Rock & Indie Vinyl 8081 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Something In The Room She Moves Red Vinyl Edition

Julia Holter

2LP | 2024 | UK | Original (Domino)

30,99 €*

The Rising Tied Zoetrope Picture Disc Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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While the work of the Los Angeles-based singer-songwriter and composer has often explored memory and dreamlike futures in the past, her latest album is more grounded in the present. Her production and arrangements form a continuum of fretless electric bass tones in counterpoint to gliding vocal melodies, while glissading Yamaha CS-60 lines play around the reeds like warm winds. "I've tried to create a world that sounds fluid and water-like, reminiscent of the inner sound world of the body," says Holter about her flowing harmonic universe.

The last few years have brought an existential focus on human connection for Julia Holter, amidst the shattering changes that have come with the deaths of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity and awe of this confluence of experiences.

After a string of dream-pop albums - from her breakthrough Ekstasis (2012) to Loud City Song and Have You in My Wilderness - Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films such as Never Rarely Sometimes Always, performed a commissioned piece for The Passion of Joan of Arc with the Chorus of Opera North and collaborated with her partner, musician Tashi Wada, who plays synthesizer and bagpipes on her new album. Something in the Room She Moves is a remarkable step forward in Holter's work, combining her free improvisational energy with her characteristic eloquence.

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Fort Minor

2LP | 2024 | US | Original (Warner)

67,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Pronounced Leh-Nerd Skin-Nerd Orange Vinyl Edition

Lynyrd Skynyrd

LP | 1973 | EU | Reissue (Universal)

24,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Omega Sessions Emerald Haze Vinyl Edition

Bad Brains

LP | 1997 | US | Reissue (ORG Music)

25,49 €* 29,99 € -15%

The Pilgrim, Their God And The King Of My Decrepit

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

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Tapir!

LP | 2024 | UK | Original (Pias/Heavenly)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Cuts & Bruises Limited Black Red Vinyl Edition

Inhaler

LP | 2023 (Universal)

Release: 2023

Genre: Rock & Indie

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LP | 2024 | US | Original (Dark Entries)

Topographies

Interior Spring

24,99 €*

Home, Like No Place Is There

Release: 2024 / US – Original

Genre: Rock & Indie, Pop

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Bay Area post-punk outfit Topographies deliver their sophomore LP, Interior Spring, via Dark Entries. Formed in 2018 in San Francisco by Justin Oronos, Jeremie Ruest, and Gray Tolhurst, Topographies link the icy riffs and gloomy atmosphere of early coldwave with the textural depth and warmth of classic shoegaze, emerging with a style that’s both contemporary and timeless. On Interior Spring, Topographies explore themes of guilt, inherited trauma, and recovery. The meaning of its title is triplicate: a submerged river carrying hope, an anxiously wound clock, and a season where wildflowers bloom on the graves of the past. While the work of Tolhurst’s father - Laurence Tolhurst from The Cure - provides a clear influence, Topographies expertly channel acts like Asylum Party or The Chameleons on anthemic pearls like “Night Sea” and “Chain of Days”. Tolhurst’s lyrics draw on his own experience in recovery from substance abuse to examine the cycle of use and hopelessness that characterizes addiction. Through these ten songs, the group hopes to present the idea that freedom is not an escape but an embrace of the quotidian beauty of human life.

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The Hotelier

LP | 2014 | US | Reissue (Dreams Of Field)

Is This It Red Transparent Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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The most political music is often the most explicit, battering its audience with its beliefs. But that isn't always the case; sometimes it embeds its ideas in subtler, more successful ways. Take The Hotelier (previously The Hotel Year), whose second full-length Home, Like Noplace Is There is comprised of what can only be described as anthemic, cathartic rock songs, sent occasionally to delicate and destructive extremes. Singer Christian Holden pushes his clean voice until it crumbles, on "The Scope of All of This Rebuilding" against a strutting pace, and on the furious "Life in Drag", but most powerfully during the chorus of "Your Deep Rest" where his words are heart-wrenching and haunting. As drummer Sam Frederick stamps out an enormous beat and chords - strummed by Cody Millet, Scott Ayotte, and Chris Hoffman - clamor around him, Holden sings, "I called in sick from your funeral / tradition of closure made it feel impossible.../ I should have never kept my word to you / Not a cry not a sound / Might've learned how to swim but never taught how to drown /You said remember me for me, I need to set my spirit free." By making political statements through personal explorations, The Hotelier has not only make a uniquely political record, but also a subtler, more successful one.

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The Strokes

LP | 1999 | EU | Reissue (Sony Music Catalog)

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Daniel Silver Vinyl Edition

Real Estate

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Live Laugh Love Cloudy Vinyl Edition

Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

25,64 €* 26,99 € -5%

Where We've Been, Where We Go From Here

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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Friko

LP | 2024 | CZ | Original (ATO)

Release: 2024 / CZ – Original

Genre: Rock & Indie

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I Got Heaven Clear Vinyl Edition

Mannequin Pussy

LP | 2024 | EU | Original (Epitaph Europe)

All Quiet On The Eastern Esplanade Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard. Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. “There’s just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.” Their new album, I Got Heaven, which is out March 1 via Epitaph Records, is the band’s most fully realized recording yet. Over ten ambitious tracks which abruptly turn from searing punk to inviting alternative pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It’s a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.

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The Libertines

LP | 2024 | EU | Original (EMI)

Face Value Atlantic 75 Series

Release: 2024 / EU – Original

Genre: Rock & Indie

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Finally, the time has come! After an eight-year wait, The Libertines fans have a reason to rejoice again.

On 08.03.2024, the British band will release their new album "All Quiet On The Eastern Esplanade"! The fourth studio album comprises 11 new songs by the four-piece band.

The songs were written in Port Antonio, Jamaica and later recorded in "The Albion Rooms" in Margate together with Grammy nominated producer Dimitri Tikovoi (The Horrors/Charlie XCX/Becky Hill). The album was mixed by the legendary Dan Grech (Lana Del Rey/Liam Gallagher/Paul McCartney).

The first single "Run Run Run" is about the pursuit of freedom and already gives a foretaste of the musical journey that awaits fans on the album.

"This one feels like we were all actually in the same place, at the same speed, and we really connected," Carl explains of the collaboration on the new record.

The band released their last album "Anthems for Doomed Youth" in 2015 and wowed the music world.

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Phil Collins

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

All This I Do For Glory Petrol Colored Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Colin Stetson

LP | 2024 | WW | Original (52Hz)

LP | 2021 | UK | Reissue (Wrecking Light)

Release: 2024 / WW – Original

Genre: Rock & Indie

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“All this I do for glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narra- tive, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the 1st volume of the NHW Trilogy.

With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both familiar and strange. Here still, is the dogmatically stripped down approach to performance and capture (all songs recorded live with no overdubs or loops) but there is an immediacy to the album that belies a more invasive and thorough miking of the various instruments being utilized and a seeming influence drawn from the early nineties electronica of artists like Aphex Twin and Autechre, evident in the more pointed role played by the instruments’ many percus- sive elements.

There are ancestries, motivic and timbral, woven through these six songs that plainly anchor them within the shared universe of his Trilogy, though the overall experience is one of extreme intimacy, the sounds and imagery more tangible and immersive than previous offerings. The brief and brutal “In the clinches” recalls (or presages) echoes of songs like “Judges”, though now feeling like one has fallen down the bell of Stetson’s ancient bass sax- ophone itself. “Spindrift”, crystalline and serene, calls to mind the ambient works of Aphex Twin, while “Between Water and Wind” with it’s “Immigrant Song” swagger, relentlessly carves it’s way into the bedrock here, paving the way with an increasing focus on the minute and the minimal, with a deepened sense of patience shared by most of the album’s six tracks.

Engineered and mixed by Stetson himself, this album represents a decidedly independent approach across the entire creative process and finds him at the top of his game, both as a composer and instrumentalist as well as a producer.

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Still Corners

The Last Exit

Reimagining The Court Of The Crimson King

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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THE LAST EXIT is the fifth studio album from Multi-instrumentalist / producer Greg Hughes and vocalist Tessa Murray's project, Still Corners. With the shimmering desert noir sound the band has become known for, THE LAST EXIT takes you on a hypnotic journey, one filled with dilapidated towns, mysterious shapes on the horizon, and long trips that blur the line between what's there and not there. Greg says, "We found something out there in the desert - something in the vast landscapes that went on forever." THE LAST EXIT consists of eleven beautifully crafted songs with organic instrumentation, clean-toned guitar, spacious drums and the smoky croon of Tessa Murray. Album highlights include "The Last Exit", "White Sands" and "Shifting Dunes" all of which evoke the vast space of the desert and rolling unconcerned skies. THE LAST EXIT takes on where their transcendent debut, Creatures of an Hour, or their stirring 2018 LP, Slow Air ends. Fall 2020 and Still Corners just released a stunning new number that is potentially the ultimate track of three, which they call "Still Corners Road Trilogy". In the beginning there was "The Trip", which continued five years later with "The Message" and finally arrives to conclusion with title track "The Last Exit".

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V.A.

LP | 2024 | US | Original (Cleopatra)

41,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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From The Other Side Of The Mirror

Glassing

LP | 2024 | EU | Original (Pelagic)

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Call A Doctor White Vinyl Edition

Girl And Girl

LP | 2024 | EU | Original (Sub Pop)

Live 1984 Ahoy Hallen Rotterdam Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In one sense, it's easy for artists-songwriters, specifically-to express their feelings in their work. After all, that's what the lyrics are for! But it's much harder to convey emotional energy in how you play, slash at the guitar, and the structure of the music itself. That's precisely why Girl and Girl's Sub Pop debut, Call A Doctor, feels like such a vital, electrifying shock to the senses. Not since the early work of Car Seat Headrest or Conor Oberst's widescreen emotional brutality as Bright Eyes has indie rock managed to come across as this intimate and grandiose, as the Australian quartet led by Kai James lay a lifetime's worth of woes-mental health, the human race's planned obsolescence if you've been living on this cursed rock you know what we're getting at-across a canvas of indie rock that feels both timeless and in-the-moment. An audacious and aggressively tuneful blast of a record, Call A Doctor is an unforgettable first bow from Girl and Girl, whose origins lie in James and guitarist Jayden Williams jamming in his mother's garage in the afternoon after school. One afternoon, James' Aunty Liss headed down to their practice space after walking her dog and asked if she could sit in on drums. "It sounded really great," James recalls. "We begged her to stay, and she said, 'I'll stay until you find another drummer.' We wore her down, and she eventually became a permanent member." After bassist Fraser Bell joined to round things out, Girl and Girl hit the road and began to make a name for themselves beyond the Australian bush, eventually signing to Sub Pop off the strength of word of mouth. Call A Doctor came together quickly soon after, largely recorded in marathon sessions in a two-story industrial complex over the course of two weeks. "That added to the intensity of the album," James says about the frenzied creative process overseen by producer Burke Reid. "I can hear the stress in the record, which is good because that's what it's about-being tense, tied up, and in your own head." Call A Doctor's eleven songs-spanning sweeping guitar epics and wry acoustic shuffles to spiky punk maneuvers and the type of raw, adoringly unvarnished indie-pop associated with legendary PacNW label K Records-are literally plucked from James' personal history, as he reworked older recordings with newer lyrics reflecting his past struggles as well as new anxieties that emerged prior to the album's recording. "I've struggled with mental health for a lot of my life," he explains, "and I went through a particularly difficult patch when we were making the album; the band had started to get some attention, and I felt an enormous amount of pressure to live up to it." "This record is about an individual who's too far in their head, trying to get out," James continues while discussing Call A Doctor's overall outlook-specifically the snapshot it offers of its creator. But even though this record deals with uneasy topics we all know well from within ourselves, it's important to emphasize how teeming with life Girl and Girl's music is. There's a brazen, bold sense of humor to this stuff, an undeniable brightness to the darkness that makes it impossible not to be drawn in as a listener. Feeling down never sounded so goddamn good.

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Sade

2LP | 2024 | EU (Whp)

LP | 2024 | EU (Cult Legends)

Release: 2024 / EU

Genre: Rock & Indie

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This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King". Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album "Diamond Life" plus a two piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high quality live recordings are the right stuff to start with.

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Depeche Mode

Paradiso Amsterdam 1983

16,99 €*

7" | 2024 | US | Original (Pirates Press)

Release: 2024 / EU

Genre: Rock & Indie

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Modern day Amsterdam is a bit of an oxymoron. On the one hand, the city proudly brandishes its reputation for alternative and sub cultures, pushing back against lawmakers and their incoherent policies to adopt approaches that are more realistic and levelheaded. On the other, its a place of such rampant commercial development the local government actively discourages visitors and new hotel developments. Look closely, though, and you can still feel the spirit of what, during the latter half of the 20th Century, made this place so special. Paradiso is one of those spots. A waterside cultural venue with a history first as a church, then an illegal squat, before becoming what it is today, the walls themselves seem to pervade a sense of brave, adventurous heritage. An ideal place to catch one of the most defining bands of the 1980s in their heyday, then, here Depeche Mode deliver an astounding set in a space with the atmosphere to match.

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Cock Sparrer

Here We Stand

11,99 €*

Rockin'in 1992 Radio Broadcast Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“Here We Stand.” It is a phrase that means a lot to the legendary UK punk band Cock Sparrer. It was the title of the band’s 2007 LP, which announced their arrival in the 21st century. It cropped up again as a rallying cry in the lyrics to their 2017 anthem “One By One.” And now it is the title and chorus of a brand-new single off the band’s farewell studio LP, Hand on Heart.

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Rory Gallagher

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Too Quick To Forgive Black & White Swirl Vinyl Edition

Balance And Composure

LP | 2024 | EU | Original (Memory Music)

Model Purple & Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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After five long years, Balance and Composure return with Too Quick To Forgive--newly signed to Grammy-nominated producer Will Yip's label, Memory Music, the alt-rock darlings sound more assured and adventurous than ever across two vulnerable tracks. Too Quick To Forgive is a reflection on personal perseverance in the wake of confrontation, told through two distinctly different scenarios. "Savior Mode" finds frontman Jon Simmons baring his soul in a way that is unparalleled in their discography, while "Last To Know" is an emotionally-resonant highlight that leaves a lasting impact well after its final notes play out.Simmons' vulnerability and emotional delivery across both tracks cut through with unflinching precision courtesy of Andy Slaymaker (guitar), Matt Warner (bass), Erik Petersen (guitar), Dennis Wilson (drums), and who the band considers their 6th member--producer Will Yip. In the fall of 2022, the group got together at his Conshohocken, PA studio, Studio 4, with a few ideas that Yip helped turn into these otherworldly tracks. "It was all magic," Jon says.With a renewed sense of purpose, Balance and Composure will return to the stage for a series of Too Quick To Forgive release shows in some of the biggest rooms they've ever played.

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Wallows

LP | 2024 | EU | Original (Atlantic)

47,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Enemy Of God / Hordes Of Chaos

Kreator

Box | 2024 | EU | Original (Nuclear Blast)

161,99 €*

LP | 2024 | EU | Original (Discreet Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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1x Demon Mask 1x Comic #2 1x Comic #3 Enemy Of God: 2LP Gatefold 4p Booklet (Remaster) 2CD Digipak Remaster + WOA 2005 Hordes Of Chaos: 1LP Gatefold Remaster + Bonus Tracks 2CD Digipak Remaster + Bonus Tracks + Remix Album

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Demeters Döttrar

Søndag I Spejlet

I Told You Before: Unreleased Get Back Sessions

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Demeters Döttrar is the new trio of Ida Skibsted Cramer, Charlott Malmenholt and Astrid Øster Mortensen. Søndag I Spejlet was mainly recorded in Gamlestaden, Gothenburg between 2022 and 2023 and consists of 8 tracks that lies somewhere in between 90's lo-fi experimental bedroom music and brash text-sound compositions channeled through the ever-inspiring cassette underground.

Listening to Demeters Döttrar is like stepping into a parallel universe; a tiny unexplored corner with paper-thin walls or a very delicate bubble that is about to burst any moment. The instrumentation is sparse and mainly consists of guitar, vocals, prepared tapes and occasional harmonica. The recurrence of rain in different forms throughout the recording almost functions as a percussive backbone at times, the one thing except for the sound of the actual room that sort of keeps it all together.

With one foot in Sweden and one foot in Denmark, the group is utilizing both countries' language in an uncompromising and peculiarly alluring way. The almost brutal intimacy brings the more mellow Deux Filles moments to mind, though music wise this owes more to Un, early Charalambides and at times groups like Dadamah. A daring, major statement and one of the most beautiful, strange and other-worldly debut albums we heard in quite a while.

Mastered by Lasse Marhaug. Gloss laminated covers, comes with insert. Edition of 500 copies.

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The Beatles

LP | EU (Israeli Fan Club)

2LP | 2024 | EU | Original (15 Love)

Release: EU

Genre: Rock & Indie, Pop

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For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

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Ml Buch

Suntub

32,99 €*

LP | 2024 | EU (Radio Broadcast)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Suntub’ is the second full length album from ML Buch, a double record of 15 pieces by the Danish composer and producer, entering further into the realm of electric guitars and layered vocals along with exploring new instrumental expressions.

With an offset in open tunings on a 7-string Stratocaster, slide and fretless tablet guitars and deep-sampled virtual guitars, the album draws up narratives and locations in a distant time. Props like puddles, well buckets, bone barrels and flesh rags live in these scenes, suspended in air, drifting about, climbing stairs and ladders, all given life through guitar sensibilities and visceral vocals.

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The Jam

Bbc Sessions 1977-1979

21,99 €*

LP | 2024 | EU | Original (Black Sweat)

Release: 2024 / EU

Genre: Rock & Indie

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A necessary collection of Jam tracks that were performed in session at the BBC.

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Addict Ameba

Caosmosi

19,99 €*

LP | 2024 | UK | Original (Merciless)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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After their debut album the most multifaceted and unpredictable musical collective in Italy – Addict Ameba – come back with their sophomore album, “Caosmosi”. Faithful to the aim of bringing together different paths, traditions and horizons in their music, the band moves between desert-blues and afrobeat landscapes, with latin rock rides and ethio-jazz parentheses. The vision of the album is further enriched by two absolutely valuable features: Joshua Idehen, Anglo-Nigerian poet and singer and pen of Sons Of Kemet and The Comet is Coming, is the author and lead voice in “Look At Us”, a poem – or perhaps it would be more correct to say a prayer – an invitation to be protagonists and change this time, before it changes us; Rabii Brahim, Tunisian actor and musician, who in "Ya Bled" gives birth to a love song for his land, telling the nostalgia and disorientation of migrant, even when he returns to his homeland. To approach listening to this album you should project that state of melancholy euphoria that you would experience when taking part in the last great party before the disappearance of the human race... Caosmosi!

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Dead Ends

Complaints

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Merciless)

Dead Ends

Second Coming

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Merciless)

Dead Ends

Damned Nation

Release: 2024 / UK – Original

Genre: Rock & Indie

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God's Country/Body Of Mine Ltd Purple 7inch

Lambrini Girls

7" | 2024 | EU | Original (City Slang)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Suspended Animation Black Vinyl Edition

Fantômas

LP | 2024 | US | Original (Ipecac)

Release: 2024 / US – Original

Genre: Rock & Indie

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Paradise Now Crystal Clear Colored Vinyl Edition

Death Cult

LP | 2024 | UK | Original (Beggars Banquet/Beggars G)

33,99 €*

Uneven Paths: Deviant Pop From Europe 1980-1991 2024 Repress

Release: 2024 / UK – Original

Genre: Rock & Indie

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In 2023, Death Cult returned and reunited for a handful of performances. In 2024, to celebrate 40th Anniversary of The Cult, Ian Astbury and Billy Duffy have curated the previously released Death Cult collection Ghost Dance, and recompiled the tracks for a 2024 release titled Paradise Now.The release will be available on clear splatter vinyl with a white and black splatter.Southern Death Cult formed in 1981, releasing their sole, self-titled album posthumously in 1983. That same year, Death Cult formed, with Astbury joining forces with Duffy for a musical partnership that has endured for 40-plus years. The band released two 12-inches that same year, one being the Death Cult EP, which were subsequently combined and released as a CD. Death Cult is a vital transmission from the generation of Shamanic post-punk gothic futurists.

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V.A.

2LP | 2018 | EU | Reissue (Music From Memory)

36,99 €*

LP | 2024 | EU | Original (Century Media Catalog)

Release: 2018 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Uneven Paths: Deviant Pop From Europe, 1980-1991' is compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller that brings together twenty one tracks from across the continent; exploring the more unusual and unexpected sides of pop music produced during that period. Printed Inner sleeves.
Drawing material from cult experimental artists alongside one-off independent musical projects rescued from the fringes, ’Uneven Paths’ focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the ’experimental’ music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of Pop; where Jazz musicians detour into Synth-Pop, Punk bands break into Boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts.

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Psychotic Waltz

Bleeding Re-Issue 2024

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (12XU)

Water Damage

In E

49,99 €*

LP | 2024 | UK | Original (Safe Suburban Home)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas's Water Damage. On their new record In E, Water Damage continues to scorch the earth with walls of punishing sound. It's no secret that something truly special can happen to the psyche when you are being pummelled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water Damage are the rare 'rock' band that follow in the lineage of artists like Faust, Tony Conrad, Steve Reich and Pärson Sound, one that creates such heavy yet minimalistic audio treasures that not only hit you viscerally but also give space to contemplate on your place in the cosmos. Their longest offering yet, Water Damage hits you with 4 side long tracks of krautpunk ending with a cover of 'Ladybird' by Shit & Shine featuring Craig Clouse on vocals. Drone until you hear god speak."—Joe Trainer, Dummy Water Damage is Mari Maurice, Thor Harris, Jonathan Horne, Nate Cross, George Dishonor, Travis Austin, Mike Kanin, Greg Piwonka, Jeff Piwonka and Lonnie "Palmtree" Slack.

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Oort Clod

Cult Value

Brown Acid: The Eigtheenth Trip Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Hello and welcome to Cult Value, the new album from Manchester-based band Oort Clod, released by Safe Suburban Home in the UK and Repeating Cloud in the US this April. We are very excited to introduce this mercurial and unique collection of songs. The album includes garage stompers such as “#7”, off-kilter indie whining like the title track “Cult Value”, perfect indie pop songs like ‘Car Talk’ and much more. Featuring members of Unpaid Intern, the Hipshakes, Jeuce and the Early Mornings, Oort Clod was originally conceived by songwriter Patrick Glen as a fluid project with shifting members. Over the course of pandemic-era practices above the empty Peer Hat pub (the epicentre of DIY music making in Manchester) the current line-up solidified. In 2021 Oort Clod released a split E.P. with fellow Manchester band Priceless Bodies, pursuing a darker and more experimental sound. The EP received international airplay including Bbc6 Music and Ksfx. After playing gigs with bands like Porridge Radio, Jeffrey Lewis, and Garden Centre and even more practices above the Peer Hat, Oort Clod have mounted up once more to make Cult Value. The album’s sound is hard to pin down but it is Oort Clod’s most accessible and complete work so far. The band finds common ground in the alternative rock bands of the 1980s and 1990s, the post-punk and indie bands on Flying Nun Records and trashy compilations of post-British Invasion 60s garage gems like Nuggets. All of which come through, warped by Oort Clod’s particular sensibility, on this record made at Delicious Clam studios in Sheffield under the watchful eye of Ed Crisp. You’ll even get their cover of ? &the Mysterians “96 Tears”—rated the best ever cover of the song by the Blanketing Covers podcast, beating Jonathan Richman, Aretha Franklin, the Stranglers and Suicide (this actually exists, honestly). So there you have it the short and sweet lowdown on the new album Cult Value by Oort Clod. We hope you enjoy listening to it as much as they did making it and spread the good word as you see fit. Good luck in your endeavours and take care.

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V.A.

LP | 2024 | US | Original (Riding Easy)

29,99 €*

7" | 2024 | US | Original (Happy Happy Birthday To Me)

Release: 2024 / US – Original

Genre: Rock & Indie

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if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground '70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul! "People… are you ready?, 'cause the music now is getting so heavy"… Back Jack out of St. Louis, Missouri in 1974 launch our trip with "Bridge Waters Dynamite". It's an invocation to rock flashing on Mark Farner whooping up a Grand Funk crowd, then getting to the point quickly with berserk guitar assaults. Heavy riff with power chord stalks beneath as you take their advice… get loose and blow up the past. Smokin' Buku Band dropped my jaw with the audacious track "Hot Love" coming on like some fractured fever dream burlesque of Led Zep moves out of Hollywood in 1980. Swooping elongated vocals above, a total Zep chord move at the end of each verse. Writer/producer Steve Shauger aka Shag Stevens gets a brilliantly messed up sound quality here, the ideal polar opposite of slick. The extended guitar break is an epitome of serendipitously crude virtuosity, simply outrageous! Coming at you from way outta left field is "Moby Shark" by Atlantis, a hilarious and strange Baltimore pre-punk vibed dose of D.I.Y. meets hard rock. Lon Talbot is the mastermind, the flip side of this impossibly rare Mekon Records label single was featured in an obscure 1978 B-movie titled "The Alien Factor". Follow the lyrics closely, when the ominous jaws jaws jaws start coming after you you you… the song's big hook is so preposterously catchy the shark attack feels like good news. Inquiring minds should know that the band formerly known as Atlantis can now be found by searching for the Lon Talbot Group! Tommy Stuart and the Rubberband's "Peeking Through Your Window" from 1970 opens with a spooky organ riff, slips into a gushy fuzz/organ groove akin to "Mustache In Your Face” by Pretty. The singer creates downright creepy vibes, a stalker peeking through the girl's mind like a peeping Tom at the window up to no good. The lyrics evoke a disturbing scenario. Tommy Stuart also made a strange LP titled Hound Dog Man in 1977 and some terrific rare garage singles under the names Magnificent Seven and The Omen & Their Love in the mid '60s. Nothing better than an angry two chord guitar attack with cowbell to set the stage for this rant about getting "Ripped Off" by love. Taken from their rare 1977 LP on Dynamite Records, Chicago Triangle was Marvey Esparza, Dave Guereca, Jose 'Tarr' Perez and Robert Aguilera. They unleash such strong brain-scrubbing wah wah frenzy in the guitar break here that it seems to perversely mock it's own intensity! Like I said, Brown Acid the 18th Trip comes at you from all kinds of uncanny angles. Damnation of Adam Blessing out of Cleveland, Ohio unleashed a stone killer psychedelic hard rock classic "Cookbook" in the late '60s, this track "Nightmare" from 1973 has them cooking again at full power. A different singer, name change to Damnation and then Glory, unleashing a deadly dose of dark progressive heavy rock drama peaking when spooky 'oooo-wa-oooo' background vocals emerge during a bizarre spoken bit. It unfolds like a mini-epic and includes some remarkably brutal guitar and turbulent organ, too. "Swing your sword, all aboard… bid farewell to the dreamer" Dalquist exclaims. Cynical view of human nature, idealism is over, war is coming, it always does. Opens with a cold menacing riff and atmosphere reminiscent of "Synthezoid Heartbreak" by Maya. Mournful despondent vocals ride an insistent churning groove, gnarly guitar break moves into free noise territory. This rare track is from a local various artists benefit album titled Kangaroo Jam issued for the Waco Family Abuse Center in Texas circa 1980. The Pawnbrokers "Realize" is prime proto heavy rock emerging out of psychedelic garage roots in 1968 Fargo, North Dakota. Unusual arrangement, terrific sustain guitar tones like on the first Blue Cheer LP, even a rip on Hendrix "Manic Depression" with unison voice and guitar ascent near the end. They made three 45s and were active from '65 to '69. Hats off to Blake English, Kent Richey, Paul Rogne and Steve Harrison, you nailed it in just a hair over two minutes! As pure and creative as the original psychedelic garage hard rock gets. Parchment Farm from Union, Missouri gigged with the likes of ZZ Top and Foghat back in the day and unleashed the amazing "Songs Of The Dead" in 1971. Primitive riff/chord pattern dosed with some funky prog moves, sky turning black, 'is this heaven or hell' type disoriented confusion… may as well grab your guitar and sing songs to the dead. Robert 'Ace' Williams on bass, Paul Cockrum on guitar, Gary Reed on keys and Micky Waterman on drums, replacing Mike Dulany (R.I.P.) Cool that they use the Blue Cheer misspelling from Vincebus Eruptum for the band name! Ominous organ, thick minimalist fuzz riff, funky psychedelic wah wah flashes and freaky sex combine in one twisted dance titled "Rockin' Chair" by Brothers Of The Ghetto. Out of Chicago in 1975 with some Santana atmospherics and a delicious fuzz wah screamin' guitar break, the groove is highlighted by an off the wall vocal which sounds eerily detached in a subtly sleazy way. Rene Maxwell is the writer of this hard-rock boogie-down hybrid straight out of the twilight zone. It was issued on Ghetto, a subsidiary of the peculiar Kiderian label that released the Creme Soda LP. Now that your head is totally skewered, go Back Jack and play side one again! (Words by Paul Major)

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Primitives

I Won't Care

11,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Flowing Downward)

Dismalimerence / Sadness

Resplendence

Release: 2024 / US – Original

Genre: Rock & Indie

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10" | 2024 | EU | Original (Alien Transistor)

Hochzeitskapelle

We Dance

Invincible Shield Alternate Artwork

Release: 2024 / EU – Original

Genre: Rock & Indie

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Enid Valu usually works a as a photographer and video artist has been working with various bands. For once she now ditches the cam and steps up to the mic instead – appearing as featured vocalist on two of the four covers Hochzeitskapelle recorded for this 10inch, among them Pavement’s »We Dance« and »Stockholm Syndrome« by Yo La Tengo. As for the two songs it’s all-instrumental business as usual. Low’s classic »Silver Ride,« & Wir Sind Helden’s »Elefant« getting the harmingly handmade/oddball ›Rumpeljazz‹ treatment.

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Judas Priest

Release: 2024 / EU – Original

Genre: Rock & Indie

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Invincible Shield Picture Disc Edition

Judas Priest

43,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Palilalia)

Shane Parish

Repertoire

Warning Fluorescent Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word 'shred' is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, 'I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.'

You may be apprehensive, but you shouldn’t be. Shane happens to be an internationally renowned virtuoso of the guitar. Specifically, he’s the kind of virtuoso who is as deep on style as he is on technique. His technical prowess is almost maddeningly complete; aiming paradoxically for the yards-long target called “breadth” he’s somehow hit all of it, 500 arrows piercing every pore of the landscape. He has that much technique not for the sake of guitar worship but to best bring the music forth clearly and in his own hand, like a pearl formed in a specific sea. I know this because I’ve sat next to him in multiple countries and American states and seen him deliver transmissions of that extreme honesty, with that extreme capability.

Like Derek Bailey’s 'Ballads,' this record brings you into the room and the breath of a true musician whose mastery does not overshadow his appreciation of the music that inspired it. The title, 'Repertoire,' underscores the beautiful songs he chose to perform, all standards of 20th century musical excellence. The in-time persistence of his blues-walked 'Lonely Woman.' The grand registral descent he performs on 'Pithecanthropus Erectus,' like a rare document of the trip down from Everest. Dig how 'Better Get Hit in Your Soul,' emphasizes the folk blues water coursing through Mingus’s Ellingtonia, how Aphex Twin’s 'Avril 14' and the Minutemen’s 'Cohesion' sound so much older than Cage’s 'Totem Ancestors.' 'Repertoire' puts forth the idea that time is arrangement: time and arrangement are each only as successful as they are faithful to their origins and expansive in their style.

Again, lest you fear the alien smoothness some associate with the concept 'virtuoso,' remember here we’re dealing with a time- traveler. His virtuosity is home grown, born of human work rather than some abstract or divine touch; the aim is not to go beyond the realm of human technical possibility but to expand it in the direction of human, meaning, timely. This guy can play anything, and for you, for this record, which sounds intimate and as present as a transmission from a time-traveler, he chooses to."—Wendy Eisenberg

Member of the Bill Orcutt Quartet and Tzadik Recording Artist

Solo guitar arrangements of various jazz /avant garde/electronic/etc. tunes.

Edition of 500 copies.

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Green Day

LP | 2000 | Reissue (Reprise)

Release: 2000 / Reissue

Genre: Rock & Indie

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Sentiment Opaque Yellow Vinyl Edition

Claire Rousay

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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Chaos Of Flowers Clear Pink Vinyl Edition

Big Brave

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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It Beckons Us All Petrol Green Vinyl Edition

Darkthrone

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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Sublimation Transparent Vinyl Edition

Girls In Synthesis

LP | 2024 | Original (Own It)

29,99 €*

Mina - Live Alla Bussola 1968-1978 Record Store Day 2024 Edition

Release: 2024 / Original

Genre: Rock & Indie

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Limited clear vinyl LP!After two critically acclaimed albums, numerous mini-albums, EPs and singles, London-based trio Girls In Synthesis return with their new statement, third album prop...

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Mina

4LP | 2024 | EU | Original (Warner)

137,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sony Music Catalog)

Willie Nelson

The Border

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Reissue (Trouble In Mind)

Klaus Johann Grobe

Im Sinne Der Zeit

The Age Of Immunology Teal Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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After the one-two punch release of a head-turning limited 10-inch EP in 2013, followed by an equally mezmerizing 7-inch (the "Traumhaft" single, reissued by TiM in Feb of '14), Swiss duo Klaus Johann Grobe finally unveil their full-length offering, "Im Sinne der Zeit ". In their short existence, members Sevi Landolt (organ/...

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Vanishing Twin

LP | 2019 | EU | Reissue (Fire)

2LP | 2024 | Original (Insideoutmusic)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Vanishing Twin’s seminal LP, The Age Of Immunology, receives a LTD edition pressing on None ‘Pink’ and Sine ‘Teal’ vinyl, limited to 500 units each and paired with matching sleeve art. As essential take on psych-pop futurism and a must for fans of Broadcast, Sun Ra and Ennio Morricone. Establishing the band as innovators in their field, the record was declared “a masterpiece” by The Line Of Best Fit, while The Quietus asserted Vanishing Twin as “one of the most original and exciting acts of the moment”. This was the group’s first LP for Fire Records, at the time of recording the band’s evolving lineup consisted of songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion. The album was produced by Lucas in a number of non-standard, non-studio settings. ‘krk (At Home In Strange Places)’ summons up the spirit of Sun Ra’s Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio and was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk. The magical Morricone-esque lounge of ‘You Are Not an Island’, the blissed-out Jean-Claude Vannier style arrangement of ‘Invisible World’ and burbling sci fi funk ode to a 1972 cult French animation, ‘Planète Sauvage’, were all recorded in nighttime sessions in an abandoned mill in Sudbury.

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The Tangent

To Follow Polaris

33,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Total Punk)

Itchy & The Nits

Worst Of

Release: 2024 / US – Original

Genre: Rock & Indie

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Lost Themes IV: Noir Tan And Black Marble Vinyl Deluxe Ediiton

John Carpenter

LP | 2024 | US | Original (Sacred Bones)

32,99 €*

Hissing Fauna, Are You The Destroyer? Red &Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Deluxe edition available on limited tan and black marble vinyl, includes clear 7" with exclusive bonus track "Black Cathedral" and screen printed B-Side.It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Of Montreal

2LP | 2007 | US | Reissue (Polyvinyl)

43,99 €*

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Spiritual Healing - Reissue

Death

LP | 2014 | Reissue (Relapse)

Release: 2014 / Reissue

Genre: Rock & Indie

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Field Music And The Nasuwt Riverside Band

Binding Time Record Store Day 2024 Edition

LP | 2024 | UK | Original (Memphis Industries)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 1987 | UK | Reissue (Fire)

Pulp

Freaks

LP | 1983 | UK | Reissue (Fire)

Release: 1987 / UK – Reissue

Genre: Rock & Indie, Pop

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Features a second bonus disc packed with singles and b-sides from the
Freaks era. Pulp had changed significantly since their debut 'It'. By this time every member bar Jarvis had moved on but the addition of
Russell Senior proved to be a pivotal turning point for the band. No longer did Pulp sound pastoral, easy-natured; now they were darkly
romantic, brooding, noisy and a little bit Gothic, in the way young folk who brush their hair a certain way are always a little bit Gothic.
Pulp were out-of-tune with the times: but the times didn't satisfy Pulp. The album is quite marvellous. Most of these songs stand the
distance of time: it was here, possibly even more than 1992's Separations, that Pulp started coming into their own as a band with a fullyrealised aesthetic. The first disc is the original album, unaltered and in its entirety. The second is a bonus disc comprising of tracks from
the two big non-album singles from the same era, 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere'. Two further b-sides 'Tunnel'
and 'Manon' complete the second disc for the definitive 'Freaks' period release. Pulp's 'It' and 'Separations' will be repressed at the
same time for the complete Pulp on Fire collection.

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Pulp

24,99 €*

LP | 2024 | Original (Insideoutmusic)

Release: 1983 / UK – Reissue

Genre: Rock & Indie, Pop

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Pulp’s debut and one of their most honest recordings - capturing a band at
the beginning of their startling career. ‘It’ is a gentle, mainly acoustic album that hints at the musical directions Pulp would later pursue.
The album touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen.
Certainly an album by a young band trying to pinpoint their direction, and absorbing many an influence from all around, ‘It’ has aged
beautifully into a charming collection. Fire are to reissue Pulp’s 1983 debut album ‘It’ as part of the Fire reissue series with bonus
material. Liner notes by Everett True. Featuring 4 Bonus tracks including single version of ‘My Lighthouse’ and alternative mix of ‘Blue
Girls’, ‘Sink Or Swim’ and ‘Please Don’t Worry’ from Pulp’s John Peel session in 1981.

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Wheel

Charismatic Leaders

Release: 2024 / Original

Genre: Rock & Indie

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Best Of Bruce Springsteen Blue Vinyl Edition

Bruce Springsteen

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Best Of Bruce Springsteen Black Vinyl Edition

Bruce Springsteen

Release: 2024 / EU – Original

Genre: Rock & Indie

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Anne, If White Vinyl Edition

Ghost Woman

LP | 2024 | UK | Original (Full Time Hobby)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Garage Years Black Vinyl Edition

Dara Puspita

LP | 2024 | EU | Original (Groovie)

Black Soul Brothers Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dara Puspita (trans. "Flower Girls") was arguably the world's greatest all-female garage rock band. The reason you've probably never heard of them is that they came from Indonesia where they were extremely popular during the 1960s. Their career spanned from 1965 until 1973 including 3 years (1969-1971) living and touring in Europe.

The four albums recorded by the original members between 1966 and 1968 (the material represented on this LP) is one of the great chapters of 1960s popular music history never to be reissued in vinyl, let alone recognized beyond a few tuned-in souls and adventurous record collectors in the Western world. This is an amazing compilation for all garage rockers, fuelled with fuzz tunes and groovy rhythms.

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Miguel De Deus

LP | 1977 | EU | Reissue (Groovie)

Seattle 89 Volume 1 Yellow Vinyl Edtion

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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For the first time reissued, with the great contribution of Miguel de Deus's family in São Paulo, that supplied the amazing collection of photos for the 4 pages inner, inside the LP. This limited edition is a highly collectable for fans of brazilian soul, groove and psychedelia. It's our contribution to pay respect to one of the most important brazilian musicians of the late 60's and early 70's. Main brain of bands like OS Brazões and Assim Assado, he let us an amazing legacy for new generations. This is a small, but more than deserved homage to him, finally. Miguel de Deus was the protagonist of this amazing Afro-Funk movement, together with a group of “heavy” musicians, as they were called in those days of consolidation of a strong Black Power scene, mainly composed of black youth from the outskirts of the suburbs of São Paulo and Rio de Janeiro, where the movement took the name of Black Rio. Its raw Rock-Funk-Psychedelic-Tropicalia.

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Metallica

2LP | 2024 | EU (Room On Fire)

Sun Dog Black Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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Metallica’s 1988...And Justice For All - their first album to break into the Billboard Top 10, peaking at No. 6 - still remains the bands biggest-seller. Having to date shifted eight million copies in the U.S. alone, the record also earned the thrash metal heroes their debut Grammy award. Containing as it does a number of absolute classics, including hit single One, this enduring masterwork is still the favorite out of all of Metallica releases for many fans. In the wake of the album success the band embarked on the mammoth Damaged Justice tour, playing a staggering 219 shows across five continents from 11th September 88 to 8th October 89. Many of the performances given during this jaunt remain among the finest Metallica shows ever performed. Notably, their appearance at The Seattle Center Coliseum on 30th August 1989, still is one of the highest point in their career.

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Maidavale

LP | 2024 | EU | Original (Silver Dagger)

New Heaven Electric Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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MaidaVale paint with a larger, bolder and brighter color palette on their third album Sun Dog.

Without losing sight of their characteristic kraut rock influences, the band have more than ever immersed themselves into their unique take on neo-psychedelia

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Inter Arma

LP | 2024 | Original (Relapse)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

Humanoid

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fear Of Living / Seven Out

The Lemonheads

7" | 2024 | UK | Original (Fire)

12,99 €*

LP | 2024 | US | Original (Soft Abuse)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ltd edition classic black 7inch vinyl. The Lemonheads’ long-awaited return, a slice of perfect pop, with a grittier Evan Dando at the helm. Playing all the instruments on the lead track, the new single was recorded and produced by Apollo Nove in São Paulo, Brazil. Evan is currently working on the first Lemonheads songs since 2006. This limited seveninch is backed with another piece of carefully selected outsider pop, a cover of Eugene Kelly’s (Vaselines and Eugenius) bittersweet ‘Seven Out’, on which Evan is joined by Jeff Berg on bass and Erin Rae on backing vocals.

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Steven R. Smith

Olive

Never Meant To Be: 1988-1993

Release: 2024 / US – Original

Genre: Rock & Indie

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Steven R. Smith is a wildly consistent and self-sufficient auteur making epic music far beyond his monk-like solo recording practices. On Olive, one gets more of Steven R. Smith’s singular vision and musicianship, this time filtered through ensemble arrangement largely performed by others—an approach he’s explored in recent years. A micro-orchestra of horn and woodwind players was enlisted, as well as other collaborators including Kate Wright (Movietone, 1000 Dawns) and Yvonne Sone. The stunning results call to mind Mark Hollis’ eponymous solo LP and Gerald Busby’s masterful 3 Women score, not only in terms of sonics or tone, but also in the use of space.

Smith has explored many angles to soundtrack-like mood music, but there is a satisfying dark rock element to even his more refined chamber pieces. Smith’s dusky post-punk signature, borrowed from Australian artists such as Rowland S. Howard and Crime & the City Solution, synthesizes with the mannered arrangements to push his familiar, evocative sound into new spaces.

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Love Child

2LP | 2024 | US | Original (12XU)

45,99 €*

Growers Of Mushroom Record Store Day 2024 Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"At the very dawn of the 90s, Love Child's debut 7” made a splash on the burgeoning scene of shambolic bands and lo-fi recordings. Back then, they were mentioned in the same breath as Pavement, Sebadoh, or Beat Happening. But Love Child’s two great albums and sparkling singles have become the stuff of record collectors, unavailable vis streaming and out of print, until now. Never Meant to Be: 1988-1993 pulls from these releases and some unreleased radio sessions, unearthing a trove of lost gems by a band that could be the bestof all of the 90s buried treasures. Culled from their smashing debut 7-inch, their two full-length albums, another great single and some unreleased radio sets (including a Peel Session), Never Meant To Be has catchy hooks, gritty noise, sneakily-deft playing, brainy but blunt lyrics, and lots of other awesome stuff. Love Child were part of lo-fi’s beginnings, but also had the NYC pedigree to absorb predecessors like the Velvet Underground, the Voidoids and Teenage Jesus and the Jerks. (Their swirl of brightness, brains, and brawn led Byron Coley to liken them to a fantasy VU made up of Moe Tucker, Doug Yule, and Angus MacLise). Will Baum started Love Child while a student at Vassar College, bringing on classmates Rebecca Odes and Alan Licht. At first, Baum wrote the majority of the songs, bringing a Modern Lovers-like garage-pop attack to the band’s 19-song whirlwind debut album Okay? (Homestead, 1991) But Odes and Licht contributed songs as well, each with a distinct sonic fingerprint (One fan, Kurt Cobain, allegedly predicted Love Child would become the Fleetwood Mac of the 90s). All three members were happy to trade roles and instruments from song to song, but they also had some specific chops. Licht was a bit of a guitar prodigy, having taught himself how to tap like Eddie Van Halen, but versed enough in punk to know simplicity could be just as powerful. Odes’ bellowing bass was equally prominent, and her vocals could veer quickly from sweet to snarling, like Kim Deal or Georgia Hubley with a jagged edge. Take 'Asking for It' (taken here from a 1992 Peel Session), whose righteous slam makes it a proto-riot-grrrl anthem. Not long after Okay?, Baum left, replaced by drummer Brendan O’Malley. Love Child’s sound evolved too, toward a dronier zone not far from the bubbling haze of then-nascent shoegazers like My Bloody Valentine and Slowdive. On their next album Witchcraft (Homestead, 1992), smart hooks stretched into deeper ruminations, without any loss of brashness. 'Stumbling Block' turned a riff into a minimalist mantra, while 'Wait and See' took two melodies–one sung by Licht, one by Odes–and weaved them into the band’s most hypnotic moment on record. Love Child didn’t last long past Witchcraft, though it's not 100% sure that they're fully done (Alan and Rebecca have been rumored to be playing together again). But until that comeback emerges, Never Meant To Be should satisfy fans and newcomers for a long time."—Marc Masters

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Leaf Hound

LP | 1971 | EU | Reissue (Analogue October)

36,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Renovations Remastered 2024 Record Store Day 2024 Edition

Mike Welch

LP | 1981 | UK | Reissue (Nunorthern Soul)

LP | 2023 | Original (Eskapaden)

Release: 1981 / UK – Reissue

Genre: Rock & Indie, Pop

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A rare private pressing from 1981 gets a loving remaster from Simon Mills [bent] and a reissue on the NuNorthern Soul label who have been releasing and reissuing musical oddballs and goodness for 11 years. Ace compialtion compiler, Paul Hillery [bbe, ReWarm] has spent time interviewing Mike Welch about this project and will be included as extensive sleeve notes on the release. This is a very special Blue Eyed Soul album with heavy Country leanings or as Paul puts it ' A record made by a musician, having to work hard by day and then put it all on the line in the studio at the weekend. Reflective songwriting and tight musicianship are given the space to breathe and un-smothered by overproduction. Difficult to tag, harder to find, essential re-issue business.' Copies of this are very hard to come by and go for silly money on Discogs which is a shame as the world needs to hear this album. 1LP vinyl with heavy card insert.

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Elena Rud

Heimlich Weinen

19,99 €*

Neil Young with Crazy Horse

Release: 2023 / Original

Genre: Rock & Indie

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Chasing dopamine in free fall through a burning world. Looks that make you want to go swimming, even though you know you're going to drown. Where is my value? Who do I want to be? And who do I definitely not want to be?

Mental health, body positivity, queerness, sexualized violence and self-determination: Elena Rud sings about these things, loud and wild. With a voice that sometimes seems on the verge of breaking and then hangs deep in the ear canal again. As raspy as after a handful of cigarettes. So distinctive that you will recognize them again and again from a big bunch of newcomer bands.

Because the songs go through the marrow and bone. Under the skin or into the heart. Maybe left in and right out, but it's good in between. Because you feel that you're no longer quite so alone with yourself and this shitty world.

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Fu##In' Up Record Store Day 2024 Clear Vinyl Edition

LP | 2024 | Original (Reprise)

55,99 €*

Electronic Sound Record Store Day 2024 Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Quantity: 5000
Release type: 'RSD First' Release

Reprise Records is set to release "F*#!IN UP" by Neil Young & Crazy Horse, with a special Record Store Day Clear vinyl LP version available on April 20th, 2024. This is a live performance of the "Ragged Glory" album, recorded at a club in Toronto in 2023. Limited 2 x 140g 12" clear vinyl album.

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George Harrison

12" | 1969 | Reissue (Dark Horse)

35,99 €*

Birthday / Don't You Love It Record Store Day 2024 Pink & Red Marbled Vinyl Edition

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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Blues Pills

12" | 2024 | EU | Original (Throwdown)

Autofiction: Live Record Store Day 2024 Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pink/red marbled 140g vinyl. In August 2024 the mighty Blues Pills are back with their new album Birthday. An album they created with the Billboard success and Grammy nominated pop hit maker, Freddy Häggstam (The Chainsmokers, Rihanna, Maroon 5, Bebe Rexha, Enrique, Taio Cruz et.al). Together with Freddy they gathered in the Swedish woods to create what came to be Birthday. Right in the early stage of the recordings, Elin found out she was pregnant. As she had been dreaming of becoming a mother, Elin’s pregnancy and the journey to becoming a mother became a strong narrative for this album. She has been combining the life as a mother with the life of a rock star, continuing a successful career as one of the strongest frontwomen in today’s rock scene and kicking down barriers for other women to follow their dreams and not let society's norms limit or shape them. Especially within a male dominated scene such as rock. The LA photographer Trippy Dana created the album artwork and main press photos, capturing Elin in her third trimester together with the band in the most powerful way.

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Suede

LP | 2024 | EU | Original (BMG)

37,99 €*

Our Solar System Record Store Day 2024 Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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This Record Store Day, Suede release a live version of their critically acclaimed album ‘Autofiction’, which debuted at #2 in the UK Album Chart and marked Suede’s highest charting LP since 1999’s Head Music, available on limited edition grey vinyl in a fold out envelope sleeve. Following the release of ‘Autofiction: Expanded’ in December 2023 digitally and on 3CD, the ‘Autofiction: Live’ limited edition LP will feature live recordings from the band’s highly anticipated headline tour of the UK in March 2023, for the first time on vinyl and exclusive to Record Store Day.

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Half Japanese

LP | 1984 | UK | Reissue (Fire)

35,99 €*

Release: 1984 / UK – Reissue

Genre: Rock & Indie

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Collapse List Bio Vinyl Edition

Novo Amor

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Neil With Crazy Horse Young

Fu##In' Up

2LP | 2024 | Original (Reprise)

42,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Live At Red Rocks 2005 Record Store Day 2024 Blood Splatter Vinyl Edition

Pixies

2LP | 2024 | UK | Original (Demon)

50,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Cyan Blue Black Vinyl Edition

Charlotte Day Wilson

LP | 2024 | UK | Original (XL)

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album Cyan Blue out May 3rd via Stone Woman Music / XL Recordings Along with the announcement of her new album comes the release of first single, "I Don"t Love You", a stark and devastatingly beautiful confessional, highlighting Wilson"s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she"s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful innocence. "I want to look through the unjaded eyes of my younger self again," Wilson explains of making Cyan Blue. "Before there wasn"t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her." Working with producers like Leon Thomas (sza, Ariana Grande, Post Malone), and Jack Rochon (HE.R, Daniel Caesar), Cyan Blue demonstrates Wilson"s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus. But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. "Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity," Wilson reflects. "But that was a bit stifling, like, "Let me just make a great piece of art that will stand the test of time, no pressure." Now, I think I"m getting out of this frozen state of needing everything to be perfect. I"m more interested in capturing feelings in the moment as they happen and leaving them in that moment." While this is only her second album, Wilson"s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018"s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha. Over the past decade, she"s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson"s 2016 breakout single "Work." Additionally, she"s collaborated with artists like Kaytranada, Badbadnotgood, and SG Lewis, demonstrating that there"s no sound Wilson can"t adapt to and sprinkle her cyan-colored magic over.

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

73,99 €*

Tilt Record Store Day 2024 Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Scott Walker

2LP | 1995 | Original (UMC)

48,99 €*

Live At Racket, Nyc Record Store Day 2024 Black W/ Blue Swirl Vinyl Edition

Release: 1995 / Original

Genre: Rock & Indie

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Originally conceived 1995 as the first in a trilogy that went on to include ‘The Drift’ (2006) and ‘Bish Bosch’ (2012), ‘Tilt’’s atmospheric soundscapes and trance-like percussion combined with influences from as far afield as industrial music and traditional classical ‘lieder’ works. Throughout, Scott’s unmistakable baritone enhances an overall work of haunting beauty. For this 2024 Record Store Day limited edition release, UMR have worked with the full consent of Scott’s estate and the album’s original producer, Peter Walsh. For an enhanced listening experience, it has been mastered for 140 gram vinyl by Frank Arkwright at Abbey Road Studios and cut by Miles Showell to play at 45rpm.

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The Rolling Stones

LP | 1964 | Reissue (ABKCO)

36,99 €*