Rock & Indie 9165 Items

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Four-piece Philadelphia band Big Nothing, released their self-titled album through Asian Man Records in 2017. In continuation, the east coast indie-punks have now released their sophomore album, 'Chris' on Salinas Records. 'Chris' is unique in that each song has a different band member leading the vocals, and the record is composed of similar elements to mainstream indie bands like Superchunk and The Replacements." Featuring members of Spraynard (Pat), Casual (Liz), Crybaby (Matt) & Young Livers (Chris). Digi-pack CD!

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7" | 2014 | EU | Reissue (Phantom)

Praktikum In Der Karibik

6,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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This was meant for the US Tour in November, but now it's a Re-Import. You know the story.

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Hornhaut Ist Der Beste Handschuh

7" | 2018 | EU | Reissue (Phantom)

7,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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7" | 2016 | EU | Reissue (Harbinger Sound)

Kohlrübenwinter #2

7,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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7" | 2016 | EU | Reissue (Phantom)

Kohlrübenwinter #1

7,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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First Enslavement Grey Marble Vinyl Edition

Koldborn

LP | 2002 | EU | Reissue (Emanzipation)

8,24 €* 10,99 € -25%

Noisy Bastards Red Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Kolborn's debut album “First Enslavement” - now on limited edition vinyl and CD with all-new remastered sound!! Denmark, 2002. The world was suffering a heavy hangover of Carcass “Heartwork” grooves and “One Kill Wonder”, by The Haunted, was still in the works. Nobody - even the few ones that were lucky enough to grab one of the copies of their “Blessed By Beyond” demo a few years earlier - was expecting the kind of evolution Kolborn presented in their debut album “First Enslavement”. Equal parts brutality and groove, wrapped up in all-rounded technical flawless approach by the band and a clinical production by Jacob Bredahl (Exmortem, Koroded, Hatesphere, Leng T’Che). Firing all-cylinders, the band, led by guitarist Henrik “Heinz” Jacobsen (also of Hatesphere) entered the scene by storm, with the album receiving overwhelming reviews for its musical diversity and brutal groove with a Scandinavian touch of melody. Martin Leth Andersen, vocalist in “First Enslavement”, recalls: “We prepared ourselves mentally by partying all by ourselves in Køng, drinking cheap, warm beer from the almost functioning fridge and having pissing contests in the manure behind the rehearsal quarters”. The result is, to put it simple, the definition of thrash/death metal made with groove in Denmark.

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The Varukers

LP | 2020 | EU | Reissue (Audioplatter)

8,79 €* 10,99 € -20%

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Gig recordings from punk legends THE Varukers!!!! This amazing release features recordings from the 100 Club with the line-up Rat- vocals, Damien Thompson - Guitar, Andy Baker - drums and Brik on bass and recordings from one of the numerous gigs the band played in the North East, having received great support from that area of the country since 1986. The line-up for this show was Rat - vocals, Paul Miles - guitar, Graham Keer - bass and Warren on drums.

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7" | 2022 | EU | Reissue (Phantom)

Lambada - 2. Auflage

8,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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MCD | 1994 | EU | Reissue (Big Brother Ltd)

Oasis

Supersonic

8,99 €*

12" | 1983 | EU | Reissue (Miss You)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Released to celebrate the 30th anniversary of Oasis’ seminal debut single Supersonic –
limited-edition collector’s formats including a replica of the original CD single and a pearl
coloured, numbered 7”.

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The Redhots

Redhot

8,99 €* 14,99 € -40%

7" | 2010 | US | Reissue (Third Man)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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The White Stripes

Merry Christmas From …

9,34 €* 10,99 € -15%

Temptress / Strangulation

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Available again. The A-side was originally recorded in 1998 and it's title has been appropriated by Stripes fans as a term to describe themselves as a group. The b-side features Meg singing an a cappella version of ''Silent Night'' coupled with Jack reading the Story of the Magi from the Bible. The whole thing is a warming, heartfelt pile of Christmas goodness...dig in!

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Medusa

7" | 2015 | US | Reissue (Numero Group)

Nancy Sinatra & Lee Hazlewood

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Prior to tracking First Step Beyond, Chicago proto-metal quintet Medusa headed three miles west to the Village of Oak Park and cut their debut 7" at Stephen Wilcox's Pepperhead custom studio. The resulting versions of "Strangulation" and "Temptress" are a touch further unhinged than their sororal album twins, as phased-out scraps of psychedelia and bleeding solos maxed out Pepperhead's 8-track rig. Pressed in a strictly limited quantity of 1000 copies.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

7" | 1992 | US | Reissue (1-2-3-4 Go!)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Pinhead Gunpowder

Fahizah

LP | 1975 | EU | Reissue (Melodie En Soul Sol)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Back in print after a nearly thirty year absence! Available on limited exclusive white vinyl!

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Harlem Pop Trotters

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Sadisticannibal Picture Disc Edition

Embalming Theatre

7" | 2015 | EU | Reissue (Power It Up)

Art Of History EP 2023 Reissue

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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5th Part of the B.E.A.S.T. Series The full EP contains 5 new gory grind attacks from Embalming Theatre plus one awesome VICTIMS cover version. The picture vinyl are housed in a big full colored foldout poster, the picture edition version is limited to only 400 copies.[ENG]5. Teil der B.E.A.S.T. Serie Die komplette EP enthält 5 neue blutige Grind-Attacken von Embalming Theatre plus eine geile VICTIMS-Coverversion. Die Picture Vinyls sind in einem großen, farbigen Faltposter untergebracht. Poster untergebracht, die Picture Edition Version ist auf nur 400 Exemplare limitiert.

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Sunna Margrét

12" | 2019 | Reissue (No Salad)

9,99 €* 19,99 € -50%

7" | 1987 | US | Reissue (Sorry State)

Release: 2019 / Reissue

Genre: Rock & Indie

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The Icelandic musician and visual artist Sunna Margrét has put together 5 experimental-ambient-braindance-electronica tracks on the Iceland Music Award nominated and Kraumur Awards winning EP Art of History.

Co-released between her oceanic hometown of Reykjavik, Iceland, and her current alpine home base in Lausanne, Switzerland, Art of History brings together distant dreams of elvish druids and beats of a contemporary urban woman.

We don't see with our eyes and we don't hear with our ears. Those are only receivers for us to then interpret what we are sensing. The music is heard, is sensed, is felt, is seen. It speaks of the experience of a sensible being, of a sensible life. It's a sensible writing.

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Koro

10,49 €* 13,99 € -25%

LP | 1972 | UK | Reissue (Seelie Court)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

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Threads Of Life

Alco

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1977 | UK | Reissue (Seelie Court)

Hooknorton

In For A Penny

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Seelie Court)

Dave Keir

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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7" | 2010 | US | Reissue (Numero Group)

Four Mints

No Longer / Endlessly

CD | 1998 | Reissue (Noise)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The story of the Capsoul master tapes is well known: after City National Bank of Columbus foreclosed on the debt the label incurred to found the city's most successful soul label, owner Bill Moss hid the tapes at a family friend's farm in Central Ohio, looking to dodge repossession. But a flood finished the job that the bank started, and Capsoul's legacy was left to the hands of soul collectors who arrived a generation later. Or so everyone thought. Unearthed in songwriter Dean Francis' basement were two then-unheard Four Mints songs, produced by Francis and recorded in the Capsoul studios with the Capsoul session musicians. "No Longer" and "Endlessly" made for a fitting postscript to the Capsoul story, told by the label's greatest group, and pressed here to bevel-edged 45s with lovingly recreated label art_a full invocation of the magic of an original Bill Moss production.

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Helloween

Better Than Raw

Release: 1998 / Reissue

Genre: Rock & Indie

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7" | 2000 | US | Reissue (1-2-3-4 Go!)

Pinhead Gunpowder

8 Chords, 328 Words

Release: 2000 / US – Reissue

Genre: Rock & Indie

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The Demos Clear Vinylanniversary Edition

The Varukers

LP | 2019 | EU | Reissue (Audioplatter)

7" | 2012 | US | Reissue (Ramo)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Demo recording from punk legends THE Varukers!!!! In 1980 The Varukers went into Woodbine Studios in Leamington Spa and recorded these demo's engineered by Johnny Rivers.

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Holly Beth Vincent

Hey Boy

Percy Howard / Charles Hayward / Fred Frith / Bill Laswell

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Leader of the highly influential and legendary Holly and the Italians is back! After departures into acoustic and electronic music, Holly Beth Vincent makes a true return to form and punk rock roots with “Hey Boy” and “Smash”. What separated Holly from most of her female contemporaries was that she was tuff stuff... sang tuff and played her guitar tuff, really putting the power into the pop. Her performance on this single is no exception. Snottier than thou vocals accompany her chainsaw guitar sound, while that catchy choruses remain completely intact...the makings for the perfect punk single! Both songs clock in at about 2 1/2 minutes and would make a great addition to her early singles collection. Holly Beth Vincent is a life long musician, major label recording artist, hitmaker, and punk rock icon. Here collaborating with producer Travis Ramin she proves she can kick out the jams at a moments notice.!!

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Meridiem

LP | 1998 | EU | Reissue (Tiger Bay)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Seelie Court)

Heavy Glam Girl Band

Acetate

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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The Other Side Of Life: Piano Ballads

Beach Fossils

Tape | 2021 | US | Reissue (Bayonet)

7" | 2021 | US | Reissue (Bridge Nine)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseur reimagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur's melancholic harmonies to new heights.

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American Nightmare

When We Were Young

Release: 2021 / US – Reissue

Genre: Rock & Indie

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7" | 1980 | EU | Reissue (Reminder)

Wild Boys

Last One Of The Boys

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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7" | 2016 | US | Reissue (Dead Broke)

Deep Pockets

Nice Life

Human Hell Red / Black Splatter Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Brooklyn, NY indie punk from members of Everything Sucks, Brain Slug, Bearchild & more. Follow up EP to their debut full-length, "You Feel Shame". (Comes w/download) *Digital includes bonus track. Limited to 300 on Blue vinyl.

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Harter Attack

LP | 1989 | EU | Reissue (Back On Black)

The Terror Continues Red Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Harter Attack's 'Human Hell' on absolutely stunning limited edition RED AND Black Splatter Vinyl. Thrash so apocalyptic and ferocious it could easily be the soundtrack to Armageddon!

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Raw Noise

LP | 1999 | EU | Reissue (Back On Black)

First Enslavement Blue Marble Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Re-issue of Raw Noise's 1999 'The Terror Continues' on amazing limited edition RED Vinyl!

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Koldborn

LP | 2002 | EU | Reissue (Emanzipation)

Files Of Atrocity Red Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Death Dealers

LP | 2010 | EU | Reissue (Back On Black)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Tranquil Red Vinyl Edition

The Clouds

7" | 1987 | EU | Reissue (Optic Nerve)

7" | 1984 | EU | Reissue (Optic Nerve)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Part of The Optic Sevens 3.0 Reissue Series . Limited to 800 copies worldwide. Pressed on Red Vinyl Printed inner sleeve. Includes postcard and poster. Glasgow based The Clouds only single was originally released in 1988 on Subway and became an indie top 20 hit. This version is pressed on Red vinyl with inner sleeve. Includes all 3 tracks from the 12”.

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The Wee Cherubs

Dreaming

7" | 1985 | EU | Reissue (Optic Nerve)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Impossibly rare 1984 UK 7” vinyl single, written by a pre- Bachelor Pad’s Martin Cotter. One of only three releases by the short-lived Glasgow based indie label Bogaten, although redolant of early Orange Juice in the sound of the A-side, also looks forward to Shoegaze, with a reverb-drenched cover of The Velvet Underground’s Waiting For My Man on the B-side

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Meat Whiplash

Dont Slip Up

The Revolving Paint Dream

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Their one and only single was originally released in 1985 on Creation and spent 19 weeks in the independent chart. From East Kilbride in Scotland, they morphed into Motorcycle Boy.

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Flowers In The Sky

7" | 1984 | EU | Reissue (Optic Nerve)

7" | 1989 | EU | Reissue (Optic Nerve)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Released in 1984 and the second release on Creation Records. Flowers In The Sky Is a perfect piece of 80’s psychedelic pop.

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Bob

Convenience

Strawberry Cheescake / Modern Noise

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1989 on The House Of Teeth label, this indie classic which made John Peels Festive fty of that year, gets a 30th anniversary reissue as part of our Optic Sevens 2.0 reissue series. It is backed with the Previously unreleased ‘Coquette’, which was recorded in 1992 , remixed in 2017 and only available on this release of the 7 inch.

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The Algebra Mothers

7" | 1979 | US | Reissue (Third Man)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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10" | 2001 | US | Reissue (Smells Like)

The Raincoats

Extended Play

Release: 2001 / US – Reissue

Genre: Rock & Indie

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You Don’t Know / Everytime I See You

Harry Lee

7" | EU | Reissue (Vin)

Stayed Up Last Night / Shadow Of Grief

Release: EU – Reissue

Genre: Rock & Indie

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Classic Rockabilly two sider.

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The Greenhornes

7" | 1999 | US | Reissue (Third Man)

Ain't Right Girl / That's All You Get

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse.

This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks ''Shadow of Grief''. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered ''Locked Down'' album.

Stayed Up Last Night b/w Shadow of Grief

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Rocket 455

7" | 1997 | US | Reissue (Third Man)

Steady, As She Goes / Store Bought Bones Black Vinyl Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Rocket 455 is a Flamin' Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455's third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve ''Disco'' Nawara from the Electric Six. This 7'' was released on Devil's Night in 1997 and is notable as the first record ever produced and released by Italy Records.

Ain't Right Girl b/w That's All You Get

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The Raconteurs

7" | 2006 | US | Reissue (Third Man)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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There's No Home For You Here / I Fought Piranhas

The White Stripes

7" | 2003 | US | Reissue (Third Man)

The Hardest Button to Button / St.Ides Of March

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Remastered for the 2015 season!

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The White Stripes

7" | 2003 | US | Reissue (Third Man)

7" | 2013 | US | Reissue (Windian)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Remastered for the 2015 season!

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Killer Bees

Buzz'n The Town

LP | 1982 | EU | Reissue (Bachelor)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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2 songs from these underappreciated DC punkers originally released in 1979. 2 classic KBD bangers, even better than the usual DC punk you know.

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Dead Nittels

Anti New Wave Liga

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Tapes Not Dead Volume 2 [Uv Reissue]

V.A.

Tape | US | Reissue (Tapehead City)

11,19 €* 13,99 € -20%

7" | 2005 | US | Reissue (Artifix)

Release: US – Reissue

Genre: Rock & Indie

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Originally released in 2019, Tapes Not Dead Vol.2 is getting a UV reissue! Featuring bands that release their music on cassette which include Juliana Hatfield, Antarctigo Vespucci, Culture Shock, Thelma and the Sleaze, Warm Drag, Clown Sounds, The Bobby Lees, The Advertisers, Gymshorts, The Loving Paupers, Dragon inn 3, The Prize Fighters, Jumpstarted Plowhards, Mount Sharp, Shellshag, Adult Magic, Glasses, Worlds Fair, Living Room & Tanya Donelly.

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Child Abuse

1977

11,19 €* 13,99 € -20%

12" | 1985 | EU | Reissue (Onderstroom)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Child Abuse recorded three demos in Los Angeles in 1977. This band was a pre-SIMPLETONES (of "I Like Drugs" Posh Boy fame) band with almost identical members including JAY Lansford, who went on to also be in the Stepmothers, Channel Three, and Gigantor. These three songs were only released in 2005 on a limited 12" out of Germany and now all three demo tracks have been remastered for this 7-inch 45rpm! Includes an insert with reminisces of the band including the time Darby Crash (Gerns) stole their bass amp from the Canterbury apartments.

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Aroma Di Amore

De Sfeer Van Grote Dagen

11,39 €* 18,99 € -40%

Tape | 2020 | US | Reissue (Sacred Bones)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Molchat Doma

Monument

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they've achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound.Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in its own skin. Whether playing to the dancefloor, as they do on the synthpop anthem "Discoteque," or working more introspectively on pre-pandemic live favorites "Otveta Net" and "Ne Smeshno," Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they've only gotten better.As the band's arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov's gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko's vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They've greatly expanded the scope of their music while retaining everything that made them great in the first place.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

Uprooted Volume 1 Repress

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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V.A.

7" | 2022 | EU | Reissue (Versatile)

Charlie Feathers With Jody & Jerry

Release: 2022 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Uprooted, the sound of here and there. Uprooted is a project curated by Vidal Benjamin. The concept behind the project comes from his own personal experience of being uprooted. Under the wing of Versatile Records, he has decided to launch a collection of double-sided limited edition, vinyl only, celebrating the dualityof people who take their roots from a place and embrace another culture.

The idea is to ask an appreciated music activist with a double cultural pedigree to choose two tracks. One track that incarnates the place where he or she comes from (the sound of there, side A) and another

No digital for this série. Vinyl only.

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Get With It

7" | UK | Reissue

Release: UK – Reissue

Genre: Rock & Indie

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In My Own Time 50th Anniversary Edition

Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

Sentimental Goblin Transculent Green Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Ty Segall

7" | 2017 | US | Reissue (Suicide Squeeze)

Dance Hall At Louse Point

Release: 2017 / US – Reissue

Genre: Rock & Indie

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It's tough to keep up with garage rock's wunderkind Ty Segall. Between his steady release schedule of LPs, raucous side projects like Fuzz and Goggs, and collaborations with fellow songwriters Mikal Cronin and Tim Presley, it's as if a season can't pass without Segall dropping a new record. And that's not even taking his cassettes, splits, and EPs into consideration. Fortunately, Segall's bottomless well of creativity, production savvy, and boundless fascination with the various niches of the rock world makes every new release an occasion to celebrate. Suicide Squeeze Records is proud to offer the latest entry in Ty's impressive canon with the Sentimental Goblin 7". Side A features "Pan", a fuzz-soaked proto-metal jam that links Beatles' pioneering guitar dirge "I Want You (She's So Heavy)" to later lurch classics by Sir Lord Baltimore and Pentagram. In true Segall fashion, he switches gears on side B and conjures the erudite pop appeal of T. Rex and Bowie with the lush glam rocker "Black Magick".

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John Parish & PJ Harvey

LP | 1996 | EU | Reissue (Island)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Cat Stevens

7" | 1970 | US | Reissue (Island)

Life After Life / Life After Dub

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Alternative TV

7" | 1978 | UK | Reissue (Ethbo)

7" | 1966 | EU | Reissue (Mr Bongo)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

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O’Seis

Suicida / Apocalipse

7" | 1978 | US | Reissue (Superior Viaduct)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.

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The Mekons

Where Were You?

7" | 1978 | US | Reissue (Superior Viaduct)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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The Mekons

Never Been In A Riot

LP+CD | 2013 | EU | Reissue (Trocadero)

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Messer

Die Unsichtbaren

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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The Last Thing You Forget

Title Fight

7" | 2009 | US | Reissue (Run For Cover)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Flyin' Saucers R'n'R/ I Want You Baby

Billy Lee Riley

7" | 1976 | US | Reissue (Sun)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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7" | 2008 | US | Reissue (Alternative Tentacles)

Jello Biafra

Jezebel / Speed Demon

LP | 1969 | US | Reissue (Elektra)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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What do you get when Jello Biafra & 3 of the Zen Guerillas attack 2 songs for a Reverend Horton Heat compilation? You get this aural ass-kicking of a 7-inch!

The A-side is their scathing take on the classic rockabilly tune, "Jezebel," while the B-side is their version of the Rev's awesome tune "Speed Demon!"

The cover art is hand-picked by Jello- and if you think the topless blonde with the dog is striking, wait 'til you see the other side.

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Earth Opera

American Eagle Tragedy

11,99 €* 14,99 € -20%

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Two Songs Glow In The Dark Vinyl Ediiton

I Hate Myself

7" | 2000 | US | Reissue (No Idea)

Two Songs HHV Exclusive Colored Vinyl Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-06-21

The legendary, influential, celebrated and inarguably smallest release by I Hate Myself. First pressing in twenty-four years housed in pocket sleeves from the original source artwork and pressed on limited edition glow-in-the-dark vinyl.

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I Hate Myself

7" | 2000 | US | Reissue (No Idea)

Sun Is Shining Red Marble Vinyl Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-06-21

Colorway of 50 copies exclusive to HHV.

The legendary, influential, celebrated and inarguably smallest release by I Hate Myself. First pressing in twenty-four years housed in pocket sleeves from the original source artwork.

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Bob Marley

7" | Reissue (Golden Lane Rec.)

Release: Reissue

Genre: Rock & Indie

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7" | 2011 | Reissue (Cleopatra)

Alien Ant Farm

Smooth Criminal

Release: 2011 / Reissue

Genre: Rock & Indie

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Tape | 2017 | US | Reissue (Pirates Press)

Cock Sparrer

Forever

11,99 €* 15,99 € -25%

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Tape | 2007 | US | Reissue (Pirates Press)

Cock Sparrer

Here We Stand

11,99 €* 15,99 € -25%

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Melvin Black Vinyl Edition

The Belles

7" | 1966 | US | Reissue (Numero Group)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Reverend Beat-Man And The New Wave

Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

7" | 1980 | US | Reissue (Iron Lung)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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The Steves

Making Time

7" | 2012 | EU | Reissue (Screaming Crow)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

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River City Rebels

Headed To Hell

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Nonexistent 30th Annivesary Edition

Living Sacrifice

LP | 1992 | EU | Reissue (Nordic Mission)

12,14 €* 26,99 € -55%

LP | 1969 | UK | Reissue (Seelie Court)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Nordic Mission is very proud to announce the 30th anniversary edition of Living Sacrifice’s sophomore album Nonexistent. Totally remixed and remastered from the original 2 inch master tapes by Jeremiah Scott (Demon Hunter) and the band. Nonexistent represent Living Sacrifice transition to something innovative and unique. While the debut album held its feet solid into thrash metal, Nonexistent is death metal art at its finest. The original mixing and mastering of the album had characteristics left fans split. Some loved it, some not….. Now after 30 years we are finally able to present Nonexistent as the band intended you to hear it.

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Karakorum

Prison Bitterness

12,34 €* 12,99 € -5%

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

12,59 €* 13,99 € -10%

Nobody Loves Me / Don't Want You Back

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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The Letters

7" | 1980 | EU | Reissue (You Are The Cosmos)

12,59 €* 13,99 € -10%

CD | 1993 | EU | Reissue (Be With)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Second pressing (only 300 copies) of this powerpop/punk gem, originally released in 1980.

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Arthur Russell

Another Thought

12,74 €* 16,99 € -25%

7" | 1969 | EU | Reissue (Groovie)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.

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The Blue Condition

Coming Home

The Impact Gold Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Finnaly we got it, after a long time waiting we were able to reissue this 1969 killer 7" of The Blue Condition, from Waukegan, Illinois. The original wax is a most wanted and a mega rare gem searched by garage punk collectors from all over the world. With "Coming Home" as the main track, a garage punk/freakbeat killer stomper. Fuelled with fuzz and groove. The record come with 2 postcards, linernotes and interview with the band members.

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Life Force

7" | 2019 | US | Reissue (New Age)

The Impact Gold With Black And White Splatter Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Life Force is a straight-edge hardcore band primarily from Houston, TX. The group was formed in 2018 with a clear focus: the mission of paying homage to the sound, aesthetic, and spirit of classic youthcrew inspiration, albeit with a darker modern twist, while expressing pertinent socio-political themes and opinions through engaging lyrical content and a poignant on-stage message. The Impact is their debut 7” pre-dating the Hope And Defiance LP, which came out a year and a half ago. Fast forward to Summer ’22— remixed and remastered by Scott Crouse (earth Crisis), it sounds even better than the original.

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Life Force

7" | 2019 | US | Reissue (New Age)

Somewhere / A Place We Call Our Own

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Habibi

7" | 2021 | US | Reissue (Kill Rock Stars)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Quero Ver Voce Sambar / Mas Nao Deixe De Ir

Homero Franca / Silvinha

7" | 2022 | EU | Reissue (Mr. Bongo)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Tape | 2012 | EU | Reissue (Urok)

Tribes

Baby

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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12" | 2021 | EU | Reissue (Atomic Fire)

Primal Fear

I Will Be Gone

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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12" | 2021 | EU | Reissue (Atomic Fire)

Helloween

Skyfall

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Life Goes On)

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