Rock & Indie Vinyl 7 Inch Sale 201 Items

Two classic rocksteady sides from Derrick Harriott's Move & Groove label.

Broadway Calls begins their 2024 campaign with another big support tour and more new music to go along with it. This time we've packaged it with their other recent singles to make a nifty 4-song 7" EP. These Oregonian lumber-punks live in the woods and probably eat squirrels, so they thought it would be funny to put a mom with a machine gun on the cover. Uhhh, try that in a small town?

New out on Feral Child is a super limited 7” EP from Italian Kosmische | Library artist Alessio Bosco, under his 30 Door KEY moniker. A wonderful 5 trk 45 heavy on Hauntology vibes, samples, nods to minimal electronica and kosmische. With one foot firmly within the “long lost ‘70s supernatural TV themes” camp, the record is superbly and consistently fresh and ambitious- and comes hugely recommended to devotees of all the above, Trunk records heads and minimal synth, electronica nuts. It looks as cool as it sounds too; screened black board sleeves, with inserts galore and hand numbered to 187 copies on black wax.

Working on a new album and also taking care of some reissues, sadly Melanie Safka paased away in january 2024. This first release from the remastered catalogue campaign on Melanie's own revitalised Neighbourhood Records label (via UKs Easy Action) features the song recently used on the cult TV show Black Mirror, backed with an unreleased version of the 60s hit 'Bo Bo's Party'. This year Shindig Magazine did a 3-page feature on Melanie as more and more people start to ask who is she? The 7" is limited to 350 Colored Vinyl copies and comes in a spined picture sleeve. Melanie landed in the New York City music and radio scene in the late 1960's. Her first single Beautiful People immediately became a turntable hit. Her first tour began with an impressive 40-day run of shows at Paris' world-famous L'Olympia Theater at the personal invitation of Bruno Coquatrix. In the years to come she would entertain millions: at An Aquarian Exposition (the 1969 Woodstock Music Festival), at Carnegie Hall, and the Isle of Wight and Glastonbury music festivals, The Sydney Opera House, the South Korean DMZ, the Theatre Royal Drury Lane, the Royal Albert Hall, and other Venues around the globe. Melanie launched Neighborhood Records, making her the first American woman to open a mainstream record label. She recorded over 20 chart hits. Melanie received an Emmy after composing lyrics for the theme song of the hit television series Beauty and the Beast. "What Have They Done to My Song Ma" was re-recorded by Ray Charles with the Count Basie Band. Nina Simone delivered a remarkable rendition, as well. "(Lay Down) Candles in the Rain" was re-recorded by Mott the Hoople on their 1971 album Wildlife. Meredith Brooks and Queen Latifah later re-recorded the anthem. "Some Say (I Got Devil)" was re-recorded by Smith's frontman Morrissey. Melanie has always known her calling in life was to entertain. Audiences have welcomed her to the stage for more than fifty years, and she hadccontinued to perform live.

London's Ska-Pop-Punksters BUSTER SHUFFLE return to the stage and bringin' with them a brand new Buster-anthem, titled "Hold Back The Rebels"When Jet moved house at the end of lockdown he discovered that he had a very unusual new neighbour. Indeed, there was a turkey living in the next door neighbour's garden, a very, very vocal (day & night) kind of bird. Many a 'cup of tea' in the garden was spoilt by this noisy Meleagridinae (google it). Something had to be done, so Jet prepared his beloved cat and dog (the rebels) to embark on 'an over the fence assassination. His wife, on finding out Jet's intention intervened at the 11th hour and ordered him to 'hold back the rebels'. No turkeys were or will be hurt in the making 7 inch single and tour. The neighbourly dispute was resolved peacefully.Gobble gobble...

Nashville based garage-punk lifers, Wesley & THE Boys, deliver three driving tracks on their debut slab Switchblade Twist. As the only straight-forward garage punk rock n roll band in Nashville, they pull a lot of weight in their local scene and have shared the stage with just about every current touring band in the genre. They also recently ripped it up through the Midwest to make their way towards the first Gbufo Fest in Green Bay hosted by the legendary Time Bomb Tom!

A special 7 inch single presentation of the classic Donovan tracks (The Tinker and the Crab / Wear Your Love Like Heaven) taken from his seminal double album A Gift from a Flower to a Garden.

Fresh from the overwhelming success of their latest album ‘IV: Sacrament’ Lancaster's heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single. Transposing the hymnal classical influences of Handel's Messiah and the spirit of carols the like of "The First Noël” via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel's trademark twin-guitar harmonies and finely honed arrangements, "King Of Israel" is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.

The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.

With rabid audiences worldwide clamoring for a taste of Seattle rockers The Drowns’ latest album Blacked Out, a 7” single release was inevitable! This presented the band and Pirates Press Records with a unique conundrum, however: how do you pick a single with an entire album chock full of wall-to-wall rock ’n roll anthems and no “B-sides”? The only possible answer is this: the double A-side single “Just the Way She Goes” / “1979 Trans Am.” On an album of swaggering, glam-in- fused rock with punk heart, these two standout singles are bound to get fans’ motors revving and hips swaying, all the while building even greater anticipation for the forthcoming album! Both of these singles pay tribute to very different vehicles and the lifestyles that go with them. “Just the Way She Goes” examines the life of a rock band’s relationship with their cantankerous tour van, as a metaphor for perseverance and optimism in the face of life’s adversity. “We all break down from time to time,” relates singer & bassist Andy Wylie, while the music propels the listener forward with enough spirit and energy to overcome any setback. “1979 Trans Am” on the other hand, fronted by singer-guitarist Aaron Rev Peters, is The Drowns’ take on the classic rock ’n roll story of “boy-meets-girl, boy & girl go for a joyride in a classic muscle car,” with a steady backbeat that will get any listener moving!

"Two elevator bangers to get through the gloomy holiday season by Japanese artist, Sonoko, probably made somewhere in the 90's. Merry ye ye"

Here available on 7-inch, 'Drag Of The Day' was taken from the Scottish folk-punk band's 2023 album 'Immune To The Media'.

Out of print and lost to time since 2014, “Sierra’s Song” was originally issued on October 13, 2009, via the Beverly Hills

90210 soundtrack. In addition to THE All- American Rejects, the compilation also

boasted a collaboration between Adele and THE Raconteurs, another one with N*e*r*d featuring Santigold, and plenty of exclusive tracks from other notables of the era. Chronologically, “Sierra’s Song” was recorded around the time of When The World Comes Down, AAR’s third studio album. In an abstract sense, the song is somewhat

of a sonic bridge between certain ballad- centric compositions and arrangements

explored on Move Along (“It Ends Tonight,” “Straightjacket Feeling”) and those later realized on When The World Comes Down (“The Wind Blows,” “Another Heart Calls”). To celebrate the 15th anniversary of When The World Comes Down and properly kick off the band’s first North American headlining tour in over a decade (starting August 11, 2023), Dark Operative is ecstatic to bring “Sierra’s Song” back from the beyond via a special full-color 7” picture disc flexi included with every single copy of the reissued LP. Individual standalone copies are also available for those who already own a copy of the LP and the song can once again be heard on any digital platform worldwide.

Sometimes making music is just a cheap excuse to spend some time with your friends. And so the three of us went touring last winter in South-Denmark or how you would call it: Germany. Whatsoever, here's a tour-split one year too late, but who gives a fuck. If you like danceable music but hate clubs, if you like punks doing non-punk and if you think it's a waste of time to read this, as much as I think it was a waste of time to write this, then maybe you should just give this record a try.

7" and Tape in Gold or Silver with Poster, Postcard and five Poodle Pins. Destiny decides - golden edition comes with autgraphed postcard. Good luck!

Brand new on Feral Child, comes a sublime debut 45 from an incredible female electronic / performance duo Digital Roses. Following a chance meeting in a library and an overheard discussion about Daphne Oram, Delia Derbyshire and the Radiophonic Workshop- Dom FC was sent a bunch of demos and 2 of these fabulous pieces grace their first release on 7" here. The band describe themselves and their sound thus: “Digital Roses are two queer multidisciplinary arts based in London, whose sound has been described as “hyper-soul” meets “Nordic noir electronica”; a musical feast of experimental art pop, ambient noise, and wistful soul melodies. Rising from a multidimensional conceptual framework, Digital Roses avail contemporary visuals, computational forms, sound synthesis, and sound art, together with organic instrumentation and voice, to explore the emotional landscapes of the human condition. They aim to share their journey, observations, and musings with the same beautiful, painful, and sometimes aggressive nature that can be found everywhere there is humanity. ‘Waterfalls’ is a song inspired by the mysticism of the Toka Leya Waterfall tribes of Victoria Falls. The tribe’s name loosely translates to ‘those who crossed over to keep away from trouble’, and their drums are believed to hold supernatural powers. The song is the first stop in the imagined mystical journey the Digital Roses take us on. The aftermath of this musical exodus is where we encounter the mysterious and haunting lamentation that is the B-side track ‘Under the Sea’”. Beating off a mini label tug of war for the right to release the mighty “waterfalls”, Feral Child is thrilled to bring this debut release to the table. Icy cool, elegantly experimental electronica which -to these ears- is one of the year’s best singles so far…

Blues Lawyer is back on Dark Entries with a new 7” EP of summery alt-pop. Fresh off the heels of their critically acclaimed Dark Entries debut, Sight Gags On The Radio expands the Blues Lawyer universe, one where lovelorn millennials struggle to find their place. The four songs were recorded one afternoon by Rob I. Miller, Blues Lawyer co-founder and chief songwriter, in the band’s Oakland rehearsal space. It was recorded just days before Elyse Schrock (singer, songwriter, drummer, and music video creator) would be leaving the Bay Area – her home for the past decade – due to the soaring cost of living. The first single, “Have Nots,” shows the band moving away from the rapid chord changes that characterized their earlier work towards hazy guitar textures. It is accompanied by a tender music video portrait of the band reuniting in Portland, where Schrock now resides. The video documents the band’s touring life: playing pizza parlors and billiard clubs, sleeping on floors, and killing time between gigs. These touching images are elevated by Schrock’s trademark animations and editing style. Blues Lawyer also experiment with new songwriting configurations on this EP. “True Love’s Only Name,” was musically developed by Blues Lawyer guitarist, Ellen Matthews, lyrically by Miller, and sung by Schrock. Sight Gags On The Radio captures the essence of the band's sound but also reflects their development as songwriters. The outcome is Blues Lawyer’s most compelling artistic proclamation to date. Each 7” is housed in a warm orange toned jacket designed by Eloise Leigh featuring lyrics on the back. Blues Lawyer - Sight Gags On The Radio 7” EP releases Friday, September 29th via Dark Entries days before the band embarks on their first tour of Europe and the United Kingdom.

A live recording of "Cosmic Cycling" by Virgin VS, which was a big hit as the ending theme song for the anime "Urusei Yatsura", is now available on 7"!! The cover illustration was drawn by popular animator Naoyuki Asano, who is also a character designer for the "Urusei Yatsura"! The enclosed bonus is a three-song CD containing the AB-side songs from this 7", in addition to "Nejikireta Yoru" (1983 studio demo), which was not included on the original album and is being released for the first

The '21 album by Sky Mata (Yūtai Bijin), a prodigious bedroom folk S.S.W. from Sapporo, is now on LP!

The latest work by the Sapporo-based home recording project Sky Mata is now available in analog form. Each side consists of seven or eight songs on this nostalgic, cinematic, and stunning lo-fi avant-pop suite.

Sky Mata has been releasing works since the mid-2010s, and their self-titled EP under the name Ghostly Beauty, which was released in analog form in 2021, has also made a big splash. It is now available in analog form. The album has a unique sound that combines the romanticism of folk music from half a century ago with an inorganic, futuristic world. The improvisational and flowing performance that intersects jazz, lounge music, and exotic, and the unique vocal style that spins pop melodies in a humorous way are also filled with a mysterious charm. If I had to name an artist of the same era, I would cite Sam Gendel as a great masterpiece.

The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

One of three cover 7" titles by Kotaro Furuichi, who has been actively working as a solo artist and actor in addition to being the guitarist of THE Collectors. "Yotte Sourou" by George Yanagi & Rainy Wood, released in 1978, coupling with "Kinpouge" by Kai Band, released in 1977.

One of three cover 7" titles by Kotaro Furuichi, who has been actively working as a solo artist and actor in addition to being the guitarist of THE Collectors. "Taisetsu na Hito" (Precious One) by Smile, released in 1999, coupling with "Ookami ni Naritai" (I want to be a wolf) by Miyuki Nakajima, released in 1979.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

Contains 3 Swords bonus tracks: Spineless, Carnival, Grinning Like a Barracuda Red and white striped vinyl with blue and yellow splatter Download card

Four new tracks from Philadelphia's Eyes of the Amaryllis recorded in 2021-2022. Following up their debut album Sift released on Horn of Plenty in 2022, the group continues in the same path with their intimate, earthly and very much homespun music. The sublime title track almost resembles a folky Dadamah while some of the other songs are somewhat looser compositions. Eyes of the Amaryllis consists of Goda Trakumaite, Esther Scanlund, Jesse Dewlow and Jim Strong. 45rpm, mastered by Lasse Marhaug. Edition of 200 copies.

Blue Transparent Vinyl.Explore the Duster universe on the far superior 45RPM format. This deluxe triple 7" box contains Duster's first single _ 1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance-Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Modes also contains a Duster-branded hanky for those who like to accessorize.

Explore the Duster universe on the far superior 45rpm format. This deluxe triple 7" box contains Duster's first single_1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance- Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Mode s also contains a Duster-branded hanky for those who like to accessorize .

For this limited edition Masters Series release, we enlisted the help of two of the world's heaviest collectors and djs, and champions of the Preservation Project from day one, Supreme la Rock on Side-A, and Skeme Richards on the B-Side.

Both gentlemen tackled reworking and re-editing funky previously unreleased psych songs. Both songs, "Sad Country Boy" on Side A and "Your Mind" on Side B, are by unknown groups and both feature drum breaks intros - perfect for you to cut up, so you're gonna need two copies. We won't be mad at you if you feed the breaks and chop them up either. This one is for the heads.

PxTxA (Psycho Thrash Adventure) continues to lead the Kumamoto Mixture scene! PxTxA is releasing a 7" single with two tracks! The 7" contains two songs, one is a fast and furious hard rock tune and the other is a funky mixture tune, both of which could have been on the A-side!

Ssvu is an art rock band featuring Butch Vig and Silversun Pickups, examining pop culture through existential true-life encounters. “There was so much kinetic energy during the making of physical thrills and sometimes it needs a place to live. While we were listening to BV talk about his adventures with the famous, we would bounce around and start turning them into songs. And just like that, Ssvu.” This limited edition RSD-exclusive 7” will be limited to 2500 copies. Contains two songs - “David Lynch Has a Painting Made of Flies Eyes” and “Suzanne Ciani.”

These sides are prototypical for the "Sounds Like Santana" genre coined at the Friends of Sound record store in Austin, TX years ago. Heavy Latin Rock fusion on these tracks, with just a pinch of Jazz thrown in for good measure. "Evil Deeds" starts right into it the moment the needle hits the groove on your turntable - heavy organ, percussion, shakers, and guitar all greet your ears. Moving into the track you get the typical shredding guitar solo, organ solo, and a sax solo, for good measure. "Time and Space" starts with a nod to the classic Dave Brubeck "Take Five" and continues on an adventure into a more psychedelic groove and more of a Rock vibe. Time changes and tempo shifts and big solos round out the side.

David Gedge says in September 2022: "Every now and again, Wedding Present tracks come along which I know for a fact will divide our fans. It happened when we did the `Ukrainian John Peel Sessions' and again when we released `Seamonsters'. And then there was our take on the `Theme From Shaft', of course. It's almost become a Wedding Present tradition to alienate a certain section of our followers from time to time! So, when Jon explained that, for `We All Came From The Sea', he wanted to record a very repetitive track that was punky yet dancey, I knew that that time had come around again. However, I loved the idea and had no hesitation in channelling my inner Nile Rodgers to match his Banshees-like guitar playing. `Summer' is kind of different, too. As the title suggests, it's a sunny pop song... well, until my overdrive pedal goes on at the end, anyway. So_ fingers crossed for an Indian summer, this September, then?" This year The Wedding Present will be releasing a new 7" single every month, #9 is available for indie record stores only soon This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features - you may have already guessed - one WP original as well as one cover version. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww.

Brand new recordings from two of the heavy rock underground’s most vital acts: "Chain Yourself" sees Wytch Hazel deliver a blistering slice of classic early eighties style heavy metal complete with 16’s on the "disco hats" and hooks that will lodge in your cranium from first hearing, while Spell’s “New World” is a riveting take on Strawbs’ gothic folk masterpiece. Rich mellotron and ghostly harmonies condemn violence in a delicate balance of fragile beauty and disquiet force.