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Ry Cooder Vinyl, CD & Tape 5 Items

Vinyl, CD & Tape 5 Organic Grooves 3 Rock & Indie 2
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Reset all Filters No Used Vinyl Ry Cooder
Ry Cooder - The Prodigal Son Colored Vinyl Edition
Ry Cooder
The Prodigal Son Colored Vinyl Edition
LP | 2018 | EU | Original (Caroline)
21,99 €*
Release: 2018 / EU – Original
Genre: Organic Grooves
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Ry Cooder - OST Trespass Limited Numbered Red Vinyl Edition
Ry Cooder
OST Trespass Limited Numbered Red Vinyl Edition
LP | 1993 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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The film score to the 1992 film Trespass was performed by Ry Cooder and Jim Keltner, along with Jon Hassell. It was heavily influenced by experimental jazz, mixing that with tones from modern instruments. “King of the Street” has some of the dialogue from the film. The last track “Party Lights” is a mighty fine country tune featuring Junior Brown on vocals, guitars & steel guitar; David Lindley on fiddle & Van Dyke Parks on piano. Some tracks, such as the opening credits are typically undeniable Ry Cooder style, others are twisted and craggy.

Legendary American musician Ry Cooder played together with the worlds greatest artists, such as John Lee Hooker, The Rolling Stones, Van Morrison, Neil Young, and Eric Clapton. Cooder is known for his slide guitar work, and was ranked eighth on Rolling Stone magazine’s 2003 list of “The 100 Greatest Guitarists of All Time”.

Available as a limited edition of 1000 individually numbered copies on transparent red coloured vinyl. The package includes an insert.
Ry Cooder - Jazz
Ry Cooder
Jazz
LP | 1978 | EU | Reissue (Speakers Corner)
32,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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When someone such as Ry Cooder, who delved deeply into traditional sources, just names his LP "Jazz", it is unlikely that one will hear avant-garde music. Actually, in the numbers gathered together here the investigative guitar man dedicated himself more or less to almost forgotten music. Historically informed, yet not adhering to the original instrumental ensemble, this ostensibly antiquated music enjoys a brilliant renaissance. Just like in an album of charming black and white photographs, the old-fashioned style shines out brightly, such as in "Big Band Bill", which (hardly by accident) is modelled on the jaunty swing of Django Reinhard, but does not imitate him. Cooder’s slightly acidic-sounding guitar mixes homogeneously with the delightfully rustic sound of the tuba and a bluegrass mandolin ("Face To Face…"). The typical Caribbean rattle of the marimba enters into a pleasant dialogue with the warped sound of the slide guitar. Folksy bliss in three-four time ("Happy Meeting In Glory") stands confidently on a par with the merry, self-willed saxophone ("In A Mist") and with the poetic, dreamy and meditative guitar ("Flashes"). And just listen to how the classic number "Davenport Blues" – with its emphasis on the woodwinds – grooves along with the vibraphone and tingly inner parts. This sound is both filled with the spirit of Bix Beiderbecke and, based loosely on Mingus, will sooth the Jelly Roll Morton-soul of its fans.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1977 at Amigo Studios, North Hollywood, by Lee Herschberg & Douglas Decker
Production: Ry Cooder & Joseph Byrd
Ry Cooder - Chávez Ravine
Ry Cooder
Chávez Ravine
2LP | 2019 | EU | Original (Nonesuch)
56,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Ry Cooder - Paradise & Lunch
Ry Cooder
Paradise & Lunch
LP | 1974 | EU | Reissue (Speakers Corner)
32,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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A good 20 years have passed since a band with ancient musicians from Cuba – the Buena Vista Social Club – took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. The LP "Paradise And Lunch" is no exception and begins with gospel-like grooves that smell of native soil. The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song "Jesus On The Mainline" and a healthy 12-bar blues paints a picture of what silent witnesses could tell if they could ("If Walls Could Talk"). Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of "It’s All Over Now" and the clip-clop of "Mexican Divorce".
This wonderful album is highly recommended for each and every number, but if you want a tip for a very special track, then just listen to the ragtime piano rolls in Bo Diddley’s "Ditty Wah Ditty".

Recording: 1974 at the Warner Brothers Studios in North Hollywood and Burbank (USA), by Lee Herschberg
Production: Lenny Waronker & Russ Titelman
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