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Seefeel - St / Fr / Sp
Seefeel
St / Fr / Sp
2LP | 2021 | UK | Reissue (Warp)
31,99 €*
Release: 2021 / UK – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
There’s a gulf of contrasts to be heard between Seefeel’s 1993 debut Quique and its 1995 follow-up Succour. Both are searching works in their own right, two shining examples of the fertile crossover of shoegaze and electronic, but it’s clear that, somewhere in the album-to-album transition, things got darker for the project.

A growing fascination with the dystopian ends of dub and ambient are thoroughly explored on the Starethrough EP, the first of Seefeel’s recordings for Warp, a spiritual home for a group becoming increasingly jaded with their shoegaze branding. The title track alone is a striking refute of the genre tag; a great, delay-drenched creature of Jah Wobble bass marches and wordless, ghostly vocals provided by Sarah Peacock. The form would later take on an industrial tone in the whip-crack of ‘Tied’, featured on the Fracture / Tied single. ‘Spangle’, famed for featuring in Warp’s Artificial Intelligence series, stands out as the disc’s most upbeat track, its luscious vocal, oil-drum percussion and looping guitar proving to be an early high point for post-rock as well as IDM. Its rare Autechre remix counterpart turns glimmering tones upside-down, sounding more menacing and alien across its 12-minute length.

St / Fr / Sp compiles these interstitial tunes into one package, making for a brilliantly consistent full-length-style Seefeel release all its own.
Seefeel - (Ch-Vox) Redux
Seefeel
(Ch-Vox) Redux
2LP | 1996 | UK | Reissue (Warp)
31,99 €*
Release: 1996 / UK – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a compelling album fuelled by deepest mystery.

Chief among its mystique is that it’s often hard to tell what we’re hearing most of the time. The humid drones of ‘E-hix²’ could have been created using samples, guitar feedback or a string quartet. The clipped ambience of ‘Utreat (Complete)’ ambiguously suggests either a piano or a bass guitar, a grainy twang-thump which revisits the closing motif of Succour, signposting the maturation of the Seefeel project. Although, ‘maturation’ isn’t quite the right word; (Ch-Vox) is amniotic in nature, each of its tracks boiled down to elemental values, co-mingling with plentiful breathing space. ‘Hive’ gives us the first hint of a clangorous beat, rendered alien by its ambient backdrop of what sounds like the howling of wolves.

This expanded edition of (Ch-Vox) comes loaded with unreleased material on the second LP that’s just as thought-provoking, delivering an even more rounded experience for this immersive album.
Seefeel - Succour (Redux)
Seefeel
Succour (Redux)
3LP | 1995 | UK | Reissue (Warp)
34,99 €*
Release: 1995 / UK – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Just as paradigm-shifting ideas are met with some cautious scepticism when they first occur, the history of Seefeel’s second LP Succour is a little chequered. Coming in hot from the success of their 1993 debut Quique — regarded as a prophetic example of shoegaze’s eventual transformation into post-rock — a newly minted contract with Warp would prove symbolic of where the group would steer his project next. The few “rock” elements of its full-length predecessor had evaporated, and vast spaces of dub and ambient would come to inform 1995’s Succour. Skeletal rhythmic elements amalgamating into their brooding, elemental and completely singular sound.

Bookending tracks ‘Meol’ and ‘Tempean’ open up like two gaping mouths on a mottled, heavy beast of droning synthesis, laying the groundwork for the world-enveloping tones Stars of the Lid would later produce. The delicate balance of weights teeters throughout the LP, crushing up sheet metal percussion on the techno-minded ‘Fracture’ and ‘Rupt’, which both simultaneously recall Aphex Twin’s rhythmic experiments and large-scale dub textures. The latter style is heavily hinted in the third LP of mostly unreleased tracks in this expanded (Redux) edition, all delay-drenched and booming with bass.

Seefeel proselytised the limitless potential of the post-rock genre with Succour — and produced one of the 1990s’ greatest albums in the process.
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