Soundtracks Vinyl 301 Items

The end of another trilogy! Happy halloween Retro Lovers. Enjoy the final installment of the In Search of Darkness Series. Our final campaign for #InSearchofDarkness Part III is here!

‘My Animal’ is Augustus Muller’s (Boy Harsher) debut as a feature film composer and follows 'Cellulosed Bodies', his score for two experimental pornography films released last month.

Muller wrote and recorded the score for 'My Animal' at his home studio in Northampton, MA, where he primarily used hardware and analog synthesizers. Muller utilizes a sparse but efficient palette of sounds, combining modern and quintessentially 80’s soundscapes to create a score that’s fresh while still nodding to 80’s B movies. With this release, Muller pays homage to Klaus Shulze’s music for 'Angst' and John Carpenter's 'Assault on Precinct 13'.

Written by Jae Matthews (Boy Harsher), 'My Animal' was directed by Jaqueline Castel, and stars Bobbi Salvör Menuez (Euphoria) and Amandla Stenberg (Bodies Bodies Bodies).

'My Animal' is a genre-bending horror romance that tells the story of Heather. Tormented by a hidden family curse, she is forced to live a secluded life on the outskirts of a small town. When she falls for the rebellious Jonny, their connection threatens to unravel Heather's suppressed desires, tempting her to unleash the animal within.

Jacqueline Castel is a longtime music video and short film director at Sacred Bones Records, and has directed work for musicans Alan Vega (Suicide), The Soft Moon, Zola Jesus, and for directors David Lynch, Jim Jarmusch, and John Carpenter.

* Featuring liner notes by Writer and Director Cameron Crowe * Includes a screenprinted Citizen Dick flyer A soundtrack so iconic that its legacy continues to this day - this second volume was previously included as a bonus CD only in the 25th anniversary reissue of the album, now available on Vinyl for the first time. Featuring original and rarely heard recordings by Chris Cornell, Alice in Chains, Paul Westerberg and of course ... Citizen Dick’s infamous track “Touch Me, I’m Dick.” This album features live recordings, score tracks, as well as recordings of Chris Cornell (performing as Matt Dylon’s character Cliff Poncier) including an early recording of “Spoon Man.”

Waxwork Records is thrilled to release Monster House Original Motion Picture Soundtrack by Douglas Pipes. This special double LP marks Waxwork's third soundtrack album release with composer Douglas Pipes following 2014's Trick 'r Treat and 2016's Krampus. Monster House is a 2006 animated Horror film directed by Gil Kenan (Scream, Ghostbusters: Afterlife). The plot tells the story of a neighborhood that is terrorized by a haunted house during Halloween. The movie features the voices of Steve Buscemi (Reservoir Dogs), Maggie Gyllenhaal (Donnie Darko, The Secretary), Mitchell Musso (Hannah Montana), Sam Lerner, Spencer Locke, Kevin James (The King of Queens), Nick Cannon, Jason Lee, Fred Willard (Spinal Tap), Jon Heder (Napoleon Dynamite), Catherine O-Hara (Beetlejuice), and Kathleen Turner (Jessica Rabbit in Who Framed Roger Rabbit).

Monster House marks Sony's first computer animated film produced by Sony Pictures Imageworks. Produced by Roger Zemeckis (Back to the Future Trilogy) and Steven Spielberg's Amblin Entertainment, the film was released in 2006 and was met with praise from fans and critics for its blending of horror and accessibility to a broad audience as a feature animated film.

Roger Ebert gave the film his highest ranking of four stars calling it "one of the most original and exciting animated movies I've seen in a long time" and compared it to the work of Tim Burton.

About the composer:

Douglas Pipes is an award winning American film score composer whose feature films include the Academy Award nominated Monster House, the Halloween horror anthology classic Trick 'r Treat, and the Christmas comedy-horror film Krampus.

Waxwork Records is thrilled to release yet another score by Douglas Pipes after the deluxe vinyl releases of the soundtracks to both Trick 'r Treat and Krampus.

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you'd soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon. wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s. wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game's original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven't, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged -and also remixed by cutting edge producers such as Kode9, ?-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette- are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

* In celebration of the program's 25th anniversary * Limited Edition * 2LP Pressed on Gold Vinyl The original anime 'Cowboy Bebop' was broadcast on TV in 1998. The stylish visuals of the animation shocked everyone who saw it, and it became a work that attracted attention not only domestically but also internationally, including a live-action adaptation on Netflix. Along with the visuals, the music by Yoko Kanno has also attracted attention. The first soundtrack 'cowboy BEBOP,' which includes the opening theme song 'Tank!' The music is vast and genre-less, and is highly acclaimed both in Japan and abroad beyond the framework of anime music.

This 1976 Jamaican blaxsploitation soundtrack is a holy grail in the reggae world, original copies are practically non-existent. Composed by MELBA LISTON, reissued for the first time ever on orange vinyl. For fans of HARDER THEY COME, ROCKERS & COUNTRYMAN.

Dust off your hammer - "House Flipper" is back in a brand-new fashion! Buy and renovate run-down houses! Or maybe you want to build new ones? Now you can! Start as a rookie Flipper and make a fortune by helping out the community of the charming town of Pinnacove. It's time get excited! After selling four million copies of part one on Steam alone, "House Flipper 2" has made it into the top 20 of the most-wishlisted games on the platform. But there is another reason for excitement: In time for the game release in December, Black Screen Records, in cooperation with Frozen District, are stoked to announce the vinyl release for the original soundtrack. The LP comes with a special artwork concept following the spirit of "House Flipper 2", featuring a die-cut sleeve with inside print and printed inner-sleeves, so you can see the old house on the cover but a preview of the renovated house through the cut-out.

The world of Mato Anomalies is never peaceful. But before people can fear the inharmonious notes hidden in the corners of the city, the sounds are “corrected” and merged into the central theme by a group of unlikely champions. Will the turmoil and struggles be forgotten along with the memories and emotions that belonged to those who went through it – the sorrow, the hesitation, the resilience, the excitement, and the comfort?

In the city of Mato, such deeds and feelings would only dissipate like smoke. Fortunately, artists from another world discovered this journey and felt compelled to depict it in their fashions. Keith and Noah from ARROWIZ, Rabbit J and Polyblue from Vanguard Sound, as well as RUAN and Mi Jiayu, among others, with their keen musical intuition, infused the emotions and stories of Mato into melodies, making this album an extraordinary adventure. Now, relax your body and mind, open your senses, and indulge in this “Hubbub” once buried in the crowd.

Collaborating with developer Arrowiz Games, A+ Record is proud to present, the best collections of Mato Anomalies original soundtrack is in 1LP 180g silver vinyl, the limited edition release with numbers on the back of the gatefold, comes with a two-sided liner, remaster for vinyl by Joe Caithness.

UpTight is a soundtrack album by Southern soul band Booker T. & the M.G.'s for the film of the same title. The album features "Time Is Tight", the single version of which became a US Top 10 hit and a signature song for the band.

The unique soundtrack created under the direction of an award-winning composer Marcin Przybylowicz (The Witcher 3, Cyberpunk 2077) together with Magdalena Urbanska, Maciej Dobrowolski and Piotr Musial (Frostpunk) features orchestral, classical music accompanying the noir-themed cyberpunk RPG based on Marcin Przybylek's saga. Features many minutes of the original score. The unique collaboration of the mentioned artists results in a great mix of electronic and EDM sounds, resembling Cyberpunk 2077. The classic approach suggested by other artists adds a new system to the futuristic sounds, combining orchestra records with virtually generated layers.

Listen: https://youtu.be/DciM0J2GMhA

2xLP on Psychedelic Blue and Pink vinyl
Featuring Timeless Classics and Mind-Blowing Space Jams, such as “The Banks of the River are Lined with Gold,” “Ode To Lightman” and “The City of Glimmer”
Music by Johnny Galvatron and Josh Abrahams
Album Art by Jim Rugg

Music is the heart and soul of The Artful Escape’s trippy, otherworldly adventure. Developer Beethoven & Dinosaur’s debut title is a deeply personal, reflective work, filtered through the prism of rock ‘n’ roll. The game’s hero, Francis Vendetti, sets off to discover himself through the power of music, embarking on an intergalactic odyssey that transcends space and time.

How could we at iam8bit not work with our pals at publisher Annapurna Interactive and Beethoven & Dinosaur to create a vinyl testament worthy of The Artful Escape’s groovy glamor? It’s a match made in the ziggiest of stardusts.

What we’ve put together here is, if you don’t mind us saying, a doozy. It’s two discs packed with the best of the game’s psychedelic soundtrack, from Josh Abraham and Johnny Galvatron, featuring timeless classics and mind-blowing space jams, such as “The Banks of the River are Lined with Gold,” “Ode To Lightman” and “The City of Glimmer.”

And who else could provide appropriately face-melting album artwork, but the talented and prolific cartoonist/illustrator Jim Rugg? It’s the sounds of The Artful Escape as they were meant to be heard — wait…no, experienced.

Since its creation in 2007, Hifiklub has led more than 150 collaborations which have allowed the Toulon trio to open its music to multiple artistic experiences revealing a constant desire for research and novelty. From unprecedented encounters to unique projects, Hifiklub has developed over the years a now substantial discography whose musical proposals range from pop to jazz through the most experimental sounds and even traditional music. One path, however, remained unexplored: contemporary music."Last Party On Earth" is organized around the association of three energies: contemporary composer Jean-Michel Bossini, singer Duke Garwood and the instrumental ensemble Hifiklub. Surrounded by mysticism and darkness, the creation has cinematographic dimensions. It positions the listener in a depth and disposition of soul where the voice - and the poetry - of Duke Garwood is carried by Hifiklub and Jean-Michel Bossini around cold and tormented atmospheres. The album seduces by the detail of its sounds, its apparent tranquility and its intimate atmospheres thwarted by harsh flashes. Mixed by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven), the album sees the exceptional participation of the string trio Anpapié (Alice Piérot, Fanny Paccoud and Elena Andreyev) who magnificently perform the score by Jean-Michel Bossini. All songs performed by Hifiklub, Duke Garwood and trio Anpapié (conducted by Jean-Michel Bossini)

Widespine Jacket, Black Vinyl. Exit Wounds: The Album is the soundtrack to the Andrzej Bartkowiak 2001 film, Exit Wounds. Executive produced by Barry and Jomo Hankerson, the album features production from a variety of producers including Dame Grease, Irv Gotti, Bud'da, Eric Seats, DJ Paul, Juicy J, The Beat Bullies, & Timbaland. Appearances include Black Child, Drag-On, Ja Rule, Lady Luck, Mack 10, Memphis Bleek, Nas, Redman, Sheek Louch, Styles P, Three 6 Mafia, Trick Daddy, Trina & WC, as well as the film's star, DMX. The album peaked at number 8 on the Bullboard 200 and features the hit single, "No Sunshine."

Widespine Jacket, Black Vinyl. Named by Q Magazine as one of the "5 Best Compilations of 2000," Romeo Must Die: The Album is the soundtrack to the Andrzej Bartkowiak 2000 film, Romeo Must Die. With executive production from Timbaland, Barry Hankerson, Jomo Hankerson and Aaliyah, the film's star, the album features production from Irv Gotti, Rapture Stewart, Ant Banks, Eric Seats, Mannie Fresh and J Dub. Appearances include B.G., Chanté Moore, Dave Hollister, Destiny's Child, Ginuwine, Joe, Lil' Mo, Mack 10, Playa, Stanley Clarke, and Aaliyah, who appears on four songs. The album debuted at number 3 on the Billboard 200 and was certified Platinum shortly after it's release.

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher. Musically all over the place, as you'd expect.

Note: The animated films of this LP can be watched online at kohilarecords.eu/ark

In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.

Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.

Composers: Arvo Pärt, Rein Rannap, Sven Grünberg, Tõnu Aare, Tõnu Naissoo and Olav Ehala

Music taken from the experimental film led by visual artists Mark Pozlep and Maxime Berthou, released in 2023. Compositions by French electronic producer Julien Jabre illustrating the artistic performance of the Franco-Slovenian duo. Julien Jabre’s music intertwines with the film's evocative imagery to portray an America between two crises: the project, which involved descending the Mississippi on board a homemade steamboat, began a few months after one of the largest floods in the United States and ended just a few weeks before the onset of the Covid-19 pandemic and the end of Donald Trump's presidency.

Meditative and crepuscular, Southwind defines a soundscape for indeterminate futures.

AMS Records, in collaboration with Death Waltz and Cinevox Record, are proud to present the first ever vinyl pressing of Nicola Piovani’s Flavia, THE Heretic soundtrack. Housed in a gatefold jacket with spot gloss, this LP is pressed on Mondo exclusive Blood of Christ vinyl with original artwork by Luke Insect and mastering by Claudio Fuiano. 50 years later, Gianfranco Mingozzi’s Flavia, THE Heretic (aka Flavia, LA Monaca Musulmana) remains one of the most lurid and shocking films of the 70s. Composed and conducted by Oscar-winner Nicola Piovani (with vocalism by Edda Dell’Orso), the haunting original score lends a surprising beauty to this nunsploitation classic. Our premiere vinyl re-issue features audio taken directly from the Cinevox archives, including four previously unreleased tracks