. A rich, synth-layered, minimalist guitar and drum machine approach to a sound from the era of Bauhaus, Echo And The Bunnymen and The Cure. Features two tracks exclusive to the vinyl release and remixes of the single "Gloomy Afternoon" by Twin Tribes, Antiflvx, Erik Aicrag and DMT Berzerk.

Pleasure is a Sydney based music project that utilizes distorted synths, irregular drum beats and fluid song structures to create energetic and hypnotic pieces that straddle the line of bright and abrasive. Following up their LP Saint Alban’s, Pleasure puts forth a 10” Chop Wood, Carry Water. The 7 track record ranges from meditative groove to bombastic destruction all spiked with their signature wonk. Recorded primarily in their own studio spaces the tracks capture the band in a more exploratory state. The trio is comprised of Adam Connelly (synthesizers + vocals) Jonathan Boulet (bass guitar + fx pedals) and Hugh Deacon (drums). When playing live and on record, their music is improvised and unrehearsed with no laptops or backing tracks. “One of us will introduce an idea and the rest will follow.”

Pip Blom is a phenomenal young indie rock band from Amsterdam that’s been making waves in England, a BBC radio darling touring with Franz Ferdinand and The Breeders. Pip Blom is both the name of the band and its leader, a dynamic 21-year-old singer-songwriter-guitarist. Paycheck, the group’s new EP, is a roaring, attitude-laden offering that maintains their playfulness and knack for melody that’s earned comparisons to Blur and Courtney Barnett.

In 2017, a series of hooky singles Blom uploaded to the internet hit over a million plays, bringing a sudden burst of overseas accolades. The 7-inches sold out quickly, and El Diablo (run by Guided By Voices / Yoko Ono manager) has pressed up just 500 copies of this 10-inch. The EP is something of an older sibling to Blom’s previous singles, doubling up on the infectiousness of those early hits but with a bigger crunch. Festival appearances and energetic, gripping live shows around the UK and Europe have solidified the band as a rising star in a new generation of indie guitar bands.

Four-piece post-punk group Ought has been gathering momentum the old-fashioned way, with a humble and deceptively unassuming debut album that's been worming its way into many many ears thanks to its combination of intelligence, authenticity, directness, simplicity and energy; and with live performances in which the band's channeling of genuine passion, politics and charisma are consistently connecting with and exuberantly galvanizing audiences.

Released in April 2014, More Than Any Other Day was showered with accolades. Since then the band has been mostly on the road, racking up tour dates and ramping up the attack on their existing songbook. Discussion of a tour-only release that would grab a couple of the band's self-recorded early tunes and commit them to vinyl shifted by the end of spring towards a realization that Ought might update this material to reflect how the songs have evolved on stage and in concert. An intense weekend session at Montréal's Hotel2Tango in June 2014 yielded new recordings of two early pieces, "Pill" and "New Calm Pt. 2" (the self-recorded 2012 versions of which remain available on Ought's Bandcamp) along with the brand new, more experimental and largely instrumental "New Calm Pt. 3". The fantastic non-album track "Waiting" from the More Than Any Other Day sessions (and the first tune to be given out via Constellation when we announced the Ought signing) rounds out this 4-song, 24-minute, 10" vinyl-only offering, suitably titled Once More With Feeling…

The mighty OM recorded live on BBC Radio 1, Maida Vale, May 13, 2019. The songs continue to evolve; two each from the classic OM releases Advaitic Songs and God Is Good, encompassingly recorded and mixed with the pristine quality that BBC engineers (and OM) bring to recorded sound. Please see the attached appendix for a full list of available OM titles.

Original old stock. Noiseaddict (featuring Ben Lee) were once a very very young trio, and this 10" issues their first demos, originally found as a private cassette release. The sound is lo-fi guitar/bs/drums sputter that almost recalls the long lost glories of the late 70s UK DIY skeletal punk genre (y'know TVP's, Scrotum Poles, Walking Floors, Desperate Bicycles, etc.).

Available on vinyl for the first time! Originally released in 2006 in advance of the band's Wolves In Wolves Clothing album.