Soundtracks Vinyl 300 Items

From the film freaks at Varèse Sarabande comes Reel Cult, a sensational new reissue series for B-movie soundtrack aficionados. One of the two titles kicking the series off for Record Store Day is the cult-classic, soul-jazz soundtrack for Ossie Davis' seminal cinematic social commentary, 1972's Black Girl. This LP features (AAA) lacquers cut by Jeff Powell from the original analog tapes and pressed on 180-gram clear/black swirl vinyl in a tip-on jacket. Groovy!

Materia Collective is proud to team up with Navegante Entertainment once again, to release a gorgeous vinyl edition of Greak: Memories of Azur.

Limited-edition Sea Blue 1xLP, featuring new original artwork by Navegante Entertainment, with layout and design by Isa Alcántara. Music by Oscar Alcalá & Majo Félix.

Greak: Memories of Azur is a hand-drawn, animated game in which players alternate between three characters: Greak, Adara, and Raydel using their unique abilities to fight an enemy faction and escape their lands.

The Greak: Memories of Azur soundtrack was performed and recorded live in collaboration with the Cinco de Mayo Philharmonic Orchestra in Puebla, Mexico. The 20 tracks composed by Oscar Alcalá and Maho Félix were planned to reflect the magical world of Azur and the unique personalities of each of the main characters.

Old friends Julian Bates and Alex Gray —working together as Mighty Truth for the first time since 1995’s From The City To The Sea — filled a car with old analogue synths, kids’ noise toys, and collected field recordings took a road trip down to hole up in an old water mill in southwest England’s bird-twittery, bee-loud Quantock hills.

Things got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in London with guest singers Allonymous (Paris via Chicago) and Wayne Paul (London), they completed the album and decided to just call it Mighty Truth. With an aim to present the live show at moonlight pop-up cinema venues, Mighty Truth are here for the next chapter in their epic saga.

During the maiden voyage into an expansive vat of unreleased music by Polish composer Andrzej Korzynski, Finders Keepers Records originally presented his previously unreleased electro / orchestral / experimental score for Andrzej Zulawski's surrealist '80s horror classic Possession in 2012. These 25 cues were written and recorded exclusively for the 1981 award-winning film starring Isabelle Adjani and Sam Neil, but due to the progressive, stark and modernist nature of the finished film less than half of them made it on to the actual director's cut—leaving many of the tracks on this package totally unheard outside of Korzynski's studio. The intended Possession score in its entirety marks an important axis in Korzynski's career where his various musical disciplines overlap. In one respect it marks his first forays into to synth driven electronics and disco drum machines, while other tracks epitomize the well-honed techniques used in previous Zulawski scores, such as Third Part Of The Night and The Devil, which rely on his inimitable orchestral arrangements and combination of clavinet, Rhodes, piano and electric guitar. Available once again on black 12" vinyl for the first time since its original release some 11 years ago, Finders Keepers' ongoing commitment to the important restoration of Korzynski's music aims to shed new light on the seldom manufactured productions of the composer whose vast cinematic catalogue warrants overdue global status alongside other golden era Eastern European composers such as Kryzstof Komeda, Jan Hammer, and Zdenek Liska—not to mention the best of the French and Italian soundtrackers, such as Roubaix, Vannier, and Nicolai. Duplicated and carefully remastered directly from Korzynski's original master tapes this album boasts the uninhibited studio experiments and retains the pre-cut ambience.

The end of another trilogy! Happy halloween Retro Lovers. Enjoy the final installment of the In Search of Darkness Series. Our final campaign for #InSearchofDarkness Part III is here!

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary "Squadra Antifurto", the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary "Squadra Antifurto", the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

HHV Exclusive edition on red wax, limited to 75 copies worldwide.

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

The atmospheric aquatic adventures of the World Aquanaut Security Patrol (WASPs) provided the perfect grounds for the evolution of Barry Gray’s own musical odyssey.
After navigating otherworldly vistas with experimental minimalism in Fireball XL5, Gray anchored Stingray’s underwater exploits with a canon of earth-bound incidentals.
Employing flutes and gentle woodwind sounds to set the scene, Gray’s music drew attention to the wonder of the series premise, employing lush heavenly strings for the series’
closing theme, ‘Aqua Marina’ (a croon brought to life by in-demand vocalist Gary Miller). The year 1965 saw the release on 7” of the Stingray Main Titles and Aqua Marina.
This new EP has been put together from the original audio for Record Store Day 2024.

Omar Sosa's 88 Well-Tuned Drums, the soundtrack to the documentary film of the same name, is the first solo vinyl release for multiple-GRAMMY-nominated pianist and composer Omar Sosa. Presented on limited edition transparent red vinyl, these newly-remastered tracks highlight Sosa's spectacular range, from soloist to big band leader and everything in between. A must-have for fans and a perfect introduction for the uninitiated, this career-spanning LP captures a Cuban music icon in some of his best and brightest recordings. While Sosa's globetrotting sound defies easy genre categorization, fans of ambient, fusion, Latin jazz, salsa and world music will discover both freshness and familiarity in Omar Sosa's 88 Well-Tuned Drums.

Chris' Soundtrack Corner proudly presents the first fully licensed and official release of the sought after soundtrack of Keoma, now on vinyl for the first time! Keoma features a unique and pervasive score by Guido & Maurizio De Angelis. These prolific musical brothers are well known for their predominantly song-based approach to scoring Italian films. With their background in popular music, it's no surprise that their film scoring approach is primarily based on tuneful, pop-rock vocal and instrumental music. Enzo G. Castellari's 1976 Western Keoma (aka THE Violent Breed, Keoma THE Avenger, Django Rides Again, Django'S Great Return and the like) is largely considered the best film they did together. Coming very late in the Italian or "Spaghetti" Western phase, the genre couldn't have had a better closing statement than Keoma, which offers a renewed approach with a unique audiovisual resonance that was every bit as striking as some of the first Italian Westerns that made international audiences stand up and pay attention. Castellari instructed the De Angelis's to write a song-score with songs in the style of Leonard Cohen and Bob Dylan. The half dozen or so "chapters" of the "Keoma" song serve as a Greek Chorus lending words to the gunfighter's silent actions throughout the film, or at least letting loose the raging voices of cynicism roiling about in his head. The mix of songs and instrumental score is striking and effectual in giving the drama a unique vocal texture that accentuates what we're seeing, highlighting the pain, revulsion, and disillusionment heard within those gruff and pained voices as they embody the unspoken angst of Keoma as he faces down his final adversary in the dark, sullied town of his birth. The album also includes the De Angelis Brothers' score to Castellari's 1979 film IL Cacciatore DI Squali (The Hunter of Sharks; aka THE Shark Hunter, Guardians OF THE Deep, and even Django AND THE SharkS). This film is a far more trivial potboiler than Keoma, but it's an entertaining enough picture for the undemanding viewer. The De Angelis Brothers provided a tuneful score for this post-JAWS adventure drama about treasure hunters daring shark-infested waters to dive for sunken wealth. The score conveys a dreamy vibe that fits the warm landscapes and clear, sun-dappled waters, and the dangerous underwater ambiences involving competing treasure hunters and sharks alike. Chris' Soundtrack Corner presents the entire instrumental score from Keoma, as well as the essential elements of the score for IL Cacciatore DI Squali, both specially mastered for vinyl, on this premiere vinyl edition, pressed on 180g black vinyl with a gatefold tip-on cover. The album is presented in a limited edition of 500 units.

Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher. Musically all over the place, as you'd expect.

Note: The animated films of this LP can be watched online at kohilarecords.eu/ark

In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.

Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.

Composers: Arvo Pärt, Rein Rannap, Sven Grünberg, Tõnu Aare, Tõnu Naissoo and Olav Ehala

A collection of mind blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood

Welcome to the sweet-but-savory, suspiciously sticky, and slightly sinful world of old-school movie theater intermission messages. It’s where big-band jazz, psychedelic rock, sequin-bedecked disco, virgin vanilla orchestrated pop, and more are pressed into service, with your satisfaction as the solitary goal!

- Pressed on red vinyl - Soundtrack to the 2022 anime series - Composed by the leader of experiemental rock group, Ground Zero, Otomo Yoshihide - Arranged by Takeo Yamashita Original soundtrack of the acclaimed anime, printed on red vinyl.

Composed by Takeo Yamashita & Otomo Yoshihide
Arranged by Otomo Yoshihide

Original soundtrack of the acclaimed anime, printed on red vinyl.

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

A unique mix of exotica, electronica, soundtrack, dub, western, world beat, ambient, and lounge featured on Apple TV's show "Severance" (Tiki Party scene).

A selection of 15 pieces from the soundtrack of the cult Dragon Ball Z Anime - on a limited 2LP edition, fully licensed. Including the Main opening track "cha-la Head-cha-la".

Dragon Ball Z resumes five years after Son Goku's wedding. Radditz, a mysterious warrior, arrives on Earth to find Goku, who learns that he comes from a planet of warriors from a planet of warriors, of which only four remain. The plot of the story is based on a succession of increasingly strong opponents to be fought, but there is also a but there's often a quest or travel context that adds interest beyond the duels.

The series has become a worldwide phenomenon, generating massive sales of merchandising merchandise and is considered one of the most influential anime franchises of all time. of all time.

Chiho Kiyooka (YU YU Hakusho), Takeshi Ike (transformers) and Keiju Ishikawa (godzilla) have collaborated on the iconic music for the animated series.

Previously Unreleased Soundtrack OF “storie DI Vita E MALAVita", THE 7TH Chapter IN THE "morricone Segreto" Series Dedicated TO THE Hidden Works OF Maestro Ennio Morricone. Available IN Limited Edition ON Green Vinyl FOR RSD 2024

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.

A unique mix of exotica, electronica, soundtrack, dub, western, world beat, ambient, and lounge featured on Apple TV's show "Severance" (Tiki Party scene).

"Quartet Records and StudioCanal present the premiere vinyl release of John Debney’s symphonic opus for the adventure classic Cutthroat Island. Directed by Renny Harlin and starring Geena Davis, Matthew Modine and Frank Langella, the movie is a big-budget, swashbuckling throwback about Morgan Adams, a female pirate, and her crew racing to find a hidden island containing a fabulous treasure before her uncle, Dawg Brown. Along the way there are sword fights, chases, storms at sea and all sorts of high adventure, all produced on an epic scale. Keeping up with the massive visuals was composer John Debney (hocus Pocus, White Fang 2, Little Giants, THE Passion OF Christ) who led the London Symphony Orchestra and the London Voices for the recording. Considered one of the 90s best adventure scores, and one of Debney’s most highly regarded works, the original soundtrack program is now available for the first time in a deluxe 2xlp set, produced by Neil S. Bulk, mixed by Mike Matessino and mastered by Chris Malone. Pressed on 180 gram audiophile black vinyl and packaged in a gatefold jacket featuring Drew Struzan’s original painting."

Quartet Records and Paramount Pictures present the premiere vinyl edition of Ryuichi Sakamoto’s classic score for 1992 adaptation of Emily Bronte’s Wuthering Heights, starring Ralph Fiennes and Juliette Binoche, and directed by Peter Kosminsky. Ryuichi Sakamoto (1952–2023) was one of the most personal and important voices of the world music scene for several decades: from rock to pop, new age, opera, concert music, electronic and film music, no genre was foreign to him, and he managed to stamp his own style on each of them. His acclaimed score for Wuthering Heights is written in the symphonic tradition of his scores for Bernardo Bertolucci’s THE Last Emperor (for which he won the Oscar for Best Original Score) and Little Buddha. One of Sakomoto’s most special and beloved scores, Wuthering Heights is haunting, beautiful, romantic and tragic. Specially mastered for vinyl by Chris Malone from original stereo master tapes and following the order of the original album produced by Sakamoto, the album is presented on 2xlp 180 GM clear transparent vinyl, in an elegant gatefold with images of the film.

Quartet Records and StudioCanal present the premiere vinyl edition of Trevor Jones’ majestic orchestral score for the action blockbuster Cliffhanger, celebrating its 30th anniversary. Directed by Renny Harlin and starring Sylvester Stallone, John Lithgow and Janine Turner, the plot is about a botched mid-air heist that results in suitcases full of cash being searched for by various groups throughout the Rocky Mountains. Considered one of the 90s best action scores, and one of the Trevor Jones’ (excalibur, THE Dark Crystal, Labyrinth, From Hell) most highly regarded works, this orchestral tour de force is now available for the first time in a deluxe 2xlp, with over 20 minutes of music not featured on the original 1993 soundtrack album. This new vinyl edition has been produced by Neil S. Bulk, mixed by Michael McDonald from the original digital master tapes and mastered by Chris Malone. Pressed on 2xlp 180 gram audiophile black vinyl and packaged in a gatefold jacket with Renato Casaro’s original painting.

The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Film to be Released on Analog Vinyl! An analog version of the music collection of the second theatrical film "The Galaxy Express 999 -Andromeda Terminus-," released in 1981, will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1981 on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Production to be Released on Analog Vinyl! An analog version of the music collection of the theatrical film "The Galaxy Express 999" released in 1979 will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1979, on heavy vinyl.

Analog Vinyl Release of Opening Theme "Akuma-kun" and Ending Theme "12friends" Announced! Analog vinyl (7inch) containing the opening theme "Demon-kun" and ending theme "12friends" of the anime "Demon-kun" will be released on March 20, 2024, which is LP Record Day! This is a reissue of the EP released on April 21, 1989.

Analog disc containing the 2nd opening theme and ending theme to be released! An analog disc (7inch) containing the 2nd opening theme "Saint Myth - Soldier Dream" and the ending theme "Dream Traveler" of the TV anime "Saint Seiya" which started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on May 1, 1988.

Analog Vinyl Edition Containing the First Opening Theme and Ending Theme to be Released! An analog (7inch) disc containing the first opening theme "Pegasus Illusion" and the ending theme "Eternal Blue" of the TV anime "Saint Seiya" that started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on October 21, 1986.

The first opening theme "We Are! will be released on analog vinyl! The first opening theme "We Are!" of the TV anime "one Piece", which started airing in 1999, will be released on March 20, 2024, LP Record Day! will be released on March 20, 2024, LP Record Day! This is the first analog version of the 8cm single CD released in 1999.

“What a shadow in the instrument, and what a murmur, of the forests from whence issued its wood.” Rainer Maria Rilke

While reading the “Midnight Skin” script for the first time, Carla Pallone (Vacarme, Mansfield.TYA) in Nantes met Fanny in Athens. And the Eucalyptus trees. And it was at this same moment that she saw through her window, an Eucalyptus tree. Fact and fiction are already mixing, and Carla Pallone welcomes this sign with a smile. Then comes the meeting with filmmaker Manolis Mavris, and his work: first “Brutalia”, then “Midnight Skin”. The writing is chiseled and precise. Each frame is a painting. At the center of the film: Fanny's solitude which excludes her from humankind. This solitude requires a place for expression. Carla Pallone thus imagines an “organic” music, linked to the way that wood, strings and other materials live and resonate. A poetic and strange sound universe, close to Fanny, to her physical and psychological states. She has found the perfect junction between acoustic and electronic, highlighting a modern violin, out of the times. The result is a soundtrack similar to Fanny, inhabited, dark and moving. Human.

Somewhere between Mickaël Nyman and Mica Levi, Carla Pallone knows how to write atmospheres, create landscapes and draw lines of fiction. Her classical training and her taste for ancient music have nourished her path as a composer, to open the spectrum of her music to the widest possible audience. With a strong appreciation for the strings, she explores a sensitive sound universe, which unfolds between organic and analog materials. Acute sense of melody, neoclassicism, minimalism... repetitive pieces of music rub shoulders with ritornellos with great joy. And if the violin is king, synthesizers also find their proper place as disturbing basses or melodic sweeps. There is great sensivity in her sound research, at the crossroads of musical paths, from the most classical to the most experimental, improvised or meditative.

Waxwork Records is proud to release THE EXORCIST: BELIEVER Original Motion Picture Soundtrack by David Wingo & Amman Abbasi. THE EXORCIST: BELIEVER is a 2023 supernatural horror movie directed by David Gordon Green. The film is the sixth installment in The Exorcist franchise and serves as a sequel to The Exorcist (1973).

Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own.

But when Angela and her friend Katherine (newcomer Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.

For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before.

ABOUT DAVID WINGO

David Wingo got his start composing music for films on David Gordon Green's debut feature, George Washington, and since that time has maintained a consistent working relationship with Green, scoring the majority of his films. In 2010 he scored Jeff Nichols' Take Shelter, and has since scored all of Nichols' films, including the forthcoming Bikeriders starring Austin Butler, Tom Hardy, and Jodie Comer. Wingo has transitioned into television over the last several years, providing the score for FX’s Mayans MC, Showtime's Kidding and HBO's Emmy Award-winning Barry, for which he received an Emmy Nomination in 2019 for Outstanding Music Composition for a Series.

ABOUT AMMAN ABBASI

Amman Abbasi is a Pakistani-American writer-director, editor, and composer from Little Rock, Arkansas. Filmmaker Magazine listed him among the 25 New Faces of Independent Film in 2016. His film Dayveon premiered at the 2017 Sundance Film Festival, was an Official Selection of the 2017 Berlin Film Festival, and went on to get two Film Independent Spirit Award nominations in 2018, including in the coveted Someone to Watch category. As a music composer, Abbasi’s compositions have appeared in several commercials, films, and documentaries, and most recently he was a music consultant for Halloween (2018) and Halloween Kills (2020). In 2008, he and his brother’s debut album, Something Like Nostalgia, topped the charts in Japan.

Waxwork Records is proud to release THE EXORCIST: BELIEVER as a deluxe double LP featuring 180 gram Black & White swirl colored vinyl, heavyweight gatefold packaging, a four page booklet featuring an exclusive interview with director David Gordon Green and composers David Wingo and Amman Abbasi, layout and design by Matt Needle, and more.

THE EXORCIST: BELIEVER Original Motion Picture Soundtrack Features:

Music by Composers David Wingo and Amman Abbasi
180 Gram Black and White Swirl Colored Vinyl
Deluxe Heavyweight Gatefold Packaging
Exclusive Interview with the Director and Composers
Four Page Booklet
Layout and Design by Matt Needle

Music taken from the experimental film led by visual artists Mark Pozlep and Maxime Berthou, released in 2023. Compositions by French electronic producer Julien Jabre illustrating the artistic performance of the Franco-Slovenian duo. Julien Jabre’s music intertwines with the film's evocative imagery to portray an America between two crises: the project, which involved descending the Mississippi on board a homemade steamboat, began a few months after one of the largest floods in the United States and ended just a few weeks before the onset of the Covid-19 pandemic and the end of Donald Trump's presidency.

Meditative and crepuscular, Southwind defines a soundscape for indeterminate futures.

Based on David Nicholls’ globally best-selling book, the TV serialisation of One Day has already proved hugely popular with audiences and critics alike. Multi award-winning screenwriter Nicole Taylor (Wild Rose, 3 Girls, The Nest) adapted the novel for Drama Republic and Netflix. The story follows Emma (Ambika Mod - This is Going To Hurt) and Dexter (Leo Woodall - The White Lotus) who speak for the first time on their graduation day in 1988. They go their separate ways but meet once a year on the anniversary as their relationship and lives evolve.

“We wanted to create a score that celebrates the love story between Dex and Em and also reflects the nostalgia for lost time and lost love that they feel, and viewers can relate to. The music had to follow their journey as their relationship evolves over the years, but still feel like it was rooted in one place. In other words, we needed to mirror the very different lives and emotions they experience over twenty years ranging from excitement, humour, anger and heartbreak.” Composers Anne Nikitin, Jessica Jones, Tim Morrish

The score also features tracks from Jessica and Tim under their artist moniker Vanbur, widely acclaimed in their own right, including ‘Last Look’ and ‘Falling Colour’.