Staatsakt Rock & Indie 62 Items

Limited to 200 copies.

12 new songs by Berlin singer-songwriter Katharina Kollmann, which she recorded with her band and choir.

12 new songs about precarity, about necessary solidarity, about clans and necessary shelters.

12 ravishingly good songs that will certainly offer us a good, emotional home.

Staatsakt and HHV proudly present two earlier albums of the great Ja, Panik. Limited to 300 copies on white vinyl, "The Angst & The Money" and the album "The Taste & The Money" is only available at HHV.

Limited to 300 copies on red vinyl. Only at HHV.

Limited to 100 copies, only available from HHV.

"Stoppt den Krieg (Schlagt die Schweine tot?)" is an anti-war song as an "Apocalypse Now" revenant. Kamerun describes the Belizean connoisseur vocabulary of our time (turn of the century) in the guise of those murderous predatory cats from maggot to leopard to puma.

This track wants a different language than that of the warriors and their dashing battle ministers. The music is manic-Prussian Sleaford Mods. In the chorus, Dutch singer Annemaaike Bakker transfigures herself as Zeus' daughter with a killer sample:

I don't talk to presidents anymore / Been diplomatic for so long Will end the palaver now / It's just too erratic for me Accept pacifism yes / Must really emphasize that again But it's fallen out of time / That's why the guns are speaking now. Because Schorsch Kamerun and his record company staatsakt want to continue to believe in the power of armor-free communication, this extra non-defensive protest rap is now available as a musical intervention.

For collectors of anti-war songs, it is also available as a limited vinyl single with an exclusive B-side for dangerous (but loving) salons: "Mitnahmeffekte".

The 7-inch will be released on 02.02.2024.

SAURUS came out as our second album in February 2007. The LP version was issued by Sitzer Records, the CD was released by Virgin/EMI. Rerelease October 2011 on Staatsakt/Rough Trade.
credits
released October 10, 2011

Written, performed and produced by LOCAS IN LOVE.
Björn Sonnenberg, Stefanie Schrank, Jan Niklas Jansen with Maurizio Arca on drums.
Mixed by Peter Katis.

Recorded between July 2005 and September 2006 at Maarweg Studio 2 and in our rehearsal space below by Niklas & Locas In Love, engineers for recording the drums on Sachen, Comandante, Straight and Egal Wie Weit: Alexander Breuer-Roelke and Daniel Klingen.
Horns recorded by Niklas & Locas In Love on May 7 2006 in the kleine Musiksaal of the städtisches Gymnasium Herzogenrath and on Sept. 24 2006 at Maarweg.
Choir for Mabuse recorded on Sept 17 2006 by Wolfgang Stach at Maarweg.
Strings recorded on Sept 19 2006 at Radio Buellebrueck Studio Berlin by Tobias Siebert.
Toy Piano recoded by Peter Katis on October 6 2006 at Tarquin Studios, Bridgeport, CT.
Strings on Honeymoon and horns on Comandante arranged by Peer Göbel.
While recording in the summer of 2005 Jens Bachmann and Arne Denneler were a big help, too.
Malcolm Middleton played and recorded his guitar on Honeymoon at Salvation Studios, Glasgow.

Mixed between Octoober 2. and 11. 2006 by Peter Katis, Tarquin Studios, Bridgeport, CT, Assistant: Greg Giorgio.

Here is a brand new single from the Radikal Guru's 4th studio album 'Beyond The Borders'. 'Do The Right Thing' features italian vocalist Marina P mainly known for her previous works with Mungo's Hi Fi. Her soulful lyrics are touching on social struggles that we are facing today in our communities. On the musical side Radikal Guru comes with meditative basslines, melodic patterns and arrays of echo chambers and 808's. Backed by two roots style vinyl exclusive remixes made by the Guru himself.

Limited to 150 copies. Only at HHV.

“It has not been definitively proved that the language of words is the best possible language” -
Antonin Artaud
If this is your first time to hear about Chuckamuck, there's a good reason for that: This is a reach-out project, beyond the personal and commercial barriers that exist for a European band that sings in their own mother tongue. Language is a tricky business in Rock and Roll, especially for a German band. To resign oneself to sing in English, and be open to the dominant Anglophone music market whilst hoping your tunes resonate with local scenes and fans, not only risks billing a band as less unique, but also denies them the right of native poetry by applying their best-known language to express themselves lyrically. In the greater music market, it has been acceptable to hear German in parodist stereotypes, such as the robotic nature of Kraftwerk or violent sexual imagery of Rammstein, which are consumable for international audiences. However, over the 14 year career of Chuckamuck, their expressions have varied from their teenage years as “punk rock Rimbauds” into teary-eyed mysticism, soulful desire, despotic vexation and much more. And as dedicated artists and lyricists, they have intimately touched their German speaking fans; however due to this language barrier, they have been frustrated to not share the full “Chuckamuck experience” with fans during their European tours with The Black Lips, King Khan and the Shrines, Beatsteaks, Demons Claws and The Strange Boys. As founding member and main crafter of the Chuckamuck world Oska Wald says, “You originally think 'its music, it's going to be understood in any language', but Chuckamuck is so much more than our songs, it's an enterprise of our art, animation, live shows, videos, comic books, an entire world we have produced”. Which brings us to the Language Barrier project: In essence, this extremely ambitious project is a Chuckamuck “Best Of”, with remakes of pearls from different periods of the band since their inception in 2006, translated into 8 languages (Italian, French, Spanish, Swedish, Polish, English, Hebrew and Japanese), recorded by bandmember and songwriter Lorenz with longtime Chuckamuck engineering pals Thomas Götz and Max Power at O'tool Studio. Each song is impressively presented in its own unique video clip, defining the images and moods of the band. The whole project was produced over three years with a great deal of patience and heart. Inspired by the efforts of the Beatles in the 60s, who saw it fit to record awkward versions of their early hits into French and German, as well as the wealth of worldwide 60s bands who recorded pop songs into a “third language” by naively and phonetically singing in English, Chuckamuck wanted to capture this excitement of reaching potential new audiences and actually being understood. Another big influence has been the flawless multilingualism of their Staatsakt labelmates, Stereo Total. A few elements make this project really special. Firstly, as a Berlin band, Chuckamuck employed the
help of their local international family to help with the translations. These world class artists worked together to recreate songs in their own languages, so that the deliveries maintained the life and ingenuity of the original works. These include the sensational Swiss folk musician Melissa Kassab,
renown Swedish comic artist Crippa Almqvist, and Japanese cartoonist and animator SHOXXX. Of particular interest over the record is the transformation of 'Eis Am Stiel', an older Chuckamuck classic, inspired by the joint Israeli-German cult film of the same name. Translated by the bands' newest member, Amit Alcalai of The Gondors, its transition into the original language of the film is notably cultural and impressive. Similarly, the hit "Sayonara" translated makes it sound like the 80s Japanese new wave song it always begged to be and is very addictive. Chuckamuck's anthem to their own ironic ennui of being German and desiring to sound like a 70's Nashville band, 20.000 km performed in French accentuates their honest desire and is incredibly effective. On top off all this, 11 complete music videos have been produced for each song off of this album, all including original hand-drawn animations by award-winning cartoonist Oska Wald. Three weeks after a particularly rough mushroom trip, Oska had a flashback to a moment of intensity and visual disturbance from the trip – and began drawing, plate by plate, the original animations which would continue for three gruelling years to complete these creative masterpieces. Each clip highlights in leitmotifs what each individual member of Chuckamuck brings to their sound and attitude, which is now available for you to explore, as Chuckamuck has so lovingly reached out to you, in your own
language. Do them the favour back of exploring the work of this diverse, energetic, and romantic punk band on the eve of their 14th anniversary!

Indie exclusive!