Rock & Indie 1431 Items

Release: US – Reissue

Genre: Rock & Indie

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LP | EU | Reissue (Bureau B)

Hans-Joachim Roedelius

Durch Die Wüste

Release: EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | US | Original (Fat Possum)

A.A. Bondy

American Hearts

30,99 €*

Release: US – Original

Genre: Rock & Indie

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Get Rhythm / I Walk The Line

Johnny Cash

7" | US | Reissue (Sun)

13,99 €*

Release: US – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1956, "Get Rhythm" is an upbeat number by Johnny Cash with positive lyrics speaking of a happy shoe-shine boy. While the song is classic, inimitable Cash, it would quickly become overshadowed by its b-side, "I Walk the Line." A peculiar song that changes key between each verse and has no chorus, "I Walk the Line" would become the song Cash is best known for, a tale of pledged fidelity with lyrical undertones implying even deeper meaning. Rolling Stone magazine ranked the song at #30 in their 2004 list of the 500 greatest songs of all time.

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Release: US

Genre: Rock & Indie

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May The Circle Be Broken: A Tribute To Roky Erickson

V.A.

LP | US (Tidal Waves Music)

11,99 €*

Release: US

Genre: Rock & Indie

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Includes bonus limited edition flexi of an ultra rare recording performed by Roky Erickson* // Roky Erickson was one of the true mind-blowing pioneers of psychedelic music.

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Release: EU

Genre: Rock & Indie

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Harmony Cats Theme / Seja Com

Harmony Cats

7" (Mr Bongo)

11,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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2LP (One Little Independent)

Björk

Vulnicura

36,99 €*

Genre: Rock & Indie

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Diamonds Green Vinyl Edition

Liar Thief Bandit

LP (The Sign)

Genre: Rock & Indie

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Genre: Rock & Indie

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Box (Silver Lining Music)

Morbid Angel

Kingdoms Disdained

125,99 €*

Genre: Rock & Indie

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Echo And The Bunnymen

Ocean Rain

LP (Catalogue Domestic)

34,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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Chasm Caves & Titan Woods

Carpathian Forest

LP (Peaceville)

Genre: Rock & Indie

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Talk Is Cheap Red Vinyl Edition

Keith Richards

LP | EU (Warner)

Release: EU

Genre: Rock & Indie

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Black Sabbath

Paranoid In New Jersey

LP | UK (Cult Legends)

Release: UK

Genre: Rock & Indie

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Live At Tramps New York 1995 White Vinyl Edition

Foo Fighters

Release: EU – Original

Genre: Rock & Indie

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I Would Rather Be Dead Than Be Cool - Live At The Hollywood Rock Festival 1993 Clear Vinyl Edition

Nirvana

Release: EU – Original

Genre: Rock & Indie

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I Would Rather Be Dead Than Be Cool - Live At The Hollywood Rock Festival 1993 Picture Disc Edition

Nirvana

Release: EU – Original

Genre: Rock & Indie

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In Session 1964-1965 Red Vinyl Edition

Release: EU – Original

Genre: Rock & Indie

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Live At Paradise Theater In Boston 21th August 1978 Colored Vinyl Edition

AC/DC

LP | EU | Original (Second)

17,99 €*

Release: EU – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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LP | EU | Original (Cult Legends)

Iron Maiden

Tel Aviv 1995

Release: EU – Original

Genre: Rock & Indie

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LP | EU | Original (Vinyl Champ)

AC/DC

Nippon 1981

Release: EU – Original

Genre: Rock & Indie

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TV Colours

Purple Skies,Toxic River

LP (Comedy Minus One)

Genre: Rock & Indie

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Live At Leadmill Record Store Day 2024 Silver Vinyl Edition

Def Leppard

2LP | Original (Eagle Rock Entertainment Ltd)

48,99 €*

Crooked Boy Ep Record Store Day 2024 Black W/ White Marbles Vinyl Edition

Release: Original

Genre: Rock & Indie

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Def Leppard returns to their hometown of Sheffield to perform a set of hits and rarities in front of a small crowd of about 900 diehard fans in this May 2023 show recorded at The Leadmill, just days before their tour stop with Motley Crue at Sheffield’s Brammall Lane. This Record Store Day exclusive double LP is pressed on silver vinyl.

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Ringo Starr

LP | Reissue (Ume)

32,99 €*

Hammersmith 15/11/1976 Record Store Day 2024 Vinyl Edition

Release: Reissue

Genre: Rock & Indie

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Written and Produced by Songwriter’s Hall Of Famer Linda Perry, “Crooked Boy” features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming. The EP also includes compelling guitar performances on every song from Nick Valensi of The Strokes. Available exclusively at participating Record Store Day retailers on black and white marble custom vinyl.

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Thin Lizzy

2LP | Reissue (UMC)

48,99 €*

The Soundhouse Tapes And More

Release: Reissue

Genre: Rock & Indie

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From the Acclaimed Live and Dangerous box set, this for the first time on vinyl is one of the stand-out shows from the collection and shows the band at their peak, pressed on 180gm Vinyl with a gatefold sleeve.

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Iron Maiden

LP | EU (Metal Madness)

22,99 €*

Release: EU

Genre: Rock & Indie

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Pure / All I Want Record Store Day 2024 Yellow Vinyl Edition

The Lightning Seeds

10" | Reissue (Epic)

Release: Reissue

Genre: Rock & Indie

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10" yellow Vinyl , 4 Track of his first UK Hit Single

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Release: EU

Genre: Rock & Indie

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Imaginaerum Clear Gold White Splatter Vinyl Edition

Nightwish

2LP | EU | Reissue (Nuclear Blast)

37,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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At Their Very Best Live Indie Exclusive Orange Vinyl Edition

Picture
Coming Soon

The 1975

2LP | WW | Original (Universal)

39,99 €*

Release: WW – Original

Genre: Rock & Indie

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Picture
Coming Soon

3LP | WW | Original (Universal)

Honk Red Vinyl Edition

39,99 €*

Release: WW – Original

Genre: Rock & Indie

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LP | 1956 | EU | Reissue (Sony)

Elvis Presley

29,99 €*

Release: 1956 / EU – Reissue

Genre: Rock & Indie

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With His Hot And Blue Guitar

Johnny Cash

LP | 1957 | EU | Reissue (Virgin Music Las)

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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Chantilly Lace Starring The Big Popper

Big Popper

LP | 1958 | EU | Reissue (Waxtime)

Release: 1958 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | US | Reissue (Vee Jay)

John Lee Hooker

Travelin'

Release: 1960 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Brian Poole & The Tremeloes

Twist & Shout Record Store Day 2024 Edition

7" | 1963 | EU | Reissue (Analogue October)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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LP | 1964 | EU | Reissue (BMG/Sanctuary)

Kinks

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | EU | Reissue (Legacy)

Bob Dylan

Highway 61 Revisited

My Generation Half-Speed Remastered 2021 Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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The Who

LP | 1965 | EU | Reissue (Polydor)

33,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1965 | EU | Reissue (BMG/Sanctuary)

Kinda Kinks

2LP | 1965 | EU | Reissue (BMG Rights Management)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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The Kinks - Kinda Kinks Kinda Kinks is the second album by English rock band the Kinks, otiginally released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The big single was "Tired of Waiting for You".

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The Easybeats

Easy

17,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | EU | Reissue (Sony)

Bob Dylan

Blonde On blonde

21,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1966 | EU | Reissue (Klimt)

The Spencer Davis Group

The Second Album

7" | 1966 | EU | Reissue (Mr Bongo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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By the time The Second Album was released in 1966, the Spencer Davis Group had exploded onto the British music scene thanks in no small part to the incredible talent of its young organ player and singer, a kid named Stevie Winwood who had already begun drawing comparisons to some of the greatest R&B singers in history of music. The LP, again produced by Chris Blackwell, included their first No. 1 hit, a version of Jamaican singer Jackie Edwards' 'Keep On Running', which allowed the young Stevie to finally purchase his own Hammond. Featuring 5 bonus tracks, including their 1966 hit single, 'Gimme Some Lovin' b/w 'Blues In F', 'Back Into My Life Again', the Hammond-heavy 'Trampoline', and their version of Roy Orbison's classic 'Oh! Pretty Woman'. Limited edition of 500 copies on 180 gram clear vinyl.

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O’Seis

Suicida / Apocalipse

11,99 €*

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.

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Donovan

Sunshine Superman

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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Something Else By The Kinks

LP | 1967 | EU | Reissue (Sanctuary)

25,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Velvet Underground & Nico

The Velvet Underground & Nico 50th Anniversary Peel Off Edition

LP | 1967 | CZ | Reissue (Polydor)

36,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1967 / CZ – Reissue

Genre: Rock & Indie

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According to the 50th anniversary, this release comes as the legendary reissue of “peel off” edition including a 12-page booklet with liner notes from John Cale.

Pressed on 180-gram vinyl.

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Wynder K. Frog

Sunshine Super Frog

7" | 1968 | UK | Reissue (Groovie)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Fabio

LSD / Reloginho

15,99 €*

Book of Taliesyn Mono Edition

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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Reissue of a psychedelic gem from Brazil's late '60s underground. This '68 release wasn't 'just' a genuine garage / soul killer, it also was meant as a provocation of the country's political society and dictatorship. 'LSD' was an abbreviation for "Lindo Sonho Delirante", which can be translated into 'Beautiful Trippy Dream'. Limited edition of 300 copies.

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Deep Purple

LP | 1968 | EU | Reissue (Warner)

30,99 €*

At Folsom Prison Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2015!

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Johnny Cash

LP | 1968 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Glass Family Electric Band

2LP | 1968 | US | Reissue (Maplewood)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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A brand new reissue of the 60's psychedelic gem The Glass Family Electric
Band, including two new sides of previously unreleased material.

It was first released in 1968, with Billboard Magazine praising it as “an astonishingly perceptive album,” and it quietly helped pave the way for other likeminded groups psychedelic groups of the era.

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The Village Green Preservation Society 2018 Stereo Remaster

LP | 1968 | EU | Reissue (BMG/Sanctuary)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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7" | 1968 | EU | Reissue (Arsivplak)

Beybonlar

Gelin Aysem / Nenni

13,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

9,99 €*

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Orphan Egg

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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LP | 1968 | EU | Reissue (Universal)

Beggars Banquet

Dragonfly Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.

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Dragonfly

LP | 1968 | EU | Reissue (Guerssen)

LP | 1968 | EU | Reissue (Rotorelief)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski

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Silver Apples

25,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Life Goes On)

Far Cry

2LP | 1969 | EU | Reissue (Zappa)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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"Their music reaches from blues to jazz into space", proclaimed the original liner notes to this highly collectible record, just released in 1968. Hailing from Boston, the Far Cry were a talented seven-piece blending psych rock and r&b, in the vein of Blood, Sweat & Tears and Rare Earth, with a further look into the realms of Beefheart Magic Band and John Cipollina Quicksilver Messenger Service. Their sole album still maintain a distinctive sound, melting acid guitar, sax and even vibraphone, organ and conga.

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Frank Zappa

Uncle Meat

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | DE | Reissue (Universal)

Frank Zappa

Hot Rats

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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„Hot Rats“, originally released 1969, is Zappa’s second album. It‘s considered to be one of the first Jazzrock albums ever and mostly contains instrumental compositions except from one track.

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Frank Zappa

Hot Rats

LP | 1969 | US (Zappa)

38,99 €*

Release: 1969 / US

Genre: Rock & Indie

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The (St. Thomas) Pepper Smelter

Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

22,99 €*

The Open Mind Yellow Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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The Open Mind

LP | 1969 | EU | Reissue (Klimt)

Yuya Uchida & The Flowers

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.

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Challenge!

LP | 1969 | EU | Reissue (Cosmic Rock)

Bull Of The Woods Black Friday Record Store Day 2023 Black & White Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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13th Floor Elevators

LP | 1969 | EU | Reissue (Culture Factory)

38,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Moved By Sound)

Reet Hendrikson

Reet

29,99 €*

Walpurgis Black Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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'Reet' is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969.
Reet will be loved in the same breath as ;Sibylle Baier, Vashti Bunyan, Molly Drake, Bridget st John, Reet Hendrikson deserves wider listening and recognition.

Reet Hendrikson was born in Estonia only months before the "great escape" into exile in 1944. Brought up and educated in Sweden, she went to study in the US in 1967 on a Fulbright scholarship, before she made her mark as an Estonian musician in Canada. While her arrangements of Estonian folksongs on the guitar reflected the styles of the sixties, her voice and choice of material sounded authentic and made a connection with ages past.
When Hendrikson arrived in Canada in 1968 via the US, her Estonian was native-like because of the high quality of Estonian schools in Sweden. She was thus able to characterise the identity of young ex-patriate Estonians – especially those born in exile from Soviet occupation – in a new and meaningful way. A formal musical background allowed her to create the arrangements that accompanied her simple but pure singing voice. Having heard her under northern Muskoka pines at an Estonian summer seminar, it didn't takeAndres Raudsepp ( of raindeer records)long to bring her to a recording studio. "Reet – Estonian folksongs" appeared in 1969.
Hendrikson soon found her way to the scholarly atmosphere of Boston where, as a multi-instrumentalist, she joined a group of musicians who favoured traditional folk music. Back in Sweden in the 1980ies, she was invited to join a scholarly society of Estonian young women, which she led during musical sessions. She visited Estonia as frequently as possible, trying in particular to be helpful to Estonian musicians by providing sheet music and much-needed repertoire from the Swedish National Radio Archives, where she worked for a while..
Reet Hendrikson died in Stockholm in the autumn of 2000.

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The Shiver

LP | 1969 | EU | Reissue (Sommor)

LP | 1969 | EU | Reissue (Rotorelief)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Heavy prog-psych with tons of organ and fuzz guitar courtesy of THE Shiver from Switzerland. This is their sole album from 1969, housed in a sinister cover designed by surrealist painter H.R. Giger (his first album cover work). Originally formed in the mid-60s in St. Gallen (Switzerland) as a beat, R&B band in the vein of Spencer Davis Group or The Yardbirds (and featuring an English vocalist), The Shivers dropped soon the “s” from their name at the same time as they adopted the early progressive sounds of British bands like Procol Harum or Moody Blues. After winning the first prize at a couple of major music festivals and even sharing stage with Pink Floyd, they started recording their first album. Combining interesting cover versions (the LP opens with a monster heavy cover of Procol Harum’s “Repent Walpurgis") and original songs, the album is a perfect example of the transition from beat and blues-rock to psychedelia and heavy prog.

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Silver Apples

Contact

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Contact/ Metallic Vinyl Edition

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Silver Apples

LP | 1969 | EU | Reissue (Rotorelief)

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Spoon)

Can

Soundtracks

LP | 1970 | EU | Reissue (Legacy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Santana

Abraxas

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wah Wah)

Siloah

Dogfeet Blue Vinyl Editon

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Dogfeet

LP | 1970 | EU | Reissue (Klimt)

LP | 1970 | US | Reissue (Ohr)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Bassist Dave Nichols, singer Alan Pearse, drummer Derek Perry and guitarist Trevor Povey first came together as Chicago Max, followed by brief stints as Sopwith Camel (not to be confused with the San Francisco-based outfit), Malibou and Armageddon. Working in a blues-rock vein (wasn't every early-1970s band dipping their creative toes in the genre), they were signed by the small Reflection Records, though the label immediately demanded a new name. Musically 'On the Road' harkened back to the bands' blues-rock roots, but extended tracks such as 'Now I Know', the attractive atmospheric ballad 'Reprise' and the Western-inspired 'Since I Went Away' set them apart from most of their contemporaries. Not that it mattered. The album vanished without a trace, followed in short order by the band.

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Annexus Quam

Osmose

LP | 1970 | EU | Reissue (Life Goes On)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The timing was right: Five years earlier would have been too early, five years later would have been too late. But ANNEXUS QUAM from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment.The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group". In 1970, working with a local trombone choir led to a dramatic change of direction. Tromb...

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Wizards From Kansas

La Mia Gente Blue Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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An obscure Country-Psych Rock relic from Kansas. In 1968 four of the five original members of The Wizards From Kansas formed a band called ‘New West’, and began playing in the Lawrence, Kansas area, at clubs and parties. Californian guitarist Robert Manson Crain joined the group soon thereafter, expanding to a quintet. Reaching on the same esoteric drift as Clear Light or Emitt Rhodes, the band unleashed an even excellent cover of Buffy Sainte-Marie ‘Cod’ine’, more in the vein of Quicksilver M.S.

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Enzo Jannacci

LP | 1970 | EU | Reissue (RCA)

31,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Elektra)

Love

Forever Changes

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Sticky Fingers Half Speed Remastered Edition

LP | 1971 | EU | Reissue (Polydor)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Rhino)

John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Embryo's Rache Black Vinyl Edition

Embryo

LP | 1971 | EU | Reissue (Loneos)

If I Could Only Remember My Name

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The second album by Christian Burchard and alumni was released in 1971 on the prestigious United Artists imprint, only a year after their debut. A significantly progression and the first venture in the realm of the ethnic/world-rock fusion that would come to be their trademark. The gang from Munich flew over a series of packed jam showing their authentic passion for the middle east . Combining a series of progressive numbers, still miles away from their british counterpart, the band opened up for a series of transcendental and wicked numbers, pushing the boundaries of the seventies counterculture. While it was some eastern-blues rapture or a post-Coltrane collage in the vein of the classy melody of A Love Supreme, the band built his foundation while facing an ancient future. That was the beginning of a whole era where freedom was the keyword.

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David Crosby

LP | 1971 | EU | Reissue (RhIno)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Ohr)

Birth Control

Operation

LP | 1971 | EU | Reissue (Cosmic Rock)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.

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Assagai

Love Will Make A Better You

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqikana, and guitarist/bassist Fred Coker Assagai's self-titled debut album was released in 1971 on Vertigo; among the African musicians who played with the group on the recording was Terri Quaye. Previously, in the 1960s Pukwana, Feza and Moholo had been members of the jazz band The Blue Notes alongside Chris McGregor.

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Love Live Life + One

LP | 1971 | JP | Reissue (King Record / Lawson Entertainment Inc.)

68,99 €*