Rock & Indie Vinyl 7632 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bleed Like Me 2024 Remaster Edition

Garbage

LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bleed Like Me 2024 Remaster Edition

Garbage

2LP | 2024 | EU | Original (BMG Rights Management)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Descriptive Black Vinyl Record Store Day 2024 Edition

Corviria

LP | 1980 | EU | Reissue (Redi Edizioni Musicali)

37,99 €*

Nashville Goes Fuzz Black Vinyl Record Store Day 2024 Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Italian library music obscure cult release Officially reissued for the first time ever Originally released in 1980 "Descriptive" completes the series of official reissues of the only two LPs released under the Corviria moniker by Edizioni Leonardi in 1977 (Psyco Analysis) and 1980 (Descriptive) respectively. Both are among the most obscure titles of Italian library music, whose composers can only be traced in the figures of Luigi Bergonzi and Vittoria Corona.

Musically, "Descriptive" marks an evolution of the electronic and dark sound of the previous "Psyco Analysis", starting with the fourpart opening minisuite "Evil's Suite", a genuine trip into kraut and progressive rock territories, then continuing with the abstract and mysterious "Suspence Effect One / Two" and finally with a series of more conventional and easylistening tracks that for the most part recall the sounds of Tangerine Dream from that period.

Just like "Psyco Analysis", the mysterious "Descriptive" now eventually enjoys a muchneeded and welldeserved reissue, the first one ever, faithful to the original, on the occasion of Record Store Day 2024!

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V.A.

LP | 2024 | US | Reissue (Iron Mountain Analog Research)

42,99 €*

Lifeblood 20th Anniversary Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 500 copies 250 'City Of Sin' Neon Orange LPs / 250 'Midnight Mayhem' Black LPs (randomly inserted) From the fiends who brought you Hillbillies In Hell...

Birthed accidently at Bradley's Owen's Nashville studio in July 1960 on a Marty Robbins session, the Fuzztone was soon appropriated by the hipster punks of Garage Rock and Psychedelia across countless iconic underground and overground recordings like The Electric Prunes' 1966 'I Had Too Much To Dream Last Night' and The Stooges 1969 'I Wanna Be Your Dog.'

Less known, however, was that Country Music also embraced the Fuzztone across the mid1960s and produced Fuzzedup Bawdy Trucker ballads like The Willis Brothers' raucous 'Soft Shoulders, Dangerous Curves', buzzing odes to Psychic Vengeance such as Johnny Darrell's sweet 'Mental Revenge' and surreal Lovesick Screamers like Billy Gray's 'Rotten Love.'

The Original Hayseed Fuzztone Freak Out is here.

Get ready. Waylon Jennings makes fingers bleed on his blisteringly poignant poverty parable 'Six Strings Away', Ferlin Husky breaks the bridge on his smooth 'I'll Sail My Ship Alone' and the man who invented it all, Grady Martin, delivers in spades 'The Fuzz.'

Years in the making from Music City U.S.A, come 18 screeching slices of serious Nashville cowpunk mayhem and nervous backwoods niche novelty.

You have been warned...

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Manic Street Preachers

2LP | 2024 | EU | Original (Sony Music Catalog)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Bureau B)

Faust

Momentaufnahme III

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1997 | US | Reissue (Sonic Youth)

Sonic Youth

Anagrama

7" | 2024 | US | Original (TKO)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its independent mindset by releasing a series of opaque-looking, French-language-dipping, highbrow-looking releases on their own that focused on the more abstract improv/compositional side of the band; in all truths they had been heavily steeped in self-releasing spillover material prior to that. But after a pressure pot of the early 90's indoctrination into a new operational mode for the band and its visibility, and the forces around it attempting to shape their direction, it seemed like a good time to create a strong show of radical concept. The Anagrama EP became the first in a series of the SYR label's Perspective Musicales releases seemingly cementing Sonic Youth's connectivity to an increasing public awareness in experimental composers of the 20th century (French or otherwise). The irony was that many of those original avant composers being rediscovered by the indie audience (Partch, Neuhaus, Reich, Messaien) often found themselves on major labels anyway! So, perhaps this reverse approach was a necessary concept/comment given the music biz climate of the 90's. Regardless of how apples and oranges fell in Xenakian probability/theory, it was clear that both Sonic Youth's stature in progressive music, aided by now unlimited taperoll time thanks to a home base studio downtown established after their Lollapalooza stint, gave the band plenty of trailblazing time for their self examination of untraveled avenues. "Anagrama" unfolds into nine minutes of delicate textures, starting with thick drone segueing into moments reminiscent of the post-crescendo flutter/comedown of "Marquee Moon's" trail-out; Thurston, Lee and Kim's guitars all circling round each other taking delicate pokes and stabs before drifting into some post-rock rhythmic moves tapered with complementary percussive guidance from Steve Shelley. "Improvisation Ajoutée" reaches further out into dissolve with whirring oscillations, guitars hissing and clanking radiator-style in a short blast format that continues into "Tremens" and a spooked-out landscape of gelatinous notes snaking up slowly. The sparseness of attack is colorful, textures emit and linger, silent spots shine, all flanked by tasteful drumming that provides the thread to all the abstraction. Shelley's approach here is interestingly sideways to any kind of usual rock action, it's tempered, mutant and metronomic simultaneously. The finale track "Mieux: De Corrosion" is a real pedal-palatte showcase. Here, Plutonian guitar wash flanges upwards to buoy a myriad of colorful eruptions of amp-spuzz, chopped up tone blasts and general confusion. Out of the blue, some metallic one-note choogle kicks in and threatens to explode into some Judas Priestly motion, before it all sputters into aural glass showers, clang, and finally a ferocious wave of more flange hiss that crashes down on a dime. This initial foray into SY's Perspectives Musicales series continued onward with releases featuring other co-conspirators, peaking with the ambitious 2CD Goodbye 20th Century that finally connects the band into full-on interpretations of other composers' pieces (as well as displaying their own new ones). The whole series is not so much an outlet for another "side" of the band, but a run that went hand in hand building new approaches of songcraft onto their own, more overground direction which included Jim O'Rourke (who hopped on during Syr3), adding additional density to A Thousand Leaves and other LPs of his era. Fans of the '86 Spinhead Sessions as well as the recently-exhumed later jams of In/Out/In will take in the sounds of Syr1 with glee. - Brian Turner

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Poison Idea

Tribute To G.I.S.M.

19,99 €*

LP | 2024 | EU | Original (Guruguru Brain)

Release: 2024 / US – Original

Genre: Rock & Indie

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Japan's hardcore punk pioneers G.I.S.M. were a band whose influence reached the remotest corners of underground music the world over, shaping the look, sound, and approach of generations of punk, hardcore, metal, and other extreme music acts for the last 40 years. Chief among their early Western champions was America’s own hardcore punk trailblazers, Poison Idea. If the metal/punk sound of Poison Idea's mid-to-late era recordings wasn’t evidence enough of this influence, look no further than the G.I.S.M. logo proudly adorning Jerry A’s leather vest on the back of 1987's War All The Time. Upon learning of G.I.S.M.’s visionary frontman and creative architect Sakevi YOKOYAMA's death on August 24th, 2023, Poison Idea and TKO felt compelled to honor the monumental legacy left in the wake of this loss, and we are now proud to present the result with Poison Idea's Tribute To G.I.S.M. 7” EP. Collecting both G.I.S.M. covers from P.I.'s 1993 We Must Burn sessions for the first time ever, every facet of this EP is a carefully crafted ode to the inimitable and uncompromising spirit of Sakevi and G.I.S.M. “Endless Blockades For The Pussyfooter” appears as a previously unreleased mix that differs from the version featured on We Must Burn, while “Death, Agonies & Screams” is the same version that appears on Poison Idea's posthumous Religion & Politics EP. Rounding out the track list is a newly composed noise piece by Jerry A and Andrew Stromstad, “Pig Scream”, paying tribute to the avant garde sound of G.I.S.M.’s later material. From the artwork and layout to the recordings, Tribute To G.I.S.M. is precisely that—an earnest homage to one of punk music's most fearless and singular voices, and to the inarticulable immense, immortal legacy of Sakevi Yokoyama.

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Lair

Ngélar

LP | 2024 | US (Asian Man)

Release: 2024 / EU – Original

Genre: Rock & Indie

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In Ngélar—the sextet’s sophomore LP—deeper social narratives and more intimate subject matters are more apparent. In which they speak a lot about ‘tanah’ or ‘land/soil,’ owing a lot to the fact that their hometown, Jatiwangi’s history of being the country’s largest producer of clay/terracotta-based products. The people in Jatiwangi’s intertwining relationship with ‘tanah’ is simply unparalleled—even their instruments are mostly made of terracotta.

From the reimagining of their hometown’s past glories, Lair, along with singer/songwriter Monica Hapsari (who co-wrote and co-composed three songs in the album) and Go Kurosawa (Kikagaku Moyo) helming the project as the producer, sings about the rituals and traditions of harvest, to sending off prayers towards their once-prospering land and the ruins of what was once a dense forest in Jatiwangi, which they are currently trying to reclaim while racing with the massive wave of industrialisation. It is a contextually-sorrowful album as much as it is a candid, cheery commemoration of the band members’ everyday life in today’s northern shores of Java, Indonesia.

Ngélar is one of the words that might be able to describe the essence of Lair as a group. The word itself can be traced back to the locals’ culture of ‘going around in celebration of something.’ In their village, ngélar simply means a traveling performance, in which the performers would play music and go around the village, greeting the people around them as they move from place to place, or simply within their immediate surroundings, indicating that there is something nearby that is being celebrated.

Lair is simply in love with ‘journey,’ ‘time,’ and all of their interactions. Ngélar, for them, is a representation of their journey. How they go around, interacting and communicating, to celebrating and making sense of everything that is going on within and around them. For Lair, Ngélar is a method, a creative process, and—as an album—a culmination of each of their journeys since the group’s founding.

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Teens In Trouble

What's Mine

19,79 €* 21,99 € -10%

Hellish Expectations Crimson Red Wblack Smoke

Release: 2024 / US

Genre: Rock & Indie

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This is the debut LP from Teens In Trouble. Hailing from Raleigh NC, indie punk influenced by bands like the Breeders, Momma, Beach Bunny, THE Pixies, Weezer. Fronted by singer/songwriter Lizzie Killian with guest appearances by Stefan Babcock from PUP, Mike Huguenor from Death Rosenstock, Lucy Giles from DOG Party. Produced by Randy Moore. Recorded at District Recording in San Jose, California.

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Midnight

LP | 2024 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dear Life)

MJ Lenderman

Boat Songs

Release: 2022 / US – Original

Genre: Rock & Indie

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Butterflies Don't Go Away Ghost Of Fun Milky Clear Vinyl Edition

Majesty Crush

2LP | 2024 | US | Original (Numero Group)

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Everyday Slaughter Black Vinyl Edition

Disfear

LP | 2023 | EU | Original (La Familia)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bogatini / The Whip Limited Edition Vinyl Edition

Four Instants / Creep

7" | 2023 | EU | Original (Swingin` Sides)

9,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Singles Going Steady 45th Anniversary Clear Orange Vinyl Edition

Buzzcocks

LP | 1979 | UK | Reissue (Domino)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Living Is Easy / The Circle Chant Colored Vinyl Edition

Agriculture

LP | 2024 | US | Original (The Flenser)

What Comes After The Blues

Release: 2024 / US – Original

Genre: Rock & Indie

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The Flenser is pleased to announce the release of Living Is Easy, the latest EP from ecstatic black metal band Agriculture. This new EP will be paired with the band’s debut EP, The Circle Chant. For the first time, both EPs will be pressed together on a single 12-inch vinyl record as well as a cassette format

Living Is Easy represents a significant new statement from the band. With their debut self-titled, Agriculture embarked on a journey to explore how heavy music can provide insights into the joys of life, both everyday and divine. Their extensive touring with this material led to a profound experience of ecstasy, surpassing expectations as they shared the intensity and joy of these songs with audiences worldwide. This experience was a catalyst for the band, inspiring them to delve even deeper into the realm of “ecstatic black metal” music. They believes that with this release they have pushed this concept to its limit, resulting in a transformative explosion of sound and meaning.

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Magnolia Electric Co.

LP | US | Reissue (Secretly Canadian)

Release: US – Reissue

Genre: Rock & Indie

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Automatic-20th Anniversary Edition Remastered

The Turbo A.C.'s

3LP | 2024 | EU | Original (Concrete Jungle)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Same Place The Fly Got Smashed Transparent Red Vinyl Edition

Guided By Voices

LP | 1990 | US | Reissue (Scat)

26,59 €* 27,99 € -5%

Look To The East, Look To The West Black Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Originally released in 1990, Same Place The Fly Got Smashed was Guided By Voices’ fourth album in as many years. Roughly a concept album about an alcoholic named Joker Bob who goes on a bender, someone dies, and Bob gets the chair (“the electrifying conclusion”). From the moment the needle drops, the listener is served notice that this isn’t going to be an easy listen, as an argument taped off of a TV cuts to a basement recording of a lone, blaring electric guitar with someone yelling over the top. But for those brave enough to pass the opening hazards, there are wonders within.

This particular album has come to be held in higher and higher regard by fans, and they are correct to consider it a top-tier release. The story and sequence have a flow, and consideration for approachability is optional. Many of the crudest tracks reveal themselves as necessary stitches in the album’s tapestry. Yet it also contains all time greats like “Drinker’s Peace,” “Mammoth Cave,” the epic “Local Mix-Up/Murder Charge,” and of course “Pendulum” with its immortal opening line: “Come on over tonight, we’ll put on some Cat Butt and do it up right!”—a rare break in the clouds on one of the band’s darkest albums.

This reissue, like the previous ones in this series, is a mostly faithful reproduction of the original pressing of 500 on the band’s own Rocket #9 label. And like the others, the virgin RTI vinyl is housed in a thick tip-on jacket, and includes Robert Pollard’s original handwritten lyric insert.

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Camera Obscura

LP | 2024 | US | Original (Merge)

Dead Club City Deluxe Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Look to the East, Look to the West", das neue Album von Camera Obscura, ist eine Offenbarung. Die von Tracyanne Campbell geleitete Band hat sich wieder mit dem Produzenten Jari Haapalainen zusammengetan und ein Album geschaffen, das daran erinnert, warum die langjährigen Fans sie seit Jahrzehnten heiß und innig lieben, und das gleichzeitig ihr bisher anspruchsvollstes Werk ist. Es ist auch das am härtesten umkämpfte Album in der Karriere von Camera Obscura. Nach dem Tod von Gründungsmitglied, Keyboarder und Freund Carey Lander im Jahr 2015 (an den der vorletzte Track "Sugar Almond" gerichtet ist), ging die Band in eine längere Pause. Sie blieben in Kontakt, aber ihr Status war ungewiss. Nachdem sie eingeladen worden waren, im Rahmen von Belle & Sebastians Kreuzfahrtfestival Boaty Weekender 2019 aufzutreten, kündigten sie ihre Rückkehr an. Donna Maciocia (Keyboards und Gesang) stieß bei diesen Shows zu den Gründungsmitgliedern Kenny McKeeve (Gitarre und Gesang), Gavin Dunbar (Bass) und Lee Thomson (Schlagzeug und Perkussion) und ist seitdem Songwriting-Partnerin von Campbell. Aufgenommen im selben Raum, in dem Queen "Bohemian Rhapsody" schrieb, fühlt sich "Look to the East, Look to the West" groß an, eine Breitwand-Neuinterpretation des Camera Obscura-Sounds, bei der die Band paradoxerweise zu den Grundlagen zurückkehrte - es gibt keine Streicher- oder Bläserarrangements, der Schwerpunkt liegt auf Klavier, Synthesizern, Hammond-Orgel und Drumcomputern, und, was vielleicht am auffälligsten ist, die Gruppe hat den Hallschleier fallen lassen, der ihre früheren Alben charakterisierte. Der Hauch von Country und Soul, der Camera Obscuras barocke Interpretation von Popmusik so bittersüß macht, war noch nie so offensichtlich - die Gitarren schimmern in die Ferne, die Tasten spuken, und Campbells Stimme sucht nach dem Herzen, reflektiert über Liebe, Verlust und den Lauf der Zeit. "Look to the East, Look to the West" ist Camera Obscura in seiner besten und eindrucksvollsten Form, ein Album, das den emotionalen Kern des Hörers völlig neu ordnet und ihn gleichzeitig traurig und beschwingt zurücklässt. Der Katalog von Camera Obscura ist voll von Liedern, die Menschen als lebensverändernd bezeichnen, Lieder, die sie ihr ganzes Leben lang begleiten werden. "Look to the East, Look to the West" hat 11 davon zu bieten.

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Nothing But Thieves

2LP | 2024 | Original (RCA International)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Born Bad)

Gwendoline

C'est A Moi Ca

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Music On Vinyl)

Fear Factory

Obsolete

Release: 2018 / EU – Original

Genre: Rock & Indie

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Transnational Speedway League Blue Vinyl Edition

Clutch

LP | 2024 | Original (Weathermaker Music)

56,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2009 | Reissue (Glassnote Entertainment Group)

Phoenix

Wolfgang Amadeus Phoenix

Release: 2009 / Reissue

Genre: Rock & Indie

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In The Beginning Radio Broadcast 1967-1970 12

The Doors

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Reds, Pinks And Purples

Unwishing Well White Vinyl Edition

LP | 2024 | UK | Original (Tough Love)

Menos El Oso Half Translucent Greenhalf White Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks & Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements. Donaldson channels that psychic spirit and journeyman earned wisdom to provide contemporary era rock operas that eulogize tales of infinitely influential rises and falls. Crystalizing the tragic self-celebrating kingdoms of fortunate failures, false heroes, music press deities of limitless deceit, hometown dive gods and humanity in the grips of all its romanticized wonder and woe — the latest sortie of the sensational and spectacular takes aim at the threads of hope and an untethered abandon into the intimacy and dualities of idolatry and isolation with Unwishing Well.

Ever since its emergence from the harried late 2010s — The Reds, Pinks & Purples have become the absolute encapsulation of Donaldson's own proliferation and prestige. From a musical legacy that chronicles a long list of minor successes and major tragedies; Glenn distills the timelines of distinction from yesterday, today, tomorrow and whatever may be into a musical phenomenon that embodies something more than all of its analogous inspirations. Beyond the clamor about the retro cult pop artistic allusions and tropes that can be found in those spirit expanding kaleidoscope chord chimes; Donaldson takes you on a guided tour through the San Francisco underground movements that would have been, could have been or perhaps never were at all from the start. The Reds, Pinks & Purples’ coveted catalog inadvertently, consciously or unconsciously, offers an authorized and anonymous history of imperfect and ambitious debutantes, dilettantes, auteurs, et al. The lauded visionaries whose volition informed the big money touring stage headliners, but only enjoyed a fleeting jaunt through the glorious corporate clad carnival canopies from the touring circuit routes and tech funded festival tent tabernacles. Unwishing Well is a eulogy for the buzz bands that crashed, the wily one hit wizards, and omnipresent (and often uninspired) eternal aesthetes who work the lucrative outlets of licensing media markets.

Glenn pulls no punches with the promiscuity of the pop machines and their exploited propped up brand ambassadors on the cutting "Your Worst Song is Your Greatest Hit" that tangles with the lumbering and inescapable creatives and careerist trajectories that trade in boardroom playbooks and verticals. Expressions and influencers break out into the collective commissaries of commerce exhibitionism on “Public Art”, to auditing the forums of fandom that pertain to developed affinities and the roads to rabid infatuation with the obsessive in earnest, “Learning to Love a Band”.

And while the Glenn spins many yarns on the under-appreciated secret histories of DIY, Unwishing Well offers cathartic hymns of modern malaise. Sighing in lamentation of regressive trends, “What’s Going on with Ordinary People'' balks with concern over contemporary states of devolution, while “Faith in Daydreaming Youth” questions what vestiges of hope and valor can be found in the new vanguards of political bodies that govern the world’s sovereign daydream nations. The dustbins of dastardly discontinuity are imbued with desire and grief on the dramatist tragedy of “Dead Stars in Your Eyes”, to basking in the discarded ditches of the damned below in voids of obscurity on “Nothing Between the Lines at All”. The human addiction to languishing in anguish, misery and negativity tussles, tosses and turns on “We Only Hear the Bad Things People Say”, the penultimate ode to inherent human infallibility as Donaldson rides the audience out into the gilded sunset glow of “Goodbye Bobby”.

The central set piece of Unwishing Well revolves around the title track that wrestles with wellness and wishes tempered by the sobering reality of ultra pragmatic skepticism. Donaldson shows the audience where the dream falls short, an indictment on the fickleness of wants and the life/work/art balances of making it all work. It's the group that never makes it, the idea that never gets off the ground, the recognition that never arrives, the raise that is never awarded, nor the promotion to the next ladder rung that remains laughably inaccessible. Glenn has the gift of bridging the divide between the hunger artist, their adoring cult public and the common threads that connect these local and global communities through the humanist cause of collective commiseration.

As increasingly found in the continued adventures of The Reds, Pinks and Purples canon — Glenn circles the drain of surrendering to unabashed sentimentality in passions worthy of being showcased as the top headlining spot that your favorite revered then later reviled pop act never even had the chance to claim or ascend. Unwishing Well uplifts and uproots the undercurrents that carry the commonalities between the spectators and the spectacles. Donaldson pays homage in heart to everything and everyone that never got their due or to the lucky ones that made the grade, but paid an ultimate price. The cycle of these pop vignettes depict successes and failures in the same sentences, existing within the same stanzas, where the stories of making it and breaking it operate as events that live on different sides of the same coin. Unwishing Well is a reflection of us, the icons we adore, the Adonises we worship, the false prophets that proselytize the edicts from theses cults of personality, the fallouts, the third acts and the artistic fabrics that spool these sub-sects of artful dodgers into the stuff of legend.

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Minus The Bear

LP | 2005 | US | Reissue (Suicide Squeeze)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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So Medieval White Vinyl Edition

Blue Bendy

LP | 2024 | UK | Original (The state51 Conspiracy)

Blessings Of The Highest Order White Vinyl Editoin

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘So Medieval’ captures all the musical foibles, idiosyncrasies and departures from the norm which Blue Bendy have displayed across their previous releases. Expressing their sound over the course of a full record for the first time, ‘So Medieval’ is an explosive mix of genre, atmosphere and emotions. The end result is something rare for a new band: a debut album which is as experimental as it is confident and assured, as tender as it is visceral, as quiet as it is loud, as bloody as it is teary.

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Thou

2LP | 2024 | US | Original (Sacred Bones)

33,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Ramona Gold Vinyl Edition

Grace Cummings

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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This Is All We Ever Get Spring Green Vinyl Edition

Spaced

LP | 2024 | US | Original (Revelation)

LP | 2024 | EU | Original (Aaa / Am Anfang Angekommen)

Release: 2024 / US – Original

Genre: Rock & Indie

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Spaced live up to their name, blending hardcore with out-of-this-world sounds to create an explosive and hallucinogenic landscape. Originally formed in 2019, the Buffalo, NY-based band would burst onto the scene in 2021 with their four-song demo, followed by the 2022 compilation Spaced Jams and a split single in 2023, both on New Morality Zine. On This Is All We Ever Get, the band pulls from a wide range of influences while still staying centered around individuality. Working with Jay Zubricky (mindforce, Terror) at GCR Audio in Buffalo, NY, Spaced knocked out recording over a few days in May 2023 and sent the album off for mastering with Will Killingsworth (orchid) at Dead Air Studios. The eight tracks on This Is All We Ever Get are enthralling and dynamic, with the longest run time hitting two minutes and thirty seconds. Opener “Landslide” leads with a huge bounce, as vocalist Lexi Reyngoudt’s shouty approach drives off the band’s circling rhythms primed for side-to-side mosh. Spaced has quickly become one of the buzziest bands in the genre thanks to their blend of “farout hardcore,” garnering praise from press including BrooklynVegan, Stereogum, and Revolver. The band has been able to take their high-energy live show across North America and Europe, performing alongside bands like THE Armed, Snapcase, GEL, and SPY. With heavy touring plans already on the docket for 2024 including a US run supporting Militarie GUN, Spaced is continuing to assert themselves as a must-see live act. Ringing true to the title of This Is All We Ever Get, Spaced is set to hit the ground running on their own terms to make 2024 their year. The band stresses, “We want to continue to express the importance of being ourselves and tell the listener to either get with it or get out.”

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Georg Auf Lieder

8-Spur 22607+22419 Tape

Release: 2024 / EU – Original

Genre: Rock & Indie

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Natures Melody Black Bio-Vinyl Edition

People

LP | 2024 | UK | Original (Tramp)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Amboy Dukes Lime Green Vinyl Edition

The Amboy Dukes

LP | 1967 | US | Reissue (Sundazed)

LP | 2024 | EU | Original (Sub Pop)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

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Corridor

Mimi Blue Vinyl Ediiton

Angeltape Obsidian Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Rock & Indie

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You get older, you have a family, and you start to slow down-that's how things are supposed to go, right? Not for Montreal band Corridor, who have returned on their fourth album, Mimi, with a sound and style that's more widescreen and expansive than anything that's preceded it. The follow-up to 2019's Junior is a huge step forward for the band, as the members themselves have undergone the type of personal changes that accompany the passage of time; even as these eight songs reflect a newfound and contemplative maturity, however, Corridor are branching out more than ever with richly detailed music, resulting in a record that feels like a fresh break for a band that's already established themselves as forward-thinkers. Mimi immediately recalls the best of the best when it comes to indie rock-Deerhunter's silvery atmospherics immediately come to mind, as well as the spiky effervescence of classic post-punk-but despite these easy comparisons, Corridor remain impossible to pin down from song to song, which makes Mimi all the more thrilling as a listen. "The goal was to work differently, which is the goal we have every time we work on a new album-to build something in a new way," Robert explains. "This time, we took our time." And so in the summer of 2020, Corridor's members-Robert, vocalist/bassist Dominic Berthiaume, drummer Julien Bakvis, and multi-instrumentalist Samuel Gougoux-holed away in a cottage to engage in the sort of creative experimentation that would lead to Mimi's ultimate creation. Corridor tinkered with the songs' raw parts digitally and remotely over the next few years, with co-producer Joojoo Ashworth (Dummy, Automatic) lending their own specific talents in the theoretical booth. The process was a byproduct of not having access to their rehearsal space due to the Covid-19 pandemic, but also a result of the four-piece leaning harder into incorporating electronic textures than on previous records. "For a long time, we identified as a guitar-oriented band, and the goal of making this whole record was trying to get away from that," Berthiaume states. Berthiaume also describes Mimi as a record about "getting older" and "figuring out new parts of life"-but despite any claims of transitional growing pains from the band, Mimi is a record bursting with new energy and life, a vibrance that's owed in no small part to Gougoux joining the band full-time after pitching in on live performances in the past. "I come more from a background of electronic music, so it was nice to involve that with the band more," he explains, and Mimi contains a distinct rhythmic pulse reminiscent of classic era-post-punk's own melding of dance and rock textures. Over bright, chiming guitars and ascending synths, Robert addresses his looming mortality on "Mourir Demain": "I wrote it when my girlfriend and I were shopping for life insurance," he laughs. With our little daughter growing up, we also considered making our will. I said to myself, 'Oh shit, from now on I'm slowly starting to plan my death." Don't mistake this as music about dead ends, though, as Mimi embraces and champions unfettered creativity while paving a way for Corridor's own bright future. "We just focused on making a record that sounded the way we wanted," Gougoux exclaims while discussing the band's aims. "There were no limitations when it came to what was possible."

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Drahla

LP | 2024 | US | Original (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Endless Limited Violet Vinyl Edition

Clowns

LP | 2023 | EU | Original (Fat Wreck)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Fire)

Bardo Pond

Volume 9

22,99 €*

Trail Of Flowers Transparent Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Black vinyl, DL card. Bardo Pond’s extensive archive recordings series opens up once again with 'Volume 9', an incisive journey into their hypnotic sound. Recorded in the early 2000’s it’s a heady mix of acoustic ambience and menacing distortion. Infamous purveyors of longform stoner rock, Bardo Pond embrace their sludgestorms with graceful nods to Hawkwind, Earth and my bloody valentine. For anyone uninitiated with the band’s tranquilizing sound, Volume 9 leans into their mesmeric practise with reckless abandon. Featuring two tracks recorded with ace percussionist Michael Zanghi (Kurt Vile/The War On Drugs) and the seminal two parter ‘War Is Over’, a lilting Floydian strum that’s invaded – quite literally – by unreconstructed noise. The Zanghi collaboration is an Eastern-facing mantra with percussive flurries and distorted modal shifts – like listening on the other side of feedback.

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Sierra Ferrell

LP | 2024 | Original (Concord)

Release: 2024 / Original

Genre: Rock & Indie

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Chytridiomycosis Relinquished Black Vinyl Edition

Slimelord

LP | 2024 | US | Original (20 Buck Spin)

Release: 2024 / US – Original

Genre: Rock & Indie

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Winger (Bonus Track) Green Vinyl Edition

Winger

LP | 1988 | US | Reissue (Friday Music)

42,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie

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A Black Mile To The Surface Silver Vinyl Edition

Manchester Orchestra

2LP | 2017 | Reissue (Concord)

38,99 €*

Release: 2017 / Reissue

Genre: Rock & Indie

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Bright Future Black Vinyl Edition

Adrianne Lenker

LP | 2024 | Original (4AD)

Release: 2024 / Original

Genre: Rock & Indie

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Pocketrock Red Vinyl Edition

Donots

LP | 2024 | EU | Original (Solitary Man)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Warner Bros.)

Linkin Park

Lost Demos

24,79 €* 30,99 € -20%

Release: 2024 / Original

Genre: Rock & Indie

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Deep Purple Transparent Clear Vinyl Edition

Deep Purple

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Major Arcana Black Vinyl Edition

Major Arcana

LP | 1976 | EU | Reissue (Out-Sider Music)

The Obsession With Her Voice

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First official vinyl reissue of this sought-after psychedelic folk-rock / Americana / SSW album from 1976.

Major Arcana was a group led by counter-culture Milwaukee icon JIM Spencer, featuring a revolving cast of musicians / collaborators. The core of the band was Jim Spencer (guitar, vocals); Randall Dubis (electric guitar); Michael Burdecki (bass, slide guitar) and Jim Kitchen (percussion, harmonica). They were helped in the studio by some friends / musicians like Sigmund Snopek III and Barry Patton among many others.

Released on Jim Spencer’s own private label (A Major Label, home also to Anonymous of “Inside The Shadow” fame), the album opens with the terrific psych-folk of “Western Wind” and closes with an acid-folk rendition of “Greensleeves”. In between, you’ll also find some blues rock, SSW ballads, jazzy bits…

File next to groups like Pearls Before Swine or Bermuda Triangle.

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Erika Angell

LP | 2024 | Original (Constellation)

Release: 2024 / Original

Genre: Rock & Indie

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Let's Get Out Of This Country Clear

Camera Obscura

LP | 2023 | EU | Original (Elefant)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Target)

Samhain

The Courier

Release: 2023 / EU – Original

Genre: Rock & Indie

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Let The World Burn Down Clear Blue Vinyl Edtion

The Devils

LP | 2024 | EU | Original (Go Down)

37,99 €*

2LP | 2024 | EU | Original (Shukai)

Release: 2024 / EU – Original

Genre: Rock & Indie

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“After releasing our third album in 2021, during the lockdown, we thought we would never play again. But all that anguish and disillusionment gave us the energy to go back to writing new songs, thanks to our desire to discover new musical horizons and many inspirational blues and soul listenings in recent years. Let The World Burn Down is dedicated to all the Brothers and Sisters who have had enough of Humanity.” - The Devils This quote from the Naples-based power duo introduces us to their fourth studio album. Let The World Burn Down marks their renewed collaboration with California musician Alain Johannes. The tracklist includes covers of ‘Big City Lights’ by Cleo Randle (1966) and ‘Teddy Boy Boogie’ by Crazy Cavan ‘n’ The Rhythm Rockers (1975), here adapted into ‘Teddy Girl Boogie.’ About THE Band THE Devils formed in Naples, Italy, in 2015. Their first two albums, Sin, You Sinners! (2016) and Iron Butt (2017) were produced by Jim Diamond (The White Stripes, The Sonics) and released by Voodoo Rhythm Records. Since 2016, they have been consistently touring with over 500 shows throughout Europe, the UK and Canada. Gianni Blacula rapes the guitar, and Erika Switchblade hits the drums. The Devils embody the definitive sound of chaos; their style is primitive, filled with sex, sin, and Rock’n’Roll. They are wild, very loud, and sexy. They named themselves after Ken Russel’s legendary movie The Devils (1971).Their third album, Beast Must Regret Nothing (2021), was produced by Alain Johannes (qotsa, Them Crooked Vultures, Chris Cornell, PJ Harvey) and features Mark Lanegan on lead vocals for ‘Devil Whistle Don’t Sing.’ Their upcoming studio album still features the multifaceted musician Johannes in mixing, mastering, and performing guitar solos for ‘Horror and Desire.’Let The World Burn Down will drop via Go Down Records in February 2024. The same label released The Devils’ first live album in January 2023. The band has toured with great acts such as The Sonics, Jon Spencer & The Hitmakers, Boss Hog, Mudhoney and many others. They have also performed at several major European festivals, including Azkena Rock Festival and Helldorado

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Cukor Bila Smert'

46,99 €*

The Collective Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Kim Gordon

LP | 2024 | EU | Original (Matador)

Live Radio Transmissions Radio Broadcasts Picture Disc

Release: 2024 / EU – Original

Genre: Rock & Indie

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Musician and visual artist Kim Gordon returns with her second solo album, The Collective, which will be released March 8th on Matador. Recorded in Gordon"s native Los Angeles, The Collective follows her 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin"s damaged, blown out dub and trap constructions playing the foil to Gordon"s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload. Die erste Single "bye BYE," is out now, driven by a snaking drill bassline which guides us through a haunting packing list. Gordon will also play six live shows around The Collective"s arrival, beginning March 22 in Washington, D.C.

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Mick Jagger

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Massive Killing Capacity yellow orange Marbled Vinyl Edition

Dismember

LP | 2023 | EU | Original (Nuclear Blast)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Love In Constant Spectacle Black Vinyl Edition

Jane Weaver

LP | 2024 | UK | Original (Fire)

LP | 2014 | EU | Reissue (Sony Music Catalog)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde. But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

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HiM

Razorblade Romance

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Vital - Van Der Graaf Live Edition

Van Der Graaf Generator

2LP | 2024 | Original (Cherry Red)

44,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Music On Vinyl)

Comus

First Utterance

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Frustration Mystic Emerald Eyes Vinyl Edition

The Mystic Tide

LP | 2024 | US | Original (Numero Group)

LP | 2024 | EU | Original (El Paraiso)

Release: 2024 / US – Original

Genre: Rock & Indie

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A raw-nerved hybrid of elementalMerseybeat, lugubrious surf-noir andsheer sonic assault, the remarkablelegacy of Long Island's Mystic Tide haslong been venerated within the '60sgarage rock pantheon, even if theirexistential racket only slipped out ona series of painfully rare 45s. Now,the fruit of Joe Docko Jr and friends'cottage industry has been refurbishedin best-ever sound, along with freshinsights as to how this singular brandof noise came to be.

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Edena Gardens

Dens

Quand Viennent Les Serpents

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dens concludes a trilogy of albums, aptly spelling out the last third of the group's name. And true to form, the band turns inwards rather than outwards, drawing on deep shades of ambient, slowcore, and the ghost of Mark Hollis. While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that's becoming a signature of its own. Never in a hurry, but always moving somewhere. Causa Sui drummer Jakob Skott & Martin Rude's bass and baritone guitar lay out a robust yet fleeting foundation. Papir's Nicklas Sorensen's glistening guitar lines never felt more free and explorative. While The Durutti Column tribute Vini's Lament is drenched in nostalgia, a cut like Morgensol (Morning Sun in Danish) explodes in Popol Vuh-esque gloomy euphoria. Engineered by Jonas Munk & produced by Jakob Skott, the album culls hours of free improvisation into a coherent size. Seamless edits and studio wizardry enhance the feeling of an almost narrative nature as the album progresses. Invoking anything from a crackling campfire, rattling bones, and the singing of sand dunes. The culmination lies in the 14-minute track Sienita. A fully formed blistering improvisation, abandoning any studio trickery, besides a singly dubbed organ, rising and falling like the tide.

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Abschaum

LP | 2024 | UK | Original (Macadam Mambo)

19,99 €*

LP | 2024 | EU | Original (Legere)

Release: 2024 / UK – Original

Genre: Rock & Indie

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After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!!

‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

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Diane Birch

Flying On Abraham

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Asylum Black Vinyl Edition

Atrophy

LP | 2024 | EU | Original (Massacre)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1993 | US | Reissue (Seaview)

World Party

Bang!

14,99 €*

The Missing Piece Green Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Audiophile 180g Vinyl-Reissue des dritten Studioalbums "Bang!" (1993) der britischen Rockband World Party. Mit dem Singles "Is It Like Today?", "Give It All Away" und "All I Gave".

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Gentle Giant

LP | 2024 | EU | Reissue (Chrysalis)

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Supersonic Megafauna Collision Transparent Green Splattered Vinyl Edition

Acid Mammoth

LP | 2024 | EU | Original (Heavy Psych Sounds)

Black Aria Haze Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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We are very happy to announce our brand-new full-length album, “Supersonic Megafauna Collision”! This product of impenetrable evil is coming out on April 5th by Heavy Psych Sounds Records! Get ready to be overtaken by a storm of pachyderm guitar riffs, wooly bass, explosive drumming, and witchy vocals! “Supersonic Megafauna Collision” is an unholy celebration of all things heavy, and as the album progresses it just keeps getting doomier! It is an evil and explosive album, with 666% fuzz! Recorded, mixed & mastered at Descent Studio. Drums recorded at Ritual Studios. Artwork by Branca Studio.

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Glenn Danzig

LP | 1992 | US | Reissue (Cleopatra)

39,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Tigers Blood Black Vinyl Edition

Waxahatchee

LP | 2024 | EU | Original (Anti)

Waking Into Nightmares Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.

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Warbringer

LP | 2009 | EU | Reissue (M-Theory Audio)

32,99 €*

7" | 2024 | EU | Original (Ponderosa)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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We’re pleased to present the first of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this purple vinyl version with gatefold jacket, album art poster, expanded insert with extra pics and liner notes by singer John Kevill, and two bonus tracks including a cover of Swedish Death Metal band Unleashed. 2009’s Waking Into Nightmares was introduced with over 100 tour dates supporting the likes of Exodus, Kreator and Soilwork, and the relentless touring continued with European tours supporting Testament and Sacred Reich and further US shows opening for Megadeth, Suicide Silence, Slipknot, Vader, Obituary, Krisiun and more. The album was heralded as the next extreme step for the young thrashers who further enhanced their sound by introducing death metal elements and becoming even more fierce and precise than their classic debut hinted. Produced by Exodus/Slayer guitarist Gary Holt and engineered by Zack Ohren, Waking Into Nightmares is an esteemed favorite and now it’s back in print with expanded packaging and bonus tracks.

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Micah P. Hinson

Oh No!

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Gilead Media)

Krallice

Psychagogue

Release: 2024 / US – Original

Genre: Rock & Indie

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Live: Decade Of Aggression

Slayer

2LP | 1991 | UK | Reissue (American)

49,99 €*

Release: 1991 / UK – Reissue

Genre: Rock & Indie

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Dead Elvis Yellow Vinyl Edition

Death In Vegas

2LP | 1997 | EU | Reissue (Music On Vinyl)

38,99 €*

LP | 2017 | US | Reissue (Black Water)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Limited to 1500 numbered copies!

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Syndrome 81

Beton Nostalgie

LP | 1979 | EU | Reissue (BMG Rights Management)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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This LP is a collection of songs released on various EP and split records. France’s Syndrome 81 started gaining momentum in the punk scene with their 2013 demo tape, drawing comparisons to the plethora of great bands that defined the French Oi sound of the 1980s with a heavy stomp culled from classic Ushc. The band has progressed since then, and the sound is more diverse but also more defined, having filed off some of the American influences and moved in a darker, distinctly French direction that is both melancholy and anthemic, with lyrics being influenced by growing up in Brest, France. The band comes from this dark place and write songs about their personal struggles growing up and growing old. These are songs about watching your friends lose sight and move on while you question why you are still here, haunted by your past and having to look your former self in the eye while you apologize for who you’ve become. These are songs about trudging through a desert you built yourself. 18 songs in all.

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The Undertones

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Apocalypse Red Ten Year Anniversary Edition

Thundercat

LP | 2024 | UK | Original (Brainfeeder)

37,04 €* 38,99 € -5%

Release: 2024 / UK – Original

Genre: Rock & Indie

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New Drifters Gone To Earth Split Color Vinyl Edition

The American Analog Set

5LP | 2024 | US | Original (Numero Group)

88,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2x10" | 2024 | EU | Original (Major Label)

EA 80

Grüner Apfel

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Pilgrim, Their God And The King Of My Decrepit

Tapir!

LP | 2024 | UK | Original (Pias/Heavenly)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Stoppt Den Krieg Feat. Annemaaike HHV Exclusive Yellow Vinyl Edition

Schorsch Kamerun

7" | 2024 | EU | Original (Staatsakt)

15,99 €*

Starcatcher Limited Black Translucent Glitter Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited to 100 copies, only available from HHV.

"Stoppt den Krieg (Schlagt die Schweine tot?)" is an anti-war song as an "Apocalypse Now" revenant. Kamerun describes the Belizean connoisseur vocabulary of our time (turn of the century) in the guise of those murderous predatory cats from maggot to leopard to puma.

This track wants a different language than that of the warriors and their dashing battle ministers. The music is manic-Prussian Sleaford Mods. In the chorus, Dutch singer Annemaaike Bakker transfigures herself as Zeus' daughter with a killer sample:

I don't talk to presidents anymore / Been diplomatic for so long Will end the palaver now / It's just too erratic for me Accept pacifism yes / Must really emphasize that again But it's fallen out of time / That's why the guns are speaking now. Because Schorsch Kamerun and his record company staatsakt want to continue to believe in the power of armor-free communication, this extra non-defensive protest rap is now available as a musical intervention.

For collectors of anti-war songs, it is also available as a limited vinyl single with an exclusive B-side for dangerous (but loving) salons: "Mitnahmeffekte".

The 7-inch will be released on 02.02.2024.

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Greta Van Fleet

LP | 2023 (Universal)

Release: 2023

Genre: Rock & Indie

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Poder Del Alma II Black Vinyl Edition

Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

Alive She Cried Translucent Emerald Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like ”Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide.

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The Doors

LP | 1983 | EU | Reissue (Elektra)

33,99 €*

Terrapin Station Emerald Green Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Alive She Cried is The Doors electrifying second live album from 1983, available for the first time on vinyl since it's original release. The 40th anniversary reissue is on emerald vinyl and features "Light My Fire (Inc. Graveyard Poem)", "Moonlight Drive (including Horse Latitudes), and Love Me Two Times among other Doors hits.

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Grateful Dead

LP | 2024 | EU | Reissue (Grateful Dead)

LP | 2024 | EU | Original (Fat Wreck)

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Newly Mastered by Grammy® Award-winning engineer David Glasser. Produced for release by David Lemieux The first Arista Grateful Dead album, and the first studio album featuring an outside producer their debut album a decade earlier, Terrapin Station is one of the deepest, densest, most ambitious album in the entire Dead catalog. Arista president Clive Davis vowed to get the Dead a hit record (that would take another 10 years), so he paired the Dead with Fleetwood Mac producer Keith Olson, and they created an album unlike anything they'd ever made before, filled with strings, horns, a choir, and countless other new sounds in the Dead world. And the songs...what a collection! Estimated Prophet, Samson and Delilah, Passenger, Dancing In The Street, and Donna Jean Godchaux's first lead vocal on a Dead album, Sunrise, make up Side 1. And Side 2 is the entire Terrapin Station suite, with many parts and twists and turns. Truly one of the most exciting sequences of music ever committed to vinyl by the Grateful Dead.

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Mean Jeans

Blasted

Release: 2024 / EU – Original

Genre: Rock & Indie

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El Trío De Omar Rodríguez-López

Ciencia De Los Inútiles

LP | 2010 | EU | Reissue (Clouds Hill)

The Bones Transparent Green Vinyl Edition

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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An acoustic album, written and recorded in a quiet and natural environment in Mexico-City.

Pressed on recycled vinyl.

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Bigger Than Jesus Transparent Green Vinyl Edition

LP | 2002 | EU | Reissue (Svart)

Some Boots Ice Or Ground Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Svart Records proudly presents the vinyl reissue of The Bones' 2002 album Bigger Than Jesus

The Bones are a punk ’n’ roll band from Karlskrona, Sweden founded in 1996. With the high energy punk and rock recipe of The Ramones and Motörhead as the base, some 50's and 60's rock'n'roll thrown in to the mix and topped off with sweet melodies à la The Bay City Rollers and The Barracudas, The Bones know for sure how to produce catchy, uptempo earworms. Their sophomore album Bigger Than Jesus (2002), originally released by People Like You, is 14 solid hits of beer-soaked punk 'n' roll hymns guaranteed to put a big smile on your face.

"The sonic equivalent of Elvis, Johnny Cash, The Ramones and Social Distortion jammed in the backseat of a cadillac watching „Grease“ at a seedy Drive In, took Punks, Rockers and even Metalheads by storm. The next album „Bigger Than Jesus“ followed the success of its predecessor and THE Bones reputation as a a killer live act began to grow instantly. Sharing the stage with bands and friends like Motörhead, Cockney Rejects or Die Toten Hosen, THE Bones had made it from the local swedish youth clubs to the top of europe’s club- and festvial circuit, building up a strong following of like-minded rock’n’roll party animals." metalinside.de

Bigger Than Jesus is available on Svart exclusive marble vinyl and limited transparent green vinyl.

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Karate

LP | 2002 | US | Reissue (Numero Group)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Nuclear Blast)

The Hellacopters

Eyes Of Oblivion

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Silver Vinyl Edition

Real Estate

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Answer 81' Easter Gig 19th April 1981 Live Recorded At Kyoto Takutaku Volume 2

The Stalin

LP | 2024 | JP | Original (P-Vine)

35,99 €*